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An odyssey of the ears powered by the moon, the stars, & a pixie dusting of ecstatic electricity...
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Artist | Track | Album | Label | Year | Format | Comments | New | Approx. start time |
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The Psychedelic Furs | President Gas | Forever Now | Columbia | 1982 | LP | You have to have a party, when you're in a state like this. You can really move it all. You have to vote and change. You have to get right out of it, like out of all this mess. You'll say yeah to anything, If you believe all this but... don't cry, don't do anything. No lies, back in the government. No tears, party time is here again. President gas is up for president. Line up, put your kisses down. Say yeah, say yes again. Stand up, there's a head count. President gas on everything but roller skates. It's sick...the price of medicine. Stand up, we'll put you on your feet again. Open up your eyes, just to check that you're asleep again. President gas is president gas again. He comes in from the left sometimes. He comes in from the right. It's so heavily advertised that he wants you and I. It's a real cowboy set, electric company. Every day is happy days. It's hell without the sin, but don't cry, don't do anything. No lies, back in the government. No tears, party time is here again. President gas is up for president. Line up, put your kisses down. Say yeah, say yes again. Stand up, there's a head count. President gas on everything but roller skates. It's sick...the price of medicine. Stand up, we'll put you on your feet again. Open up your eyes...just to check that you're asleep again. President gas is president gas again. President gas... Oh, president gas... Whoa, president gas... Oh, president gas... Whoa, president gas... Oh, president gas... Whoa, president gas... | 0:00:00 (Pop-up) | |
Viktor Defete | Let's Call Off This City | 0:04:25 (Pop-up) | ||||||
George Harrison | Dream Scene | Wonderwall Music | Apple | 1968 | CD | 0:07:57 (Pop-up) | ||
Neu! | Lila Engel (Lilac Angel) | Neu! 2 | Brain | 1973 | CD | 0:13:29 (Pop-up) | ||
Pigeons & the Insane Porridgemakers | Haughty Dwarf | Le Voyage (carefree wandering in the world of the concealed and mysterious) | Clinical Archives | 2009 | A group of 10 musicians from Russia / FMA | 0:18:39 (Pop-up) | ||
Simon Matthewson | Doline Dub | Notes | Parenthetical Records | 2016 | w/ Steve Combs / FMA | * | 0:22:34 (Pop-up) | |
The Blue Men | Magnetic Field | High Voltage! Giant Steps & Flashpoints in 20th Century Experimental & Electronic Sound | Fantastic Voyage | 2013 | CD | comp | 0:26:24 (Pop-up) | |
Blah Blah Blah | In the Army | Close To The Noise Floor: Formative UK Electronica 1975-1984 (V/A) | Cherry Red | 2016 | CD | comp | * | 0:29:04 (Pop-up) |
Eisenhauer | Insekten | Science Fiction Park Bundesrepublik (German Home Recording Tape Music Of The 1980s) | Cache Cache | 2014 | CD | comp | 0:33:39 (Pop-up) | |
Lantei Lamptey | Fish & Funjee | Mr Bongo Record Club Volume One | Mr Bongo | 2016 | CD | * | 0:35:46 (Pop-up) | |
Milk Kan | Why Should the Devil Have All the Good Tunes | Lucky Dip: Selection from the First 10 Years of Blang | Blang! | 2016 | CD | * | 0:37:50 (Pop-up) | |
The Wedding Present | Sprague | Going Going.... | Scopitones | 2016 | CD | * | 0:41:20 (Pop-up) | |
Anthony Child | Wyatt's Inspection | Electronic Recordings from Maui Jungle Vol 2 | Editions Mego | 2016 | CD | * | 0:43:40 (Pop-up) | |
Earthmonkey | Samsara Tsunami | Samsara Tsunami | Eroto Tox Decodings | 2016 | CD | * | 0:45:35 (Pop-up) | |
Noveller | Deep Shelter | A Pink Sunset For No One | Fire Records | 2016 | CD | * | 0:52:58 (Pop-up) | |
Luisa LaChouf | Thousand Miles of Dreaming | Radio Resistencia (V/A) | Enfant Terrible | 2009 | CD | comp | 0:58:31 (Pop-up) | |
Love Spit Love | Fall On Tears | Trysome Eatone | Maverick / Warner Bros. | 1997 | CD | 1:00:28 (Pop-up) | ||
Neil Young | My Pledge | Peace Trail | Reprise | 2016 | CD | * | 1:04:53 (Pop-up) | |
Bert Jansch | Fool's Mate | Living In The Shadows | Earth Recordings | 2016 | CD | 4-CD box set. Song originally from 2000 album, "Crimson Moon" | * | 1:08:13 (Pop-up) |
M/N/M/L | Hips | Serge Modular Users 2009 V/A | Resipiscent | 2009 | CD | comp | 1:10:17 (Pop-up) | |
Mind Over Midi | In Silence | Thru | Sutemos | 2010 | EP | 1:15:04 (Pop-up) | ||
Erdem Helvacioglu | Resonating Universes Part I | An Anthology Of Turkish Experimental Music 1961-2014 | Sub Rosa | 2016 | CD | comp | * | 1:18:06 (Pop-up) |
Tod Dockstader | Mystery Creak | From The Archives | Starkland | 2016 | CD | * | 1:25:57 (Pop-up) | |
Mors | PerfYAy | An Anthology Of Turkish Experimental Music 1961-2014 | Sub Rosa | 2016 | CD | comp | * | 1:27:33 (Pop-up) |
Herbert Eimert & Robert Beyer | Klangstudie 2 | High Voltage! Giant Steps & Flashpoints in 20th Century Experimental & Electronic Sound | Fantastic Voyage | 2013 | CD | orig 1952 | 1:32:14 (Pop-up) | |
Vladimir Ussachevsky | Metamorphosis | Electronic and Acoustic Works, 1957 - 1972 | New World Records | 2007 | CD | "Metamorphosis" was originally composed in 1957 (CRI). A bit of background on Ussachevsky: In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky (1911-1990), then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next 10 years, Ussachevsky and his collaborators established the Columbia-Princeton Electronic Music Center, which Ussachevsky directed for 20 years. The Center became one of the best-known and most prolific sources of electronic music in the world. This composer portrait (originally issued as CRI 813) features six of his pioneering works in the medium, as well as two of his choral works, an aspect of his output that was just as important to him. The final two works on this CD make extensive use of the human voice. The first of these, "Three Scenes from The Creation," is based on texts from Ovid's Metamorphosis and the Akkadian creation epic Enuma Elish, telling the story of the primordial gods and their struggle to create order out of chaos. The recorded choral tracks were edited, assembled, and manipulated "with electronic accompaniment" in the studio. The Prologue was played in concert and also issued on a Columbia recording. The Interlude, originally Interlude and Conflict, dates from the same time and used recorded soprano and bass voices with electronic and concrete sounds and a live mezzo-soprano. In addition to the vocal and electronic sounds, recordings of piano, bell, and Chinese dinner plate sound are used, modified with the studio techniques that the composer had developed over the years. In the early 1970s, Ussachevsky returned to acoustic music after nearly two decades of immersion in the electronic medium. It was natural for him to use choral music as the medium of this return. The composer wrote that "growing up as I did in the Russian Orthodox Church, serving as reader and altar boy, the sound of the choir singing the traditional service and works by all the best nineteenth-century Russian composers left an indelible impression." The Missa Brevis (1972) uses the traditional core texts of the mass-Kyrie, Sanctus, Benedictus, and Agnus Dei - without any particular reference to electronic music. | 1:36:19 (Pop-up) | |
Sigurd Berge | Erupsjon | Early Electronic Works | Prisma Records | 2010 | CD | This is the first (and posthumous) release of the music of the Norwegian composer and electronic music pioneer, Sigurd Berge. This release showcases some of Berge`s earliest experiments with tape-machines and early synthesizers. The music is taken from 3 reels found in the Henie Onstad Art Centre music archives in 2009. The reason why these tapes were located at the art centre is probably because Berge worked for several years at the NSEM - Norwegian Studio for Electronic Music, located at the art centre. Berge also was a central part of the electronic music concert-series Elektrofoni, which took part at the centre from 1968 until 1983. On the 1st tape was found the unreleased pieces, Preludium, Ritual & Sørgemusikk, as well as the pieces, Erupsjon and Eg beisla min støvel. On a different tape was found the musique concrète piece, Delta, which Berge also used in collaboration with the avant-garde jazz group, Svein Finnerud, in 1970. | 1:40:48 (Pop-up) | |
Cinema Verite | Starres WeiB | Science Fiction Park Bundesrepublik (German Home Recording Tape Music Of The 1980s) | Cache Cache | 2014 | CD | comp | 1:43:26 (Pop-up) | |
David Bowie | Sense Of Doubt | Heroes | RCA | 1977 | CD | 1:46:32 (Pop-up) | ||
Pink Floyd | Set The Controls For the Heart of the Sun | Live at Radio City 3/17/73 | 1:50:50 (Pop-up) | |||||
Tonto's Expanding Head Band | Tama | Zero Time | Embryo | 1971 | CD | 2:04:09 (Pop-up) | ||
Vladimir Ussachevsky / Dennis Hopper | Line of Apogee-6 / Do you Know the Middle Word in Life is If? | Film Music / Apocalypse Now | New World Records | 1990 | CD | orig from 1968 film "Line of Apogee" / "Apocalypse Now" originally released in 1979 | 2:09:21 (Pop-up) | |
Tonto's Expanding Head Band | Jetsex | Zero Time | Embryo | 1971 | CD | 2:19:05 (Pop-up) | ||
Kristin Norderval | A Flat Ground | Aural Histories: post-ambient arias for voice and electronica | Deep Listening Institute | 2012 | CD | 2:23:07 (Pop-up) | ||
Terry Riley | Desert Of Ice | Shri Camel | CBS | 1980 | CD | 2:28:57 (Pop-up) | ||
Anthony Child | Relational Constellations | Electronic Recordings from Maui Jungle Vol 2 | Editions Mego | 2016 | CD | * | 2:43:51 (Pop-up) | |
Noveller | Corridors | A Pink Sunset For No One | Fire Records | 2016 | CD | * | 2:50:43 (Pop-up) | |
Horsepower Productions | Good Ole Dayz | Crooks, Crime & Corruption | Tempa | 2016 | CD | * | 2:52:57 (Pop-up) | |
Richard Butler | Good Days Bad Days | Richard Butler | Koch | 2006 | CD | I want to unmake every bed that I laid down on, give back everything I've won. I want to unfly every crow, unwind every mile, undo everything I've done... Good days...There'll be bad days. Good days...There'll be bad days. I want to unread every book that my eyes laid on, unsay everything I've said. I want to unsing every song, unwrite every line, unstep every step I've made... Good days...There'll be bad days. Good days...There'll be bad days. I want to unsew every seam, unwind every clock, unbreathe every breath I've made. I want to unset every sun that my eyes fell on till I give back all I've won. Good days...There'll be bad days. Good days...There'll be bad days. Good days...There'll be bad days. Good days...There'll be bad days. | 2:56:18 (Pop-up) |
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