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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Syd Barrett | Baby Lemonade | 1987 | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the dear monica. Are you upset by how high-priced it is? Does it tear you apart to see the monica so pricey? A bennett, however hard it tries, Will always be australian. Does the bennett make you shiver? does it? Anita is beautiful mother. |
0:05:41 (Pop-up) |
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Il Balletto Di Bronzo | Incantesimo | 1970 | 0:06:17 (Pop-up) | |||
The Tea Company | Make Love, Not War | 1968 | 0:13:00 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
0:15:49 (Pop-up) |
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Affinity | Three Sisters | 1970 | 0:16:15 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Twins, however hard they try, Will always be infant. Do twins make you shiver? do they? Don't belive that daughters are married? daughters are unmarried beyond belief. Do daughters make you shiver? do they? |
0:21:10 (Pop-up) |
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Lightnin' Hopkins | Baby Child | 2008 | 0:21:42 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Lightnin - A Haiku Eternal springtime suddenly through lightnin found at the old hopkins |
0:25:08 (Pop-up) |
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Lost & Found | When Will You Come Through | 1968 | 0:25:35 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Tyrannosaurus - A Haiku Perpetual spring How tyrannosaurus found out of rumbling |
0:27:52 (Pop-up) |
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Tyrannosaurus Rex | King Of The Rumbling Spires | 1969 | 0:28:19 (Pop-up) | |||
Simon Dupree And The Big Sound | Kites | Kites | 1967 | 0:30:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Tyrannosaurus, Part 2 - A Haiku Perpetual spring where tyrannosaurus split out of rumbling |
0:33:59 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 0:34:33 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Morning - A Haiku Perpetual spring A good, colored morning split under the looking |
0:37:36 (Pop-up) |
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Pretty Things | She Says Good Morning | 1968 | 0:38:02 (Pop-up) | |||
Thirteenth Floor Elevators | I'm Gonna Love You Too | 1968 | 0:42:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
0:44:10 (Pop-up) |
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BlueCheer | When It All Gets Old | 1969 | 0:44:26 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Tidesgently - A Haiku Beautiful springtime For away tidesgently the experience |
0:47:21 (Pop-up) |
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The Jimi Hendrix Experience | Moon, Turn The Tides...gently gently away | 1968 | 0:47:55 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 0:56:41 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 0:59:12 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Tidesgently, Part 2 - A Haiku Depressing springtime before blue tidesgently an experience |
1:00:22 (Pop-up) |
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Vashti | Winter Is Blue | 1968 | 1:01:21 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Yesterday - A Haiku Beautiful springtime A right, yesterday winter an america |
1:02:47 (Pop-up) |
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The United States Of America | Where Is Yesterday | 1968 | 1:03:17 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Yesterday, Part 2 - A Haiku Depressing springtime An early, yesterday black into the farlowe |
1:06:17 (Pop-up) |
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Chris Farlowe | Paint It Black | 1968 | 1:06:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the old darren. A darren is secondhand. a darren is oldish, a darren is older, however. The david is not unholy! the david is exceptionally blessed. A david is hallowed. a david is blessed, a david is sanctified, however. When I think of the craig, I see a british army. |
1:11:05 (Pop-up) |
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Rotomagus | Fightin' Cock | 1971 | 1:11:49 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Glitterhouse - A Haiku Depressing springtime A vocal glitterhouse love the generation |
1:15:12 (Pop-up) |
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The Bob Crewe Generation Orchestra | I Love All The Love In You (Vocal: The Glitterhouse) | 1968 | 1:15:36 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Glitterhouse, Part 2 - A Haiku Darkening springtime A vocal glitterhouse love a generation |
1:19:18 (Pop-up) |
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Syd Barrett | Two of a Kind | 1987 | 1:19:57 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Barrett - A Haiku Eternal springtime A feldman, free barrett mark after the mecki |
1:22:22 (Pop-up) |
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Mecki Mark Men | Free | 1967 | 1:23:03 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
An absence, however hard it tries, Will always be unexplained. Does the absence make you shiver? does it? How happy is the total absent! Never forget the overall and absolute absent. How happy are wooly disappearances! Do disappearances make you shiver? |
1:27:08 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 1:27:47 (Pop-up) | ||
Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 1:33:27 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Pink And Interstellar Overdrive Whose overdrive is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her overdrive a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:36:10 (Pop-up) |
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Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 1:37:07 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Construction - A Haiku Depressing springtime where construction overdrive an armageddon |
1:38:58 (Pop-up) |
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The Cape Kennedy Construction Company | Armageddon | 1969 | 1:39:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:43:54 (Pop-up) |
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mike Bloomfield al Kooper steve Stills | Mike Bloomfield - Al Kooper: Stop | 1968 | 1:44:09 (Pop-up) | |||
Hapshash And The Coloured Coat | H-O-P-P-Why? | 1967 | 1:48:19 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Hapshash - A Haiku Perpetual spring before coloured hapshash twink at the old highest |
1:55:45 (Pop-up) |
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Twink | Tiptoe On The Highest Hill | 1970 | 1:56:22 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Experience - A Haiku Eternal springtime An own, slight experience into the hendrix |
2:00:23 (Pop-up) |
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The Jimi Hendrix Experience | Voodoo Child (Slight Return) | 1968 | 2:01:12 (Pop-up) | |||
The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 2:01:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Experience, Part 2 - A Haiku Beautiful springtime An own, slight experience watching the kingsley |
2:06:14 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 2:06:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Or And Iron Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:12:14 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 2:12:58 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The deceased is not public! the deceased is exceptionally personal. A deceased is clannish. a deceased is personal, a deceased is inward, however. Why would you think the disappearance is unlikely? the disappearance is the most probable leaving of all. Now plausible is just the thing, To get me wondering if the disappearance is presumptive. |
2:18:38 (Pop-up) |
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Rainbow Ffolly | Hey You | 1968 | 2:19:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy are tropical gardenias! Gardenias are nonliteral. gardenias are tropic, gardenias are figurative, however. Lilies, however hard they try, Will always be purple. Now royal is just the thing, To get me wondering if lilies are coloured. I cannot help but stop and look at cunning bouquets. |
2:21:23 (Pop-up) |
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Ultimate Spinach | Mind Flowers | 1968 | 2:22:02 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Ultimate - A Haiku Perpetual spring A single, ultimate down an america |
2:31:35 (Pop-up) |
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The United States Of America | Coming Down | 1968 | 2:31:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Barrett - A Haiku Eternal springtime An obvious barrett take the america |
2:34:34 (Pop-up) |
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Syd Barrett | It Is Obvious [Take 1] | 1970 | 2:34:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Instrumental - A Haiku Depressing springtime shall instrumental mother a funkadelic |
2:37:45 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:38:17 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 2:44:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Instrumental, Part 2 - A Haiku Depressing springtime why instrumental mother a funkadelic |
2:47:08 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 2:47:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Pointing - A Haiku Beautiful springtime A direct, cant pointing cant after the fingers |
2:51:45 (Pop-up) |
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Bee Gees | I can't see nobody | 1967 | 2:52:11 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Appletree - A Haiku Perpetual spring A young, square appletree start on the hightower |
2:55:52 (Pop-up) |
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The Appletree Theatre | Hightower Square (the start of it all) | 1967 | 2:56:17 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 2:58:35 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Rotomagus - A Haiku Eternal springtime A square rotomagus start near the appletree |
3:00:23 (Pop-up) |
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Rotomagus | The Sky Turns Red | 1971 | 3:00:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Rotomagus, Part 2 - A Haiku Perpetual spring A pink rotomagus pink watching the controls |
3:03:43 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 3:04:15 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Controls - A Haiku Perpetual spring A social, deep controls trip at the perfect floyd |
3:09:31 (Pop-up) |
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The Deep | Trip #76 | 1966 | 3:10:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Strawberry - A Haiku Perpetual spring A fresh, deep strawberry clock in spite of the worlds |
3:13:44 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire | 1968 | 3:14:09 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The On And Older Generation Whose generation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his generation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:17:37 (Pop-up) |
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Jefferson Airplane | Hymn To An Older Generation: rejoyce | 1967 | 3:18:40 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The Older And White Visitation Whose visitation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his visitation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:22:36 (Pop-up) |
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White Noise | The Visitation | 1969 | 3:23:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Termination - A Haiku Perpetual spring A white termination noise a visitation |
3:34:28 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 3:35:02 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the celebrated cunha. A cunha is storied. a cunha is famed, a cunha is far-famed, however. I cannot help but stop and look at the further bosworth. Does the bosworth make you shiver? does it? How happy is the little mcmaster! A mcmaster is teentsy. a mcmaster is brief, |
3:37:45 (Pop-up) |
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The Byrds | Child Of The Universe | 1969 | 3:38:41 (Pop-up) | |||
October Country | I Wish I Was A Fire | October Country | 1968 | 3:41:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:43:33 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 3:43:55 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at eternal frights. Do frights make you shiver? do they? I cannot help but stop and look at the emotional adrenaline. Are you upset by how bathetic it is? Does it tear you apart to see the adrenaline so effusive? One afternoon I said to myself, "Why aren't pleasures more fat-free?" |
3:47:02 (Pop-up) |
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Syd Barrett | Dominoes [Take 3] | 1970 | 3:47:55 (Pop-up) | |||
Le Cirque | I'll Be Thinking Of You | 1967 | 3:51:54 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:16 (Pop-up) |
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