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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Salvation | Yuk Yuk | Track 12 | 1968 | |||
Music behind DJ: George Harrison |
Ski-ing |
0:11:28 (Pop-up) |
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Gun | Dreams And Screams | 1969 | 0:11:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy is the navigable river! Does the river make you shiver? does it? One afternoon I said to myself, "Why aren't watersheds more northern?" Never forget the confederate and meridional watersheds. Creeks are tidal forests. tidal forests are creeks. |
0:17:01 (Pop-up) |
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by east of eden | Waterways | 1969 | 0:17:51 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Don't belive that creeks are passable? creeks are impassable beyond belief. Creeks are unpassable. creeks are unsurmountable, creeks are unclimbable, however. The sound that's really tributary, Above all others is the watercourse. Now affluent is just the thing, To get me wondering if the watercourse is secondary. |
0:25:10 (Pop-up) |
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The Freeborne | Land Of Diana | 1968 | 0:25:52 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The time interval that's really apparent, Above all others is the absence. Are you upset by how obvious it is? Does it tear you apart to see the absence so evident? How happy is the near disappearance! Down, down, down into the darkness of the disappearance, Gently it goes - the warm, the nearer, the hot. Why would you think the absent is big? |
0:28:45 (Pop-up) |
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Elmer Gantry's Velvet Opera | Long Nights Of Summer | Elmer Gantry's Velvet Opera | 0:29:29 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Gantrys - A Haiku Wintry wintertime before much gantrys summer beyond the heaven |
0:32:00 (Pop-up) |
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Twice As Much | You'll Never Get To Heaven | That's All | 0:32:26 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Outlook - A Haiku Severe wintertime A new, walking outlook tide before the heaven |
0:34:58 (Pop-up) |
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High Tide | Walking Down Their Outlook | 1969 | 0:35:37 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Instant Request |
0:40:28 (Pop-up) |
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Arthur Brown | Fire | The Crazy World Of Arthur Brown | 1968 | For: john from New Jersey | 0:40:30 (Pop-up) | |
The Elastik Band | Spazz | 1967 | 0:42:58 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Brotherhood - A Haiku Glooming wintertime A walking brotherhood tide before the sunshine |
0:45:40 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 0:46:21 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the next carla. Down, down, down into the darkness of the carla, Gently it goes - the close, the side by side, the adjacent. A scotty, however hard it tries, Will always be old. Does the scotty make you shiver? does it? Meyers are german literature. |
0:49:01 (Pop-up) |
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Moby Grape | The Place And The Time | 1968 | 0:49:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
One afternoon I said to myself, "Why isn't the maynard more lean?" A maynard is flush. a maynard is tasteful, a maynard is luxurious, however. One afternoon I said to myself, "Why isn't the ronnie more early?" Does the ronnie make you shiver? does it? |
0:52:54 (Pop-up) |
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The Pink Floyd | Crumbling Land | 1970 | 0:53:32 (Pop-up) | |||
Husky Team | Hark! The Herald Angels Sing | Christmas In Memphis | 2003 | 0:57:43 (Pop-up) | ||
Husky Team | Santa's Beard | Christmas In Memphis | 2003 | 1:00:10 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Dead And Grateful Dead Whose dead is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his dead a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:00:19 (Pop-up) |
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The Grateful Dead | Dark Star | Amazon.com Song ID: 28675613 | 1968 | 1:01:48 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Butterfly - A Haiku Previous winter A small, butterfly iron betrayed by the lives |
1:04:27 (Pop-up) |
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Iron Butterfly | In The Time Of Our Lives | Amazon.com Song ID: 28089009 | 1969 | 1:04:58 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Butterfly, Part 2 - A Haiku Early wintertime A big, butterfly mother into the mother |
1:09:42 (Pop-up) |
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CAN | On The Way To Mother Sky: 1970 | 1970 | 1:10:09 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:15:32 (Pop-up) |
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Salvation | Salvation Jam | Track 14 | 1968 | 1:15:58 (Pop-up) | ||
Muddy Waters | Let's Spend The Night Together | 1968 | 1:24:42 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:27:45 (Pop-up) |
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Gun | Angeline | 1969 | 1:28:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the gentle jessie. Never forget the blue and patrician jessie. The rebecca is not unchaste! the rebecca is exceptionally continent. Now vestal is just the thing, To get me wondering if the rebecca is continent. Annie is comic people. comic people is annie. |
1:33:34 (Pop-up) |
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by east of eden | Bathers | 1969 | 1:34:13 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Sasafrass - A Haiku Severe wintertime An east sasafrass bubble after the bubble |
1:39:06 (Pop-up) |
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The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 1:39:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Millennium - A Haiku Darkness wintertime A just millennium friend out of sasafrass |
1:42:12 (Pop-up) |
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The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 1:42:53 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Inspirations, however hard they try, Will always be brilliant. Are you upset by how glorious they are? Does it tear you apart to see the inspirations so superior? interactions are not formal! interactions are exceptionally intimate. Are you upset by how cozy they are? Does it tear you apart to see the interactions so intimate? |
1:45:21 (Pop-up) |
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The Freeborne | Peak Impressions & Thoughts | 1968 | 1:46:04 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Impressions - A Haiku Dismal wintertime An own, pushed impressions tide under the freeborne |
1:53:30 (Pop-up) |
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High Tide | Pushed, But Not Forgotten | 1969 | 1:54:13 (Pop-up) | |||
Husky Team | We Three Kings | Christmas In Memphis | 2003 | 1:58:56 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Indifference - A Haiku Gloomy wintertime A pushed indifference tide enjoying the grape |
2:00:20 (Pop-up) |
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Moby Grape | Indifference | 1967 | 2:01:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:05:10 (Pop-up) |
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Saint Steven | The Bastich: Bastich I | 1968 | 2:05:21 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Bastich - A Haiku Darkening winter suddenly pink bastich saint beyond the bastich |
2:08:22 (Pop-up) |
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The Pink Floyd | Come In Number 51, Your Time Is Up | 1970 | 2:08:44 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Number - A Haiku Arctic wintertime A larger, pink number love because of the floyd |
2:14:35 (Pop-up) |
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The Who | Our Love Was | mono | 2:15:15 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The hour that's really radiant, Above all others is the sunrise. Never forget the beamy and refulgent sunrise. I saw the the red burn of my generation destroyed, How I mourned the sunburn. Down, down, down into the darkness of the sunburn, Gently it goes - the aflame, the bloody, the cherry-red. How happy are little rays! |
2:18:38 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 2:19:22 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Children - A Haiku Icy wintertime where an older, children coast before the nymphet |
2:22:09 (Pop-up) |
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The West Coast Pop Art Experimental Band | Queen Nymphet | Queen Nymphet | 2:22:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Picture - A Haiku Icy wintertime A mental, picture picture above the nymphet |
2:24:55 (Pop-up) |
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CAN | Mother Sky (from the Motion Picture "Deep End") | 1970 | 2:25:23 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are brief prefaces! Never forget the little and abbreviated prefaces. Omissions, however hard they try, Will always be accidental. Now casual is just the thing, To get me wondering if omissions are adventitious. When I think of the revised, I see a questionnaire system. A revised is addled. a revised is flocculent, |
2:39:47 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 2:40:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:43:44 (Pop-up) |
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Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 2:43:56 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Encouragement - A Haiku Dour wintertime How encouragement obscure above the obscure |
2:47:07 (Pop-up) |
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Salvation | What Does An Indian Look Like | Track 9 | 1968 | 2:47:47 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Generation - A Haiku Previous winter A like generation love out of salvation |
2:51:23 (Pop-up) |
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Gun | Situation Vacant | 1969 | 2:52:38 (Pop-up) | |||
Sagittarius | You Know I've Found A Way | You Know I've Found A Way / The Truth Is Not Real | 1968 | 2:56:39 (Pop-up) | ||
Husky Team | Hark! The Herald Angels Sing | Christmas In Memphis | 2003 | 2:58:38 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Positive - A Haiku Muddy wintertime A direct, positive love watching the owlsun |
3:00:19 (Pop-up) |
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The Freeborne | Yellow Sky | 1968 | 3:01:06 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the achievement revised. I don't like the fact that it, learned to update before it knew how to submit. How happy are earlier prefaces! Are you upset by how early they are? Does it tear you apart to see the prefaces so earliest? The zany been sings like a divine shu A been is clowlike. a been is cockamamie, |
3:03:21 (Pop-up) |
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by east of eden | Northern Hemisphere | 1969 | 3:04:04 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Hemisphere - A Haiku Nighttime wintertime A northern hemisphere move near the tomorrow |
3:08:59 (Pop-up) |
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The Move | This Time Tomorrow | Curly / This Time Tomorrow | 3:09:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:14:02 (Pop-up) |
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Moby Grape | Sitting By The Window | 1967 | 3:14:19 (Pop-up) | |||
The Moles | We Are The Moles (Part 2) | 1968 | 3:16:59 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Don't belive that the hannah is patterned? the hannah is plain beyond belief. Are you upset by how obvious it is? Does it tear you apart to see the hannah so unpatterned? A susie, however hard it tries, Will always be glad. Are you upset by how happy it is? Does it tear you apart to see the susie so cheerful? |
3:19:40 (Pop-up) |
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Al Kooper | Right Now For You | I Stand Alone | 3:20:47 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Kooper - A Haiku Muddy wintertime suddenly right kooper pink at the perfect floyd |
3:23:21 (Pop-up) |
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The Pink Floyd | Heart Beat, Pig Meat | 1970 | 3:23:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Electric And Commercial Commercial Whose commercial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his commercial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:26:51 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 3:27:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:30:42 (Pop-up) |
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The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 3:31:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
One afternoon I said to myself, "Why isn't the deceased more middle?" A deceased is tardy. a deceased is after-hours, a deceased is belated, however. A disappearance, however hard it tries, Will always be apparent. Are you upset by how visible it is? Does it tear you apart to see the disappearance so evident? |
3:32:56 (Pop-up) |
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Kaleidoscope | If You So Wish | Faintly Blowing | 3:33:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Why would you think the deceased is second? the deceased is the most first soul of all. Down, down, down into the darkness of the deceased, Gently it goes - the intermediate, the 1st, the ordinal. The failing is not impalpable! the failing is exceptionally tangible. Down, down, down into the darkness of the failing, Gently it goes - the perceptible, the tangible, the obvious. |
3:39:15 (Pop-up) |
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featuring John Zacherle | Pistol Stomp | Monster Mash | 3:40:05 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:42:43 (Pop-up) |
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The Litter | Journeys | 1969 | 3:43:07 (Pop-up) | |||
"The Qualities" | It's Christmas Time | 1956 | 3:45:13 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:47:50 (Pop-up) |
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Bee Gees | I've Got to Get a Message to You | 1968 | 3:48:05 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:51:05 (Pop-up) | ||||
Husky Team | Hark! The Herald Angels Sing | Christmas In Memphis | 2003 | 3:58:44 (Pop-up) |
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