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Obscure musical gems, avant experimentation, and classics worth rehearing. A conurbation of Leslie speakers, timbales, plungers, arch-tops, tablas, and squeaky reeds. Black ties, pork pies, Cuban boots, Nudie suits, bobbysocks, turtlenecks, and high-heeled sneakers. Jazz is the north star but it’s a wide universe, so says The Laughing Clock.
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Artist | Track | Album | Label | Year | Comments | Images | New | Approx. start time | ||
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Count Basie | M Squad Theme (excerpt) | Basic Basie | MPS | 1969 | Eric Dixon (fl) Freddie Green (g) Norman Keenan (b) Harold Jones (d) Chico O'Farrill (arr), et al. | 0:00:00 (Pop-up) | ||||
Music behind DJ: Red Garland |
M Squad Theme |
Red In Bluesville |
Prestige |
1969 |
4/17/1959: Red Garland (p) Sam Jones (b) Art Taylor (d) |
0:00:32 (Pop-up) |
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Charles Mingus | Meditations on Integration (Praying With Eric) | Town Hall Concert, 1964, Vol. 1 | Jazz Workshop | 1964 | 4/4/1964: Johnny Coles (tp) Eric Dolphy (as,fl,b-cl) Clifford Jordan (ts) Jaki Byard (p) Charles Mingus (b) Dannie Richmond (d) | 0:08:02 (Pop-up) | ||||
Music behind DJ: Don Pullen |
Big Alice (alternate take) |
Richard's Tune |
Sackville |
2014 CD reissue of "Solo Piano Album" with two bonus tracks. Recorded 1975. |
0:35:23 (Pop-up) |
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Cootie Williams And His Rug Cutters | Mobile Blues | The Complete 1936-1940 Variety, Vocalion And Okeh Small Group Sessions | Mosaic | 2006 | 12/21/1938: Cootie Williams (tp) Barney Bigard (cl,ts) Johnny Hodges (as,sop) Otto Hardwick (as) Harry Carney (bar) Duke Ellington (p) Billy Taylor, Sr. (b) Sonny Greer (d) | 0:38:46 (Pop-up) | ||||
Duke Ellington and His Famous Orchestra | Concerto For Cootie | Centennial Edition: The Complete RCA Victor Recordings (1927-1973) | RCA | 1999 | 3/15/1940: Cootie Williams (tp) Duke Ellington (p) Fred Guy (g) Jimmy Blanton (b) Sonny Greer (d) et al. | 0:41:15 (Pop-up) | ||||
John Hollenbeck & NDR Big Band | Cool Code | Colouring Hockets | Flexatonic | 2024 | December 2023: Percy Pursglove - Trumpet. Sandra Hempel - Guitar. Ingmar Heller - Bass. Florian Weber - Piano, Rhodes. Marcio Doctor - Percussion. Special guests: John Hollenbeck- Drums, Timpani. Patricia Brennan-Vibraphone, Marimba, Glockenspiel, Crotales, Timpani. Matt Moran-Vibraphone, Marimba, Glockenspiel, Tapan. JC Sanford-Conductor. et al. | * | 0:44:33 (Pop-up) | |||
Mike Holober & The Gotham Jazz Orchestra | Domes (for Ansel Adams) | This Rock We're On: Imaginary Letters | Palmetto | 2024 | June 2023: Ben Kono (alto sax), Scott Wendholt (trumpet), Mike Holober (keyboards), Nir Felder (guitar), John Patitucci (basses), Jared Schonig (drums), James Shipp (vibes, percussion, synth), et al. | * | 0:53:12 (Pop-up) | |||
Music behind DJ: Mary Lou Williams |
Medi I |
Zoning |
Smithsonian Folkways |
1/17/1974, with Bob Cranshaw (bass guitar). DJP edit. |
1:02:30 (Pop-up) |
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McCoy Tyner & Joe Henderson | In 'N Out | Forces of Nature: Live at Slugs' | Blue Note | 2024 | 1966. Henderson (tenor sax), Tyner (piano), Henry Grimes (bass), Jack DeJohnette (drums) | * | 1:04:55 (Pop-up) | |||
Music behind DJ: Susie Ibarra Trio |
Dreams (Alternate Take) |
Radiance |
Hopscotch |
1999 |
7/18/1999: Cooper-Moore (p,harp,diddley-bo) Charles Burnham (vln) Susie Ibarra (d,perc) |
1:31:28 (Pop-up) |
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Quincy Jones (1933-2024) in the orbit of Count Basie |
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Count Basie | I Can't Stop Loving You | This Time By Basie | Reprise | 1963 | January 1963: Grover Mitchell (tb) Count Basie (p) Freddie Green (g) Buddy Catlett (b) Sonny Payne (d) Quincy Jones (arr) et al. | 1:36:01 (Pop-up) | ||||
Ella Fitzgerald, Count Basie Orchestra, and Tommy Flanagan Trio | Sanford & Son Theme (The Streetbeater) | Jazz at the Santa Monica Civic '72 | Pablo | 1974 | 6/2/1972: Ella Fitzgerald (vcl) Pete Minger (tp) Jimmy Forrest (ts) Tommy Flanagan (p) Freddie Green (g) Keter Betts (b) Ed Thigpen (d) Marty Paich (arr) Quincy Jones (comp) ??? (lyrics) et al. | 1:40:31 (Pop-up) | ||||
Milt Jackson + Count Basie | For Lena and Lennie ("Lena and Lenny") | Milt Jackson + Count Basie + The Big Band, Vol. 2 | Pablo | 1978 | January 1978: Milt Jackson (vib) Count Basie (p) Freddie Green (g) John Clayton (b) Butch Miles (d) Sarah Vaughan (vo) et al | 1:43:14 (Pop-up) | ||||
Joe Fonda Quartet | Eyes on the Horizon Opus #3 | Eyes on the Horizon | Long Song | 2024 | December 2023: Wadada Leo Smith (trumpet), Satoko Fujii (piano), Joe Fonda (bass), Tiziano Tononi (drums) | * | 1:47:10 (Pop-up) | |||
Music behind DJ: Herbie Hancock |
Mimosa (alternate take) |
Inventions & Dimensions |
Blue Note |
8/30/1963: Herbie Hancock (p) Paul Chambers (b) Willie Bobo (d) Osvaldo "Chihuahua" Martinez (bongos, finger cymbal) |
1:57:06 (Pop-up) |
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Radio Rerun: The Dutch Jazz Scene Revisited (1977) |
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Michiel de Ruyter & Radio Nederland/Dutch World Broadcasting System | Program 8: Ronald Snijders' Black Straight Music | The Dutch Jazz Scene Revisited | Radio Nederland | 1977 | 2:01:09 (Pop-up) | |||||
Ronald Snijders' Black Straight Music | The First Nature | The Dutch Jazz Scene Revisited | 3/26/1976, Delft. Snijders (flute, alto flute, bamboo flute) Glenn Gaddum (Rhodes, string ensemble) Hessel de Vries (Rhodes, synth), I. Mitchell (bass guitar), Eddie Veldman (drums) | 2:02:20 (Pop-up) | ||||||
Ronald Snijders' Black Straight Music | Goodbye For Long | The Dutch Jazz Scene Revisited | 2:15:39 (Pop-up) | |||||||
Ronald Snijders' Black Straight Music | Be Funky (partial) | The Dutch Jazz Scene Revisited | 2:27:47 (Pop-up) | |||||||
Music behind DJ: Max Roach & Abdullah Ibrahim |
Acclamation |
Streams of Consciousness |
9/20/1977. Originally on Baystate (Japan). |
2:29:21 (Pop-up) |
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Max Johnson | Tiny Beautiful | I'll See You Again | Adhyâropa | 2024 | 2023? Neta Raanan (ts) Max Johnson (b,comp) Eliza Salem (d) | * | 2:30:58 (Pop-up) | |||
Darius Jones | Motherfuckin Roosevelt | Legend of e'Boi (The Hypervigilant Eye) | Aum Fidelity | 2024 | 2023? Darius Jones (alto sax), Chris Lightcap (bass), Gerald Cleaver (drums) | * | 2:36:40 (Pop-up) | |||
Matt Slocum | Lion Dance | Lion Dance | Sunnyside | 2024 | 12/3/2023: Walter Smith, III (tenor sax) Larry Grenadier (bass) Matt Slocum (drums) | * | 2:45:01 (Pop-up) | |||
Vijay Iyter | Tempest | Compassion | ECM | 2024 | May 2022: Iyer (piano), Linda May Han Oh (bass), Tyshawn Sorey (drums) | * | 2:50:38 (Pop-up) | |||
Music behind DJ: Joe Chambers Moving Picture Orchestra |
M Squad Theme |
Live at Dizzy's Club Coca-Cola |
Savant |
2012 |
September 2011. Craig Handy (tenor sax), David Weiss (trumpet), Xavier Davis (piano), Dwayne Burno (bass), Joe Chambers (drums, vibes, arranger), Steve Berrios (percussion), et al. |
2:56:56 (Pop-up) |
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Listener comments!
doctorjazz:
Hi Peter, Timekkeepers!
Listener Gregory:
doctorjazz:
doctorjazz:
Listener Gregory:
doctorjazz:
adamdoesit:
Listener Gregory:
doctorjazz:
pot8o:
DJ Peter:
Greetings doctorjazz, Listener Gregory, adamdoesit, pot80, and lurkers and future listeners!
WR:
I was given this when I was 18-19. I had already listened to Coleman, Coltrane, some swing things. They seemed interesting but didn't connect. This piece connected and I listened to it every day for a while.
Listener Gregory:
DJ Peter:
DJ Peter:
bigplanetnoise:
Listener Gregory:
DJ Peter:
Listener Gregory:
doctorjazz:
doctorjazz:
doctorjazz:
adamdoesit:
Listener Gregory:
doctorjazz:
DJ Peter:
doctorjazz:
doctorjazz:
Listener Gregory:
sailor dog:
Listener Gregory:
WR:
WR:
Jeff Golick:
doctorjazz:
DJ Peter:
Jeff Golick:
DJ Peter:
doctorjazz:
It is dedicated to the variety of sounds Williams resourcefully evokes from his open horn and from the use of several mutes in several ways-manipulated plunger, on open horn, pluger over straight-mute, plunter in tight, etc.
The opening section is in AABA form, but the A strain is ten measures instead of the usual eight, and each statement of A involves a sonorous and melodic variation, boh from the soloist and his accompaniment. Thus the performance becomes AA'BA". A transition then changes the key, an dWilliams states the beautiful, expansive and subsequently neglected C theme on open horn. Following that, there i a return to the truncated (six-bar) variation on A, and a rich, imaginatively extended coda of ten bars.
Listener Gregory:
DJ Peter:
doctorjazz:
doctorjazz:
doctorjazz:
Jeff Golick:
arlo:
doctorjazz:
Listener Gregory:
DJ Peter:
doctorjazz:
doctorjazz:
Ivan from Woodbridge:
Ivan from Woodbridge:
doctorjazz:
DJ Peter:
doctorjazz:
Ivan from Woodbridge:
DJ Peter:
Listener Gregory:
Listener Gregory:
Not!!! Man, DeJohnette is taking no prisoners.
doctorjazz:
doctorjazz:
doctorjazz:
DJ Peter:
It is indeed a stereo release, just a little. May become more apparent when Tyner solos... after another 30 or so choruses of tenor sax...
doctorjazz:
doctorjazz:
store.bluenote.com...
Ivan from Woodbridge:
DJ Peter:
Listener Gregory:
doctorjazz:
DJ Peter:
WR:
DJ Peter:
doctorjazz:
doctorjazz:
Listener Gregory:
WR:
DJ Peter:
doctorjazz:
WR:
Listener Gregory:
Little Danny:
doctorjazz:
Thanks much, DJ Peter!
Night all!
DJ Peter:
Little Danny:
Little Danny:
tom tom the pipers son:
Listener Gregory:
DJ Peter:
tom tom the pipers son:
Listener Gregory:
DJ Peter:
Listener Gregory:
DJ Peter:
Listener Gregory:
tom tom the pipers son:
DJ Peter:
tom tom the pipers son:
coelacanth∅:
Listener Gregory:
DJ Peter:
DJ Peter:
tom tom the pipers son:
DJ Peter:
DJ Peter:
tom tom the pipers son:
coelacanth∅:
DJ Peter:
DJ Peter:
tom tom the pipers son:
Listener Gregory:
coelacanth∅:
...'could've called.
coelacanth∅:
my grandfather then became a republican, and passed that tradition on to my father.
(i Loved my grandfather but i call that petty!)
Jon:
tom tom the pipers son:
DJ Peter:
Listener Gregory:
tom tom the pipers son:
pot8o:
WR:
Later folks..
Listener Gregory:
DJ Peter:
I would not have guessed that Cootie Willliams would tie Tyner/Henderson for the most clicky stars tonight, but there you go.
coelacanth∅:
doctorjazz:
Was a bit disappointed the Ellington didn't spark more conversation-oh well, I listened to it again, I think it's brilliant!
Thanks DJ Peter!