Why Do We Only Listen to Dead People? with Carol Gimbel and Cullan Bryant:
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from June 30, 2024
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From the most profound classical music recordings ever made, to genres and musical perspectives from around the globe, talk on music, art and recordings that changed our lives and the world around us. Tune-in as we explore why we only listen to "dead" people, and what is "alive" in music today. Special guests, call-ins welcome.
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Pop-up player!| Artist | Track | Album | Label | Year | Comments | Approx. start time |
|---|---|---|---|---|---|---|
| Ethel Merman · Ray Middleton |
Anything You Can Do by Betty Hutton
|
Annie Get Your Gun | Decca Music Group Limited | 1946 | 0:00:00 (Pop-up) | |
| Leonard Bernstein & Boston Symphony |
Benjamin Britten: Four Sea Interludes from Peter Grimes, Op. 33a: III. Moonlight
|
DGG | 0:10:21 (Pop-up) | |||
| Percussion Ensemble Mainz |
John Cage: Credo in Us
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John Cage: Music for Percussion Quartet | Col Legno | 1998 | 0:14:47 (Pop-up) | |
| Boris Berman |
Prokofieff Four Études, Op. 2: No. 4 in C Minor. Presto energico
|
Complete Piano Music Vol. 8 | Chandos Records | 1993 | 0:40:07 (Pop-up) | |
| Quartetto Italiano |
Beethoven: String Quartet No. 10 in E flat, Op. 74 - "Harp" - 3. Presto
|
Beethoven: The Middle Quartets | Philips Classics | 1971 | 0:40:38 (Pop-up) | |
| Sviatoslav Richter |
Beethoven: Bagatelle Op. 126: No. 4 in B Minor
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Praga | 1975 | 0:46:02 (Pop-up) | ||
| Glenn Gould |
Beethoven: Bagatelle Op. 126: No. 4 in B Minor
|
Sony Classical | 1975 | 0:49:19 (Pop-up) | ||
| Art Tatum |
A. Dvorak: Humoresque
|
Art Tatum Solo Masterpieces Vol. 7 | 1953 | 0:54:27 (Pop-up) | ||
| Mac Lethal |
Incredible Mozart Rap
|
1:03:17 (Pop-up) | ||||
| Martin Mull |
Hors d'Oeuvre
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Martin Mull: Hors d'Oeuvre | Capricorn Records | 1972 | 1:09:27 (Pop-up) | |
| Alain Kremski, piano |
Prière
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Gurdjieff / De Hartmann: Rituel D'Un Ordre Soufi | Auvidis Valois | 1990 | 1:14:04 (Pop-up) | |
| Emil Gilels |
Domenico Scarlatti: Sonata in B Minor, L. 449 (K. 27)
|
Emil Gilels, piano : Scarlatti • Debussy • Schumann | Ermitage Records | 2023 | 1:16:20 (Pop-up) | |
| Arturo Benedetti Michelangeli |
Scarlatti - Sonata in B minor k27 Op 449
|
Television Broadast | 1:21:03 (Pop-up) | |||
| Emil Gilels |
Prelude in B minor (Bach / Siloti)
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Live from the legendary recital at the Great Hall of the Moscow Conservatory | 1:24:48 (Pop-up) | |||
| Pau Casals |
Song of the Birds
|
1971 | with talk by Pau Casals | 1:27:11 (Pop-up) | ||
| Philip Glass Ensemble |
Koyaanisqatsi
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Koyaanisqatsi: Complete original soundtrack | Island Records | 1983 | Original music composed by Philip Glass | 1:31:38 (Pop-up) |
| Yuri Bashmet and the Moscow Soloists |
Paul Hindemith Trauermusik: I. Langsam
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Yuri Bashmet - The Complete RCA Recordings | Sony Music Entertainment | 2016 | 1:34:57 (Pop-up) | |
| Musica Reservata of London |
Ghaetta - Anon. Italian
|
Musik fur Kirche und Kneipe | Philips | 1:48:13 (Pop-up) | ||
| Musica Reservata of London |
Ghirardello da Firenze: Tosto che 'alba
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Musik fur Kirche und Kneipe | Philips | 1:51:55 (Pop-up) | ||
| Apocalyptica featuring Nina Hagen |
Seemann
|
Reflections - Revised | OMN Label Services | 2015 | 1:58:11 (Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
The Butterman:
tom tom the pipers son:
Roberto:
ViolaChica:
HyperDose:
Revolution Rabbit Nov63:
As soon as anything is Recorded - it's the Past. I wonder how much the advent of Recording changed how people felt about ...conceived of it all. One always speaks of Artists as Eternally Immanent in a way ...yerknow : 'What DaVinci IS DOING here'...
Revolution Rabbit Nov63:
joe mulligan:
joe mulligan:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
joe mulligan:
Roberto:
Roberto:
tom tom the pipers son:
Revolution Rabbit Nov63:
David L.:
ger240:
chresti:
chresti:
Roberto:
northguineahills:
Troy:
northguineahills:
dead pendant:
northguineahills:
northguineahills:
Roberto:
yippie:
Doug in DC:
Revolution Rabbit Nov63:
...but of course, before Recording the whole situation of Notation. & how much of all that applies to our question for 'Classical' ~ Western Canonical 'Academic' ..."Serious" Musics...
Which leads inevitably to considering how the definitions & boundaries of Genre Labels melted in the Modern ~ 20thCentury eras. (TheBeatles are pretty darned 'Classic' to a good strong portion of us.) But now really digressing...
Revolution Rabbit Nov63:
The question of why these (Dead) People & not Those peeks out from behind I think...
Roberto:
Troy:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Doug in DC:
chresti:
Lol!
Revolution Rabbit Nov63:
chresti:
Roberto:
ger240:
northguineahills:
PaulRobeson1924:
chresti:
chresti:
chresti:
Roberto:
ViolaChica:
chresti:
Roberto:
Roberto:
LanaJ:
ViolaChica:
Roberto:
Roberto:
chresti:
coelacanth∅:
ViolaChica:
Blobs:
ViolaChica:
McGroovey:
Blobs:
The Butterman:
Mr. Bill:
Roberto:
McGroovey:
chresti:
Roberto:
Dean:
What a playlist!
Dean:
tom tom the pipers son:
Dean:
Roberto:
McGroovey:
coelacanth∅:
Revolution Rabbit Nov63:
Glad I finally got around to checking this Program out.
Roberto:
chresti:
Jan Turkenburg: