The Stork Club with Stork:
Playlist
from February 25, 2024
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EST)
|
On
WFMU's
Give the Drummer Radio
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February 25, 2024: For Petra
This Sunday, I honor our good friend, who died last week after a long battle: missing her warmth, and her welcoming open heart - Münster is a lonelier place without her. This one's for her, and for her dear Peter.
And we celebrate two birthdays: Maryanne Amacher, an American composer, working in the field of otoacoustic emissions, in which the ears themselves produce audible sound; and the wonderful wonderful Katz - Fred, that is - who was an early exponent of jazz cello.
Listen to this show:
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| NRBQ |
Want You to Feel Good Too
|
Tiddlywinks | Bass, Guitar, Vocals – Joey Spampinato; Drums – Tom Ardolino; Guitar, Vocals – Al Anderson; Piano, Clavinet, Harmonica, Vocals – Terry Adams:; Saxophone [Tenor] – Keith Spring; Trombone [Slide] – Donn Adams - released 1980 |
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| Ruth Brown |
If I Can't Sell It, I'll Keep Sittin' On It
|
Blues On Broadway | Arranged By – Gary McFarland;; Choir – The Howard Reoberts Chorale Drums – Herbie Lovelle; Fender Electric Bass – Chuck Rainey; Guitar – Billy Butler, Eric Gayle; Organ – Richard Tee; Producer – Ben Tucker, Gary McFarland - - Recorded at A&R Studios, New York, August, 1969 |
|
0:04:04 (Pop-up) |
| Jayne Cortez & The Firespitters |
To A Gypsy Cab Man
|
There It Is | Bongos, Bells, Congas – Farel Johnson Jr.; Congas – Abraham Adzinyah; Drums – Denardo Coleman; Electric Bass – Jamaaladeen Tacuma; Guitar – Bern Nix; Producer, Voice [Poetry] – Jayne Cortez; Shenai, Musette, Flute, Flute [Korean Sona] – Bill Cole; Tenor Saxophone – Charles Moffett Jr. - - Recorded July 22, 1982 at O.A.O. Studio, Brooklyn, New York |
|
0:09:26 (Pop-up) |
| Faxed |
Down JT
|
Grotesque Rescue | A mash-up of The Rolling Stones' "Down in the Hole" and The Fall: Impression of J. Temperence. Thank you (or something) to Mike Lupica, for sending this, and for convincing me after 30 years arguing that Emotionall Rescue is NOT a shit album |
|
0:13:47 (Pop-up) |
| Ralf Nowy |
Akili Mali
|
Colours | Composed By, Arranged By, Producer, Saxophone, Flute, Keyboards – Ralf Nowy Guitar – Gustl Lutjens - -recorded studio Huth, Berlon - released 1986 |
|
0:17:40 (Pop-up) |
| Hongkong Syndikat |
Samba Olec
|
Teldec – 6.14235 - A-Side | Gerd Grünberg, Gerd Plez, Hanns Schmidt-Theissen, Hardy Möller. - 1984 |
|
0:20:35 (Pop-up) |
| ALFRED HARTH, Heiner Goebbels |
Uhu
|
Es herrscht Uhu im Land | Christoph Anders voice, guitar, organ; Heiner Goebbels synthesizer, piano, saxophone, voice; Alfred Harth saxophones, bass clarinet, voice; Paul Lovens drums, percussion; Rolf Riehm english horn, alto saxophone, voice; Annemarie Roelofs trombone, violin, voice - - Recorded December 9-11, 1980 at Tonstudio Bauer, Ludwigsburg |
|
0:24:26 (Pop-up) |
| ALFRED HARTH, Heiner Goebbels |
Autobahn
|
Es herrscht Uhu im Land |
|
0:26:18 (Pop-up) | |
| Karl Bartos |
At the Funfair
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The Cabinet of Dr. Caligari | From his home studios in Hamburg.-- released 2024 |
|
0:26:54 (Pop-up) |
| The Walter Wanderley Trio |
O Ganso
|
Cheganca | Bass – José Marino; Drums – Claudio Slon; Organ [Electric] – Walter Wanderley; Percussion – Bobby Rosengarden, Sol Gubin; Producer – Creed Taylor - - Recorded September 15, 1966 in New York |
|
0:29:33 (Pop-up) |
| Wenonah's Holoku Maids with 49th State Hawaiians |
Hookena
|
49th State Hawaii Record Co. – 161 - A-Side | Wenonah's Holoku Maids With The 49th State Hawaiians / Alfred Apaka With Al Kealoha Perry And His Singing Surfriders – Hookena / Farewell Malihini |
|
0:32:20 (Pop-up) |
| DJ sez Welkies | 0:35:13 (Pop-up) | ||||
| Marilyn Mazur & Jan Garbarek |
Clear
|
Elixir | Marimba, Vibraphone [Bowed Vibraphone], Waterphone, Hang Drum [Hang], Bells, Gong [Gongs], Cymbal [Cymbals], Percussion [Magic Drum], Percussion [Log Drum], Bells [Sheep Bells], Cowbell, Udu [Udu Drum], Drums [Various Drums], Percussion [Metal-Utensils] – Marilyn Mazur Tenor Saxophone, Soprano Saxophone, Flute – Jan Garbarek - - Recorded June 2005 Sun Studio, Copenhagen |
|
0:42:53 (Pop-up) |
| Shabaka And The Ancestors |
’Til The Freedom Comes Home
|
We Are Sent Here By History | Mthunzi Mvubu (alto sax), Siyabonga Mthembu (vocals), Ariel Zamonsky (double bass), Gontse Makhene (percussion), and Tumi Mogorosi (drums) — released 2013 |
|
0:45:47 (Pop-up) |
| William Parker & The Little Huey Creative Music Orchestra |
Willows (Can You Give Me Back My Life)
|
Mass For The Healing Of The World | William Parker – bass, pocket cornet • Roy Campbell, Jr., Lewis Barnes, Richard Rodriguez – trumpet • Alex Lodico, Masahiko Kono – trombone • Dave Hofstra – tuba • Assif Tsahar – tenor sax, bass clarinet • Darryl Foster – soprano sax, tenor saxophone • Rob Brown, Marco Eneidi – alto sax • Chris Jonas – soprano sax • Dave Sewelson – baritone sax • Cooper-Moore – piano • Susie Ibarra – drums, timpani • Aleta Heyes – vocals • Recorded May 31, 1998 Teatro Nuovo in Verona, Italy |
|
0:52:50 (Pop-up) |
| Emergency Group |
Wine & Lotto
|
Venal Twin | Robert Boston - Keys; Andreas Brade - Drums; Jonathan Byerley - Guitar; Dave Mandl - Bass - -Recorded at M5 in Brooklyn, NY on January 3rd, 2023 |
|
1:01:20 (Pop-up) |
| Cruel Diagonals |
Reconciliation
|
Fractured Whole | Cruel Diagonals is the multimedia project of vocalist, producer, and visual artist, Megan Mitchell - released 2023 |
|
1:15:41 (Pop-up) |
| Joe McPhee with The Bill Smith Ensemble |
If I Don't Fall
|
Visitation | Joe McPhee - tenor saxophone, soprano saxophone, pocket trumpet, flugelhorn • Bill Smith - soprano saxophone, sopranino saxophone, alto saxophone • David Prentice - violin • David Lee - bass • Richard Barnard - drums • Recorded • November 6, 1983 at McClear Palace Studios, Toronto |
|
1:22:03 (Pop-up) |
| DJ Thataway | 1:27:45 (Pop-up) | ||||
| Maryanne Amacher |
Living Sound, Patent Pending: Music For Sound-Joined Rooms Series [Edit]
|
OHM: The Early Gurus Of Electronic Music (1948-1980) (V/A) | 1980–: Music for Sound-Joined Rooms |
|
1:33:13 (Pop-up) |
| Maryanne Amacher |
Petra
|
Petra | Marianne Schroeder / Stefan Tcherepnin - pianos (recorded 2017, written 1991) |
|
1:40:18 (Pop-up) |
| Maryanne Amacher |
Synaptic Island (excerpt - Tower Meta1s, Feed2 & Muse Orchestra 1)
|
Sound Characters (Making the Third Ear) |
|
2:18:42 (Pop-up) | |
| DJ Ear-Swab | 2:27:16 (Pop-up) | ||||
| Fred Katz |
Time After Time
|
Soulo Cello | Alto Saxophone – Buddy Collette, Paul Horn; Bass – Harold Gaylor; Cello – Fred Katz; Flute – Harry Klee, Bill Green; Guitar – John Pisano; Piano – (John) Calvin Jackson - - released 1958 |
|
2:34:33 (Pop-up) |
| Chico Hamilton |
Classical Katz
|
Fred Katz With Paul Horn And The Chico Hamilton Quintet – Zen: The Music Of Fred Katz | Bass – Carson Smith; Cello – Fred Katz; Drums – Chico Hamilton; Guitar – John Pisano; Piccolo Flute, Flute, Clarinet, Alto Saxophone – Paul Horn - - released 1957 |
|
2:38:25 (Pop-up) |
| Chico Hamilton |
Modes
|
With Strings Attached | Chico Hamilton - drums, percussion • Eric Dolphy - alto saxophone • Nathan Gershman - cello • Dennis Budimir - guitar • Wyatt Ruther - bass • unidentified string section arranged and conducted by Fred Katz Recorded: October 26 & 27, 1958 Los Angeles, CA |
|
2:41:22 (Pop-up) |
| Dorothy Ashby |
For Some We Loved
|
The Rubaiyat of Dorothy Ashby | Dorothy Ashby – harp, koto, vocals • Lenny Druss – flute, oboe, piccolo flute • Fred Katz – kalimba • Ed Green – violin • Unidentified orchestra arranged and conducted by Richard Evans • Original compositions inspired by the words of Omar Khayyam, arranged and conducted by Richard Evans • Recorded at Ter-Mar Studios, Chicago, November 1969 - January 1970 |
|
2:47:58 (Pop-up) |
| Fred Katz |
Satori
|
Soulo Cello | Bass – Harold Gaylor; Cello – Fred Katz; Flute, Clarinet – Paul Horn; Guitar – John Pisano; Harp – Ann Mason Stockton; Piano – (John) Calvin Jackson - - |
|
2:52:02 (Pop-up) |
| DJ Bye the Bye Bye | 2:55:46 (Pop-up) |
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Listener comments!
love2laf:
Stork:
Revolution Rabbit Nov63:
⦿Sun in ♓︎Pisces, Year of Earth 🐅Tiger
' Maryanne Amacher (February 25, 1938 – October 22, 2009) was an American composer and installation artist. She is known for working extensively with a family of psychoacoustic phenomena called auditory distortion products (also known as distortion product otoacoustic emissions and combination tones), in which the ears themselves produce audible sound. '
⦿Sun in ♓︎Pisces, Year of Earth 🐏Sheep ~ Goat ~ Ram
' Frederick Katz (February 25, 1919 – September 7, 2013) was an American cellist and composer. He was among the earliest jazz musicians to establish the cello as a viable improvising solo instrument. Katz has been described in CODA magazine as "the first real jazz cellist." '
Stork:
tom tom the pipers son:
Stork:
tom tom the pipers son:
Stork:
Wendy del Formaggio:
<3
Sean in Bristol UK:
Stork:
Stork:
doctorjazz:
Jeff Golick:
doctorjazz:
spodiodi:
Stork:
Stork:
spodiodi:
Wendy del Formaggio:
Stork:
Stork:
Stork:
tom tom the pipers son:
Jeff Golick:
Revolution Rabbit Nov63:
chresti:
Stork:
tom tom the pipers son:
Jeff Moore:
Stork:
tom tom the pipers son:
Wendy del Formaggio:
Stork:
Wendy del Formaggio:
Wendy del Formaggio:
spodiodi:
Andrew in Toronto:
Andrew in Toronto:
Revolution Rabbit Nov63:
'Technique is just a way of arriving @ a Statement.'
- Pollack
...To which I amend :
1.) Does it - in fact - arrive ? (Did it work.)
2.) What is the Statement ? (Is it Relevant.)
Revolution Rabbit Nov63:
chresti:
Stork:
zzz:
Shabaka is so good
Alex from Media:
Stork:
jimbrux:
Stork:
jimbrux:
Stork:
doctorjazz:
zzz:
That tribute to Pharoah must have been sweet. James Brandon Lewis was also playing in a tribute to Pharoah in the Harvest Time project. JBL another electrifying player!!
doctorjazz:
tom tom the pipers son:
coelacanth∅:
my condolences to you and all who knew your friend Petra.
may she rest in peace now.
Stork:
Jeff Golick:
Stork:
zzz:
Wendy del Formaggio:
Wendy del Formaggio:
rw:
rw:
Stork:
Stork:
Stork:
David (in London):
Evening Stork and assembled Club goers.
Revolution Rabbit Nov63:
(...Whut ??...)
In my 'Maths' - that's maybe where the 'Relevant' algebra some in to represent. (i.e. : ...what does *that* mean - ?? :D ...)
...the danger I often think with Algebra being that as your Equations become Formulas & always longer - you can forget what real Quantity any Letter was supposed to be standing for in there - &/or why. (What happened with, say, Terence McKenna's 'TimeWave' trip, ferinstance...)
But I digress. (Cause I can I suppose...)
tom tom the pipers son:
Jeff Moore:
Revolution Rabbit Nov63:
...anyway...
Stork:
Revolution Rabbit Nov63:
@ least - that's def part of it.
Jeff Moore:
Does anyone else here absolutely insist on pronouncing "Motörhead" exactly as written?
I'm lucky I don't have friends who are huge serious fans of that band, or I'd have been punched right in my pursed lips while pronouncing the ö by now.
Jeff Moore:
Revolution Rabbit Nov63:
tom tom the pipers son:
Jeff Moore:
David (in London):
Tom, Wendles, rw, Rev D, Doc, Coela: hello all.
tom tom the pipers son:
Revolution Rabbit Nov63:
...Which (the pronunciation as technically diacritically indicated) is how ?
Revolution Rabbit Nov63:
tom tom the pipers son:
David (in London):
tom tom the pipers son:
Wendy del Formaggio:
tom tom the pipers son:
Jeff Moore:
(similar to that vowel as found in schön)
www.howtopronounce.com...
Wendy del Formaggio:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
...time to get nekkid & dance...
tom tom the pipers son:
David (in London):
Stork:
Stork:
tom tom the pipers son:
Revolution Rabbit Nov63:
fred:
WR:
tom tom the pipers son:
fred:
tom tom the pipers son:
Stork:
fred:
doctorjazz:
fred:
It worked
tom tom the pipers son:
Revolution Rabbit Nov63:
tom tom the pipers son:
tom tom the pipers son:
Revolution Rabbit Nov63:
adamdoesit:
fred:
tom tom the pipers son:
fred:
David (in London):
tom tom the pipers son:
David (in London):
chresti:
PaulRobeson1924:
Music do ya
fred:
PaulRobeson1924:
tom tom the pipers son:
PaulRobeson1924:
adamdoesit:
tom tom the pipers son:
tom tom the pipers son:
Stork:
PaulRobeson1924:
Stork:
PaulRobeson1924:
tom tom the pipers son:
David (in London):
A squeegee for me please. Don’t want to ruin my cowl.
Chrestikins!
PaulRobeson1924:
Many roads must a man walk down…
fred:
Brian in UK:
doctorjazz:
coelacanth∅:
Stork:
Stork:
Stork:
fred:
Jeff Moore:
It makes excellent technical sense to prefer headphones (as transducers they're capable of delivering a frequency response and low distortion level most speakers don't even dare dream of) – and on top of that, I have some unreasonably good headphones right here – but in general I just prefer listening to music via loudspeakers. Huh.
Stork:
Stork:
doctorjazz:
fred:
Stork:
Stork:
Jeff Moore:
Jeff Moore:
BenZ WPB:
doctorjazz:
Stork:
fred:
adamdoesit:
von schleppendorf:
tom tom the pipers son:
fred:
chresti:
Revolution Rabbit Nov63:
LadyChanticleer:
spodiodi:
WR: