WFMU: The Long Rally with Scott McDowell: Playlist from April 15, 2018

Listener comments!
	8:59am Uncle Michael: Good morning, Scott.
	9:01am Scraps: hey hey h’lo
	9:01am Sem: Been missing this theme music. Good morning, Scott, UM.
	9:01am doctorjazz: Hi Scott, looking forward to the show!
	9:01am Scott: Hey all, good morning
	9:01am duke: Hello Scott. Nice to hear you on a grey Sunday morning. Looking forward to some Cecil Taylor
	9:05am listener james from westwood: Morning, Scott and all!!
	9:06am Scraps: Just love some Grachan Moncur III
	9:12am Scott: Thanks everyone for listening along this morning!!
	9:15am Scraps: Here we go!
	9:26am Scraps: All right! Love 2 Bluejays!
	9:28am doctorjazz: Such amazing chops!
	9:47am Ken From Hyde Park: (Sneaked out of the Reggae Schoolroom to check in here for a bit)
	9:56am Scott: : )
	9:58am Andrew Waterloo: yay, Long Rally!
	10:32am Stepchild: Getting so much pleasure from all the continuing tributes to Cecil. Thanks Scott!!
	10:36am Scott: Cheers!
	10:39am Uncle Michael: Scott, are you wise to Josh Cantor playing Rick Kick Shaw on the organ at Fenway during a Red Sox game?
	10:40am Scott: Oh yeah I think I read that on Doug's Fbook. So cool.
	11:00am Doug Schulkind: On a clear day you can Cecil forever! Good morning, Reverend McD and all Rallyists! Just dipping my ears in for s sec during my break at work.
	11:08am Sem: Entranced by this Cecil Taylor show. Thank you, Scott.
	11:13am Scott: Very happy to hear that. thanks.
	11:16am doctorjazz: So, what I find interesting is that as a vanguard of "free jazz", CT did away with chord progressions , standard song form, standard harmony. He never left rhythm,, though, was actually sometimes as regular as a metronome .. Bill Evans, for instance, was much less beholden to "the beat" in some ways, more fluid.
	11:19am Scott: I do understand where you're coming from, the rhythmic fluidity often came from his drummers.
	11:19am Scott: and bass players.
	11:25am doctorjazz: Not implying it was boring or repetitive... CT would organize in phrases, and set them off against each other, thus getting variety. But most of the phrases themselves, in rhythmic terms, were very precise, technically demanding, but "on the beat". To my ears, anyway .. Not a bad thing, interesting to me
	11:28am doctorjazz: And, yes, the rhythm sections of created/added flow and dynamics ..
	11:30am Scott: I agree with you
	11:31am doctorjazz: I read an interview with Gary Giddens, where he talked about CT, and how, when he taught, students from classical backgrounds got him right away.
	11:54am Stepchild: One amazing facet of these Berlin recordings is the number of different Cecils one finds. He draws his various parters to him, but also, while staying himself finds approaches to fit the personality of each different setting. Cecil, tailored.

The Long Rally with Scott McDowell: Playlist from April 15, 2018

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Drawing an endless knot. Improvised, international, American, old, abstract, other.

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April 15, 2018: Hey Cecil! (Cecil Taylor Tribute Show)

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Artist	Track	Album	Label	Approx. start time
Grachan Moncur III	Hipnosis "Hipnosis" by "Grachan Moncur III"			0:00:00 (Pop-up)
Cecil Taylor	Student Studies Part 2	Student Studies	Fuel 2000	0:11:15 (Pop-up)

Cecil Taylor	Spring of Two Blue-J's	Spring of Two Blue-J's	Unit Core	0:25:39 (Pop-up)

Cecil Taylor & Louis Moholo	The Great Bear	Remembrance	FMP	0:46:25 (Pop-up)

Cecil Taylor	#3 "#3" by "Cecil Taylor"	Chinampas	Leo	1:09:53 (Pop-up)
Cecil Taylor	Rick Kick Shaw "Rick Kick Shaw" by "Cecil Taylor"	Jazz Advance	Blue Note	1:15:40 (Pop-up)
The Gil Evans Orchestra	Pots "Pots" by "The Gil Evans Orchestra"	Into the Hot	Impulse!	1:21:53 (Pop-up)

Cecil Taylor Trio	I Love Paris "I Love Paris" by "Cecil Taylor Trio"	Love for Sale	Blue Note	1:34:07 (Pop-up)
Cecil Taylor	Air Above Mountains (Buildings Within) Part One	Air Above Mountains	Enja	1:38:53 (Pop-up)

Cecil Taylor	Pethro Visiting the Abyss + Saita	In Florescence	A&M	2:12:37 (Pop-up)
Cecil Taylor & Tony Oxley	12:24 "12:24" by "Cecil Taylor & Tony Oxley"	ailanthus / altissima: bilateral dimensions of 2 root songs	Triple Point	2:22:38 (Pop-up)

Cecil Taylor & Günter Sommer	PUUC Part 2	In East-Berlin	FMP	2:38:18 (Pop-up)

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Listener comments!
	8:59am Uncle Michael: Good morning, Scott.
	9:01am Scraps: hey hey h’lo
	9:01am Sem: Been missing this theme music. Good morning, Scott, UM.
	9:01am doctorjazz: Hi Scott, looking forward to the show!
	9:01am Scott: Hey all, good morning
	9:01am duke: Hello Scott. Nice to hear you on a grey Sunday morning. Looking forward to some Cecil Taylor
	9:05am listener james from westwood: Morning, Scott and all!!
	9:06am Scraps: Just love some Grachan Moncur III
	9:12am Scott: Thanks everyone for listening along this morning!!
	9:15am Scraps: Here we go!
	9:26am Scraps: All right! Love 2 Bluejays!
	9:28am doctorjazz: Such amazing chops!
	9:47am Ken From Hyde Park: (Sneaked out of the Reggae Schoolroom to check in here for a bit)
	9:56am Scott: : )
	9:58am Andrew Waterloo: yay, Long Rally!
	10:32am Stepchild: Getting so much pleasure from all the continuing tributes to Cecil. Thanks Scott!!
	10:36am Scott: Cheers!
	10:39am Uncle Michael: Scott, are you wise to Josh Cantor playing Rick Kick Shaw on the organ at Fenway during a Red Sox game?
	10:40am Scott: Oh yeah I think I read that on Doug's Fbook. So cool.
	11:00am Doug Schulkind: On a clear day you can Cecil forever! Good morning, Reverend McD and all Rallyists! Just dipping my ears in for s sec during my break at work.
	11:08am Sem: Entranced by this Cecil Taylor show. Thank you, Scott.
	11:13am Scott: Very happy to hear that. thanks.
	11:16am doctorjazz: So, what I find interesting is that as a vanguard of "free jazz", CT did away with chord progressions , standard song form, standard harmony. He never left rhythm,, though, was actually sometimes as regular as a metronome .. Bill Evans, for instance, was much less beholden to "the beat" in some ways, more fluid.
	11:19am Scott: I do understand where you're coming from, the rhythmic fluidity often came from his drummers.
	11:19am Scott: and bass players.
	11:25am doctorjazz: Not implying it was boring or repetitive... CT would organize in phrases, and set them off against each other, thus getting variety. But most of the phrases themselves, in rhythmic terms, were very precise, technically demanding, but "on the beat". To my ears, anyway .. Not a bad thing, interesting to me
	11:28am doctorjazz: And, yes, the rhythm sections of created/added flow and dynamics ..
	11:30am Scott: I agree with you
	11:31am doctorjazz: I read an interview with Gary Giddens, where he talked about CT, and how, when he taught, students from classical backgrounds got him right away.
	11:54am Stepchild: One amazing facet of these Berlin recordings is the number of different Cecils one finds. He draws his various parters to him, but also, while staying himself finds approaches to fit the personality of each different setting. Cecil, tailored.

The Long Rally with Scott McDowell: Playlist from April 15, 2018

Listener comments!

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