The Stork Club with Stork:
Playlist
from April 21, 2024
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EST)
|
On
WFMU's
Give the Drummer Radio
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April 21, 2024: Peter von Wuppertal, with a coda from El Skid
Remembering the great free jazz German bass and tuba player Peter Kowald on his 80th, and a brief salute to London's fine reed player Alan Skidmore, today celebrating #81
Listen to this show:
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Marion Brown Peter Kowald Sven Åke Johansson |
Cubic
|
Baden-Baden Free Jazz Meeting And More1967 | Marion Brown as; Peter Kowald b; Sven Åke Johansson d. - - December 16-18, 1967 ñ Baden-Baden (G), SWF-Musik-Studio (Studios des Südwestfunks) |
|
0:00:00 (Pop-up) |
| DJ-'n | (Listen: Pop-up) | 0:05:00 (Pop-up) | |||
| Peter Kowald |
Side B
|
Bass Solo (Central Michigan U. 2000) | Recorded live at the Central Michigan University, Mt. Pleasant, USA on May 17, 2000 |
|
0:08:21 (Pop-up) |
| Bill Dixon |
Points
|
Thoughts | Bill Dixon - trumpet, flugelhorn, piano • John Buckingham - tuba • Marco Eneidi - alto saxophone • Peter Kowald, William Parker, Mario Pavone - bass • Lawrence Cook - drums • Recorded May 16, 1985 Paul Robeson House - Bennington College, Bennington, VT |
|
0:31:39 (Pop-up) |
| Peter Kowald with Jeanne Lee |
In These Last Days
|
Duos: Europa . America . Japan | Voice, Music, Lyrics - – Jeanne Lee Recorded 19. April 1988 in New York |
|
0:39:30 (Pop-up) |
| Peter Kowald · Wadada Leo Smith · Günter Sommer |
Ein Stück Über Dem Boden
|
Touch the Earth - Break the Shells | Artwork – Peter Kowald; Double Bass – Peter Kowald; Drums, Percussion, Bells, Pipe [Organ Pipes] – Günter Sommer; Trumpet, Flugelhorn, Mbira [African Thumb Piano], Flute – Wadada Leo Smith - - Recorded live at the "Flöz" in Berlin on January 29th, 1981 |
|
0:43:21 (Pop-up) |
| Peter Kowald/Kent Kessler/Fred Lonberg-Holm |
Miniature 1
|
Flats Fixed | Bass – Kent Kessler; Peter Kowald; Cello – Fred Lonberg-Holm - - Recorded at WNUR Studios, Evanston, Illinois, September 24, 1998 |
|
0:47:15 (Pop-up) |
| Keith Tippett's Ark |
Frames, Part 2
|
Frames: Music For An Imaginary Film | Keith Tippett - Piano, Harmonium Stan Tracey - Piano Elton Dean - Alto Sax, Saxello Trevor Watts - Tenor & Soprano Saxes, Alto Flute Larry Stabbins - Tenor & Soprano Saxes, Flute Mark Charig - Trumpet, Small Trumpet, Tenor Horn, Kenyan Thumb Piano Henry Lowther - Trumpet Dave Amis - Trombone Nick Evans - Trombone Maggie Nicols - Voice Julie Tippett - Voice Steve Levine - Violin Rod Skeaping - Violin Phil Waschmann - Electric Violin, Violin Geoffry Wharton - Violin Alexandra Robinson - Cello Tim Kramer - Cello Peter Kowald - Bass, Tuba Harry Miller - Bass Louis Moholo - Drums Frank Perry - Percussion Recorded 22, 23 & 24 May 1978 at Wessex Studios, London N5 |
|
0:48:09 (Pop-up) |
| Julius Hemphill, Peter Kowald |
Duo I
|
Live At Kassiopeia | Bass – Peter Kowald; Soprano Saxophone, Alto Saxophone – Julius Hemphill - - Recorded 8th January, 1987 at Kassiopeia, Wuppertal |
|
1:07:30 (Pop-up) |
| DJ | (Listen: Pop-up) | Later today on DJ Peter and the Laughing Clock: a set of Earth Day themed tracks planned,; Dutch Jazz Scene program of Misha Mengelberg’s compositions, and remembrances of Michael Cuscuna, who just passed away. | 1:14:55 (Pop-up) | ||
| The Peter Brötzmann Octet |
Responsible (2nd take)
|
Machine Gun | Peter Brötzmann (tenor and baritone saxophones) • Evan Parker (saxophone) • Willem Breuker (reeds) • Peter Kowald (bass) • Buschi Niebergall (bass) • Sven-Åke Johansson (drums) • Han Bennink (drums) • Fred Van Hove (piano) Recorded May 1968 at the "Lila Eule" in Bremen |
|
1:22:05 (Pop-up) |
| Globe Unity |
Improvisation 2
|
Improvisation | GERD DUDEK soprano saxophone, tenor saxophone, flute PAUL LOVENS drums GÜNTHER CHRISTMANN trombone PAUL RUTHERFORD trombone TRISTAN HONSINGER cello PETER KOWALD bass, tuba KENNY WHEELER trumpet EVAN PARKER soprano saxophone, tenor saxophone ALBERT MANGELSDORFF trombone PETER BRÖTZMANN alto saxophone, tenor saxophone, bass clarinet BUSCHI NIEBERGALL bass MICHEL PILZ bass clarinet MANFRED SCHOOF trumpet DEREK BAILEY guitar ALEXANDER VON SCHLIPPENBACH piano - - Recorded September 1977 at Tonstudio Bauer, Ludwigsburg |
|
1:30:21 (Pop-up) |
| Peter Kowald |
The Further Float
|
Duos: Europa . America . Japan | Music By – Kowald, Sawai Koto – Tadao Sawai - -Recorded 23. October 1986 in Tokyo |
|
1:36:51 (Pop-up) |
| Peter Kowald · Wadada Leo Smith · Günter Sommer |
Rastafari in the Universe
|
Touch the Earth - Break the Shells | Artwork – Peter Kowald; Double Bass – Peter Kowald; Drums, Percussion, Bells, Pipe [Organ Pipes] – Günter Sommer; Trumpet, Flugelhorn, Mbira [African Thumb Piano], Flute – Wadada Leo Smith - - Recorded live at the "Flöz" in Berlin on January 29th, 1981 |
|
1:41:11 (Pop-up) |
| Peter Kowald/Kent Kessler/Fred Lonberg-Holm |
Miniature 6
|
Flats Fixed | Bass – Kent Kessler; Peter Kowald; Cello – Fred Lonberg-Holm - - Recorded at WNUR Studios, Evanston, Illinois, September 24, 1998 |
|
1:53:09 (Pop-up) |
| Peter Kowald / Diamanda Galás |
Throat I
|
Duos: Europa . America . Japan | Lyrics By – Galas Music By – Galas, Kowald Voice – Diamanda Galas - - Recorded 12. March 1986 in Berlin |
|
1:55:27 (Pop-up) |
| Peret Kowald Peter Jacquemyn |
Encounter II
|
Deep Music | Composed By, Double Bass – Peter Jacquemyn, Peter Kowald - - August 2001 at WIM festival, Antwerp |
|
2:00:10 (Pop-up) |
| DJ Base Fool | 2:29:08 (Pop-up) | ||||
| Alan Skidmore |
T.C.B.
(Listen:
Pop-up)
|
TCB | Bass – Chris Lawrence; Drums – Tony Levin; Piano, Electric Piano – John Taylor; Saxophone – John Surman, Mike Osborne Tenor Saxophone – Alan Skidmore; Trombone – Malcom Griffiths - Recorded 21st October, 1970 at Philips Studio, London |
|
2:33:36 (Pop-up) |
| Mike Westbrook |
Prelude
|
Marching Song, Vol.2 | Alto Saxophone, Baritone Saxophone, Flute – John Warren :::::Alto Saxophone, Clarinet – Mike Osborne :::::Baritone Saxophone, Soprano Saxophone – John Surman :::::Bass – Barre Phillips, Chris Laurence, Harry Miller :::::Directed By– Eddie Harvey, John Surman, Mike Westbrook :::::Drums – Alan Jackson, John Marshall :::::French Horn – Tom Bennelick :::::Piano – Mike Westbrook :::::Tenor Saxophone – Brian Smith, Nisar Ahmed Khan :::::Tenor Saxophone, Flute – Alan Skidmore :::::Trombone – Eddie Harvey, Malcolm Griffiths, Michael Gibbs, Paul Rutherford :::::Trumpet – Greg Bowen, Henry Lowther, Ronnie Hughes, Tony Fisher :::::Trumpet, Flugelhorn – Dave Holdsworth, Kenny Wheeler :::::Tuba – George Smith, Martin Fry - - - Recording Dates: 31/3/1969, 1/4/1969 and 10/4/1969 |
|
2:42:20 (Pop-up) |
| The Walker Brothers |
Fat Mama Kick
|
Nite Flights | Bass – Mo Foster >>>Drums – Frank Gibson >>>Guitar – Jim Sullivan >>>>Keyboards – Dave MacRae >>>Tenor Saxophone [Solo] – Alan Skidmore >>>>Vocals – John Walker, Scott Walker - - recorded in February 1978 at Scorpio Sound in London. |
|
2:46:58 (Pop-up) |
| Chris McGregor's Brotherhood of Breath |
The Bride
|
Brotherhood of Breath | CHRIS McGREGOR piano §§§MALCOLM GRIFFITHS trombone §§§NICK EVANS trombone §§§MONGEZI FEZA pocket trumpet, indian flute §§§MARK CHARIG cornet §§§HARRY BECKETT trumpet Flute [Indian] – Mongezi Feza §§§ALAN SKIDMORE tenor and soprano saxophone §§§HARRY MILLER bass §§§LOUIS MOHOLO drums, percussion §§§MIKE OSBORNE alto saxophone, clarinet §§§JOHN SURMAN baritone and soprano saxophone §§§Alto Saxophone – Dudu Pukwana - -1971 |
|
2:49:46 (Pop-up) |
| DJ skids out | 2:57:19 (Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
' Peter Kowald (21 April 1944 – 21 September 2002) was a German free jazz and free improvising double bassist and tubist.A member of the Globe Unity Orchestra, and a touring double-bass player, Kowald collaborated with many European free jazz and American free-jazz players during his career, including Peter Brötzmann, Irène Schweizer, Karl Berger, Fred Anderson, Hamid Drake, Karl E. H. Seigfried, Conny Bauer, Jeffrey Morgan, Wadada Leo Smith, Günter Sommer, William Parker, Barre Phillips, Joëlle Léandre, Alfred Harth, Lauren Newton and Evan Parker. He also recorded a number of solo double-bass albums, and was a member of the London Jazz Composer's Orchestra until 1985. He also recorded a number of pioneering double bass duets with Maarten Altena, Barry Guy, Joëlle Léandre, Barre Phillips, William Parker, Damon Smith and Peter Jacquemyn.
In addition, Kowald collaborated extensively with poets and artists and with the dancers Gerlinde Lambeck, Anne Martin (formerly of Pina Bausch Ensemble), Tadashi Endo, Patricia Parker (founder of the Vision Festival), Maria Mitchell, Sally Silvers, Cheryl Banks (formerly of Sun Ra's Arkestra), Arnette de Mille, Sayonara Pereira, and Kazuo Ohno. Specific works included Die Klage der Kaiserin (1989) with Pina Bausch, short pieces (since 1989) with Jean Sasportes, The spirit of adventure (1990) with Anastasia Lyra, Wasser in der Hand (1990/91) with Christine Brunel, and Futan no sentaku/The burden of choice (1990/91) with Min Tanaka and Butch Morris.
Besides his duo work with singers such as Jeanne Lee, Diamanda Galás, Anna Homler or Sainkho Namtchylak, Peter was especially interested in his international improvising ensemble Global Village with musicians from different cultural regions of the world: China, Japan, Near East, South Europe, North and South America.
He died of a heart attack in New York City in 2002. '
⦿Sun in ♉︎Taurus, Year of Water 🐎Horse
' Alan Richard James Skidmore (born 21 April 1942) is an English jazz tenor saxophonist, and the son of saxophonist Jimmy Skidmore.He was born in London, England. Skidmore began his professional career in his teens, and early in his career he toured with comedian Tony Hancock. In the 1960s, he began frequently appearing with the BBC Radio Big Band, then worked with Alexis Korner, John Mayall, and Ronnie Scott. Commissioned by the BBC in order to represent the UK at the Montreaux Jazz Festival, Skidmore formed a group with Harry Miller, Tony Oxley, John Taylor, and Kenny Wheeler. This group won three of six awards at Montreaux, following which Skidmore was invited to record an album of the group's performances, forming the basis for Once Upon a Time. In the early 1970s, he started a saxophone-only band with John Surman and Mike Osborne. He has also worked with Mose Allison, Kate Bush, Elton Dean, Georgie Fame, Mike Gibbs, George Gruntz, Elvin Jones, Van Morrison, Stan Tracey, Charlie Watts, and Mike Westbrook. '
love2laf:
Happy to be in the Stork club, and I'm damn well wearing pants! Hello fellow water birds, happy Sunday to you all!
listener james from westwood:
Stork:
Sem:
fred:
Yvang:
NotARealDoctor in Norfolk VA:
bobob plasticland:
Stork:
Yvang:
Stork:
Stork:
DJ Peter:
Andrew in Toronto:
Sem:
And, no, Glen Passaic is not a New Jersey Devil's goalie.
Andrew in Toronto:
Sem:
NotARealDoctor in Norfolk VA:
Andrew in Toronto:
fred:
doctorjazz:
Glen Passaic all around!
Sem:
DJ Peter:
Sem:
love2laf:
doctorjazz:
NotARealDoctor in Norfolk VA:
tom tom the pipers son:
NotARealDoctor in Norfolk VA:
Jeff Golick:
doctorjazz:
Stork:
Michael 98145:
Stork:
Franco Twinkie:
love2laf:
@doctorjazz cheers! For squeezing there's the potato ricer if you have one, or if you have a colander that a bowl fits tightly into that also works well.
Dean:
Stork:
Dean:
Andrew in Toronto:
NotARealDoctor in Norfolk VA:
Stork:
chresti:
Dean:
Stork:
Dean:
spodiodi:
NotARealDoctor in Norfolk VA:
Stork:
tom tom the pipers son:
Stork:
Dean:
I am convinced that the daughter was not interested in conning anybody at the time, but the mom--a doctor--felt duped. It's a fun family dynamic thing. From where I stood, on the sideline and without any medical training, it sure looked pretty bad, the arm dangling, any movement a source of pain.
tom tom the pipers son:
Dean:
chresti:
Stork:
Dean:
The opposite, chresti? You broke the handlebar?
Stork:
Stork:
doctorjazz:
Dean:
The shriek Léandre omits in her recording of Scelsi's Maknongan is chilling. Akin to Ben Bagby's performance as the Devil in Sequentia's first recording of Hildegard's Ordo Virtutum. Both scare the number 2 out of me.
Dean:
Freudian, I tell ya.
Stork:
Dean:
Dean:
Stork:
doctorjazz:
Stork:
Dean:
chresti:
NotARealDoctor in Norfolk VA:
Dean:
Not counting car accidents, I can think of only two serious-ish injuries I've experienced. One was while I was doing some gardening at a neighbor's house. I was in my 'teens, and I was using an electric hedge trimmer to trim ivy. Consequently, I didn't see the shuttling blades as I reached into the ivy to grab lower stems. Ow. Oops. Fingertip was not fully detached, but to this day it's numb.
Second one was when I was about 5. I was entirely confident that I knew my way around the house in the dark, so I closed my eyes and ran like hell until the corner of a wall halted my marathon. Gushing blood, freaked out mom, ER. I think I still do stupid stuff like that, albeit more suited to an adult.
chresti:
NotARealDoctor in Norfolk VA:
Stork:
Revolution Rabbit Nov63:
Dean:
Wendy del Formaggio:
doctorjazz:
love2laf:
Wendy del Formaggio:
Stork:
NotARealDoctor in Norfolk VA:
Dean:
Stork:
fred:
Michael 98145:
chresti:
doctorjazz:
Stork:
Wendy del Formaggio:
NotARealDoctor in Norfolk VA:
Stork:
fred:
doctorjazz:
rw:
NotARealDoctor in Norfolk VA:
imgur.com...
Dean:
So, chresti, you had ambitions at some point? I did theater as a kid and into college. Would love to do it again, but I think I have acquired stage fright over the years.
rw:
Stork:
Dean:
Das Flöz war Jazzkeller, Kneipe und Programmlokal in einem. 1976 hat der 1950 in Bottrop geborene Musiker Franz de Byl das Lokal gegründet. Aus seiner Heimat war ihm der Begriff Flöz aus dem Bergbau vertraut, und wer sich hier ein Jazzkonzert anhören wollte, der musste über eine enge Treppe in den Keller hinunter steigen. Man fühlte sich dann schon ein wenig wie im Bergwerksstollen.
Das Flöz ging 2005 in Konkurs. Franz de Byl hat jetzt eine private kleine Musikschule in der Goethestraße 16a in Charlottenburg gegründet.
Stork:
Dean:
rw:
fred:
You must be tired being asked about it
Stork:
Dean:
chresti:
Stork:
Stork:
NotARealDoctor in Norfolk VA:
Stork:
fred:
Stork:
Dean:
Stork:
WR:
Hello Stork and folks.
Stork:
Dean:
love2laf:
Wendy del Formaggio:
rw:
Stork:
doctorjazz:
Wendy del Formaggio:
Wendy del Formaggio:
Revolution Rabbit Nov63:
...who played Free & refused to just pluck it...
Dean:
He took up instead clarinet
But could neither blow nor suck it.
Stork:
Sem:
Dean:
Stork:
Sem:
Dean:
Doesn't fit the meter
...rhymes!
WR:
NotARealDoctor in Norfolk VA:
tom tom the pipers son:
whose wife didn't like
so he snuck it
when he got caught
no lesson was taught
so he just kept on blowin' it
tom tom the pipers son:
Dean:
DJ Peter:
rw:
tom tom the pipers son:
rw:
Dean:
Stork:
Stork:
rw:
fred:
Now it takes reservation to get to her place, months to have her do it. She's one of the ten highest ranked tea masters worldwide, the first woman to reach that rank. I was spoiled
Dean:
From the land of whisky and loam
It's supposed to insinuate
And tickle and titillate
Eh, fuck it, I prefer free verse
tom tom the pipers son:
Dean:
https://shorturl.at/fkmDO
Wayne Shorter, Dexter Gordon, Michael Cuscuna, Billy Higgins, Herbie Hancock, Palle Mikkelborg (or Mads Vinding) and Ron Carter. Studio Davout in Paris, 1985 during the making of ‘Round Midnight. (photo courtesy Michael Cuscuna)
tom tom the pipers son:
NotARealDoctor in Norfolk VA:
Revolution Rabbit Nov63:
Think I'll crush a JetAlert caffeine tab into my DeathWish Koffeez...
Stork:
Revolution Rabbit Nov63:
tom tom the pipers son:
Revolution Rabbit Nov63:
fred:
tom tom the pipers son:
tom tom the pipers son:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
But intimate with a World TeaMaster is another thing.
Stork:
tom tom the pipers son:
Michael 98145:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
tom tom the pipers son:
Revolution Rabbit Nov63:
adamdoesit:
chresti:
Stork:
Michael 98145:
Revolution Rabbit Nov63:
...anyway - my parameters widened & deepened a little maybe. Or ....one realizes more upfront that they were...
tom tom the pipers son:
Revolution Rabbit Nov63:
chresti:
Dean:
My first visit to Paris involved finding the offices of the early music ensemble Les Arts Florissants. Once I arrived, they brought in lunch for me and let me attend a rehearsal by another early music group, the Trio Louis Lande. Later, I traveled with LAF to Lyons via TGV and on to Ambronay by bus. Happy times.
Sem:
tom tom the pipers son:
Revolution Rabbit Nov63:
chresti:
Revolution Rabbit Nov63:
adamdoesit:
I'm a Centre Pompidou fan, too. Got a couple magnets from there on the fridge. I try not to take it too far, though. Wouldn't want to be thought a Pompidouche.
chresti:
Revolution Rabbit Nov63:
Sem:
Revolution Rabbit Nov63:
chresti:
Dean:
Sem:
Revolution Rabbit Nov63:
chresti:
Sem:
Stork:
doctorjazz:
cooking.nytimes.com...
Sem:
fred:
adamdoesit:
Stork:
Michael 98145:
Revolution Rabbit Nov63:
tom tom the pipers son:
adamdoesit:
doctorjazz:
Stork:
Stork:
tom tom the pipers son:
Revolution Rabbit Nov63:
...& depending on the milieu - perhaps a friend's wife...
PaulRobeson1924:
doctorjazz:
Stork:
Michael 98145:
doctorjazz:
www.mosaicrecords.com...
doctorjazz:
doctorjazz:
chresti:
Michael 98145:
Stork:
Revolution Rabbit Nov63:
tom tom the pipers son:
Stork:
Michael 98145:
adamdoesit:
Michael 98145:
tom tom the pipers son:
doctorjazz:
doctorjazz:
Stork:
Mike Cooper:
Stork:
PaulRobeson1924:
There'll be time to melt it down
See what your tests of fire prove
Right now I can hardly move
Sem:
tom tom the pipers son:
which you take each day so you can eat more
your cholestrol goes down
your belly gets round
big pharma creates an uproar
doctorjazz:
Stork:
doctorjazz:
Revolution Rabbit Nov63:
No seriously the whole first part of Sunday is all about you & DJ JeffG being here. Appreciated.
WR:
Michael 98145:
fred:
doctorjazz:
Michael 98145:
tom tom the pipers son:
doctorjazz:
tom tom the pipers son:
chresti: