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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
The Byrds | Artifical Energy | The Notorious Byrd Brothers | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
0:06:09 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 0:06:26 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Accompaniment - A Haiku Showery springtime before accompaniment rain the aphrodites |
0:09:07 (Pop-up) |
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Aphrodite's Child | Rain And Tears | 1968 | 0:09:32 (Pop-up) | |||
the new Rotary Connection | Vine Of Happiness | 1971 | 0:13:29 (Pop-up) | |||
The Leathercoated Minds | Sunset And Clark | 0:17:25 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Levitation - A Haiku Darkening springtime before levitation floor by the connection |
0:19:15 (Pop-up) |
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13th Floor Elevators | I've Got Levitation | 1967 | 0:19:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Stairs, however hard they try, Will always be pulpit. Do stairs make you shiver? do they? How happy are marble floors! Do floors make you shiver? do they? Stairwell is dingy walls. |
0:22:16 (Pop-up) |
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Procol Harum | Lime Street Blues | 1967 | 0:22:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
All that is uncertain is not omissions, omissions, by all account is certain. Omissions are predestinate. omissions are doomed, omissions are unsealed, however. I cannot help but stop and look at the have been. Does the been make you shiver? does it? Just like an upstage fleet, is the left. |
0:25:36 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 0:26:16 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Dudley - A Haiku Eternal springtime A quit dudley bedazzled whilst watching the sweat |
0:28:38 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 0:29:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Sheller - A Haiku Showery springtime A corn, living sheller blood at the old william |
0:32:33 (Pop-up) |
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William Sheller | Living East Dreaming West | 1970 | 0:32:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Blossom - A Haiku Inclement springtime A living blossom blossom beyond the sheller |
0:37:17 (Pop-up) |
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Blossom Toes | What's If For | 1967 | 0:37:50 (Pop-up) | |||
Galaxies, The | Along Comes The Man (Tacoma, WA, U.S.A.) | 2002 | 0:40:44 (Pop-up) | |||
Gandalf | Nature Boy | 1969 | 0:42:36 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at myriad facets. Are you upset by how infinite they are? Does it tear you apart to see the facets so innumerable? I cannot help but stop and look at the mean nothing. Are you upset by how mingy it is? Does it tear you apart to see the nothing so stingy? Don't belive that ideas are small? ideas are big beyond belief. |
0:45:41 (Pop-up) |
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Pretty Things | I See You | 1968 | 0:46:40 (Pop-up) | |||
Fifty Foot Hose....... | Red The Sign Post | 1968 | 0:50:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Electric - A Haiku Overcast springtime A hydro, electric light by the banana |
0:53:29 (Pop-up) |
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The Electric Banana | (Vocal Tracks): What's Good For The Goose (Light pop vocal) | 1969 | 0:53:57 (Pop-up) | |||
The Electric Prunes | You Never Had It Better | Everybody Knows You're Not In Love / You've Never Had It Better | 1968 | 0:55:52 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:57:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Millennium - A Haiku Beautiful springtime A next, millennium light near the electric |
1:00:18 (Pop-up) |
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The Millennium | 5 A.M. | 1968 | 1:01:19 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Antelopes, however hard they try, Will always be horned. Are you upset by how crescent they are? Does it tear you apart to see the antelopes so bicornate? I cannot help but stop and look at the fine bushbuck. Never forget the discerning and small-grained bushbuck. How happy is the big ape! Down, down, down into the darkness of the ape, |
1:03:58 (Pop-up) |
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Mad River | Amphetamine Gazelle | 1968 | 1:04:42 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the ultra stefan. Now immoderate is just the thing, To get me wondering if the stefan is extremist. How happy is the auxiliary wilhelm! A wilhelm is ancillary. a wilhelm is adjunct, a wilhelm is accessory, however. How happy is the yellow archduke! An archduke is yellowish. an archduke is dishonorable, |
1:07:33 (Pop-up) |
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Lothar and the Hand People | Milkweed Love | 1968 | 1:08:24 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Sandalwood - A Haiku Overcast springtime A white, sandalwood people above the northwest |
1:11:18 (Pop-up) |
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The Moles | We Are The Moles (Part 2) | 1968 | 1:13:53 (Pop-up) | |||
Yankee Dollar | Follow Your Dream's Way | 1968 | 1:16:34 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Dollar - A Haiku Overcast springtime An extra, dollar follow after the yankee |
1:23:09 (Pop-up) |
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West Coast Pop Art Experimental Band | 1906 | 1967 | 1:23:44 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Currant - A Haiku Eternal springtime An indian, currant coast betrayed by the floyd |
1:25:58 (Pop-up) |
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Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 1:26:31 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Brainticket - A Haiku Overcast springtime before black brainticket black before the currant |
1:29:12 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:29:46 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Brainticket, Part 2 - A Haiku Eternal springtime before black brainticket black out of sullivan |
1:33:46 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:34:20 (Pop-up) | ||
The Yardbirds | Ten Little Indians | 1967 | 1:36:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Beefheart - A Haiku Depressing springtime A magic beefheart captain on the sullivan |
1:39:35 (Pop-up) |
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Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 1:40:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A gone, however hard it tries, Will always be bye. Does the gone make you shiver? does it? I cannot help but stop and look at the little lost. Down, down, down into the darkness of the lost, Gently it goes - the diminutive, the stingy, the least. Pay attention to the absent, |
1:42:17 (Pop-up) |
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Dave Clark Five | Everybody Get Together | 2000 | 1:43:01 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:46:08 (Pop-up) |
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Aorta | Shape Of Things To Come | 1968 | 1:46:19 (Pop-up) | |||
"Bonzo Dog Band" | Quiet Talks And Summer Walks | 1969 | 1:48:27 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
An everything, however hard it tries, Will always be right. Down, down, down into the darkness of the everything, Gently it goes - the suitable, the moral, the precise. I cannot help but stop and look at the learnt nothing. Does the nothing make you shiver? does it? How happy are yellow matters! |
1:51:50 (Pop-up) |
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Blue Cheer | Feathers From Your Tree | 1968 | 1:52:37 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
All that is absolute is not lack, lack, by all account is relative. Now proportional is just the thing, To get me wondering if the lack is proportionate. The paucity is not counterfeit! the paucity is exceptionally actual. Now true is just the thing, To get me wondering if the paucity is actual. |
1:56:02 (Pop-up) |
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Ars Nova | And How Am I To Know Entracte: Dancer | 1:56:49 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the false chapmen. A chapmen is simulated. a chapmen is mendacious, a chapmen is mistaken, however. A valure, however hard it tries, Will always be notable. Does the valure make you shiver? does it? The dewitt is not big! |
2:00:19 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 2:01:07 (Pop-up) | |||
The Jim Sullivan Sound | She Walks Through The Fair | 1966 | 2:01:56 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the rare bunce. A bunce is rarefied. a bunce is infrequent, a bunce is uncommon, however. A chaffer, however hard it tries, Will always be wordy. Does the chaffer make you shiver? does it? Just like an old girl, is the hopkinson. |
2:07:30 (Pop-up) |
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Alice Cooper | Shoe Salesman | 1970 | 2:08:20 (Pop-up) | |||
Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 2:10:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
All that is unobvious is not absence, absence, by all account is obvious. Are you upset by how apparent it is? Does it tear you apart to see the absence so conspicuous? The absentee is not inconspicuous! the absentee is exceptionally obvious. Now obtrusive is just the thing, To get me wondering if the absentee is obvious. |
2:14:46 (Pop-up) |
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Appaloosa | Thoughts of Polly | 1969 | 2:15:32 (Pop-up) | |||
Bohemian Vendetta | Images (Shadow in the Night) | 1967 | 2:21:07 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Turrets, however hard they try, Will always be beautiful. Turrets are shiny. turrets are pretty-pretty, turrets are good-looking, however. I cannot help but stop and look at venetian palaces. Do palaces make you shiver? do they? cunning cathedrals sings like mediaeval churches |
2:22:56 (Pop-up) |
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Blonde On Blonde | Castles In The Sky | 1970 | 2:23:44 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Buckley - A Haiku Darkening springtime A former, blonde buckley man above the castles |
2:27:08 (Pop-up) |
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Tim Buckley | No Man Can Find The War | 1967 | 2:27:26 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:30:21 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Buckley, Part 2 - A Haiku Beautiful springtime A former, west buckley branch enjoying the branch |
2:31:29 (Pop-up) |
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West Coast Branch | Where Is the Door? | 1967 | 2:32:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:34:47 (Pop-up) |
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Art | Room With A View | 1967 | 2:35:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A left, however hard it tries, Will always be turkish. Does the left make you shiver? does it? One afternoon I said to myself, "Why isn't the neglected more secondary?" Never forget the original and direct neglected. I cannot help but stop and look at the zany forgotten. |
2:39:32 (Pop-up) |
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BlueCheer | West Coast Child Of Sunshine | 1969 | 2:40:11 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Sidewalks - A Haiku Darkening springtime A paved, moving sidewalks floor before the bluecheer |
2:42:39 (Pop-up) |
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The Moving Sidewalks | 99th Floor | 99th Floor | 2:43:15 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Vanishing - A Haiku Eternal springtime A non, vanishing beaver beyond the sidewalks |
2:45:28 (Pop-up) |
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Beaver & Krause | Salute To The Vanishing Bald Eagle | 1970 | 2:45:54 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy is the how been! Does the been make you shiver? does it? I saw the the partial error of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the fond, the unfair, the fair. Omissions, however hard they try, |
2:48:38 (Pop-up) |
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Salvation | Getting My Hat | 1968 | 2:49:28 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
One afternoon I said to myself, "Why isn't the lindsey more south?" A lindsey is northeasterly. a lindsey is south, a lindsey is northeastward, however. All that is intelligent is not eric, eric, by all account is stupid. Now thick-skulled is just the thing, To get me wondering if the eric is thickheaded. |
2:53:30 (Pop-up) |
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Kevin Ayers | Town Feeling | 1969 | 2:54:09 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 2:58:51 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Feeling - A Haiku Perpetual spring A feeling feeling mother at the perfect blonde |
3:00:19 (Pop-up) |
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Blonde on Blonde | Mother Earth | 1969 | 3:01:08 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
American - A Haiku Beautiful springtime For american mother near the electric |
3:06:05 (Pop-up) |
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The Electric Flag; An American Music Band | Another Country | 1968 | 3:06:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Sagittarius - A Haiku Beautiful springtime then sagittarius band an american |
3:15:01 (Pop-up) |
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Sagittarius | Hotel Indiscreet | 1967 | 3:15:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Yester And Indiscreet Farewell Whose farewell is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her farewell a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:18:46 (Pop-up) |
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Judy Henske & Jerry Yester | Farewell Aldebaran | 1969 | 3:19:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The fault that's really purposeful, Above all others is the omission. Now earnest is just the thing, To get me wondering if the omission is purposive. A void, however hard it tries, Will always be immense. Never forget the big and large void. The zany unavailability sings like occasional periods |
3:23:25 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:24:13 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
3:30:16 (Pop-up) |
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Bee Gees | Turn of the century | 1967 | 3:30:32 (Pop-up) | |||
The Beatles | Love You To | 1966 | 3:32:54 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Accompaniment - A Haiku Eternal springtime before accompaniment dance on the electric |
3:35:51 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 3:36:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Accompaniment, Part 2 - A Haiku Beautiful springtime before accompaniment dance out of electric |
3:39:02 (Pop-up) |
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The Misunderstood | I Unseen | Children Of The Sun / I Unseen | 1969 | 3:39:37 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Unseen And Misunderstood Unseen Whose unseen is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his unseen a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:41:38 (Pop-up) |
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Gene Clark | Only Colombe | 1967 | 3:42:25 (Pop-up) | |||
Warlocks | Can't Come Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:46:08 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Sunshine - A Haiku Perpetual spring A full, little sunshine try by the factory |
3:49:03 (Pop-up) |
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The Factory | Try A Little Sunshine | 1969 | 3:49:55 (Pop-up) | |||
Ace of Cups | Glue | 2004 | 3:53:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:57:57 (Pop-up) |
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Jane Birkin eating an apple:
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Jane Birkin eating an apple:
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