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From the most profound classical music recordings ever made, to genres and musical perspectives from around the globe, talk on music, art and recordings that changed our lives and the world around us. Tune-in as we explore why we only listen to "dead" people, and what is "alive" in music today. Special guests, call-ins welcome.
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Artist | Track | Album | Label | Year | Comments | Approx. start time |
---|---|---|---|---|---|---|
Carl Orff | Carmina Burana: II. In Taberna: "Estuans interius" | Orff: Carmina Burana | Deutsche Grammophon | 1968 | Dietrich Fischer-Dieskau, baritone; Eugen Jochum, Orchester der Deutschen Oper Berlin | 0:00:00 (Pop-up) |
Carl Orff | Carmina Burana: Mvts I - IV | Orff: Carmina Burana | Deutsche Grammophon | 1968 | Eugen Jochum, Chor & Orchester der Deutschen Oper Berlin | 0:06:38 (Pop-up) |
Henry Purcell | Dido and Aeneas: When I am laid in earth | Purcell: Dido & Aeneas | Chandos | 1981 | Emma Kirkby, soprano; Andrew Parrott, Taverner Players | 0:22:45 (Pop-up) |
Henry Purcell | Music for a While | Purcell: Here Let My LIfe | Analekta | 2007 | Daniel Taylor, counter-tenor; Theatre of Early Music | 0:28:13 (Pop-up) |
Anonymous Italian | Ghaetta (Estampita) | Musik fur Kirche und Kneipe | Phillips | 1978 | Musica Reservata of London | 0:38:29 (Pop-up) |
Ghirardello da Firenze | Tosto che l'alba | Musik fur Kirche und Kneipe | Philips | 1978 | Musica Reservata of London | 0:42:26 (Pop-up) |
Anonymous Italian | Tre fontane (Estampita) | Musik fur Kirche und Kneipe | Philips | 1978 | Musica Reservata of London | 0:44:17 (Pop-up) |
Anonymous English | Deo gracias Anglia | Musik fur Kirche und Kneipe | Philips | 1978 | Musica Reservata of London | 0:48:44 (Pop-up) |
Anonymous Burgundian | La Spagna | Musik fur Kirche und Kneipe | Philips | 1978 | Musica Reservata of London | 0:53:22 (Pop-up) |
Robert Morton | Le souvenir de vous | Musik fur Kirche und Kneipe | Philips | 1978 | Musica Reservata of London | 0:54:54 (Pop-up) |
Anonymous French | L'Homme armé | Musik fur Kirche und Kneipe | Philips | 1978 | Musica Reservata of London | 0:56:59 (Pop-up) |
Robert Morton | L'Homme armé | Musik fur Kirche und Kneipe | Philips | 1978 | Musica Reservata of London | 0:57:35 (Pop-up) |
Karlheinz Stockhausen | Mikrophonie II | Columbia Masterwoks | 1967 | Monika Pick, Frigga Ditmar, Meta Ackermann, Mimi Berger, Helga Hopf, Ulla Terhoeven soprano Peter Weber, Werner Engelhardt, Friedrich Himmelmann, Hermann Steigers, Dietrich Satzky, Arno Reichardt, bass Alfons Kontarsky, Hammond organ Johannes G. Fritsch, timer Karlheinz Stockhausen, balance and sound projection Ensemble directed by Herbert Schernus | 1:03:48 (Pop-up) | |
Monty Python | The Money Programme / Money Song | Monty Python's Previous Record | Arista | 1972 | 1:22:59 (Pop-up) | |
Ludwig van Beethoven | Missa Solemnis, Op. 123: Gloria | Angel | 1966 | Herbert von Karajan, Berlin Philharmonic Gundula Janowitz, soprano Christa Ludwig, alto Fritz Wunderlich, tenor Walter Berry, bass | 1:29:29 (Pop-up) | |
Paul Hindemith | Mass: Agnus Dei | Hänsler Classic | 2013 | Choir: SWR Vokalensemble Stuttgart Conductor: Marcus Creed | 1:49:26 (Pop-up) | |
Richard Hell and the Voidoids | Love Comes in Spurts | Blank Generation | Sire | 1977 | 1:58:45 (Pop-up) |
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ViolaChica:
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Hello all globe-spanning listeners!
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