View Bronwyn Bishop's profile |
Adventures in maximalism.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
Monks | I Hate You | Black Monk Time | Light In The Attic Records | 2009 | 0:00:00 (Pop-up) | |||||
The Brain Police | Getting Too Much Higher | The Brain Police | Akarma | 1968 | 0:03:19 (Pop-up) | |||||
Fifty Foot Hose | God Bless the Child | Cauldron | Ace Records | 2012 | 0:06:53 (Pop-up) | |||||
The Comfortable Chair | Stars in Heaven | The Comfortable Chair | Start Entertainments Limited | 2011 | 0:09:50 (Pop-up) | |||||
The Residents | Hello Skinny | Duck Stab | Ralph | 1978 | 0:12:41 (Pop-up) | |||||
Alice Cooper | Inmates (We're All Crazy) | From the Inside | Warner Bros. Records | 1978 | 0:15:37 (Pop-up) | |||||
Cressida | Lights In My Mind | Cressida | Akarma | 1970 | 0:20:25 (Pop-up) | |||||
The Jimi Hendrix Experience | Spanish Castle Magic | Axis: Bold As Love | Experience Hendrix | 1967 | 0:23:02 (Pop-up) | |||||
Love | Alone Again Or | Forever Changes | Elektra Entertainment | 1967 | 0:26:03 (Pop-up) | |||||
Nathan Russell | Skinny Winnie From Trinidad | Calypso In Hi-Fi | Essential World Masters | 2011 | 0:29:13 (Pop-up) | |||||
Music behind DJ: Dean Organ Builders |
This Town Ain't Big Enough for Both of Us (Fairground Organ Version) |
N/A |
Dean Organ Builders |
2016 |
0:47:08 (Pop-up) |
|||||
George Harrison | Awaiting On You All | All Things Must Pass | Apple Records | 1970 | 0:40:33 (Pop-up) | |||||
Kevin Ayers | Hymn | Bananamour | Harvest Records | 1973 | 0:41:47 (Pop-up) | |||||
Mayo Thompson | Fortune | Corky's Debt to His Father | Drag City | 1969 | 0:48:35 (Pop-up) | |||||
Lou Reed | Coney Island Baby | Coney Island Baby | RCA Records | 1975 | 0:49:50 (Pop-up) | |||||
Kenneth Higney | Can't Love That Woman | Attic Demonstration | Kebrutney | 1976 | 0:52:37 (Pop-up) | |||||
Donnie & Joe Emerson | Baby | Dreamin' Wild | Light In The Attic Records | 2012 | 0:56:21 (Pop-up) | |||||
Doug Sahm | It's Gonna Be Easy | Doug Sahm and His Band | Atlantic Recording | 1973 | 1:00:23 (Pop-up) | |||||
Dory Previn | Did Jesus Have a Baby Sister | Dory Previn | Warner Bros. Records | 1974 | 1:03:53 (Pop-up) | |||||
Incredible Bongo Band | Bongo Rock | Bongo Rock | Mr. Bongo | 2006 | 1:07:42 (Pop-up) | |||||
The Rolling Stones | Soul Survivor | Exile On Main St. | Promotone B.V. | 1972 | 1:10:17 (Pop-up) | |||||
K.J. Yesudas | Eniyumee Bhoomi | Moham Enna Pakshi (Original Motion Picture Soundtrack) - EP | The Indian Records MFG. Co. Ltd | 1979 | 1:28:11 (Pop-up) | |||||
Arthur Prysock | All I need is you Tonight | All My Love | Smith & Co. | 2012 | 1:30:01 (Pop-up) | |||||
Tangerine Dream | Chronozon | Exit | Elektra/Asylum Records | 1981 | 1:34:06 (Pop-up) | |||||
The Dead Milkmen | Rocket Ship | Bucky Fellini | Fever Records | 1987 | 1:38:26 (Pop-up) | |||||
Chron Gen | Hounds of the Night | Chronic Generation | Razor Records | 1982 | 1:40:55 (Pop-up) | |||||
The Residents | Perfect Love | Commercial Album | Ralph | 1980 | 1:45:47 (Pop-up) | |||||
Trotsky Icepick | In Exile | Danny and the Doorknobs | Manifesto Records | 1989 | 1:46:57 (Pop-up) | |||||
Dead Kennedys | Kill the Poor | Fresh Fruit for Rotting Vegetables | Cherry Red Records | 1980 | 1:48:33 (Pop-up) | |||||
Robyn Hitchcock & The Egyptians | My Wife and My Dead Wife | Fegmania! | Yep Roc Records | 1985 | 1:50:40 (Pop-up) | |||||
Faster Pussycat | Bathroom Wall | Faster Pussycat | Elektra/Asylum Records | 1987 | 1:55:06 (Pop-up) | |||||
Edwin Starr | Time | The Very Best of Edwin Starr | Motown Records | 1998 | 2:10:17 (Pop-up) | |||||
The Beatles | OLD BROWN SHOE [demo] | Anthology 3 | Apple | 1996 | 2:13:00 (Pop-up) | |||||
Aerosmith | Come Together | Aerosmith's Greatest Hits | Sony Music Entertainment | 1980 | 2:14:30 (Pop-up) | |||||
Legendary Pink Dots | I Love You In Your Tragic Beauty | Crushed Velvet Apocalypse | Soleilmoon Recordings | 1990 | 2:18:07 (Pop-up) | |||||
Bruce Springsteen | Cover Me | Born in the U.S.A. | Bruce Springsteen | 1984 | 2:22:32 (Pop-up) | |||||
Black 47 | Funky Ceili | Fire of Freedom | Capitol Records | 1993 | 2:25:53 (Pop-up) | |||||
Melanie | Lay Down (Candles In the Rain) | Beautiful People: The Greatest Hits Of Melanie | Buddha Records | 1999 | 2:33:01 (Pop-up) | |||||
Dream Wife | Let's Make Out | Dream Wife | Lucky Number | 2017 | 2:46:25 (Pop-up) | |||||
The Eagle Rock Gospel Singers | Church Fire | No Glory | The Eagle Rock Gospel Singers | 2017 | 2:47:21 (Pop-up) | |||||
Marian Hill | I Want You | Act One | Republic Records | 2016 | 2:47:32 (Pop-up) | |||||
Albin Gromer | Narrens tema I & II | Presenterar: "Narren" | Albin Gromer Musik EF | 2017 | 2:52:11 (Pop-up) | |||||
Sparks | Missionary Position | Hippopotamus | BMG Rights Management | 2017 | 2:54:59 (Pop-up) |
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Listener comments!
coelacanth∅:
Ken From Hyde Park:
BronwynB:
Hi from Holland:
BronwynB:
Andy in Berlin:
BronwynB:
Scraps:
coelacanth∅:
both awaiting on you all and alone again or are songs i play on the jukebox at the pub that get a lot of positive response, despite rap and hiphop being more the usual there.
coelacanth∅:
Andy in Berlin:
Hi from Holland:
BronwynB:
@Andy: Oh for sure :D
BronwynB:
BronwynB:
Hi from Holland:
debt collector:
BronwynB:
DL in LA:
BronwynB:
debt collector:
BB, I enjoyed your monologue about opinions. Many Men need to unlearn their behaviors and biases. Men have ready access to the platform and their voices are overamplified. They need to Make space and shut up
DL in LA:
debt collector:
scrooge∅:
Scraps:
hey hey hey, kill the poor!
fred:
scrooge∅:
BronwynB:
@debt collector: The Gold Diggers movies are so great. '33 is the best but there's also '35, '37, Gold Diggers in Paris...
@fred: Hello hello!!
mb:
mkbrophy:
Scraps:
BronwynB:
@Michael: Hi!!! So glad to have you here :D
@Scraps: Sorry, I am trying to work on the fast talking (it's just the way I talk) but I must have slid back into old habits :(
Scraps:
Scraps:
BronwynB:
BronwynB:
erm:
BronwynB:
erm:
BronwynB:
fred:
erm:
erm:
Fuzzy:
mkbrophy:
BronwynB:
@Fuzzy: It's a great one
@mkbrophy: You know it's funny, I was just thinking that, and it's totally unintentional. I listened to XPN constantly from my time in the womb until the day I discovered FMU when I was 17, and from that day forward I never listened to it again. But it was influential on me.
coelacanth∅:
Thanks Bronwyn take care
tchau peeps
BronwynB:
greyscale:
BronwynB:
greyscale:
coelacanth∅:
coelacanth∅:
okay, now i'm leaving.
'night
coelacanth∅:
mkbrophy:
greyscale:
BronwynB:
Scraps:
Scraps:
Scraps:
upstate sean:
mb:
fred:
BronwynB:
BronwynB:
greyscale:
listener james from westwood: