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Way-left-of-center music and chatter. Guaranteed less than 2% rock and roll. (Visit homepage.)
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Artist | Track | Album | Approx. start time | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Arm | Humming Bug | Open Reminder | 0:00:00 (Pop-up) | |||||||
Ballaké Sissoko and Vincent Segal | Chamber Music | Chamber Music | 0:04:32 (Pop-up) | |||||||
Lindsey Buckingham | Great Day | Gift of Screws | 0:09:23 (Pop-up) | |||||||
Sharron Kraus | Come to Me | Songs of Love and Loss | 0:12:30 (Pop-up) | |||||||
Anne Briggs | Willie O'Winsbury | Anne Briggs | 0:16:03 (Pop-up) | |||||||
ae | Glitterball | Love Your Smile | 0:29:07 (Pop-up) | |||||||
Boards of Canada | Gyroscope | Geogaddi | 0:32:54 (Pop-up) | |||||||
Nicolas Collins | #11 (w/Robert Poss) | 100 of the World's Most Beautiful Melodies | 0:35:55 (Pop-up) | |||||||
Golden Retriever | Canopy | Occupied with the Unspoken | 0:39:28 (Pop-up) | |||||||
Starring | Wo | ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ | 0:53:52 (Pop-up) | |||||||
Alexander "Skip" Spence | War in Peace | Oar | 0:58:27 (Pop-up) | |||||||
Edward Ka-Spel | Mechanical Sam | A Long Red Ladder to the Moon | 1:01:52 (Pop-up) | |||||||
Homosexuals | Hearts in Exile | Astral Glamour | 1:03:26 (Pop-up) | |||||||
Circus Maximus | Wind | Circus Maximus with Jerry Jeff Walker | 1:06:50 (Pop-up) | |||||||
Richard Crandell | Double Dose | Mbira Magic | 1:15:05 (Pop-up) | |||||||
Medicine | She Knows Everything | The Buried Life | 1:26:59 (Pop-up) | |||||||
Brown Whornet | Danse Raja | Brown Whornet | 1:32:18 (Pop-up) | |||||||
Ariel Pink's Haunted Graffiti | Strange Fires | The Doldrums | 1:36:19 (Pop-up) | |||||||
Deep Time | Bermuda Triangle | Deep Time | 1:40:07 (Pop-up) | |||||||
Korekyojin | Four Holes in the Sky | Korekyojin | 1:43:59 (Pop-up) | |||||||
Erkin Koray | Karli Daglar | Electronik Turkuler | 1:54:02 (Pop-up) | |||||||
The Mothers | Peaches en Regalia | Fillmore East, June 1971 | 1:57:56 (Pop-up) | |||||||
Patrice Sciortino | Dieu Gange | Chronoradial | 2:01:09 (Pop-up) | |||||||
Flo and Eddie | Feel Older Now | The Phlorescent Leech and Eddie | 2:03:09 (Pop-up) | |||||||
The Names | It's a Miracle | V/A: Buttons: From Champaign to Chicago | 2:07:38 (Pop-up) | |||||||
The Instruments | Lullaby | Billions of Phonographs | 2:11:44 (Pop-up) | |||||||
Glenn Kotche | Projections of (What) Might... | Mobile | 2:22:30 (Pop-up) | |||||||
Günter Schickert | In der Zeit | Überfällig | 2:27:09 (Pop-up) | |||||||
Crepuscular Music | Two | Crepuscular Music | 2:32:21 (Pop-up) | |||||||
Brethren of the Free Spirit | The Wolf Also Shall Dwell with the Lamb | The Wolf Also Shall Dwell with the Lamb | 2:36:42 (Pop-up) | |||||||
Paul Elwood | Old Joe Clark | Stanley Kubrick's Mountain Home | 2:49:28 (Pop-up) | |||||||
Harris Eisenstadt | Ballad for 10.6.7 | Canada Day Octet | 2:56:26 (Pop-up) |
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Listener comments!
Dave M.:
bruceleh:
cubicle carl:
G:
Dave M.:
Daniel:
bruceleh:
Some awesome lightning, but I failed to get any shots.
This was another one of those 'derecho' storms, like what we had last Thursday night.
Christopher in Chinatown:
http://en.wikipedia.org/wiki/Kora_(instrument)
Love this set!
Dave M.:
Dave M.:
Dave M.:
Christopher in Chinatown:
Dave M.:
Christopher in Chinatown:
Close Listener:
listener mark:
Just checked with weather dot com radar. The leading edge has passed. The trailing mass of clouds are passing The Jersey City now. Then it is clear all the way to Pittsburgh.
Dave M.:
listener mark:
ScottC:
muhregon:
cubicle carl:
mark:
ScottC:
Dave M.:
@ScottC: Yes, Nashville, though he'd played with a bunch of SF bands before that (Moby Grape, Quicksilver, Airplane)
Daniel:
Dave M.:
ScottC:
cubicle carl:
PB:
Spence's Oar, an extremely interesting album that not very many people have ever even heard of. I'll always have a particular reverence for Skip Spence because he was an original member of my favorite 60s band, the Jefferson Airplane.
Dave M.:
listener mark:
fxo:
Dave M.:
fxo:
Dave M.:
Steve:
Though I would save you the need to explain.
ADM:
Dave M.:
@ADM: I didn't know that.
Droll:
Buckingham is a woefully underrated musician, he's largely responsible for the immaculate production and performances on most the instruments on his solo albums. Albums with as much breadth as his have little commercial potential. The moodiness and general absence of boom-chick-boom-chick drums also help keep him off the radio.