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From the most profound classical music recordings ever made, to genres and musical perspectives from around the globe, talk on music, art and recordings that changed our lives and the world around us. Tune-in as we explore why we only listen to "dead" people, and what is "alive" in music today. Special guests, call-ins welcome.
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January 19, 2025: Who's Making That Noise?
Continuing the 20th century not-your-Juilliard-approved-course in classical music devolving into not noise.
Listen to this show:
MP3 - 128K | Pop-up player!
Artist | Track | Album | Label | Year | Images | Approx. start time |
---|---|---|---|---|---|---|
Sviatoslav Richter, Yuri Nikolayevsky, Moscow Coservatory Chamber Orch. | Hindemith: Kammermusik 2, Op. 36 no. 1, 1st mvt. | Revelation | 1978 | |||
Rudolf Serkin, George Szell, Columbia Symphony | Bartók: Piano Concerto no. 1, Sz. 83, 3rd mvt. | Columbia | 1963 | 0:11:47 (MP3 | Pop-up) | ||
Seiji Ozawa, Boston Symphony | Ives: Central Park in the Dark | Deutsche Grammophon | 1977 | 0:21:09 (MP3 | Pop-up) | ||
Steve Reich & Musicians | Drumming Part III | Drumming | Nonesuch | 1987 | 0:35:06 (MP3 | Pop-up) | |
Peliatan Dance Group | Sekar Jupun (Balinese Gamelan) | Indonesia: Gamelan and Dances from Bali | Multicultural Media | 2013 | 0:50:42 (MP3 | Pop-up) | |
Piphat orchestra of the Dept of Fine Arts, Thailand | Harvest Song | video | 2010 | 0:56:16 (MP3 | Pop-up) | ||
Pinpeat Orchestra, Angkor Wat Cambodia | Kaman Pratham | Tha Music of Cambodia Vol. 1 - 9-Gong Gamelan | Celestial Harmonies | 1993 | 1:02:58 (MP3 | Pop-up) | |
Pinphat Orchestra, Vientiane School of Music, Laos | Prosperity Song | A Musical Anthology of the Orient: Laos | Bärenreiter-Musicaphon | 1999 | 1:06:53 (MP3 | Pop-up) | |
Kaija Saariaho | Jardin secret I for tape (1985) | Computer Music Currents 5 | Wergo | 1990 | 1:13:07 (MP3 | Pop-up) | |
Laurie Spiegel | Clockworks (c. 1970) | The Expanding Universe (reissue) | Unseen Worlds | 2012 | 1:28:04 (MP3 | Pop-up) | |
Halim El-Dabh | Wire Recorder Piece (1944) | Crossing Into the Electric Magnetic | Without Fear | 2000 | 1:36:14 (MP3 | Pop-up) | |
Pierre Schaeffer | 5 Etudes de bruits: Etude aux tourniquets (1948) | The French Avant-Garde in the 20th Century | LTM Recordings | 2014 | 1:38:10 (MP3 | Pop-up) | |
Jan Williams, Maelstrom Percussion Ensemble | John Cage: Imaginary Landscape #4 for 12 radios (1951) | Imaginary Landscapes | Hat Hut | 2006 | 1:46:27 (MP3 | Pop-up) | |
The Art of Noise | A Time for Fear (Who's Afraid) | (Who's Afraid Of?) The Art Of Noise! | Island Records | 1984 |
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Listener comments!
tom tom the pipers son:
Listener Robert:
Heaventown:
tom tom the pipers son:
Jeff Moore:
Revolution Rabbit Nov63:
jeanli:
tom tom the pipers son:
chresti:
tom tom the pipers son:
Peter from Saranac Lake NY:
tom tom the pipers son:
Peter from Saranac Lake NY:
ViolaChica:
Revolution Rabbit Nov63:
Modernism was concerned with Manifestos that asserted Change & Purpose.
PostModernism says it's all been done - Art can't change anything actually ...it *doesn't* matter.
Pastiche away - all Forms are Equal in their utility & (ir)relevance...
tom tom the pipers son:
KentRed:
Alanthepainter:
Revolution Rabbit Nov63:
tom tom the pipers son:
tom tom the pipers son:
Roberto:
My high school classmate, Randy Schoenberg, has what's left of his uncle Larry's collection.
tom tom the pipers son:
tom tom the pipers son:
Mama 💜:
carlos danger:
tom tom the pipers son:
Jeff Moore:
I'm seeing... terra cotta colored walls with raw chunks out of them, accented with perfect geometric figures in, say, aquamarine.
carlos danger:
ViolaChica:
tom tom the pipers son:
ViolaChica:
Franco Twinkie:
Please say it isn't true.
tom tom the pipers son:
tom tom the pipers son:
Revolution Rabbit Nov63:
Pianoman:
Franco Twinkie:
Off I go!
Listener Robert:
tom tom the pipers son:
Revolution Rabbit Nov63:
Franco Twinkie:
tom tom the pipers son:
tom tom the pipers son:
Jeff Moore:
carlos danger:
Listener Robert:
tom tom the pipers son:
Maulydaft:
Revolution Rabbit Nov63:
carlos danger:
Listener Robert:
Wilson in SO:
ViolaChica:
Jeff Moore:
Hall.
tom tom the pipers son:
Listener Robert:
ViolaChica:
brendanbell:
I can only imagine how torturous it must be to learn how to play Reich.
tom tom the pipers son:
chresti:
ViolaChica:
Listener Robert:
tom tom the pipers son:
The Frasier Crane of Ypsilanti // Red Door:
ViolaChica:
Revolution Rabbit Nov63:
www.youtube.com...
...a no-count little nothing Rawker like myself needs *some* reference point to Academia
- posits that TheBeatles (as representatives of the Pop ~ Rawk Revolution in Culture, anyhow) - influenced even people like Glass in turning back to traditional Western Harmonics (after the Avant-garde Modernism)...
tom tom the pipers son:
Revolution Rabbit Nov63:
...what wasn't in there that I recall was that Glass lived with Moondog @ one time...
brendanbell:
tom tom the pipers son:
lance:
brendanbell:
tom tom the pipers son:
tom tom the pipers son:
chresti:
Revolution Rabbit Nov63:
I did once stay up all night long for a Gamelan & Shadow Puppet performance. So I know it can be about long traditional Narrative like that ...a little like Opera or Soundtrack perhaps as well as Church theater they used to have in Europe maybe ? But long since have not...
tom tom the pipers son:
Roberto:
chresti:
Revolution Rabbit Nov63:
tom tom the pipers son:
Roberto:
Revolution Rabbit Nov63:
...not so much in smalltowm NewHampshuh...
Roberto:
Revolution Rabbit Nov63:
Roberto:
jeanli:
Revolution Rabbit Nov63:
tom tom the pipers son:
tom tom the pipers son:
ViolaChica:
Revolution Rabbit Nov63:
tom tom the pipers son:
yippie:
tom tom the pipers son:
fred.....what did he do? i missed it...
ViolaChica:
Revolution Rabbit Nov63:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
chresti:
Revolution Rabbit Nov63:
Or did / does chauvinism mean we don't hear about women in every field...
Maybe both.
tom tom the pipers son:
markinbrooklyn:
tom tom the pipers son:
tom tom the pipers son:
ViolaChica:
Revolution Rabbit Nov63:
chresti:
tom tom the pipers son:
Revolution Rabbit Nov63:
Cage actually went beyond & posited that what matters is the Audition - that act & the attitude of Listening itself.
Which is to say ...it's all Music. If you can Hear it that way...
chresti:
Alanthepainter:
Paul Tamale:
jeanli:
Dean:
Cage was a mushroom forager, an expert, even?
Revolution Rabbit Nov63:
Dean:
Ken From Hyde Park:
Revolution Rabbit Nov63:
Dean:
tom tom the pipers son:
jeanli:
tom tom the pipers son:
Revolution Rabbit Nov63:
adjective
Dependent on chance, luck, or an uncertain outcome.
"an aleatory contract between an oil prospector and a landowner."
Of or characterized by gambling.
"aleatory contests."
Using or consisting of sounds to be chosen by the performer or left to chance; indeterminate.
"An object placed inside the piano added an aleatory element to the piece."
' Aleatory refers to something that is dependent on chance or random events, often used in contexts like gambling or certain types of contracts, such as insurance. The term comes from the Latin word "alea," meaning dice, highlighting its connection to luck and unpredictability. '
tom tom the pipers son:
Dean:
tom tom the pipers son:
chresti:
Dean:
Ken From Hyde Park:
tom tom the pipers son:
Revolution Rabbit Nov63:
ironybread:
Revolution Rabbit Nov63:
ironybread:
ViolaChica:
Dean:
ViolaChica:
Listener Robert:
chresti:
chresti: