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Artist | Track | Album | Approx. start time | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Lee Morgan | Yes I Can, No You Can't (edit) | The Gigolo | 0:00:00 (Pop-up) | |||||||
Tame Impala | Apocalypse Dreams | Lonerism | 0:03:26 (Pop-up) | |||||||
doubleVee | Bumper Car Parade | The Moonlit Fables of Jack the Rider | 0:09:36 (Pop-up) | |||||||
Tineke Postma | Synchronicity | A Journey That Matters | 0:12:07 (Pop-up) | |||||||
Daniel Romano | The Pride of Queens | Modern Pressure | 0:17:38 (Pop-up) | |||||||
Mighty Sparrow | Congo Man (1967 version) | Spicy Sparrow | 0:25:34 (Pop-up) | |||||||
Ipps | Never Say Goodbye | Life's a Mess | 0:30:28 (Pop-up) | |||||||
Lemon Twigs | How Lucky Am I? | Do Hollywood | 0:32:49 (Pop-up) | |||||||
Horace Silver Quintet | Peace | Blowin' the Blues Away | 0:36:37 (Pop-up) | |||||||
Maria Taylor | Birmingham 1982 | 11:11 | 0:46:44 (Pop-up) | |||||||
Beach Boys | Wild Honey (working version) | Wild Honey sessions | 0:50:09 (Pop-up) | |||||||
Carey's Problem | Led Zepplin | Arena of Shame | 0:52:44 (Pop-up) | |||||||
TOM WILSON | The Music Factory (ep. 17: Beacon Street Union) | THE MUSIC FACTORY (MGM-Verve series, 1967-68) | 1:00:03 (Pop-up) | |||||||
Tom Wilson | Help, I'm a Rock / Tom Wilson intro - Welcomes producer Wes Farrell | |||||||||
The Free Design | Kites Are Fun | Kites Are Fun | ||||||||
commercial | Far from the Madding Crowd (Original Movie Soundtrack recording) | |||||||||
Tom Wilson | intros Cowsills track | |||||||||
The Cowsills | We Can Fly | We Can Fly | ||||||||
Tom Wilson | Wes Farrell interview seg 1 | |||||||||
Every Mother's Son | No One Knows | MGM single K13887 | ||||||||
commercial | Sopwith Camel (debut album) | |||||||||
Tom Wilson | Wes Farrell interview seg 2 and "NIghtmare Pick of the Week" | |||||||||
Every Mother's Son | Another Day, Another Song | Every Mothers' Son's Back | ||||||||
Tom Wilson | intros Ultimate Spinach track | |||||||||
Ultimate Spinach | Baroque #1 | Ultimate Spinach | ||||||||
Jim & Jean | People World | People World | ||||||||
commercial | The James Cotton Blues Band (self-titled album) | |||||||||
Tom Wilson | tapioca break at the Music Factory (program mid-point) | |||||||||
commercial | Gone with the Wind (soundtrack album) | |||||||||
Tom Wilson | introduces Pauline Rivelli of Jazz & Pop magazine | |||||||||
Tom Wilson & Pauline Rivelli | discuss 1967 jazz & pop winners of 5th Annual "Jay" Awards Poll | |||||||||
Tom Wilson | Wes Farrell interview seg 3: "Anatomy of a Record" | |||||||||
The Beacon Street Union | Four Hundred and Five | The Eyes of the Beacon Street Union | ||||||||
commercial | Tim Hardin 1 (album) | |||||||||
Tom Wilson | Wes Farrell interview seg 4 | |||||||||
The Beacon Street Union | Sadie Said No | The Eyes of the Beacon Street Union | ||||||||
Tom Wilson | Wes Farrell interview seg 5 | |||||||||
Tom Wilson | Poetry about the Beacon Street Union | The Eyes of the Beacon Street Union | ||||||||
The Beacon Street Union | Beautiful Delilah | The Eyes of the Beacon Street Union | ||||||||
commercial | Odetta (self-titled album) | |||||||||
Tom Wilson | Outro (theme: "Help I’m a Rock") and thanks to Wes Farrell | |||||||||
Delta Saxophone Quartet | Floating World | Dedicated to You, But You Weren't Listening -- The Music of Soft Machine | 2:02:26 (Pop-up) | |||||||
Xenia Rubinos | Help | Magic Trix | 2:08:12 (Pop-up) | |||||||
Wayne Shorter | Go | Schizophrenia | 2:12:45 (Pop-up) | |||||||
Pamelia Kurstin & Pat Mastelotto | Our Green Adventure | Tunisia | 2:18:50 (Pop-up) | |||||||
Title Fight | Rose of Sharon | Hyperview | 2:23:46 (Pop-up) | |||||||
Spirit | It Shall Be / Poor Richard | The Family That Plays Together | 2:26:31 (Pop-up) | |||||||
Bent Knee | Battle Creek | Shiny Eyed Babies | 2:32:23 (Pop-up) | |||||||
The Paupers | Another Man's Hair on My Razor | Ellis Island | 2:41:29 (Pop-up) | |||||||
Albert Brooks | Phone Calls from Americans | A Star is Bought | 2:45:29 (Pop-up) | |||||||
Blondie | Long Time | Pollinator | 2:50:50 (Pop-up) |
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Listener comments!
1:
Michael 98145:
Parq:
Robert from Albany:
Passaic River Blues:
Hoboken Jack:
Bronwyn Bishop:
Irwin:
geezerette:
Irwin:
Dean:
laughingacademy:
Dominick:
Irwin:
Dominick:
Dean:
drr:
Irwin:
Irwin:
Irwin:
Alison Porchnik:
Michael 98145:
Laura L:
Alison Porchnik:
Alison Porchnik:
Michael 98145:
Irwin:
Dean:
Dominick:
Parq:
Dean:
glenn:
Anonymous Coward:
Dean:
Alison Porchnik:
Parq:
Irwin:
Megaroni:
Anonymous Coward:
Alison Porchnik:
Irwin:
Alison Porchnik:
Dominick:
zopa:
The Oscar:
Parq:
joe mulligan:
geezerette:
The Oscar:
Whosondephone:
Alison Porchnik:
Alison Porchnik:
Revolution Rabbit Nov63:
If you had to pick a track to characterize the 60s - you could do worse...
the garden:
The Oscar:
Revolution Rabbit Nov63:
the garden:
Parq:
zopa:
Revolution Rabbit Nov63:
the garden:
the garden:
Revolution Rabbit Nov63:
geezerette:
jan:
mr mcfeely:
glenn:
Irwin:
Though Reig was supportive of musicians, he was legendarily hot-tempered, argumentative and belligerent with those in (and out of) the business. Because of his height, girth, and propensity for yelling loudly, he could be extremely intimidating and often prevailed in getting what he wanted. "The only time I saw Teddy scared was when we were mixing the Basie Beatles album out in California at the TTG Studios," recalled MGM-Verve producer Peter Spargo. "All of a sudden, Frank Zappa walked in. Teddy took one look at him and ran out of the room saying, 'What is that?' Zappa just wanted to hear [Basie's] band, but he looked so weird that Teddy didn't know what to make of him!"
the garden:
Revolution Rabbit Nov63:
Alison Porchnik:
I.M. Peaking:
Irwin:
rrg:
the garden:
Revolution Rabbit Nov63:
...gawdamn commercial radio...of all the Verve...
rrg:
geezerette:
geezerette:
Revolution Rabbit Nov63:
berbo:
zopa:
geezerette:
Alison Porchnik:
Suds Walsh (Tromboner):
Revolution Rabbit Nov63:
geezerette:
Carmichael:
Revolution Rabbit Nov63:
flashbazbo:
Revolution Rabbit Nov63:
Dominick:
geezerette:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Rodeo Ron Randall:
Revolution Rabbit Nov63:
..not quite Kraftwerk - but you can see them from there...a whole eight trax...
Irwin:
geezerette:
it's awful !
Carmichael:
Revolution Rabbit Nov63:
miles:
Michael 98145:
Irwin:
geezerette:
kxlu has really good DJs, almost as good as woofmoo.
miles:
Revolution Rabbit Nov63:
@Michael: We're more or less there : Pepper remix Friday.
'Bawstin'.
I like Henry Rollins' show on KCRW. Lived SantaBarbara many years b4 webio years. JoeFrank was KCRW...
Revolution Rabbit Nov63:
berbo:
geezerette:
geezerette:
common:
Fredericks:
geezerette:
Revolution Rabbit Nov63:
rrg:
Passaic River Blues:
mrmikestandsir:
Revolution Rabbit Nov63:
Sax reminded me of Jan Garbarek. Kewl!
geezerette:
rrg:
Revolution Rabbit Nov63:
Irwin:
Revolution Rabbit Nov63:
redkayak:
Passaic River Blues:
Irwin:
geezerette:
Yep, great set.
jan:
rrg:
Jack:
Revolution Rabbit Nov63:
Irwin:
geezerette:
Revolution Rabbit Nov63:
geezerette:
Irwin:
Revolution Rabbit Nov63:
Irwin:
Listening Out There:
Revolution Rabbit Nov63:
rrg:
Irwin:
Ken From Hyde Park:
geezerette:
glenn:
Listening Out There:
Irwin:
geezerette:
Revolution Rabbit Nov63:
Albert - not like him on variety shows or movies...like a link between BobNewhart & Firesign? Would not think all the same voice! Take that Sellers...
Listening Out There:
Ken From Hyde Park:
Irwin:
rrg:
Revolution Rabbit Nov63:
Keith from Oregon:
Revolution Rabbit Nov63:
Irwin:
geezerette:
Revolution Rabbit Nov63:
geezerette:
rrg:
Listening Out There:
rrg: