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Way-left-of-center music and chatter. Guaranteed less than 2% rock and roll. (Visit homepage.)
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Artist | Track | Album | Approx. start time | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Albert Nicholas with Art Hodes' All-Star Stompers | How Long Blues | Albert's Back in Town | 0:00:00 (Pop-up) | |||||||
Gitta Schäfer | Männerlied | Translucency | 0:06:54 (Pop-up) | |||||||
David Darling | Earth | Dark Wood | 0:11:35 (Pop-up) | |||||||
Umberto | Boston, 1942 | Night has a Thousand Screams | 0:16:18 (Pop-up) | |||||||
Musée Mécanique | Like Home | Hold This Ghost | 0:26:39 (Pop-up) | |||||||
Pram | Cinnabar | North Pole Radio Station | 0:30:11 (Pop-up) | |||||||
Zoltán Pongrácz & Ivan Patachich | The Ballad of Jansci Barna | Hungarian Electroacoustic Music | 0:35:18 (Pop-up) | |||||||
Durutti Column | Sketch for Dawn (1) | LC | 0:39:58 (Pop-up) | |||||||
Pretty Monsters | Patricia Highsmith | Pretty Monsters | 0:54:37 (Pop-up) | |||||||
Scavenger Quartet | Mr. Herrington's Top Hat | Hats | 1:02:59 (Pop-up) | |||||||
The ÖKRÖS Ensemble | Magyarszovati, Szeki Csardas | I Left My Sweet Homeland | 1:07:00 (Pop-up) | |||||||
Muzsikás | Eddig Vendég | The Prisoner's Song | 1:09:43 (Pop-up) | |||||||
Lau Nau | Juokse Sina Humma | Valohiukkanen | 1:13:42 (Pop-up) | |||||||
13th Amendment | The Stretch | V/A: Eccentric Soul: Omnibus Vol. 1 | 1:25:51 (Pop-up) | |||||||
Minnie Riperton | Les Fleur | Come to My Garden | 1:29:33 (Pop-up) | |||||||
Angelica Sanchez Quintet | Dare | Wires & Moss | 1:33:09 (Pop-up) | |||||||
King Crimson | Moonchild | In the Court of the Crimson King | 1:38:22 (Pop-up) | |||||||
DJ Shadow | Dreams of a Piece | Total Breakdown: Hidden Transmissions from the MPC Era | 1:56:19 (Pop-up) | |||||||
New York Art Quartet | Karin's Blues | Old Stuff | 1:59:06 (Pop-up) | |||||||
The Naked Future | We Boil the Raven's Skull into Gold | Gigantomachia | 2:06:17 (Pop-up) | |||||||
Honeymoon Killers | Petit Matin | Les Tueurs de la Lune de Miel (reissue) | 2:15:25 (Pop-up) | |||||||
Gerry Mulligan | That Old Feeling | Concert Days | 2:23:38 (Pop-up) | |||||||
Doug Carn | Passion Dance | Infant Eyes | 2:27:35 (Pop-up) | |||||||
Half High | #8 | Suspension | 2:33:31 (Pop-up) | |||||||
Nurse With Wound | Spiral Theme | A Sucked Orange / Scrag | 2:37:11 (Pop-up) | |||||||
Roberto Musci & Giovanni Venosta | Dusty Zebra | A Noise, a Sound | 2:42:48 (Pop-up) | |||||||
An Ear for a Leg | Sextet | Music from Dance | 2:46:04 (Pop-up) | |||||||
Zhou Pei | eronz335 | V/A: China: The Sonic Avant-Garde | 2:53:49 (Pop-up) |
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Listener comments!
G:
Dave M.:
bloopy:
Dave M.:
G:
JTKMDNY:
Droll:
G:
G:
fred von helsing:
Droll:
. o O ( Speaking of computers, the one in my oven appears to be malfunctioning... dinner needs attention, back soon )
dave:
Andrew Waterloo:
JTKMDNY:
fred von helsing:
G:
G:
Dave M.:
Andrew Waterloo:
Droll:
What makes Mellotron great is Lawrence Welk strings. It's an irreplaceable melancholy, Chamberlain can't compare. (That, and it's the instrument of choice for Prog)
G:
Dave M.:
Dave M.:
fred von helsing:
fred von helsing:
Dave M.:
G:
Dave M.:
fred von helsing:
G:
Dave M.:
G:
Droll:
More than once I freaked out at the station ID because I thought it was the top of the hour but it wasn't.
The comments are like forgotten graffiti, adding to it is like screaming in space nobody will hear.
Droll:
Dave M.:
fred von helsing:
G:
Dave M.:
Dave M.:
G:
It's always easy to tell if particular comments on an archived show are about the music that's playing, the mic break, things the music reminded people of, reactions to earlier comments, etc. :-)
G:
Droll:
I love the ephemeral nano-blogging unthreaded comments, but I also hope it matures into something where there's some long-term continuity to it. Maybe that just means we get accounts so we can see responses to our comments someday, too.
. o O ( I can never say enough kind things about KC )
cubicle carl:
G:
Dave M.:
Droll:
G:
Dave M.:
Dave M.:
Fred:
George of Troy:
Dave M.:
Deep Curtains:
Dave M.: