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An odyssey of the ears powered by the moon, the stars, & a pixie dusting of ecstatic electricity...
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Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
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Tears For Fears / Roland Orzabal | Shout / About the Name, Tears For Fears | Songs From The Big Chair / 1985 Interview | Mercury | 1985 | AKA Curt Smith & Roland Orzabal from Bath, England / Album title was inspired by the book & tv miniseries "Sybil," the chronicle of a woman with multiple personality disorder who sought refuge in her analyst's "big chair" / "Shout" was rooted in the idea that a person can protest the madness of the world by shouting and “letting it all out." Although both Orzabal & Smith were devoted adherents of American psychologist, Arthur Janov, and his Primal Scream therapy, the song, according to Orzabal, is “actually more concerned with political protest. It came out in 1985, when a lot of people were still worried about the aftermath of The Cold War, and it was basically an encouragement to protest.” | 0:00:00 (Pop-up) | ||||
Lavinia Meijer | Koyaanisqatsi | The Glass Effect | Sony Classical | 2016 | orig piece composed by Philip Glass for the 1982 film, "Koyaanisquatsi," which is Hopi for "Unbalanced Life" / Meijer is a South Korean-born Dutch harpist | 0:06:00 (Pop-up) | ||||
Nils Frahm | The Whole Universe Wants To Be Touched | All Melody | Erased Tapes | 2018 | from Germany | * | 0:09:14 (Pop-up) | |||
Reiner Van Houdt | An Empty Set | Igitur Carbon Copies | Hallow Ground | 2018 | Dutch composer | * | 0:11:06 (Pop-up) | |||
Aviva Endean | Undulations: Behind | Cinder : Ember : Ashes | Sofa | 2018 | Melbourne-based clarinetist & composer | * | 0:16:01 (Pop-up) | |||
Akio Suzuki & Aki Onda / James Duval, George Bush, & Jake Gyllenhaal | Yo Ru No To Ba Ri / Wake Up | Ke I Te Ki / Donnie Darko | Room40 | 2018 | from Japan | * | 0:24:01 (Pop-up) | |||
Merope | Rototo | Natkes | Granvat | 2018 | AKA Jean-Chritophe Bonnafous from France (bansuri), Bert Cools from Belgium (guitar, synths, electronics) & Indre Jergeleviciute from Lithuania (voice, zither) | * | 0:30:34 (Pop-up) | |||
Ludovico Einaudi | Nuvole Bianche | Una Mattina | Decca | 2004 | from Italy / "Nuvole Bianche" translates to "White Clouds" / "Una Mattina" translates to "A Morning" | 0:35:29 (Pop-up) | ||||
Viktor Defete | Times They Are Changing | 0:41:26 (Pop-up) | ||||||||
Laurie Anderson & Kronos Quartet | The Electricity Goes Out and We Move to a Hotel | Landfall | Nonesuch | 2018 | orig. a multimedia piece, which premiered in 2013, reflecting on the loss suffered in the aftermath of Hurricane Sandy | * | 0:43:37 (Pop-up) | |||
Ultrafog | Cependant | How the Fires Burned That Are No Longer | Motion Ward | 2018 | 2nd album from Kouhei Fukuzumi under this moniker | * | 0:46:36 (Pop-up) | |||
Loris Lombardo | Aramir | playing handpan, tabla, kanjira, shaker, darbuka & konnakol / Lombardo published the 1st handpan manual ever, "Handpan - The Complete Manual," last year | 0:51:44 (Pop-up) | |||||||
Miya Folick | Premonitions | Premonitions | Terrible Records | 2018 | debut full-length album from this Los Angeles-based artist | * | 0:56:22 (Pop-up) | |||
Jung An Tagen | 20:03 How is That Possible | Agent Im Objekt | Editions Mego | 2018 | AKA Stefan Kushima | * | 1:10:28 (Pop-up) | |||
Schneider TM | Car Park | Remainder - Original Motion Picture Soundtrack | Mirror World Music | 2018 | AKA Berlin-based Dirk Dresselhaus | * | 1:13:39 (Pop-up) | |||
Personal Bandana / Ruth Gordon & Bud Cort | Plus Electrification / Do You SIng & Dance? | [Sic] Cassette / Harold & Maude | Personal Bandana | 2018 | AKA Dave Gibson & Travis Thatcher on drum machines & Casio CZ-101 | * | 1:15:47 (Pop-up) | |||
Michael Shrieve w/ Kevin Shrieve & Klaus Schulze / Ruth Gordon & Bud Cort | Communique: "Approach Spiral" / Consistency Is Not Really A Human Trait | Transfer Station Blue / Harold and Maude | Fortuna | 1984 | Michael Shrieve was a founding member of Santana & he played on their first 8 albums, until 1974, later becoming an electronic music composer & player / Michael Shrieve (drums, timbales, Simmons electronic drums), Kevin Shrieve (guitar, Wurlitzer Electronic Piano), Klaus Schulze (synthesizer, sampler) | 1:21:56 (Pop-up) | ||||
Neuronium / Bud Cort & Ruth Gordon | Quasar 2C631 / Go Love Some More | Quasar 2C631 / Harold and Maude | Harvest | 1977 | debut album from this group from Barcelona, Spain, which was founded in 1976 by Michel Huygen, Carlos Guirao & Albert Gimenez | 1:34:04 (Pop-up) | ||||
LIMARstudio | Dream of The Past | recreation of a Telharmonium "electrical organ" (also known as the Dynamophone) constructed by Thaddeus Cahill in 1897. The telharmonium generated sounds in the form of electric signals, using shafts & transmissions generating electricity at various frequencies (similar to Hammond organs). Cahill built 3 prototypes of this instrument - its first version, the MARK I, weighed over 7 tons, while the second, MARK II, weighed in at almost 200 tons. The prototype was finally scrapped in 1962. The following year, Robert Moog came out with his first modular synthesizer | 1:55:39 (Pop-up) | |||||||
Maze & Lindholm | Part III | Where the Wolf Has Been Seen | Aurora Borealis | 2018 | debut album from P. Maze (of Orphan Swords) & Brussels-based producer, Otto Lindholm | * | 2:05:12 (Pop-up) | |||
The Cinematic Orchestra | Arrival Of The Birds & Transformation | The Crimson Wing: Mystery Of the Flamingos | Walt Disney Records | 2008 | with the London Metropolitan Orchestra | 2:11:57 (Pop-up) | ||||
Laurie Anderson & Kronos Quartet | The Dark Side | Landfall | Nonesuch | 2018 | about Hurricane Sandy | * | 2:19:04 (Pop-up) | |||
Hang Massive | The Secret Kissing of the Sun & Moon | Luminous Emptiness | Hang Music | 2018 | UK duo Danny Cudd & Markus Offbeat playing the handpan or the "hang drum" in some circles:) | * | 2:20:28 (Pop-up) | |||
Editors | Belong | Violence | Play It Again Sam | 2018 | from Britain / 6th album from Ed Lay, Elliott Williams, Justin Lockey, Russell Leetch, & Tom Smith | * | 2:28:35 (Pop-up) | |||
Miss Kittin & The Hacker / Katharine Hepburn | Ray Ban / I've Always Hated This Place & Everyone In It | Two / Long Day's Journey Into Night | Nobody's Bizzness | 2009 | French duo Caroline Herve & Michel Amato | 2:34:35 (Pop-up) | ||||
GusGus / Katharine Hepburn & Dean Stockwell | Anthem / All He Likes Is to Hobnob WIth Men...I Know It's Useless to Talk... | π (Pi) - Music For The Motion Picture / Long Day's Journey Into Night | Thrive | 1998 | orig. released as a 12" single on 4AD in 1998 / AKA Daniel Ágúst Haraldsson, Magnús Jónsson, Hafdís Huld Þrastardóttir, Birgir Þórarinsson, Magnús Guðmundsson, Sigurður Kjartansson, Stefán Árni Þorgeirsson, Stephan Stephensen, & Baldur Stefánsson based in Reykjavik, Iceland | 2:38:55 (Pop-up) | ||||
Indulin / Dean Stockwell & Katharine Hepburn | Track 13 / So You Were Pretending To Be Asleep In Order To Spy On Me...Stop Suspecting Me! | Virtual Urban Acid (V/A) / Long Day's Journey Into Night | Virtual Urban | 2018 | * | 2:43:32 (Pop-up) | ||||
Ty Segall | Archangel Thunderbird | Fundge Sandwich (...I'm leaving it:) | In the Red | 2018 | orig version of this song by Amon Duul II from their 2nd album, "Yeti," released in 1970 | * | 2:48:00 (Pop-up) | |||
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Suffice to say, I look forward to your program every Sunday.
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