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A true disrupter within the freeform internet-radio market, If You Lose Your Horse creates a space for smart consumers to experience a game-changing digital audio brand.
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Listener comments!
melinda:
Doug Schulkind:
coelacanth∅:
Sam Segal:
Uncle Michael:
melinda:
Uncle Michael:
Carmichael:
Doug Schulkind:
coelacanth∅:
Sam Segal:
Uncle Michael:
Sam Segal:
Doug Schulkind:
coelacanth∅:
Sam Segal:
still b/p:
coelacanth∅:
...but now it's all there!
Sam Segal:
coelacanth∅:
...i noted yesterday when i heard a Sinead O'Connor song that i quite dislike (i do quite like many Sinead O'Connor songs...) that i'd rather hear a boring, predictable - in my opinion really crappy song with real vocals than anything at all using autotune. (in any style or language, it seems)
Uncle Michael:
Uncle Michael:
still b/p:
Sam Segal:
coelacanth∅:
...there are exceptions, where i can sort of tolerate it, occasionally. (Frampton being a notable one)
when Cher did it - first(ish) it was a novelty so was interesting. that's an exception.
Neil Young's use of it was part of his expression, regarding his autistic son. another exception.
still b/p:
coelacanth∅:
melinda:
JustTryingToBeAGoodGuy:
coelacanth∅:
coelacanth∅:
doctorjazz:
JustTryingToBeAGoodGuy:
melinda:
JustTryingToBeAGoodGuy:
coelacanth∅:
coelacanth∅:
Uncle Michael:
I'll mull that over.
JustTryingToBeAGoodGuy:
coelacanth∅:
i'd like to hear some autotune that doesn't "correct" pitch; as an effect. i probably won't like the music it's used in, for the most part - but i'd like to know the difference.
Sam Segal:
Sam Segal:
doctorjazz:
coelacanth∅:
still b/p:
You can hear it a lot in a track from Big Blood with their daughter doing the vocal, and I don't mind it here although it's heavy. It's in this in Ken playlist at 56:42 (With Tracy and Hepburn in the adjacent image.)
doctorjazz:
still b/p:
wfmu.org...
Doug Schulkind:
Sam Segal:
melinda:
coelacanth∅:
doctorjazz:
Sam Segal:
www.nts.live...
still b/p:
Carmichael:
coelacanth∅:
...imagine if we all liked exactly the same music! then we'd all be MAKING the same music.
...oh wait; that's what the commercial music industry is going for. never mind!
Sam Segal:
melinda:
coelacanth∅:
still b/p:
coelacanth∅:
Carmichael:
melinda:
melinda:
doctorjazz:
coelacanth∅:
Sam Segal:
coelacanth∅:
still b/p:
Uncle Michael:
melinda:
coelacanth∅:
mukluk
Carmichael:
melinda:
doctorjazz:
Uncle Michael:
macadamia
Uncle Michael:
coelacanth∅:
spatula
coelacanth∅:
Doug Schulkind:
melinda:
still b/p:
Carmichael:
coelacanth∅:
still b/p:
coelacanth∅:
coelacanth∅:
Sam Segal:
coelacanth∅:
coelacanth∅:
good night.
still b/p:
seahorse, thanks.