View Jeffrey Davison's profile |
Folk; old-timey; blues; psych, avant and acid folk old and new; ambient and electronic; lots of guitar; detours elsewhere.
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Artist | Track | Album | Label | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
A Winged Victory For The Sullen | VII | Atomos | Kranky | 0:00:00 (Pop-up) | ||||||
Balmorhea | We Will Rebuild With Smooth Stones | Balmorhea | Western Vinyl | 0:07:15 (Pop-up) | ||||||
Linda Cohen | Horizon Jane | Lake of Light | Tomato | 0:12:21 (Pop-up) | ||||||
Cam Deas | As Spring Fell From the Leaves | La Ballade Au Beau Regard (V/A) | Okraina | 0:15:48 (Pop-up) | ||||||
Jerry Hionis | Arrakian Circle Dance | Arrakian Circle Dances | Jerry Hionis | 0:27:50 (Pop-up) | ||||||
Michael Raven & Joan Mills | The Captain's Apprentice | Death and the Lady | Sunbeam | 0:30:43 (Pop-up) | ||||||
Gabriel et Marie Yacoub | Rossignolet Du Bois | Pierre de Grenoble | Barclay | 0:34:05 (Pop-up) | ||||||
Kyttock Kynd | The Twa Corbies | Kyttock Kynd | Dorian | 0:37:32 (Pop-up) | ||||||
Cove Hithe | When the Rain Dries Up | Your Ground Is My Earth | Cove Hithe | 0:39:45 (Pop-up) | ||||||
Winter Flowers | Winter Bird | Winter Flowers | Attacknine | 0:44:27 (Pop-up) | ||||||
Barry Dransfield | Lily's Ballade | Barry Dransfield | Spinney | 0:47:58 (Pop-up) | ||||||
Ange Hardy | The Bow to the Sailor | 0:51:56 (Pop-up) | ||||||||
Gallery | Seven Gypsies | The Wind That Shakes the Barley | Guerssen | 1:02:26 (Pop-up) | ||||||
Finbary & Eddie Furey | Sally Sits Weeping | The Dawning of the Day | Dawn | 1:05:05 (Pop-up) | ||||||
Folkal Point | Once I Knew a Pretty Girl | Folkal Point | Big Pink | 1:09:12 (Pop-up) | ||||||
Peter Chalmers | The Franklin's Maid | The Lady and the Stranger | Big Pink | 1:13:09 (Pop-up) | ||||||
Martha Tilston | Fisherlad of Whitby | The Sea | Squiggly | 1:14:54 (Pop-up) | ||||||
Allysen Callery | Blackwaterside | Folk Radio UK Session | 75 of Less | 1:20:08 (Pop-up) | ||||||
Arborea | Bad Moon Rising | (no album) | Arborea | 1:23:52 (Pop-up) | ||||||
Ane Brun | If I Had a Ribbon Bow | Rarities | Balloon Ranger | 1:27:56 (Pop-up) | ||||||
Yesway | Woahcean | Woahcean | Yesway | 1:30:48 (Pop-up) | ||||||
Laetitia Sadier | Transhumance | Something Shines | Drag City | 1:33:39 (Pop-up) | ||||||
Herbcraft | Journey to the Center of Your Hive | Flowering | Julia Dream Recordings | 1:37:44 (Pop-up) | ||||||
Willis Earl Beal | Waste It Away | Experiments In Time | Willis Earl Beal | 1:44:23 (Pop-up) | ||||||
The Widest Smiling Faces | Oil Pastel | Sin Waves | The Widest Smiling Faces | 1:50:17 (Pop-up) | ||||||
Perfume Genius | All Along | Too Bright | Matador | 1:54:02 (Pop-up) | ||||||
Meaner Pencil | For Tree Love | Meaner Pencil | Blue Dragon Moon | 2:03:54 (Pop-up) | ||||||
Maggie Bjorklund | Ashes | Shaken | Bloodshot | 2:06:27 (Pop-up) | ||||||
Mirel Wagner | Goodnight | When the Cellar Children See the Light of Day | Sub Pop | 2:10:08 (Pop-up) | ||||||
Little Children | The Wake Up | In Hau | Ingrid | 2:12:13 (Pop-up) | ||||||
Steve Gunn | Way Out Weather | Way Out Weather | Paradise of Bachelors | 2:17:06 (Pop-up) | ||||||
Josienne Clarke & Ben Walker | I Never Learned French | Nothing Can Bring Back the Hour | 2:23:17 (Pop-up) | |||||||
Lindsay Fuller | Trigger Happy | The Last Light I See | Lindsay Fuller | 2:25:40 (Pop-up) | ||||||
Ruu Campbell | The Call | Heartsong | 2:28:49 (Pop-up) | |||||||
Mike Cooper | Goodbye Blues, Goodbye | Places I Know | Paradise of Bachelors | 2:31:31 (Pop-up) | ||||||
Erica Buettner | When It Goes | True Love and Water | 2:33:51 (Pop-up) | |||||||
Almeda Riddle | The Orphan Girl | Songs and Ballads of the Ozarks | Vanguard | 2:39:15 (Pop-up) | ||||||
Michael Kline and John Martin | Blue Diamond Mines | The Poverty War Is Dead | Dillon's Run | 2:42:31 (Pop-up) | ||||||
George Edgin's Corn Dodgers with Earl Wright & Brown Rich | The Arkansas Hotel | Corn Dodgers & Hoss Hair Pullers (V.A.) | Dust -To-Digital | 2:47:45 (Pop-up) | ||||||
The Delta Sisters | Texas Girl | Music From the Old Timey Hotel | Red Rooster | 2:50:49 (Pop-up) |
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Listener comments!
BEAVO:
Revolution Rabbit Nov63:
doca:
Guido from Cologne:
testingwithfire:
BEAVO:
Guido from Cologne:
temperatures are announced to go up to 20° Celsius.
BEAVO:
Guido from Cologne:
Paper inner sleeves and long transport obviusly produce a lot of crackles. And certain non-virgin-qualities of vinyl do not fit certain musical styles at all.
BEAVO:
testingwithfire:
BEAVO:
Bob G:
Guido from Cologne:
Comparison of outer to inner grooves prooves where the crackling on the mint copy comes from.
BEAVO:
testingwithfire:
dyingforbadmusic:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Guido from Cologne:
I was considering to get me a banjo and had the eye on old 60ies/70ies Framus which went for 100,- Euros or so. My impression is, the budget priced instrument already sound quite decent and with some advice you should be able to purchase a useful starter instrument. But some personal advice is allways recommentdable.
Revolution Rabbit Nov63:
BEAVO:
Guido from Cologne:
Heavily used ones are likely to be good ones and happen dto be priced lower because of "ugly look".
BEAVO:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
testingwithfire:
Guido from Cologne:
BEAVO:
Revolution Rabbit Nov63:
TDK60:
Revolution Rabbit Nov63:
testingwithfire:
BEAVO:
Guido from Cologne:
Like you ask an "experienced guitar player":
"where the hell is the C-major-scale now" and you get the reply "What is this? What do you need it for?" *g*
It's a different way of thinking. Take in consideration, that well tempered tuning is a relatively new invention and even in Baroque lute music tuning was related to the pieces. The "reachability of everything" as on the piano is pretty high-tech academic way of thinking.
Banjo is maybe a good idea, since the technique is more "basic" and not so much mixed with academic ideas as can happen to guitar. Expect a different world.
testingwithfire:
Revolution Rabbit Nov63:
How do you stop a guitar-player from playing? Put music in front of them...
BEAVO:
BEAVO:
BEAVO:
BEAVO:
Revolution Rabbit Nov63:
...How well did Django read? I don't think he read words very well ! : )
...Jazz players are a whole other level, let's face it...in fact, that's what characterizes them: they can read *&* improvise & swing...yup...
TDK60:
Q: What is the difference between a banjo and a chain saw?
A: A chain saw has a dynamic range.
BEAVO:
Revolution Rabbit Nov63:
- That he was.
Guido from Cologne:
Guido from Cologne:
testingwithfire:
BEAVO:
Guido from Cologne:
TDK60:
BEAVO:
TDK60:
lars:
testingwithfire:
Guido from Cologne:
And besides:
Tabulator systems are historically older then piano notes. And pinano notes were invented for keyboards. For all other instruments i takes a considerable "translation work" for reading.
annie:
TDK60:
doca:
thequietus.com...
annie:
Guido from Cologne:
Sigurður:
Revolution Rabbit Nov63:
...This playlist - what can one say - you're the man JD.
BEAVO:
BEAVO:
Yes a true primitive genius.
Revolution Rabbit Nov63:
Guido from Cologne:
BEAVO:
Revolution Rabbit Nov63:
BEAVO:
As guitar music. I finally heard the original piano a few years ago. Brilliant.
BEAVO:
Revolution Rabbit Nov63:
BEAVO:
"I love to speak with Leonard
He’s a sportsman and a shepherd
He’s a lazy bastard
Living in a suit"
BEAVO:
BEAVO:
LynnsBrother:
TDK60:
Revolution Rabbit Nov63:
...doesn't mean the playlist wasn't a solid wall of Great - for it was !! I ☆ed this 'episode'...