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Artist | Track | Album | Label | Comments | New | Approx. start time |
---|---|---|---|---|---|---|
Terakaft | Tirera | Kel Tamasheq | World Village | 0:00:00 (Pop-up) | ||
Bombino | Darfuq | Sahel | Partisan Records | 0:05:37 (Pop-up) | ||
Maria Mazzotta | Sula Nu Puei Stare feat Bombino | Onde | Zero Nove Nove | Maria Mazzotta's visceral interpretation meets the electric sounds of Post-Rock, creating an original and profound blend. Onde (Waves), an album in which she has chosen for the first time in her twenty-year career to express the outspoken and vital force of peasant tradition through contemporary instruments with a rural flavor to its essence. | * | 0:11:59 (Pop-up) |
Les Abranis | Therrza Rathwenza | Amazigh freedom rock 1973-1983 | Les Disques Bongo Joe | Les Abranis were the pioneering Algerian band that blended traditional Berber music with western rock, folk, disco, and funk, all the while proudly celebrating their Kabyle heritage and taking the Maghrebi music scene by storm, from Algeria to France, the latter becoming a new creative center for the Kabyle diaspora. | 0:17:23 (Pop-up) | |
Cserepes | This Little Lészped | Pink | Fonó | "This album is the last piece of my "remix" series. With the "remix" method, my goal was to show some great old Hungarian folklore singers to a wider, non-professional audience in archival origins, yet in a novel sound environment." - Cserepes Károly | * | 0:25:21 (Pop-up) |
Fågel Roc | Uti vår hage | Folk | pbpRecords | Fågel Roc – The Band without Borders – plays Swedish Folk Music in a World Wide Way. The 14th album from Fågel Roc. Some new tracks – Some old – Some Medieval, played in the very special Fågel Roc way by The Swedish Band from all over the Planet. | * | 0:29:34 (Pop-up) |
Naaljos Ljom | SkraddarlÜtten | Naaljos Ljom 2 | Motvind Records | Good news for everyone who likes microtonal folk music mixed with electronics and noise! Tenacious Naaljos Ljom follows up their debut record "Naaljos Ljom" (2021) with more of the same – headbanging nods to acid folk, Kraftwerk and Eivind Groven. | 0:33:29 (Pop-up) | |
Frode Fjellheim and Skruk | Elden | Mitt alter er fjellet - Vaerieh mov aalhtarinie | Kirkelig Kulturverksted | Frode Fjellheim and SKRUK have created a vibrant album where Saami music, hymns, church music and Argentine tango meet. | 0:38:00 (Pop-up) | |
El Laberinto Del Coco | Lo Que Te Vuelve Loco (feat. Ama Rios) | El Laberinto Del Coco | Héctor “Coco” Barez is one of the most active Puerto Rican percussionists of his generation. During his extensive career he has had the opportunity to represent the Island in both folkloric and popular music stages. | 0:48:05 (Pop-up) | ||
Ninfa Giannuzzi e Valerio Daniele | Ulisse | Amartìa | desuonatori | Amartìa contains original songs in an ancient and "dead" language, the grico, a minority language from Salento, aiming at the paradox of writing new songs using a dead language, mainly using this language for its musicality and sound. | * | 0:51:47 (Pop-up) |
Eva Väljaots & Robbie Sherratt | Helevalge tuvi | Skylark | Skylark is the debut album of Anglo-Estonian folk duo Eva Väljaots & Robbie Sherratt. It features their own compositions inspired by English and Estonian traditional music and folklore. | * | 0:56:25 (Pop-up) | |
Johanni Curtet | Baavgai Bolokhson | If Only I Could Hibernate Original soundtrack to the film by Zoljargal Purevdas | Buda Musique | This film is a cry from the heart for Mongolia perceived through the harsh daily life of a family in Ulaanbaatar: the abandoned yurt neighborhoods, the daily fight to survive the winter, the pollution of the coldest capital in the world, the question of equal opportunities, but also social issues such as the rural exodus and the gap between the nomadic presence and urban planning. | * | 1:03:28 (Pop-up) |
Saramaccan Sound | Please, Save Me | Where the River Bends Is Only the Beginning | Glitterbeat | Saramaccan Sound (Suriname) are a brother duo – Dwight Sampie and Robert Jabini – who write and perform flowing acoustic songs sung in Saramaccan, the language from the Americas with the most African elements. Their debut album was recorded in situ by Grammy winner Ian Brennan along a remote riverside in the Amazon region of Suriname. | * | 1:09:15 (Pop-up) |
Tomislav Livaja | Skripi djeram momacko kolo | Made in Sarvaš- Music from Eastern Croatia | Antonovka Records / Čto Slyšimo | Tomislav Livaja is a Croatian folklorist, artist and school teacher. He plays many Croatian traditional instruments — flutes, ocarina, bagpipes of various types and the plucked samica. | * | 1:12:55 (Pop-up) |
Pedro Rosa | Com a bola no pé | Midnight Alvorada | ajabu! | The album features a combination of rhythms, such as samba, baião, ijexá, bossa nova and waltz and features the participation of prominent names in Brazilian music, such as Jurandir Santana, Mônica Salmaso, Vanessa Moreno, Zé Luis Nascimento and Ivan Sacerdote. | 1:15:09 (Pop-up) | |
Aguidavi do Jêje | Na Palha do Dendê | Aguidavi do Jêje | Rocinante | Hailing from Bahia, the Afro-percussive group skillfully blends Candomblé rhythms of the Jeje-Mahin nation, creating a percussive ritual that bridges the gap between the past and the present. | * | 1:19:13 (Pop-up) |
Adebukonla Ajao & Her Group | Aboyin Ile | Various Artists: Apala: Apala Groups in Nigeria 1967-1970 | Soul Jazz | * | 1:26:03 (Pop-up) | |
Edgar Gonzalon | Apretaito | Single | 1:31:25 (Pop-up) | |||
Vumbi Dekula | UN Forces (Get Out of the Democratic Republic of Congo) | Congo Guitar | Sing A Song Fighter / Hive Mind Records | At last, Mr Dekula is finally releasing an instrumental solo guitar album after more than 40 years of playing lead guitar in numerous great bands and orchestras. Vumbi, who now lives in Sweden and is one of Europe's greatest ambassadors for Congolese music, has got a special story to tell and he uses his magnificent, infectious guitar playing to do so. | 1:36:08 (Pop-up) | |
Super Biton de Segou | Diarabi Muso | Afro.Jazz.Folk Collection Vol 2 | Mieruba, Deviation Records | The collection includes early and rare 70s recordings by this important Malian orchestra showcasing the diverse musical roots of 1970s Mali, combining Afro-Latin percussion, Mandingo songs, jazzy brass, and funky guitar. | * | 1:39:58 (Pop-up) |
Les Ambassadeurs du Motel de Bamako | Mana Mana | Les Ambassadeurs du Motel de Bamako: Vol. 1 | Syllart / Sterns | 1:45:18 (Pop-up) | ||
Gosti | Slobodno / Choice | A Path to Travel | 1:52:48 (Pop-up) |
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Listener comments!
Luisa24:
TDK60:
Rob Weisberg:
G:
Luisa24:
Luisa24:
Ballpark Frank:
TDK60:
Handy Haversack:
Ken From Hyde Park:
Rob W:
chresti:
Rob W:
Rob W:
Zinn The Mood:
Thanks again for introducing us to them, and back announcing their show.
Think they’ll be coming to Flushing Music Hall in the fall. We’ll be there.
Hey folks!
Crei6hton:
TDK60:
Rob W:
Luisa24:
Rob W:
Chris Hiatt:
p/b:
Luisa24:
chresti:
Toothgrinder Tom:
Listener Bryan (the Professor):
Listener Bryan (the Professor):
northguineahills:
Handy Haversack:
HyperDose:
Listener Bryan (the Professor):
northguineahills:
Chris Hiatt:
northguineahills:
HyperDose:
Listener Bryan (the Professor):
rx "rexy" scabin:
northguineahills:
northguineahills:
northguineahills:
Megaroni:
northguineahills:
Zinn The Mood:
Sort of been made inert by contempt for so much. But mainly my ire, which can tend to overwhelm me and I have to keep in check, is over an inability for folks to rise up against what seems to me like a piling off tinder that keeps getting waaaaay too high for waaaaay too long.
The hurdles are as difficult as ever. Politics and “news” is a complete and utter joke, charade and total distraction. Problem as ever is the masses still are transfixed in their misguided fear, not realizing it’s entertainment programming to appease advertisers. Not at all interested in the Dem/Rep soap opera; the fundamental economic issues are purposefully obscured and ignored for entertainment value and market share.
While all around us, right in our faces, we’re being buried with price-gouging at the grocery stores, high markups at restaurants, cost of living racing sky high, a dystopian world of co-pays, deductibles and minimum account balances.
I guess my only outlet is doing the occasional public rant in a supermarket about the criminal price-gouging that everyone knows is happening but no one seems to want to talk about. “Who’s making the pricing here?” It’s gratifying to watch the knowing heads nod or pass an affirmative comment. These petty bourgeois small business owners/merchants all looking around at each other taking more and more and thinking “why not, if he’s doing it.”
That’s my little release. Hoping somehow others will take it up until we get a Boston Tea Party type resistance or something.
I don’t know, man.
I’ll stop there.
Thanks for letting me rant a little.
Rob W:
Spikey BXL:
headcleaner:
Revolution Rabbit Nov63:
Waking slow & appreciating great musics for it.
coelacanth∅:
Chris Hiatt:
Zinn The Mood:
Connecting with music again has been invigorating. And you folks at FMU have been the best sources.
HyperDose:
Spikey BXL:
Chris Hiatt:
rx "rexy" scabin:
Spikey BXL:
Dug the Mongolian music earlier
Chris Hiatt:
HyperDose:
Spikey BXL:
As said earlier, loved it and went looking.
www.budamusique.com...
Spikey BXL:
Rob W:
Spikey BXL:
Handy Haversack:
Ken From Hyde Park:
slugluv1313:
good morning, Rob! Paradisians!
have been listening, enjoying (just not able to hang out with all the cool kids in the comments)
fantastic show, as always -- thanks so much! 😺😺
HyperDose:
Chris Hiatt:
Thanks, Rob Weisberg! Have great Saturdays, folks.
Rob W:
coelacanth∅:
Listener Bryan (the Professor):
Revolution Rabbit Nov63: