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Friday
9am - Noon
(EST)
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On
WFMU's
Give the Drummer Radio
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August 26, 2016
En fuego | ||
Add or read comments |
Artist | Selection | Album (Label / Recording date) |
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Theme Music: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues
(Folkways 1976) |
ECD | In Tempo |
Major Force: The Original Art-Form
(Mo' Wax 1990) |
Talkover Music: Appendix |
Space Trip |
Space Trip
(Amigo 1973) |
Talkover Music: Charanjit Singh |
Koi Ladki Koi Ladki |
Instrumental Film Tunes
(Odeon 1973) |
Talkover Music: Rubén Gonzáles |
Tumbao |
Introducing Rubén Gonzáles
(Nonesuch/World Circuit 1999) |
Talkover Music: Blind Idiot God |
Death Hollow Canyon, Utah |
Cyclotron
(Avant 1992) |
Talkover Music: Skeletons |
Mulatu |
Smile
(Impossible Ark 2010) |
Closing Theme: John Lee Hooker |
Stand By |
I Feel Good
(Jewel 1971) |
Listener comments! | |
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Maybe he is trying to burn the "family" plaque off the wall. That would make it much more understandable. Hey, it's mauri! | |
9:05am
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9:08am
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Give the Drummer Some burns on WFMU! | |
9:09am
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Good morning, Mr Fire Marshall C! | |
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It's safer than flaming finger cymbals, Gary. | |
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10:13am
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www.nytimes.com... | |
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10:20am
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Vacation next week, some family affair, then a week in the Berkshires, but paying for the time today! | |
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10:25am
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Feh. | |
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10:31am
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I was surprised to discover Lord Buckley's herb intake but not shocked; that and his acid tests long before Kesey, the writer who left us gasping for more. | |
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Double Bass – Wilbert de Joode Drums – Martin van Duynhoven | |
10:54am
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10:54am
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@Mr C Close but no cigar. | |
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Please don't use obscenity (Farage) here. | |
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11:19am
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In the early years of Fela Kuti's career, well before he would define the genre of afrobeat, and leave an indelible mark on the musical landscape, he was a struggling trumpet player, seeking to redefine the sound of his current group, the art-jazz ensemble Fela Ransome-Kuti Quintet. As he moved his group towards the then-popular genre of highlife in 1963, he lost his bassist in the move towards commercial success, but gained the company of Ojo Okeji, who had a sterling reputation both as a bassist and percussionist in groups like Lagos Cool Cats, Rex Williams' Nigerian Artistes, and Western Toppers Highlife Band, a favorite of Kuti's. Okeji impressed Kuti with his deft jazziness on the bass, so he was in on the spot, and the Fela Ransome-Kuti Quintet became Koola Lobitos. It was Okeji that introduced Kuti to the famed percussionist Tony Allen, (Who would subsequently join Kuti into his greatest years as an artist) as well as conguero Abayomi "Easy" Adio. During his time in Koola Lobitos, Okeji not only contributed deeply melodic, and adeptly rhythmic baselines, but brought his own influence from emerging US soul artists like James Brown & The Famous Flames and Wilson Pickett, heavily pushing Koola Lobitos towards a more soulful direction. This push was often resisted by Kuti, who frequently clashed with Okeji. 1968 proved to be a turning point for the group, as the Nigerian Civil War broke out, and many starving musicians turned to the military for work. Okeji and Adio would leave for the army, while Kuti and Allen kept Koola Lobitos going, where it evolved through different names and iterations and grew into the worldwide afrobeat force that made Kuti an icon during the 70s and 80s. But as Kuti and Allen rose to global recognition, Okeji and Adio would form a new band within the ranks of the 6th Infantry Brigade of the Nigerian Army. Their emblazoned blue jackets earned them the nickname "The Blues", but Okeji preferred the name "Shango" after the Yoruba thunder god. Shango took the fundamentals of Kuti's famous afrobeat and brought new layers of guitar and horn arrangements, while often invoking supernatural aesthetics, and maintaining a love for the US soul artists that influenced Okeji so much. Because Shango was an army band however, their records were not readily available to anyone outside of the military so their music, including their eponymous 1974 LP, remained relatively unknown even amongst the people of Nigeria. Decades later Comb & Razor is thrilled to present this long-lost Nigerian gem for the first time to a world-wide audience. | |
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11:26am
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And earrie. Nice nice nice to see you! @burke And this was in 1974. Women have only gotten greater. | |
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11:26am
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11:27am
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11:27am
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www.wfmu.org... | |
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11:28am
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(catch you at later). | |
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Can't wait to send that GIF to my trombonist son! | |
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Hey, somebody stole my spoon! | |
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Keep those kitties off the high seas! | |
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Great show! see ya around town! | |
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@βrian So that's how you roll on the isthmus? @doctorjazz A little minor surgery, and here you are! | |
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Loving this Ascots. | |
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11:53am
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All aboard the poo-poo train, everyone. Your engineer, Uncle Michael, will Hinky-Dink you through all the best parts of town. Here is your ticket: wfmu.org... | |
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Greyish! Thanks Doug et al. | |
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Always leave them wanting more, Parq. | |
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12:00pm
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Gaze lovingly at my other playlists | Take a gander at the WFMU Homepage | |
See other artists I've played | ||