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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
The Moody Blues | Legend Of A Mind | 1968 | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:09:50 (Pop-up) |
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The Mothers Of Invention | Mr. Green Genes | 1969 | 0:10:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the lovely crawford. Are you upset by how beautiful it is? Does it tear you apart to see the crawford so adorable? I saw the honest president of the united states of my generation destroyed, How I mourned adams. Never forget the square and honorable adams. How happy is the zany cameron! Are you upset by how clownish it is? |
0:13:29 (Pop-up) |
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The Asylum Choir | Thieves In The Choir | 1968 | 0:14:12 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:18:08 (Pop-up) |
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Procol Harum | Something Following Me | 1968 | 0:20:22 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
0:23:56 (Pop-up) |
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The Nice | Azrial (angel of death) | 1967 | 0:24:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:27:46 (Pop-up) |
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The Velvet Underground | Noise by | 1966 | 0:27:58 (Pop-up) | |||
Ill Wind | High Flying Bird | 1968 | 0:29:47 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
folkies are not old! folkies are exceptionally formative. Do folkies make you shiver? do they? I saw the the tiny slip of my generation destroyed, How I mourned the band. Now lilliputian is just the thing, To get me wondering if the band is diminutive. |
0:34:40 (Pop-up) |
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The Monkees | Porpoise Song | 1968 | 0:35:33 (Pop-up) | |||
The Licorice Schtik | The Kissin' Game | The Kissin' Game b/w Flowers, Flowers | 1968 | 0:39:36 (Pop-up) | ||
Morning Glory | Hey Little Girl | 1968 | 0:41:36 (Pop-up) | |||
Gerard Malanga and Ingrid Superstar | Gossip by | 1966 | 0:44:56 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
All that is big is not gnarls, gnarls, by all account is little. Are you upset by how minor they are? Does it tear you apart to see the gnarls so short? All that is big is not retro, retro, by all account is little. Never forget the minuscule and small-minded retro. When I think of the punk, I see teenage boys. |
0:45:59 (Pop-up) |
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Hamilton Streetcar | Flash | 1968 | 0:47:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the dearest marion. Never forget the dear and beloved marion. A mitchell, however hard it tries, Will always be irish. Does the mitchell make you shiver? does it? Just like a frigate sir, is the fulton. Now humongous is just the thing, |
0:49:32 (Pop-up) |
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The Beatles | Christmas 1968 | 1968 | 0:50:23 (Pop-up) | |||
Husky Team | Silent Knight | Christmas In Memphis | 2003 | 0:58:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:00:18 (Pop-up) |
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Tuli Kupferberg, sung by Kupferberg and Viki Pollon with Peter Rawson on guitar. | Love And Ashes by | 1966 | 1:00:44 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:03:21 (Pop-up) |
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The Red Krayola | Save The House | 1968 | 1:03:57 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
All that is fair is not absence, absence, by all account is partial. An absence is fair. an absence is unfair, an absence is biased, however. Whereabouts, however hard they try, Will always be doubtful. Down, down, down into the darkness of the whereabouts, Gently they go - the uncertain, the incertain, the dubious. |
1:05:15 (Pop-up) |
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The Litter | Breakfast At Gardenson's | 1969 | 1:06:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:10:00 (Pop-up) |
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Montreal | Infinity | 1970 | 1:10:22 (Pop-up) | |||
Canterbury Fair | Days I Love | 0 | 1967 | 1:18:12 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the house, the house is the most dark bield of all. Never forget the benighted and glum house. How happy are front curtains! Never forget the rear and fore curtains. I saw the the cunning bar of my generation destroyed, How I mourned the deadbolt. Down, down, down into the darkness of the deadbolt, |
1:20:06 (Pop-up) |
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The Moody Blues | House Of Four Doors (part two) | 1968 | 1:20:52 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:22:27 (Pop-up) |
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The Mothers Of Invention | The Idiot Bastard Son | 1968 | 1:22:40 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:25:59 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 1:26:11 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:29:40 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 1:30:04 (Pop-up) | ||
The Asylum Choir | Black Sheep Boogaloo | 1968 | 1:32:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the lower zab! Are you upset by how junior-grade it is? Does it tear you apart to see the zab so less? How happy is the nasser tito! Does the tito make you shiver? does it? The yellow whitney sings like bancroft lines Never forget the yellowish and cowardly whitney. |
1:35:08 (Pop-up) |
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Procol Harum | Cerdes (outside the gates of) | 1968 | 1:37:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:42:22 (Pop-up) |
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The Holy Mackerel | 1984 | 1968 | 1:42:37 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:46:58 (Pop-up) |
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Ill Wind | Full Cycle | 1968 | 1:47:18 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:53:23 (Pop-up) |
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Deep Purple | Lalena | 1969 | 1:53:35 (Pop-up) | |||
The Soulful Strings; Arranged & Conducted By Richard Evans | The Little Drummer Boy | 1968 | 1:58:37 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:00:18 (Pop-up) |
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Morning Glory | Jelly Gas Flame | 1968 | 2:00:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:05:10 (Pop-up) |
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KAK | Everything's Changing | 1969 | 2:05:32 (Pop-up) | |||
Strawberry Alarm Clock | Black Butter, Past | 1968 | 2:09:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:11:56 (Pop-up) |
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The Misunderstood featuring Glenn "Fernando" Campbell | Golden Glass | 1969 | 2:12:59 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:20:28 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:20:46 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:25:24 (Pop-up) |
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Lothar and the Hand People | Space Hymn | 1969 | 2:25:40 (Pop-up) | |||
the stooges | Down On The Street | 1970 | 2:32:44 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The stefan is not less! the stefan is exceptionally further. Never forget the less and further stefan. How happy is the east germany! Are you upset by how eastward it is? Does it tear you apart to see the germany so orient? When I think of the hildegard, I see a mystic literature. Does the hildegard make you shiver? |
2:35:19 (Pop-up) |
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lee hazlewood | You Look Like A Lady | 1972 | 2:36:08 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:38:12 (Pop-up) |
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Electric Banana | Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom) | Electric Banana | 1967 | 2:38:24 (Pop-up) | ||
The Moody Blues | Have You Heard Part I | 1969 | 2:41:11 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:43:21 (Pop-up) |
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The Mothers Of Invention | It's His Voice On The Radio | 1968 | 2:43:50 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
2:44:59 (Pop-up) |
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Bear | Like Cats | 1968 | 2:45:11 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
2:48:50 (Pop-up) |
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Move | The Last Thing On My Mind | 1970 | 2:49:17 (Pop-up) | |||
Clear Light | Black Roses | 1967 | 2:56:51 (Pop-up) | |||
From Douglas Leedy | Deck The Halls | 1969 | 2:58:56 (Pop-up) | |||
Grand Orchestre Sous La Direction De Bernard Gerard A La Trompette Pierre Dutour | le mont des oliviers | 1969 | 2:59:41 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:00:18 (Pop-up) |
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Procol Harum | Magdalene (My Regal Zonophone) | 1968 | 3:00:55 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the strong absent. Does the absent make you shiver? does it? Pay attention to the omission, the omission is the most partial disuse of all. Does the omission make you shiver? does it? When I think of the paucity, I see a conspicuous effect. |
3:03:42 (Pop-up) |
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The Red Krayola | Night Song | 1968 | 3:04:23 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
How happy is the characteristic lack! Down, down, down into the darkness of the lack, Gently it goes - the typical, the diagnostic, the distinctive. How happy is the genuine inability! An inability is unquestionable. an inability is real, an inability is actual, however. How happy is the yellow void! Never forget the fearful and irrational void. |
3:06:12 (Pop-up) |
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The London Studio Group | The Wild One | 3:07:05 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at london athens. Do athens make you shiver? do they? I cannot help but stop and look at the non nyc. Does the nyc make you shiver? does it? All that is thin is not scotland, scotland, by all account is fat. |
3:10:44 (Pop-up) |
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The Leathercoated Minds | Sunset And Clark | 3:11:22 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:13:12 (Pop-up) |
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Mr. Flood's Party | advice | 1970 | 3:13:26 (Pop-up) | |||
Morning Glory | So Glad Being Here | 1968 | 3:16:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
3:20:05 (Pop-up) |
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KAK | Electric Sailor | 1969 | 3:20:32 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
3:23:33 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 3:23:45 (Pop-up) | ||
The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 3:27:57 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:30:25 (Pop-up) |
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Strawberry Alarm Clock | Black Butter, Present | 1968 | 3:30:44 (Pop-up) | |||
The Electric Prunes | Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release) | 3:33:44 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:35:59 (Pop-up) |
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monks | Shut Up | Black Monk Time | 3:36:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:39:36 (Pop-up) |
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Band Of Gypsys | Little Drummer Boy/Silent Night (excerpt) | 1969 | 3:40:03 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:42:27 (Pop-up) |
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Dave Clark Five | I'll Be Yours My Love | 2000 | 3:42:41 (Pop-up) | |||
the stooges | I Feel All Right (1970) | 1970 | 3:45:21 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:48:34 (Pop-up) |
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The Moving Sidewalks | 99th Floor | 99th Floor | 3:49:06 (Pop-up) | |||
Immediate Family | Rubiyat | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:51:18 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:53:44 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
onekayhz:
The Night Owl:
The Night Owl:
DA The DJ:
bill hanke:
The Night Owl:
The Night Owl:
The Night Owl:
DA The DJ:
spacecowboy:
spacecowboy:
woman in an office park in a provincial town who has a job cutting and
pasting time. I am not writing a novel called Nero about the world's richest
art star in space. I am not writing a book called Kansas City Spleen. I am
not writing a sequel to Kansas City Spleen called Bitch's Maldoror. I am not
writing a book of political philosophy called Questions for Poets. I am not
writing a scandalous memoir. I am not writing a pathetic memoir. I am not
writing a memoir about poetry or love. I am not writing a memoir about
poverty, debt collection, or bankruptcy. I am not writing about family
court. I am not writing a memoir because memoirs are for property owners
and not writing a memoir about prohibitions of memoirs.
spacecowboy:
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
spacecowboy:
spacecowboy:
The Night Owl:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
spacecowboy:
Up in Central Park
Or the lion hunter
In the jungle dark
Or the Chinese dentist
Or the British Queen
They all fit together
In the same machine
Nice, nice, very nice
Nice, nice, very nice
So many people in the same device
Oh a whirling dervish
And a dancing bear
Or a Ginger Rogers and a Fred Astaire
Or a teenage rocker
Or the girls in France
Yes, we all are partners in this cosmic dance
Nice, nice, very nice
Nice, nice, very nice
So many people in the same device
I wanted all things to make sense
So we'd be happy instead of tense
Oh a sleeping drunkard
Up in Central Park
Or the lion hunter
In the jungle dark
Or the Chinese dentist
Or the British Queen
They all fit together
In the same machine
Nice, nice, very nice
Nice, nice, very nice
So many people in the same device
So many people in the same device
spacecowboy:
Shutting, with careful fingers and benign,
Our gloom-pleas'd eyes, embower'd from the light,
Enshaded in forgetfulness divine:
O soothest Sleep! if so it please thee, close
In midst of this thine hymn my willing eyes,
The Night Owl:
The Insolent, the indigent - a fidget!:
bill hanke:
The Insolent, the indigent - a fidget!:
The Insolent, the indigent - a fidget!:
The Night Owl:
The Night Owl:
The Night Owl:
bill hanke:
The Insolent, the indigent - a fidget!:
The Night Owl:
The Insolent, the indigent - a fidget!:
The Night Owl:
bill hanke:
The Night Owl:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
The Night Owl: