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From the most profound classical music recordings ever made, to genres and musical perspectives from around the globe, talk on music, art and recordings that changed our lives and the world around us. Tune-in as we explore why we only listen to "dead" people, and what is "alive" in music today. Special guests, call-ins welcome.
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
---|---|---|---|---|---|---|
Sting | Fragile | ..Nothing Like the Sun | A&M Records | 1987 | 0:00:00 (Pop-up) | |
Ludwig van Beethoven | Zartliche Liebe, WoO 123 | Live | Live | Tenor - Peter Schreier Piano - Norman Shetler | 0:08:29 (Pop-up) | |
Ludwig van Beethoven | Bundeslied, Op. 122 "In allen guten Stunden" | Beethoven: Late Choral Music | Sony Music Entertainment | 1975 | Michael Tilson Thomas London Symphony Orchestra The Ambrosian Singers | 0:10:48 (Pop-up) |
Bulgarian State Television Female Choir | Ergen Deda | Le Mystere Des Voix Bulgares Vol.1 | Nonesuch | 1987 | 0:14:42 (Pop-up) | |
Taraf De Haidouks | Rustem | Dumbala Dumba | Nonesuch | 1999 | 0:17:33 (Pop-up) | |
William Brittelle | Future Shock (for string quartet) | Loving the Chambered Nautilus | New Amsterdam Records | 2012 | Performed by the American Contemporary Music Ensemble (ACME) | 0:26:30 (Pop-up) |
Kraftwerk | Boing Boom Tschak | Electric Cafe Album | Kling Klang | 1986 | 0:44:39 (Pop-up) | |
Conlon Nancarrow | Study No. 27 | Studies for Player Piano | BMI | 1977 | 0:47:39 (Pop-up) | |
Koji Kondo | Ground Music | None | None | 1985 | 0:53:47 (Pop-up) | |
Maurice Ravel | Pavane pour une infante défunte | Rudolf Barshai : The Enchanting Sound of a Viola | Kicco Classic | Rudolf Barshai, viola Vadim Borisovsky, piano Transcription by V. Borisovsky | 0:59:53 (Pop-up) | |
Igor Stravinsky | Elegy for solo viola | The American Chamber Players | Koch | 1991 | Miles Hoffman, viola | 1:15:22 (Pop-up) |
Alfred Schnittke | Concerto for Viola and Orchesra | Live | None | 1985 | Yuri Bashmet (Violist) Conductor: Valery Gergiev Vienna Philharmonic Orchestra | 1:27:41 (Pop-up) |
Captain Beefheart and his Magic Band | Ella Guru | Trout Mask Replica | Straight Records | 1969 | 1:58:55 (Pop-up) |
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Listener comments!
liptini0514:
Roberto:
tom tom the pipers son:
Dean:
Dean:
ViolaChica:
Bobby:
tom tom the pipers son:
Dean:
tom tom the pipers son:
Dan S:
Dean:
liptini0514:
tom tom the pipers son:
Dean:
AskJoe:
JReganK:
AskJoe:
Dean:
https://www.discogs.com/release/12655097-Arthur-Sullivan-Arthur-Sullivan
JReganK:
tom tom the pipers son:
3 videos
1. sung by beth taylor
2.diane bish
3.kitty whately
that's all the info in the video...
Dean:
tom tom the pipers son:
AskJoe:
tom tom the pipers son:
Dean:
Dean:
https://www.youtube.com/watch?v=MeXhXM7_lr0
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Dean:
ViolaChica:
AskJoe:
tom tom the pipers son:
Dean:
tom tom the pipers son:
AskJoe:
tom tom the pipers son:
JReganK:
ViolaChica:
tom tom the pipers son:
ViolaChica:
tom tom the pipers son:
JReganK:
tom tom the pipers son:
tom tom the pipers son:
Bobby:
tom tom the pipers son:
AskJoe:
tom tom the pipers son:
ViolaChica:
ViolaChica:
ViolaChica:
Listener Robert:
tom tom the pipers son:
tom tom the pipers son:
Bobby:
tom tom the pipers son:
liptini0514:
Listener Robert:
Listener Robert:
Listener Robert:
ViolaChica:
AskJoe:
liptini0514:
Listener Robert:
tom tom the pipers son:
tom tom the pipers son:
Peter from Saranac Lake NY:
Listener Robert:
tom tom the pipers son:
Revolution Rabbit Nov63:
tom tom the pipers son:
tom tom the pipers son:
chresti:
tom tom the pipers son:
chresti:
chresti:
tom tom the pipers son:
Dan S:
Deano de los Muertos:
tom tom the pipers son:
ViolaChica:
The difficulty are the double stops (two notes on two strings), which are always difficult for intonation (on the viola can be especially awkard because of the size of the instrument, stretch of the hand required, not an acoustically perfect instrument), but here they also must be played in a way to make the melodic lines seamless and flow so the structure of the music is preserved.
This requires such delicacy and accuracy, and as a solo instrument, every detail of playing is very exposed.
Hope this answers your question.