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I play rhinoceros and psychedelic fork.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
THE IN-THEME | 0:00:00 (Pop-up) | |||||||||
LARRY MONDELLO BAND | Hello Tape (198?) | Greatest Hits | Mondello Music | 2007 | 0:02:44 (Pop-up) | |||||
STEVE LAUGHERY | Spinning Wheel | The Many Sounds of 9 | KayBe | 1969 | 0:02:54 (Pop-up) | |||||
GUY GOODE & HIS DECENTONE ORCHESTRA | Candied Yams (And Meadows Full of Flowers) | There Are No Clean People | no label | 1985 | 0:07:04 (Pop-up) | |||||
CHRISTIAN BOULE | Radio-Arc-en-Ciel | Photo Musik | Polydor | 1977 | 0:08:45 (Pop-up) | |||||
LARRY MONDELLO BAND | My Gal (198?) | Greatest Hits | Mondello Music | 2007 | 0:11:15 (Pop-up) | |||||
RUDOLPH STATLER | Groovy Baby | More Mancini Favorites | Wyncote | 1965 | 0:13:47 (Pop-up) | |||||
WALLS OF GENIUS | Murderer's Nightmare (198?) | Raw Sewage, Vol. 1 | no label | 2004 | 0:16:12 (Pop-up) | |||||
LARRY CHELSI | House of the Rising Sun | In 'n Out | Leopard | 19?? | 0:18:55 (Pop-up) | |||||
JAN & DEAN | A Beginning from an End | Folk 'n Roll | Liberty | 1965 | 0:25:17 (Pop-up) | |||||
R. STEVIE MOORE | Funny Child | Delicate Tension | H.P. Music | 1978 | 0:28:16 (Pop-up) | |||||
R. STEVIE MOORE | Norway | Delicate Tension | H.P. Music | 1978 | 0:30:20 (Pop-up) | |||||
POMONA CATHOLIC HIGH SCHOOL GLEE CLUB | Misty Morning | Dreams Are Forever | no label | 196? | 0:33:03 (Pop-up) | |||||
THE STYRENES | Radial Arms Saws (1976) | It's Still Artastic | Roir | 2002 | 0:37:24 (Pop-up) | |||||
DOLL | Triangle | Doll | no label | 1999 | 0:41:07 (Pop-up) | |||||
THE MAKERS OF THE DEAD TRAVEL FAST | Into the Arc (1981) | G'Arage D'Or | Extreme | 1990 | 0:44:40 (Pop-up) | |||||
MICHAEL NYMAN | Water Dances (1984) | The Essential Michael Nyman Band | Argo | 1992 | 0:47:28 (Pop-up) | |||||
ACROPHONY | Noise in the Piano | Symbol and Sound [CD EP] | no label | 1991 | 1:01:59 (Pop-up) | |||||
HUDSON-STYRENE | Memory of You (1987) | A Monster & the Devil | Mustard/Tinnitus | 1989 | 1:08:31 (Pop-up) | |||||
THE PRETTY THINGS | Dream/Joey | Silk Torpedo | Swan Song | 1974 | 1:11:38 (Pop-up) | |||||
TIREZ TIREZ | Scattered | 7" | The Zoo | 1979 | 1:18:28 (Pop-up) | |||||
MIRRORS | All My Life (1974) | Hands in My Pockets | Overground | 2001 | 1:22:11 (Pop-up) | |||||
SPIGGY TOPES | Love in the Wind (1967) | V.A.: Dustbin Full of Rubbish | Grants | 1993 | 1:26:02 (Pop-up) | |||||
THE PEEP SHOW | Morning (196?) | Mazy: The Secret World of the Peep Show | Castle Music | 2007 | 1:32:09 (Pop-up) | |||||
MONTREAL | Infinity | A Summer's Night | Stormy Forest | 1970 | 1:35:09 (Pop-up) | |||||
THE STORYBOOK | The Love Children | Soundtrack: Psych-Out | Sidewalk | 1968 | 1:43:08 (Pop-up) | |||||
THE WYNCOTE ORCHESTRA | Hannah & Sharon Theme | Music from Night of the Iguana/a.o. | Wyncote | 1964 | 1:45:33 (Pop-up) | |||||
GOGI GRANT | By the Way | Gogi Grant | Pete | 1972 | 1:50:48 (Pop-up) | |||||
JAMES & KLING | One Day | Catch a Dream | Winged Salamander | 1987 | 1:53:28 (Pop-up) | |||||
HALF JAPANESE | Dance When I Say Dance | Our Solar System | Iridescence | 1984 | 2:02:38 (Pop-up) | |||||
KRACKHOUSE | Fill In the Blanks | Drink. It's Legal | Metamkine | 1991 | 2:04:24 (Pop-up) | |||||
JIMMY SMACK | Hating Life | Death Rocks (7") | no label | 1983 | 2:06:03 (Pop-up) | |||||
THE BLITZOIDS | Look Up | Look Up | Mook | 1990 | 2:09:11 (Pop-up) | |||||
EXTENDED ORGAN | Hum Diddle Um Diddle Um | Xoxo | Birdman | 1999 | 2:13:43 (Pop-up) | |||||
LARRY MONDELLO BAND | Slut (198?) | Greatest Hits | Mondello Music | 2007 | 2:18:52 (Pop-up) | |||||
THE PENATRATORS | Baby Dontcha Tell Me (1979) | Basement Anthology, 1976-84 | Swami | 2005 | 2:21:16 (Pop-up) | |||||
CHRIS NEWMAN | It Wouldn't Do You Any Harm (1991) | New Songs of Social Conscience | Review | 1998 | 2:24:04 (Pop-up) | |||||
EUGENE HEMMER | Quatro Pastorali Natali, No. 4 | Christmas Joys | Charade | 1973 | 2:31:31 (Pop-up) | |||||
HERMETO PASCOAL | Asa Branca | A Música Livre de Hermeto Pascoal | Sinter | 1973 | 2:38:15 (Pop-up) | |||||
JULOS BEAUCARNE (w/ MARC MOULIN) | Le Cheval de Corbillard | Front de Liberation des Arbres Fruitiers | RCA Victor | 1974 | 2:42:34 (Pop-up) | |||||
RAY MARTIN | Thunderball | Thunderball and Other Thriller Music | RCA Camden | 1965 | 2:45:24 (Pop-up) | |||||
BURT WARD/ FRANK ZAPPA | Boy Wonder, I Love You | 7" | MGM | 1966 | 2:47:50 (Pop-up) | |||||
LARS LARSSON | Opening a Can of Worms (1993) | V.A.: 3rd Hearing | Fylkingen | 1995 | 2:53:05 (Pop-up) | |||||
CURD DUCA | Wind | Easy Listening 3 | Normal | 1994 | 3:04:03 (Pop-up) |
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Listener comments!
tonyc:
jk:
Alf From (soggy) Upstate:
tonyc:
iker:
tonyc:
Ricardo Montalban:
tahomajohn:
tonyc:
tonyc:
tahomajohn:
tonyc:
tahomajohn:
Ricardo Montalban:
Ricardo Montalban:
Ricardo Montalban:
marcury:
tonyc:
Hey Marcury!
tahomajohn:
Carmichael:
tonyc:
http://www.holocene.org/calendar/
I'm going!
tonyc:
Ricardo Montalban:
I don't know how I missed Daniel Johnston last week!
I ended up hearing about it from the IT guy at work, who I didn't think was into that kind of thing...
Ricardo Montalban:
tonyc:
Ricardo Montalban:
Ricardo Montalban:
tonyc:
tonyc:
tonyc:
iker:
i was recently told by Mitch at M Squared that they're currently working on a new double-disc Makers anthology.
looking forward to it!!!!
tonyc:
Doug S.:
Conrad:
tonyc:
iker:
tonyc:
Iker: Haven't heard too much Ya Ya Choral -- but since they're post-Systematics, I'm sure I'd dig 'em.
Ike:
iker:
they were poppier than the Systematics (wierdly pop, anyway).
most of their songs are in the great M Squared "Terrace Industry" boxset that came out last year.
tonyc:
tonyc:
tonyc:
Doug S.:
BSI:
mark:
tonyc:
Ricardo Montalban:
vcs3:
Ricardo Montalban:
Also, so many would-be rock stars sounded like Bowie, to me.
tonyc:
Ricardo Montalban:
iker:
thank you, Tony. i'm so delighted you liked the Peep Show.
tonyc:
iker:
it's actually something more like "eeker"... :-)
tonyc:
Ricardo M: Who, pray tell, is Roderick Falconer?
listener james from westwood:
tonyc:
Ricardo Montalban:
Ricardo Montalban:
I bought one of his records decades ago because it had intriguing neo-fascist imagery. It was weird, corporate sounding rock with sardonic, parodic lyrics.
tonyc:
vcs3:
tonyc:
tonyc:
Conrad:
Doug S.:
tonyc:
tonyc:
holland oats:
tonyc:
Doug S.:
Ike:
Doug S.:
holland oats:
tonyc:
I luvs Eric Bentley -- and Ivor too!
vcs3:
ivor cutler:
tonyc:
tonyc:
ivor cutler:
Ricardo Montalban:
tonyc:
Ricardo Montalban:
felix:
Ricardo Montalban:
tonyc:
tonyc:
tonyc:
Fritz Lang:
Ricardo Montalban:
tonyc:
tonyc:
tonyc:
jaime: