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Music for nothing to do all day but to sit on the porch in your underwear and drink cheap wine!
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Artist | Track | Album | Label | Year | Approx. start time |
---|---|---|---|---|---|
Eddie Hazel | I Want You (She's So Heavy) | 0:00:00 (Pop-up) | |||
Adiba Azezine | Ya Makhthat Al Welif (Oh, Those Who Take My Love) | Choubi Choubi! Folk and Pop Sounds from Iraq (V/a) | Sublime Fequencies | 0:05:35 (Pop-up) | |
Shohreh | Cheshm Be Rah | Persian Funk | 0:09:15 (Pop-up) | ||
Littles | Mehtaab | Pebbles Vol.11, Iran pt.2, Originals Artifacts from the Psychedelic Era | 0:12:58 (Pop-up) | ||
Roger Fakhr | Gone Away Again | Fine Anyway | 0:14:21 (Pop-up) | ||
5 Revolutions | Respect Yourself | I'm a Free Man | 0:17:04 (Pop-up) | ||
Khalab, Baba Sissoko | Bognya | Khalab & Baba | 0:21:10 (Pop-up) | ||
Iron Claw | Saga | Saga / Bright Future | 0:26:21 (Pop-up) | ||
Badiaa Bouhrizi | Bledi | KahruMusiqa | Akuphone | 0:33:32 (Pop-up) | |
The Honeymoon Killers | Histoire A Suivre | Les Tueurs de la Lune de Miel | 0:36:13 (Pop-up) | ||
Policeband | Tow Away | Vacuum Records | 1979 | 0:39:36 (Pop-up) | |
Crash Course | It Cost's To Be Austere | Near Marineland | Dark Entries | 2024 | 0:40:51 (Pop-up) |
Jimmy Smack | Hating Life | Death Is Certain | Knekelhuis | 2022 | 0:45:05 (Pop-up) |
Captain Beefheart and the Magic Band | DROPOUT BOOGIE | 0:48:16 (Pop-up) | |||
Indifferent Dance Centre | Flight & Pursuit | 2018 | 0:50:29 (Pop-up) | ||
Sylvester | Viper's Drag | Private Recordings, August 1970 | Dark Entires | 2023 | 1:00:18 (Pop-up) |
Frederic Chopin, Clara Rockmore, Nadia Reisenberg | Nocturne in C# minor | Dvořák, Ravel, Gershwin & Others: Chamber Works | 1:03:56 (Pop-up) | ||
Peace De Resistance | Lullaby For the Debris | Lullaby for the Debris | La Vida Es Un Mus Discos | 2024 | 1:07:32 (Pop-up) |
Goblin | Suspiria | Suspiria | Cinevox | 2017 | 1:10:35 (Pop-up) |
Earthtones, Huaira | Salta La Cuerda | We Can Live Together | Wonderwheel | 2024 | 1:16:13 (Pop-up) |
Prince Rama | Summer of Love | Trust Now | Paw Tracks | 2011 | 1:21:10 (Pop-up) |
Alejandro Jodorowsky | Tarot Will Teach You / Burn Your Money | The Holy Mountain Soundtrack | ABKCO Records | 1973 | 1:27:29 (Pop-up) |
Prints | I Get By | #1 Hit Song | 2024 | 1:39:06 (Pop-up) | |
Prints | Healing | #1 Hit Song | 2024 | 1:40:51 (Pop-up) | |
Lost Sounds | I Get Nervous | Lost Sounds | In The Red | 2004 | 1:43:26 (Pop-up) |
Ejaculators | My Best Friends | Wank Generation | General Speech | 2024 | 1:47:44 (Pop-up) |
The Spits | Bring | The Spits | Slovenly | 2002 | 1:49:57 (Pop-up) |
M.O.T.O. | Gagging On the Edge of Love | Ampeg Stud / Motorerectus / Colden Quarter | Paul Caporino | 2013 | 1:52:51 (Pop-up) |
Licks | Daisy Grave | Loose at TV Eye | 2023 | 1:54:47 (Pop-up) | |
Seudo Youth | I Know Where Ray Cappo Lives | Under The Gun Records | 2024 | 1:56:53 (Pop-up) | |
Escape-ism | Rome Wasn't Burnt In A Day | The Lost Record | Radical Elite | 2021 | 2:07:40 (Pop-up) |
39 Clocks | Dns | Paint it Dark | Bureau B | 2009 | 2:09:52 (Pop-up) |
Microfilm | Centrefold | Can't Stop It! II: Australian Post-Punk 1979-84 (v/a) | Chapter Music | 2007 | 2:13:15 (Pop-up) |
Famous Mammals | The Plum Overcoat | Famous Mammals | Inscrutable Records | 2024 | 2:19:05 (Pop-up) |
Jeanne-Marie Sens | Tape, Tape, Tape | 2:21:56 (Pop-up) | |||
Mark Fry | The Witch | 2:24:33 (Pop-up) | |||
Yahowha 13 | Penetration (excerpt) | 2:31:03 (Pop-up) | |||
Stack Waddy | Willie the Pimp | 2:34:34 (Pop-up) | |||
department store santas | W | 2:43:10 (Pop-up) | |||
Travis Wammack | Scratchy | That Scratchy Guitar from Memphis | Bear Family Records | 2012 | 2:46:54 (Pop-up) |
Attarazat Addahabia, Faradjallah | Taali | Al Hadaoui | 2:49:31 (Pop-up) |
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Listener comments!
Acid Cazh:
Triple G:
mountanalog:
love2laf:
common:
jessica is cool:
paddy in matawan:
Ken From Hyde Park:
Yes:
tom tom the pipers son:
coelacanth∅:
clementine:
tom tom the pipers son:
coelacanth∅:
chresti:
love2laf:
chresti:
disco_nap_:
coelacanth∅:
tom tom the pipers son:
chresti:
disco_nap_:
love2laf:
chresti:
tom tom the pipers son:
jessica is cool:
disco_nap_:
tom tom the pipers son:
chresti:
Hubig Pie:
With a root beer.
And maybe some onion rings.
tom tom the pipers son:
Yes:
rf:
coelacanth∅:
chresti:
chresti:
Hubig Pie:
chresti:
tom tom the pipers son:
Listener Bryan (the Professor):
chresti:
rf:
efd:
efd:
jessica is cool:
chresti:
HankMarx:
tom tom the pipers son:
chresti:
Stevel:
chresti:
JazzUpholsterer:
play beefheart every week go ahead, no one will mind, we might even need it
spodiodi:
tom tom the pipers son:
Listener Bryan (the Professor):
disco_nap_:
chresti:
Stevel:
disco_nap_:
Hunterian:
tom tom the pipers son:
rf:
chresti:
Alessandro:
efd:
jessica is cool:
coelacanth∅:
coelacanth∅:
cbunny:
“Dario Argento's Suspiria had just come out. Tomata and Tommy had seen it multiple times already and were obsessed with it. They knew the film backward and insisted I had to see it too. We all went out to the Nuart Theatre on Santa Monica Boulevard to catch a screening. They made sure I took notice of the sets, the lighting, and the art direction, which was like something out of a German expressionist movie but in Technicolor. I understood why that would appeal to Tomata and the Screamers, who were a futurist, techno-logical, German expressionist nightmare themselves. Afterward, I was just as excited about the film as they were. As soon we got back home, they put on their import copy of the film's soundtrack by Goblin, followed by the lounge classic "Black Coffee" by Pat Suzuki. That was the Screamers idea of a mixtape and summed up their aesthetic in a nutshell: kitschy and creepy.”
Tamar:
jessica is cool:
Tamar:
Sunny:
chresti:
clementine:
Franco Twinkie:
Dennis Friend:
SeanG:
matt:
Picante Mint:
Dennis Friend:
jessica is cool:
clementine:
clementine:
paddy in matawan:
Saltonstall:
Saltonstall:
Saltonstall:
chresti:
Saltonstall:
CVB from SYR:
fred:
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Ken From Hyde Park:
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PKNY:
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bixa:
spodiodi:
HankMarx:
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chris in the redwoods:
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listener 126464:
Listener Bryan (the Professor):
Todd76Pct:
?:
Ken From Hyde Park:
coelacanth∅: