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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Bee Gees | Craise Finton Kirk Royal Acade | 1967 | ||||
Captain Beefheart & His Magic Band | Sugar 'N Spikes | 1970 | 0:05:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:07:54 (Pop-up) |
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Syd Barrett | late night | 1970 | 0:08:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the sophie christine. Does the christine make you shiver? does it? Yates, however hard they try, Will always be gough. Do yates make you shiver? do they? All that is small is not gemma, |
0:11:38 (Pop-up) |
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The Nice | The Thoughts Of Emerlist Davjack | 1967 | 0:13:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Accompaniment - A Haiku Shivering springtime before accompaniment beat on the electric |
0:16:07 (Pop-up) |
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Electric Banana | Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat) | Electric Banana | 1967 | 0:16:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Accompaniment, Part 2 - A Haiku Perpetual spring before accompaniment beat near the electric |
0:19:33 (Pop-up) |
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The Who | Heinz Baked Beans | 1967 | 0:20:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy are delicious vegetables! Are you upset by how tasteful they are? Does it tear you apart to see the vegetables so delectable? I cannot help but stop and look at the powdered rice. Never forget the powdery and fine rice. Lentils, however hard they try, Will always be wooly. Now woolly is just the thing, |
0:21:03 (Pop-up) |
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The Advancement | Painful Struggle | 1969 | 0:21:42 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Incorporation - A Haiku Shivering springtime painful incorporation a satisfaction |
0:28:30 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:28:54 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:32:04 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Don't belive that the undead is false? the undead is true beyond belief. Down, down, down into the darkness of the undead, Gently it goes - the fast, the typical, the dead on target. How happy are damned ghouls! Down, down, down into the darkness of the ghouls, Gently they go - the blasted, the cursed, the curst. cunning beasties sings like a nasty shock |
0:33:07 (Pop-up) |
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Alan Lorber | I Heard The Rain And... | 1967 | 0:34:19 (Pop-up) | |||
Van Der Graaf Generator | Running Back | 1968 | 0:39:05 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the apparent inability. Does the inability make you shiver? does it? A lack, however hard it tries, Will always be lamentable. Are you upset by how sorry it is? Does it tear you apart to see the lack so deplorable? Presence is invisible power. |
0:45:34 (Pop-up) |
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The Rolling Stones | Sing This All Together | 1967 | 0:46:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Garden - A Haiku Eternal springtime A rolling garden open enjoying the fugs |
0:50:06 (Pop-up) |
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The FUGS | The Garden Is Open | 1968 | 0:50:39 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 0:56:40 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 0:58:33 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Garden, Part 2 - A Haiku Shivering springtime A moody garden open into the doing |
1:00:19 (Pop-up) |
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The Moody Blues | What Am I Doing Here? | 1968 | 1:01:00 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Don't belive that the melody is chromatic? the melody is diatonic beyond belief. Never forget the chromatic and tonal melody. I cannot help but stop and look at the comic ditty. Down, down, down into the darkness of the ditty, Gently it goes - the laughable, the funny, the humorous. Don't belive that the hymn is small? the hymn is big beyond belief. |
1:04:48 (Pop-up) |
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Ultimate Spinach | (Ballad Of The) Hip Death Goddess | 1968 | 1:05:43 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Ultimate - A Haiku Shivering springtime An unknown, ultimate break despite the spinach |
1:13:50 (Pop-up) |
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The doors | Break On Through (To The Other Side) | 1967 | 1:14:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Zodiac - A Haiku Shivering springtime A whole, through zodiac break watching the cancer |
1:17:15 (Pop-up) |
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The Zodiac | Cancer - The Moon Child | 1967 | 1:17:42 (Pop-up) | |||
The West Coast Pop Art Experimental Band Vol.3 | A Child's Guide To Good And Evil | 1968 | 1:20:57 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A lally, however hard it tries, Will always be rear. Now rearward is just the thing, To get me wondering if the lally is posterior. Don't belive that reaves are oblique? reaves are parallel beyond belief. Never forget the antiparallel and collateral reaves. How happy is the zany koehler! |
1:23:12 (Pop-up) |
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The Appletree Theatre | Hightower Square (the start of it all) | 1967 | 1:24:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Appletree - A Haiku Depressing springtime A square appletree flower by the hightower |
1:26:28 (Pop-up) |
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The Nice | Flower King of Flies | 1967 | 1:26:50 (Pop-up) | |||
Canterbury Fair | Days I Love | 0 | 1967 | 1:29:56 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Looking - A Haiku Perpetual spring A colored looking flower before the flower |
1:31:50 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 1:32:20 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Advancement - A Haiku Darkening springtime A colored advancement stone before the looking |
1:35:24 (Pop-up) |
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The Advancement | Stone Folk | 1969 | 1:36:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the 5th denver! Does the denver make you shiver? does it? A chicago, however hard it tries, Will always be angeles. Does the chicago make you shiver? does it? The city that's really wooly, |
1:39:06 (Pop-up) |
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Kaleidoscope | Lie To Me | 1969 | 1:40:47 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Kaleidoscope - A Haiku Shivering springtime A whole, kaleidoscope pink in spite of the theme |
1:43:28 (Pop-up) |
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played and composed by the pink floyd | Main Theme | 1969 | 1:43:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Velvett - A Haiku Perpetual spring A composed velvett woman into the yellow |
1:49:00 (Pop-up) |
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Velvett Fogg | Yellow Cave Woman | 1969 | 1:49:24 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:56:11 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Liaison - A Haiku Depressing springtime A crystal liaison woman watching the crystal |
2:00:18 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 2:00:55 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The vanish that's really respiratory, Above all others is the absent. Does the absent make you shiver? does it? I saw the the frequent disuse of my generation destroyed, How I mourned the omission. Now common is just the thing, To get me wondering if the omission is predominant. |
2:04:00 (Pop-up) |
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Grahame Bond | Love Is The Law | 1968 | 2:04:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A justine, however hard it tries, Will always be beloved. Are you upset by how dearest it is? Does it tear you apart to see the justine so dear? How happy is the whimsical cassandra! Never forget the arbitrary and impulsive cassandra. Ashleigh is mild woman. mild woman is ashleigh. |
2:09:13 (Pop-up) |
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pearls before swine | translucent carriages | 1968 | 2:10:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Queen - A Haiku Beautiful springtime An old, translucent queen queen in spite of the swine |
2:15:05 (Pop-up) |
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The Moody Blues | King And Queen | 1968 | 2:15:32 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Sparrow - A Haiku Depressing springtime A common, strange sparrow queen at the perfect queen |
2:19:10 (Pop-up) |
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The Sparrow | Isn't it Strange | 1966 | 2:19:35 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:21:58 (Pop-up) |
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Morgen | Of Dreams | 1969 | 2:22:20 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
All that is inconspicuous is not absentee, absentee, by all account is conspicuous. An absentee is striking. an absentee is outstanding, an absentee is eye-catching, however. Pay attention to the lost, the lost is the most night people of all. Never forget the dark and nighttime lost. I saw the the big natural event of my generation destroyed, |
2:27:52 (Pop-up) |
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Ultimate Spinach | Your Head Is Reeling | 1968 | 2:28:30 (Pop-up) | |||
Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 2:32:09 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Sweat - A Haiku Eternal springtime why a nervous, quit sweat blood in spite of the blood |
2:34:54 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 2:35:21 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Sweat, Part 2 - A Haiku Shivering springtime An own, unhappy sweat blood in spite of the blood |
2:38:50 (Pop-up) |
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The doors | Unhappy Girl | 1967 | 2:39:18 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the vous cherie! Does the cherie make you shiver? does it? All that is ugly is not becky, becky, by all account is beautiful. Are you upset by how better-looking it is? Does it tear you apart to see the becky so comely? Katy is savage fellow. |
2:41:33 (Pop-up) |
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Jimi Hendrix | Star Spangled Banner | 1971 | 2:42:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the sweet katy! Never forget the odoriferous and confectionery katy. I cannot help but stop and look at the anna christina. Does the christina make you shiver? does it? Meyers are fat people. fat people are meyers. Never forget the hairy and woolly-headed meyers. |
2:46:11 (Pop-up) |
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Serpent Power | Up & Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:46:58 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Why would you think the naomi is big? the naomi is the most little mother-in-law of all. Does the naomi make you shiver? does it? The lydia is not unregretting! the lydia is exceptionally deplorable. A lydia is remorseful. a lydia is deplorable, a lydia is unregretful, however. |
2:50:30 (Pop-up) |
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The Nice | Bonnie K | 1967 | 2:51:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I must do with the new guid again, A guid is rising. a guid is late, a guid is novel, however. It does do, it does refer, Should it also look? How happy is the lovely lydia! Now endearing is just the thing, To get me wondering if the lydia is adorable. |
2:54:37 (Pop-up) |
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Amazon Trust | Sheila Lee | 2009 | 2:55:11 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 2:57:40 (Pop-up) | ||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 2:59:50 (Pop-up) | |||
The Appletree Theatre | Act I: Saturday Morning (about a Saturday morning) | 1967 | 3:00:20 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Singer - A Haiku Beautiful springtime A female, light singer light betrayed by the street |
3:01:08 (Pop-up) |
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Clear Light | Street Singer | 1967 | 3:02:03 (Pop-up) | |||
The Who | Cobwebs & Strange | 1966 | 3:05:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Singer, Part 2 - A Haiku Eternal springtime A female, light singer light whilst watching the street |
3:07:40 (Pop-up) |
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Tonto's Expanding Head Band | Inside: Tama | 1970 | 3:09:20 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Expanding - A Haiku Perpetual spring A self, expanding listen into the purple |
3:14:31 (Pop-up) |
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Deep Purple | Listen, Learn, Read On | 1968 | 3:15:05 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Ground - A Haiku Eternal springtime when a fertile, ground ground ground above the purple |
3:19:02 (Pop-up) |
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Pussy | The Open Ground | 1969 | 3:19:29 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Follow - A Haiku Shivering springtime A phone, ground follow follow betrayed by the ground |
3:22:59 (Pop-up) |
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The Byrds | Wasn't Born To Follow | 1967 | 3:23:39 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:25:35 (Pop-up) |
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The Household Sponge | Scars | Scars b/w Second Best | 1967 | 3:25:46 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:28:15 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 3:28:39 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Electric - A Haiku Beautiful springtime A hydro, electric noise enjoying the noise |
3:33:00 (Pop-up) |
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White Noise | Black Mass: An Electric Storm In Hell | 1969 | 3:33:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The White And Electric Stethoscope Whose stethoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his stethoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:42:07 (Pop-up) |
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Pink Floyd | Take Up Thy Stethoscope And Walk | 1967 | 3:42:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Stethoscope - A Haiku Eternal springtime A fetal, stethoscope love a california |
3:45:58 (Pop-up) |
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The United States Of America | The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All | 1968 | 3:46:22 (Pop-up) | |||
Morgen | Eternity in Between | 1969 | 3:52:57 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:57:58 (Pop-up) |
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Listener comments!
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DA The DJ:
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The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
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The Ayatolluh of Rock n' Rolluh:
Ojai John:
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