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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Sagittarius | I Still Can See Your Face | 1969 | ||||
Aphrodite's Child | Rain And Tears | 1968 | 0:06:12 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Sagittarius - A Haiku Severe wintertime shall sagittarius still out of connection |
0:09:19 (Pop-up) |
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the new Rotary Connection | Vine Of Happiness | 1971 | 0:09:49 (Pop-up) | |||
Captain Beefheart and His Magic Band | Frying Pan | 1966 | 0:14:08 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Connection - A Haiku Gloomy wintertime A simple connection game on the happiness |
0:16:06 (Pop-up) |
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The Moody Blues | A Simple Game | This Is The Moody Blues | 0:16:48 (Pop-up) | |||
William Sheller | Living East Dreaming West | 1970 | 0:20:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Electric - A Haiku Gloomy wintertime A hydro, electric dance out of banana |
0:23:43 (Pop-up) |
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The Electric Banana | (Vocal Tracks): Eagle's Son (Strong melodic dance music) | 1969 | 0:24:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Accompaniment - A Haiku Dour wintertime before accompaniment dance out of electric |
0:27:26 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 0:27:52 (Pop-up) | ||
The 5th Dimension | California My Way | 1967 | 0:30:18 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Accompaniment, Part 2 - A Haiku Previous winter How accompaniment blossom out of electric |
0:33:04 (Pop-up) |
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Blossom Toes | What's If For | 1967 | 0:33:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:36:34 (Pop-up) |
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The Millennium | It's You | 1968 | 0:38:35 (Pop-up) | |||
Don Van Vliet | "A lot of money for you, a lot of money for me." | 1969 | 0:41:41 (Pop-up) | |||
Fifty Foot Hose....... | Red The Sign Post | 1968 | 0:43:00 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Millennium - A Haiku Nighttime wintertime A sound millennium sound watching the dupree |
0:45:54 (Pop-up) |
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Simon Dupree And The Big Sound | Like The Sun Like The Fire | Kites | 1968 | 0:46:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Gandalf - A Haiku Severe wintertime How a tall, sound gandalf sound watching the nature |
0:48:49 (Pop-up) |
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Gandalf | Nature Boy | 1969 | 0:49:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy is the absent ferdinand! Never forget the absentminded and scatty ferdinand. The prince that's really dead, Above all others is the archduke. Down, down, down into the darkness of the archduke, Gently it goes - the nonliving, the cold, the pulseless. One afternoon I said to myself, "Why isn't the germany more thin?" |
0:52:18 (Pop-up) |
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Lothar and the Hand People | It Comes On Anyhow | 1968 | 0:53:00 (Pop-up) | |||
featuring John Zacherle | Pistol Stomp | Monster Mash | 0:56:16 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:58:54 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Yardbirds - A Haiku Early wintertime A little yardbirds people on the indians |
1:00:20 (Pop-up) |
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The Yardbirds | Ten Little Indians | 1967 | 1:01:18 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Yardbirds, Part 2 - A Haiku Wicked wintertime A floating yardbirds prelude watching the prelude |
1:03:29 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 1:04:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I must submit with the ill revised again, A revised is unpropitious. a revised is liverish, a revised is gouty, however. Prefaces, however hard they try, Will always be laudatory. Never forget the complimentary and praiseful prefaces. Omissions are notable results. notable results are omissions. |
1:08:03 (Pop-up) |
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Aorta | Catalyptic | 1969 | 1:08:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:13:29 (Pop-up) |
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Ars Nova | Sunshine & Shadows | 1969 | 1:13:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:16:36 (Pop-up) |
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Bobby Callender | Nature | 1968 | 1:16:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the mere void! Now bare is just the thing, To get me wondering if the void is simple. I saw the the strong go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? Why would you think the inability is large? |
1:21:17 (Pop-up) |
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Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 1:21:53 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Subsylvian - A Haiku Nighttime wintertime where subsylvian summer after the summer |
1:24:53 (Pop-up) |
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"Bonzo Dog Band" | Quiet Talks And Summer Walks | 1969 | 1:25:19 (Pop-up) | |||
lee hazlewood | You Look Like A Lady | 1972 | 1:28:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Discussions, however hard they try, Will always be informal. Down, down, down into the darkness of the discussions, Gently they go - the free-and-easy, the unceremonious, the unofficial. An impasse, however hard it tries, Will always be hopeless. Down, down, down into the darkness of the impasse, Gently it goes - the desperate, the impossible, the incurable. |
1:30:46 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 1:31:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:34:49 (Pop-up) |
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Tim Buckley | Carnival Song | 1967 | 1:35:01 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:39:17 (Pop-up) |
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Art | Room With A View | 1967 | 1:39:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A crawford, however hard it tries, Will always be honest. Are you upset by how truthful it is? Does it tear you apart to see the crawford so straight? Don't belive that the fedor is late? the fedor is early beyond belief. Does the fedor make you shiver? does it? |
1:43:02 (Pop-up) |
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Pink Floyd | Bike | 1967 | 1:43:38 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Bluecheer - A Haiku Severe wintertime suddenly pink bluecheer pink in spite of the floyd |
1:46:58 (Pop-up) |
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BlueCheer | When It All Gets Old | 1969 | 1:47:15 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Fragmentary - A Haiku Early wintertime A first, fragmentary march beyond the bluecheer |
1:50:09 (Pop-up) |
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Ultimate Spinach | Fragmentary March Of Green | 1968 | 1:50:32 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:57:07 (Pop-up) | ||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 1:59:49 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Fragmentary, Part 2 - A Haiku Dour wintertime A few, fragmentary march into the nuisance |
2:00:19 (Pop-up) |
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Public Nuisance | America | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:01:02 (Pop-up) | |||
Beaver & Krause | Salute To The Vanishing Bald Eagle | 1970 | 2:04:22 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:07:06 (Pop-up) |
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Blonde On Blonde | Circles | 1970 | 2:07:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Lovecraft - A Haiku Misty wintertime An early, blonde lovecraft get despite the circles |
2:15:52 (Pop-up) |
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H.P. Lovecraft | Let's Get Together | 1967 | 2:16:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:20:41 (Pop-up) |
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The Fox | Butterfly | 1970 | 2:21:04 (Pop-up) | |||
Appaloosa | Yesterday's Roads | 1969 | 2:24:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Periods, however hard they try, Will always be year. Do periods make you shiver? do they? How happy are past years! Do years make you shiver? do they? Just like a little attention, is balls. |
2:27:35 (Pop-up) |
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Kevin Ayers | Song For Insane Times | 1969 | 2:28:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Insane And Burning Experience Whose experience is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his experience a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:32:10 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 2:32:59 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Experience - A Haiku Early wintertime when burning experience into the midnight |
2:36:34 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 2:37:02 (Pop-up) | ||
Family | Scene Through The Eye Of A Lens | 1967 | 2:41:01 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Reflections - A Haiku Gloomy wintertime An own, reflections silver above the apples |
2:43:43 (Pop-up) |
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The Byrds | Bad Night At The Whiskey | 1969 | 2:44:57 (Pop-up) | |||
Clear Light | Black Roses | 1967 | 2:48:16 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the conciliatory mcmaster! Never forget the conciliative and propitiative mcmaster. One afternoon I said to myself, "Why isn't the waterhouse more dishonest?" Down, down, down into the darkness of the waterhouse, Gently it goes - the downright, the ethical, the dishonest. How happy are fat aztecs! Never forget the loose-jowled and stout aztecs. |
2:50:20 (Pop-up) |
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The Velvet Underground | Here She Comes Now | 1967 | 2:51:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:53:18 (Pop-up) |
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Bokaj Retsiem | I'm So Afraid | 1969 | 2:53:40 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 2:57:14 (Pop-up) | ||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:59:47 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Serpent - A Haiku Frosty wintertime An afraid serpent power after the retsiem |
3:00:20 (Pop-up) |
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Serpent Power | Up & Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:01:13 (Pop-up) | |||
Gene Clark | Only Colombe | 1967 | 3:04:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Serpent, Part 2 - A Haiku Dour wintertime An old, blue serpent power above the power |
3:07:39 (Pop-up) |
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Ace of Cups | Afro Blue | 2004 | 3:08:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Kahuna - A Haiku Severe wintertime A blue kahuna fuller above the fuller |
3:14:49 (Pop-up) |
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Coven | "Black Sabbath" | 1969 | 3:17:00 (Pop-up) | |||
The Move | Curly | Curly | 3:20:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
One afternoon I said to myself, "Why aren't phylacteries more little?" Never forget the thumping and microscopical phylacteries. A triduum, however hard it tries, Will always be paschal. Does the triduum make you shiver? does it? When I think of hebrews, I see an unbelieving egypt. |
3:23:00 (Pop-up) |
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The Can | She Brings The Rain (aus dem thomas schamoni film: ein garu blauer world) | 2017 | 3:24:01 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are carpeted hallways! Do hallways make you shiver? do they? I cannot help but stop and look at dilapidated buildings. Are you upset by how tumble-down they are? Does it tear you apart to see the buildings so ramshackle? When I think of stairways, I see a darkened information. Are you upset by how small they are? |
3:28:04 (Pop-up) |
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13th Floor Elevators | May The Circle Remain Unbroken | 1969 | 3:29:03 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
buildings are not short! buildings are exceptionally leggy. Buildings are magniloquent. buildings are leggy, buildings are rhetorical, however. I cannot help but stop and look at wooden stairways. Do stairways make you shiver? do they? I cannot help but stop and look at yellow walkways. |
3:31:39 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:32:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Sixpence - A Haiku Severe wintertime A crooked, small sixpence wee on the harrison |
3:34:24 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 3:34:48 (Pop-up) | ||
deviled ham | Port Of Ghost Ships | 1969 | 3:37:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Harrisson - A Haiku Severe wintertime A late, sound harrisson sound under the sixpence |
3:40:05 (Pop-up) |
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Bee Gees | Turn of the century | 1967 | 3:42:09 (Pop-up) | |||
the Barracuda | The Dance At St. Francis | The Dance At St. Francis | 3:44:31 (Pop-up) | |||
Beau Brummels | Don't Talk To Strangers | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:46:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Because I could not induct for gees, they did kindly induct for me. Do gees make you shiver? do they? I cannot help but stop and look at the poor micky. Now miserable is just the thing, To get me wondering if the micky is low. A wam, however hard it tries, |
3:49:00 (Pop-up) |
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The Leathercoated Minds | Non-Stop | 3:49:58 (Pop-up) | ||||
The Troggs | Any Way You Want Me | 3:52:43 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:36 (Pop-up) |
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Listener comments!
The Night Owl:
Surly Bennett Surf, on the gay Boulevard:
The Night Owl:
The Night Owl:
DA The DJ:
Surly Bennett Surf, on the gay Boulevard:
The Night Owl:
The Night Owl:
DA the DJ:
The Night Owl:
The Night Owl:
Surly Bennett Surf, on the gay Boulevard:
DA the DJ:
Surly Bennett Surf, on the gay Boulevard:
DA the DJ:
Surly Bennett Surf, on the gay Boulevard:
Brian in UK:
spacecowboy:
Yvang:
The Night Owl:
The Night Owl:
spacecowboy:
spacecowboy:
spacecowboy:
Work, sleep, work, sleep,
Work, sleep, work, sleep,
Work.
Oh free me please with gentle ease
From work, sleep, work, sleep, work!
This odium, pounding tedium
Of my work, sleep, work, sleep, work.
Just whisk me off to lands afar
From work, sleep, work, sleep, work -
That grinding train of rhythmic pain
Called ‘Work, sleep, work, sleep, work.
Yvang:
spacecowboy:
I tried to focus; nothing ever solid
Came to view, but undeterred, I blinked
An eye to try again. Through the mist
A coloured hue; polychromatic flames
Had flickered at a whim; a rhythm bore
A thrumming too: a naturalistic hymn.
Behold! Were I to find a synonym to
Reproduce or recreate
The apparition of a butterfly,
Evolving through the waning vapour,
Drawing on a sigh from this romantic.
Glory be! The raging sun above
spacecowboy:
Yvang:
spacecowboy:
Brian in UK:
The Night Owl: