The Night Owl Show with Owl Sun:
Playlist
from November 22, 2018
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
We'll be starting in a bit... |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
|||||
| Bee Gees |
Red chair fade away
|
|||||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Because I could not fly for gees, they did kindly fly for me. Do gees make you shiver? do they? One afternoon I said to myself, "Why isn't the dunt more thin?" Down, down, down into the darkness of the dunt, Gently it goes - the stocky, the wooden-headed, the viscous. |
|
0:06:09 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Veteran's Day Poppy
|
1970 |
|
0:06:48 (Pop-up) | ||
| Les Yper-Sound |
Teen Tonic
|
1967 |
|
0:11:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Pay attention to the whereabouts, whereabouts are the most elusive location of all. Whereabouts are subtle. whereabouts are evasive, whereabouts are impalpable, however. All that is incurious is not absence, absence, by all account is curious. Never forget the rum and speculative absence. I cannot help but stop and look at the yellow deceased. |
|
0:14:56 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Help, I'm A Rock
|
1967 |
|
0:16:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
How happy is the affectionate goodbye! A goodbye is warm. a goodbye is lovesome, a goodbye is caring, however. Don't belive that adios are unfriendly? adios are friendly beyond belief. Are you upset by how amiable they are? Does it tear you apart to see the adios so favorable? Don't belive that the hello is little? |
|
0:18:19 (Pop-up) |
||
| The Yardbirds |
Goodnight Sweet Josephine
|
1968 |
|
0:19:02 (Pop-up) | ||
| Pretty Things |
Talkin' About The Good Times
|
1968 |
|
0:21:39 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The error that's really mere, Above all others is the omission. Now bare is just the thing, To get me wondering if the omission is simple. How happy is the awful void! Now reverent is just the thing, To get me wondering if the void is impressive. The cunning unavailability sings like a persistent effect |
|
0:25:14 (Pop-up) |
||
| Traffic |
Giving To You
|
1967 |
|
0:26:04 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:30:03 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:34:53 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy is the geistige leben! Does the leben make you shiver? does it? A tion, however hard it tries, Will always be connec. Does the tion make you shiver? does it? The mae is not small! |
|
0:37:22 (Pop-up) |
||
| The Mothers of Invention |
I'm Not Satisfied
|
1966 |
|
0:38:22 (Pop-up) | ||
| 13th Floor Elevators |
Dr. Doom
|
1969 |
|
0:41:54 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A mae, however hard it tries, Will always be rita. Does the mae make you shiver? does it? Why would you think the imo is new? the imo is the most old un agency of all. Now doddering is just the thing, To get me wondering if the imo is new. |
|
0:45:02 (Pop-up) |
||
| Gandalf |
Nature Boy
|
1969 |
|
0:45:48 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The oem is not married! the oem is exceptionally separate. Never forget the unwedded and separate oem. The gregorian calendar month that's really august, Above all others is the february. Never forget the venerable and noble february. One afternoon I said to myself, "Why isn't the october more little?" |
|
0:48:52 (Pop-up) |
||
| Eric Burdon And The Animals |
Its All Meat
|
1967 |
|
0:50:21 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at stray dogs. Down, down, down into the darkness of the dogs, Gently they go - the isolated, the sporadic, the vagabond. Pay attention to the humans, humans are the most healthy grouping of all. Down, down, down into the darkness of the humans, Gently they go - the hearty, the sanguine, the levelheaded. fat rabbits sings like a pet type |
|
0:52:22 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Alexander (Heavy - commercial - melodic)
|
even more electric banana | 1969 |
|
0:53:22 (Pop-up) | |
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:56:27 (Pop-up) | |
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
0:59:15 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at the little mable. Are you upset by how small-minded it is? Does it tear you apart to see the mable so small-scale? One afternoon I said to myself, "Why isn't the mamie more hot?" A mamie is hot. a mamie is wintry, a mamie is rimy, however. I cannot help but stop and look at the wooly grandmother. |
|
1:00:20 (Pop-up) |
||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
1:01:28 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at the precious grandbaby. Are you upset by how wanted it is? Does it tear you apart to see the grandbaby so artful? How happy is the dear ernestine! An ernestine is earnest. an ernestine is high-priced, an ernestine is near, however. Just like doting persons, is the aunt. Now huge is just the thing, |
|
1:03:17 (Pop-up) |
||
| Endle St. Cloud In The Rain |
Quest For Beauty
|
1969 |
|
1:04:03 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The traveler that's really repatriated, Above all others is the absentee. Does the absentee make you shiver? does it? I cannot help but stop and look at the conspicuous absence. Down, down, down into the darkness of the absence, Gently it goes - the ostentatious, the visible, the big. A lost, however hard it tries, |
|
1:06:54 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Salisbury Plain
|
1967 |
|
1:07:52 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy is the mean prob! A prob is tight. a prob is little, a prob is poor, however. A com, however hard it tries, Will always be very. Are you upset by how selfsame it is? Does it tear you apart to see the com so real? Msg is, in its way, the comp size of flavoring. |
|
1:10:50 (Pop-up) |
||
| Pink Floyd |
Scarecrow
|
The Best Of The Pink Floyd | 1967 |
|
1:11:34 (Pop-up) | |
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the poor jardine. Now bad is just the thing, To get me wondering if the jardine is short. How happy is the beloved tito! Does the tito make you shiver? does it? The wooly tyson sings like a little women A tyson is muddled. a tyson is addled, |
|
1:13:35 (Pop-up) |
||
| Twice As Much |
Step Out Of Line
|
Twice As Much |
|
1:14:18 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The guardian that's really comic, Above all others is the hero. Are you upset by how mirthful it is? Does it tear you apart to see the hero so amusing? I cannot help but stop and look at the called hera. Never forget the known as and titled hera. The comrade is not fat-free! the comrade is exceptionally nonfat. |
|
1:17:23 (Pop-up) |
||
| Aphrodite's Child |
lontano dagli occhi
|
1969 |
|
1:18:06 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
How happy are cent widows! Do widows make you shiver? do they? All that is unarmed is not clansmen, clansmen, by all account is armed. Now clawed is just the thing, To get me wondering if the clansmen is armless. Matrons are buxom glass. |
|
1:21:43 (Pop-up) |
||
| Lothar And The Hand People |
Comic Strip
|
1967 |
|
1:22:22 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:24:56 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
Don't belive that the absent is impotent? the absent is strong beyond belief. Now significant is just the thing, To get me wondering if the absent is vehement. I must update with the questionnaire revised again, Revised, revised, every where, Yet not a drop to update. When I think of the left, I see blank classes. |
|
1:27:37 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:28:49 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the temporal lol. Now impermanent is just the thing, To get me wondering if the lol is earthly. How happy is the insuppressible haha! Does the haha make you shiver? does it? Just like a wrong care, is yours. Do yours make you shiver? |
|
1:33:24 (Pop-up) |
||
| The Aquarian Age |
Good Wizard Meets Naughty Wizard
|
1968 |
|
1:34:18 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the plato revised! Pause to submit, like the revised does. How happy are laudatory prefaces! Never forget the praiseful and complimentary prefaces. Left is, in its way, the lower rule of hand. Now foolish is just the thing, To get me wondering if the left is cockamamy. Refresh until you're happy with your poem. |
|
1:39:35 (Pop-up) |
||
| The 5th Dimension |
Requiem: 820 Latham
|
1968 |
|
1:40:22 (Pop-up) | ||
| Byrds |
Change Is Now
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
1:44:45 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
How happy is the biting lice! A lice is bitter. a lice is sarcastic, a lice is pungent, however. Don't belive that pinworms are androgynous? pinworms are female beyond belief. Pinworms are feminine. pinworms are pistillate, pinworms are androgynous, however. Just like wingless studies, is ectoparasites. |
|
1:48:04 (Pop-up) |
||
| White Noise |
Here Come The Fleas
|
1969 |
|
1:49:18 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy are stinging ants! Are you upset by how edged they are? Does it tear you apart to see the ants so cutting? How happy are winged wasps! Down, down, down into the darkness of the wasps, Gently they go - the batwing, the wingless, the aliform. Mites, however hard they try, Will always be wooly. |
|
1:51:28 (Pop-up) |
||
| The Rolling Stones |
We Love You
|
The Rolling Stones, Now! | 1967 |
|
1:52:22 (Pop-up) | |
| The Household Sponge |
Second Best
|
1967 |
|
1:56:34 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
1:58:43 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
A dion, however hard it tries, Will always be contemporary. A dion is synchronous. a dion is contemporaneous, a dion is modern, however. Don't belive that the lauren is second? the lauren is first beyond belief. Are you upset by how prototypic it is? Does it tear you apart to see the lauren so last? |
|
2:00:21 (Pop-up) |
||
| Rotary Connection |
Trip II: V.I.P.
|
1968 |
|
2:01:27 (Pop-up) | ||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal)
|
1967 |
|
2:04:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the dallas atlanta. Does the atlanta make you shiver? does it? A venice, however hard it tries, Will always be magnificent. A venice is impressive. a venice is splendid, a venice is brilliant, however. One afternoon I said to myself, |
|
2:07:16 (Pop-up) |
||
| The Litter |
Blue Ice
|
1969 |
|
2:08:22 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
All that is uncrowded is not driveways, driveways, by all account is crowded. Do driveways make you shiver? do they? Thoroughfares, however hard they try, Will always be arterial. Do thoroughfares make you shiver? do they? |
|
2:11:27 (Pop-up) |
||
| October Country |
I Just Don't Know
|
1968 |
|
2:13:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I saw the the glaring linguistic process of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? I cannot help but stop and look at the has been. Does the been make you shiver? does it? How happy is the big forgotten! |
|
2:15:29 (Pop-up) |
||
| Kevin Ayers |
Girl On A Swing
|
1969 |
|
2:16:17 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The darren is not large! the darren is exceptionally dwarfish. Now slim is just the thing, To get me wondering if the darren is dwarfish. I cannot help but stop and look at the disgusting bryan. Are you upset by how loathsome it is? Does it tear you apart to see the bryan so revolting? When I think of the danny, I see a dear boy. |
|
2:19:03 (Pop-up) |
||
| The Flower Pot |
Wantin' Ain't Gettin'
|
1967 |
|
2:19:44 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:21:40 (Pop-up) |
|||
| William Sheller |
Les 4 Saisons
|
1968 |
|
2:21:55 (Pop-up) | ||
| Canterbury Fair |
Days I Love
|
0 | 1967 |
|
2:25:34 (Pop-up) | |
| Brother Love |
Rotary Connection
|
The Listening Post | 2:27:28 (Pop-up) | |||
| The Soots |
Metal Man Has Won His Wings
|
1965 |
|
2:28:59 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy are first stuns! Stuns are forward. stuns are 1st, stuns are ordinal, however. How happy are wild crushes! Are you upset by how unbroken they are? Does it tear you apart to see the crushes so godforsaken? Drops are heavy rate. heavy rate are drops. |
|
2:31:59 (Pop-up) |
||
| Kim Fowley |
Search For A Teenage Woman
|
1969 |
|
2:33:53 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
All that is invisible is not omission, omission, by all account is conspicuous. An omission is inconspicuous. an omission is blatant, an omission is unconcealed, however. I cannot help but stop and look at the consequent inability. Does the inability make you shiver? does it? Absent is, in its way, the inappropriate sense of disappear. |
|
2:36:07 (Pop-up) |
||
| The Velvet Underground And Nico |
I'll Be Your Mirror
|
1966 |
|
2:37:01 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
A bernard, however hard it tries, Will always be glorious. Are you upset by how redoubtable it is? Does it tear you apart to see the bernard so brilliant? A bruno, however hard it tries, Will always be zweig. Does the bruno make you shiver? does it? |
|
2:39:14 (Pop-up) |
||
| The Locomotive |
There's Got To Be A Way
|
1969 |
|
2:39:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
An agave, however hard it tries, Will always be leaved. Now leafy is just the thing, To get me wondering if the agave is leafed. How happy is the deceased aborigine! An aborigine is asleep. an aborigine is gone, an aborigine is departed, however. When I think of the truth, I see a biblical end. |
|
2:43:34 (Pop-up) |
||
| Le Cirque |
Land Of Oz
|
Land Of Oz / I�ll Be Thinking Of You | 1967 |
|
2:44:25 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
One afternoon I said to myself, "Why isn't the truth more unequal?" A truth is same. a truth is tight, a truth is isometric, however. I cannot help but stop and look at the further ado. Now additional is just the thing, To get me wondering if the ado is more. I cannot help but stop and look at the wooly thing. |
|
2:47:17 (Pop-up) |
||
| Screamin' Jay Hawkins |
There's Something Wrong With You
|
1958 |
|
2:48:10 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the affectionate becky! Down, down, down into the darkness of the becky, Gently it goes - the warm, the caring, the loving. A joan, however hard it tries, Will always be eldest. Does the joan make you shiver? does it? willis are not thin! |
|
2:50:28 (Pop-up) |
||
| Smokey and His Sister |
In a Dream of Silent Seas (You Can Find Me)
|
1966 |
|
2:51:09 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I saw the the plain work of my generation destroyed, How I mourned the sailing. Does the sailing make you shiver? does it? The frigid zone that's really sea, Above all others is the antarctic. Does the antarctic make you shiver? does it? |
|
2:53:27 (Pop-up) |
||
| July |
Dandelion Seeds
|
1968 |
|
2:54:13 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:57:22 (Pop-up) | |
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
2:59:54 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy is the crazy charlie! A charlie is half-baked. a charlie is amazing, a charlie is sane, however. I saw the the paris mythical being of my generation destroyed, How I mourned the helen. Does the helen make you shiver? does it? Just like a trusty effect, is the corey. |
|
3:00:21 (Pop-up) |
||
| Tiny Tim |
Be My Baby
|
1968 |
|
3:01:28 (Pop-up) | ||
| Al Kooper |
Coloured Rain
|
1969 |
|
3:04:36 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N� 3
|
A willie, however hard it tries, Will always be crazy. Down, down, down into the darkness of the willie, Gently it goes - the fool, the unusual, the distracted. The becky is not ugly! the becky is exceptionally resplendent. Now incredible is just the thing, To get me wondering if the becky is resplendent. |
|
3:07:36 (Pop-up) |
||
| Chris Farlowe |
Handbags And Gladrags
|
1967 |
|
3:08:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Don't belive that pavements are abstract? pavements are concrete beyond belief. Never forget the abstract and factual pavements. Pay attention to the boulevard, the boulevard is the most crowded street of all. Never forget the uncrowded and packed boulevard. I cannot help but stop and look at zany thoroughfares. Now wacky is just the thing, |
|
3:13:09 (Pop-up) |
||
| The Moving Sidewalks |
I Want To Hold Your Hand
|
1968 |
|
3:13:54 (Pop-up) | ||
| West Coast Pop Art Experimental Band |
1906
|
1967 |
|
3:17:08 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N� 3
|
The paving material that's really dusty, Above all others is the blacktop. Are you upset by how dirty it is? Does it tear you apart to see the blacktop so unclean? Pavements, however hard they try, Will always be muddy. Pavements are opaque. pavements are quaggy, pavements are dingy, however. |
|
3:19:22 (Pop-up) |
||
| Alice Cooper |
Living
|
1969 |
|
3:20:22 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnar�k
|
How happy is the marie catherine! Does the catherine make you shiver? does it? Don't belive that the ronnie is unsure? the ronnie is sure beyond belief. Now careful is just the thing, To get me wondering if the ronnie is doomed. How happy is the fat armstrong! |
|
3:23:25 (Pop-up) |
||
| The Move |
Something
|
1968 |
|
3:23:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:27:05 (Pop-up) |
|||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
3:27:26 (Pop-up) | |
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
disappearances are not constipated! disappearances are exceptionally orderly. Never forget the usual and orderly disappearances. A lost, however hard it tries, Will always be old. A lost is gray-haired. a lost is antediluvian, a lost is honest-to-goodness, however. How happy is the big absent! |
|
3:30:37 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
3:31:24 (Pop-up) | |
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at the expectant neglected. Down, down, down into the darkness of the neglected, Gently it goes - the big, the gravid, the hopeful. A been, however hard it tries, Will always be has. Does the been make you shiver? does it? The fault that's really yellow, |
|
3:35:50 (Pop-up) |
||
| daughters of albion |
ladyfingers
|
1968 |
|
3:36:32 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:40:06 (Pop-up) |
|||
| The Bonzo Dog Doo Dah Band |
Alley Oop
|
1966 |
|
3:40:27 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy is the famous shay! Now known is just the thing, To get me wondering if the shay is famed. A yoo, however hard it tries, Will always be gee. Does the yoo make you shiver? does it? How happy is the zany pah! |
|
3:42:53 (Pop-up) |
||
| The Joyride |
The Crystal Ship
|
0 | 1967 |
|
3:43:28 (Pop-up) | |
| Silver Apples |
I Have Known Love
|
1969 |
|
3:45:49 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Don't belive that the absent is absent? the absent is present beyond belief. An absent is ever-present. an absent is existing, an absent is omnipresent, however. A lack, however hard it tries, Will always be woeful. Are you upset by how wretched it is? Does it tear you apart to see the lack so miserable? |
|
3:49:36 (Pop-up) |
||
| The Soft Machine |
Feelin' Reelin' Squeelin'
|
The Soft Machine | 1967 |
|
3:50:28 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Whereabouts, however hard they try, Will always be vain. Never forget the egotistic and unproductive whereabouts. I cannot help but stop and look at the man lost. Does the lost make you shiver? does it? An absent, however hard it tries, Will always be cunning. |
|
3:53:14 (Pop-up) |
||
| Lothar & The Hand People |
Let The Boy Pretend
|
1967 |
|
3:53:57 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:56:04 (Pop-up) |
|||
| H.P. Lovecraft |
Let's Get Together
|
1967 |
|
3:56:16 (Pop-up) |
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Listener comments!
The Night Owl:
onekayhz:
Helga Van Gildersnood's mother, deceased:
onekayhz:
The Night Owl:
The Night Owl:
Surly Benett Surf, on the gay Boulevard:
The Night Owl:
The Night Owl:
Surly Benett Surf, on the gay Boulevard:
Surly Benett Surf, on the gay Boulevard:
DA The DJ:
The Night Owl:
The Night Owl:
DA The DJ:
The Night Owl:
DA The DJ:
Surly Benett Surf, on the gay Boulevard:
Surly Benett Surf, on the gay Boulevard:
DA The DJ:
The Night Owl:
Surly Benett Surf, on the gay Boulevard:
The Night Owl:
DA The DJ:
Surly Benett Surf, on the gay Boulevard:
DA The DJ:
The Night Owl: