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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
13th Floor Elevators | May The Circle Remain Unbroken | 1969 | ||||
Music behind DJ: 101 Strings |
Flameout |
Elevators - A Haiku Showery springtime A grain, elevators floor out of disaster |
0:06:32 (Pop-up) |
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Bee Gees | New York mining disaster 1941 | 1967 | 0:06:54 (Pop-up) | |||
The Byrds | Wasn't Born To Follow | 1967 | 0:09:00 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Beefheart - A Haiku Beautiful springtime A magic beefheart captain near the disaster |
0:11:56 (Pop-up) |
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Captain Beefheart & His Magic Band | My Human Gets Me Blues | 1970 | 0:12:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Beefheart, Part 2 - A Haiku Inclement springtime before sweet beefheart captain above the captain |
0:15:13 (Pop-up) |
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Spirit | Sweet Stella Baby | 1969 | 0:15:51 (Pop-up) | |||
The Who | Heinz Baked Beans | 1967 | 0:18:41 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Matilda - A Haiku Beautiful springtime A sweet matilda mother after the mother |
0:19:40 (Pop-up) |
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Pink Floyd | Matilda Mother | 1967 | 0:20:09 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Requesting - A Haiku Showery springtime A just requesting message an ayatolluh |
0:23:05 (Pop-up) |
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The West Coast Pop Art Experimental Band | Transparent Day | 1967 | 0:23:39 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Brainticket - A Haiku Inclement springtime suddenly brainticket black enjoying the black |
0:25:51 (Pop-up) |
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Brainticket | Black Sand | 1971 | 0:26:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Ayatolluh - A Haiku Showery springtime why ayatolluh message an ayatolluh |
0:30:20 (Pop-up) |
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Van Der Graaf Generator | Running Back | 1968 | 0:31:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:37:31 (Pop-up) |
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Music behind DJ: The Shadows |
Wonderful Land |
Instant Request |
0:38:54 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 1 | 1968 | Requested by: DA The DJ | 0:38:56 (Pop-up) | ||
The FUGS | The Garden Is Open | 1968 | 0:43:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Horrorshow - A Haiku Inclement springtime A tanked horrorshow message out of horrorshow |
0:49:12 (Pop-up) |
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Mad River | Amphetamine Gazelle | 1968 | 0:49:54 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the roan antelope! Does the antelope make you shiver? does it? How happy are wild antelopes! Are you upset by how frantic they are? Does it tear you apart to see the antelopes so unrestrained? The lechwe is not big! the lechwe is exceptionally gnomish. |
0:52:46 (Pop-up) |
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The Advancement | Stone Folk | 1969 | 0:53:35 (Pop-up) | |||
The Litter | Kaleidoscope | 1968 | 0:56:42 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:58:54 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
A spain, however hard it tries, Will always be century. Are you upset by how centred it is? Does it tear you apart to see the spain so hundred? Pay attention to the arsenic, the arsenic is the most absorbed element of all. Are you upset by how unreflected it is? Does it tear you apart to see the arsenic so rapt? |
1:00:19 (Pop-up) |
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The Moody Blues | What Am I Doing Here? | 1968 | 1:01:31 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the melancholy melody! Are you upset by how melancholic it is? Does it tear you apart to see the melody so sad? Pay attention to the dirge, the dirge is the most lonely song of all. A dirge is solitary. a dirge is lonesome, a dirge is unfrequented, however. Pay attention to the hymn, |
1:05:21 (Pop-up) |
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Ultimate Spinach | (Ballad Of The) Hip Death Goddess | 1968 | 1:06:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Ultimate - A Haiku Inclement springtime An unknown, ultimate break despite the spinach |
1:14:06 (Pop-up) |
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The doors | Break On Through (To The Other Side) | 1967 | 1:14:28 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Zodiac - A Haiku Showery springtime A whole, through zodiac break despite the cancer |
1:17:41 (Pop-up) |
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The Zodiac | Cancer - The Moon Child | 1967 | 1:18:39 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
1:21:54 (Pop-up) |
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Joe Byrd And The Field Hippies | American Bedmusic I - Four Dreams for a Departing President: Nightmare Train | 1969 | 1:22:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Don't belive that the susie is heartless? the susie is hearted beyond belief. Does the susie make you shiver? does it? How happy is the dear lori! Are you upset by how near it is? Does it tear you apart to see the lori so devout? I cannot help but stop and look at the big becky. |
1:25:27 (Pop-up) |
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The Nice | Flower King of Flies | 1967 | 1:26:20 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Spirit - A Haiku Eternal springtime A same, nice spirit spirit above the flower |
1:29:26 (Pop-up) |
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Spirit | Girl In Your Eye | 1968 | 1:29:50 (Pop-up) | |||
The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 1:33:02 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
Horrorshow - A Haiku Showery springtime A big horrorshow poison the ayatolluh |
1:35:49 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 1:36:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Ayatolluh - A Haiku Beautiful springtime then ayatolluh message an ayatolluh |
1:38:58 (Pop-up) |
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Velvett Fogg | Yellow Cave Woman | 1969 | 1:39:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Specific - A Haiku Showery springtime A firm, specific message despite the mistress |
1:47:35 (Pop-up) |
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Kaleidoscope | Lie To Me | 1969 | 1:48:23 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Pay attention to the lack, the lack is the most persistent need of all. A lack is lasting. a lack is unrelenting, a lack is unforgettable, however. I cannot help but stop and look at the silent void. Are you upset by how uncommunicative it is? Does it tear you apart to see the void so dumb? I saw the the yellow knowledge of my generation destroyed, |
1:51:05 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 1:51:55 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:57:11 (Pop-up) | ||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 1:59:43 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Quicksilver - A Haiku Depressing springtime A crude, quicksilver service on the messenger |
2:00:19 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 2:01:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Encouragement - A Haiku Perpetual spring shall encouragement better by the horrorshow |
2:04:50 (Pop-up) |
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Grahame Bond | Love Is The Law | 1968 | 2:05:23 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pay attention to the epithet, the epithet is the most honorific word picture of all. Does the epithet make you shiver? does it? The identity is not true! the identity is exceptionally mistaken. Does the identity make you shiver? does it? |
2:09:49 (Pop-up) |
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pearls before swine | translucent carriages | 1968 | 2:10:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Encouragement, Part 2 - A Haiku Darkening springtime where encouragement metal the ayatolluh |
2:15:25 (Pop-up) |
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The Moody Blues | King And Queen | 1968 | 2:16:02 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Rocknrolluh - A Haiku Inclement springtime A working rocknrolluh chair by the horrorshow |
2:19:41 (Pop-up) |
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Shayds, The | Search the Sun | 2008 | 2:20:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Pay attention to the aunty, the aunty is the most naughty kinswoman of all. Now risque is just the thing, To get me wondering if the aunty is gamey. Pay attention to the grannie, the grannie is the most poor grandparent of all. Never forget the beggarly and insufficient grannie. Grandpa is, in its way, the yer woman of grandparent. |
2:22:48 (Pop-up) |
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Morgen | Of Dreams | 1969 | 2:23:54 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Tonight - A Haiku Beautiful springtime An excited tonight board at the old granny |
2:29:27 (Pop-up) |
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Ultimate Spinach | Your Head Is Reeling | 1968 | 2:30:17 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Encouragement - A Haiku Inclement springtime A more, encouragement page watching the granny |
2:33:53 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 2:34:31 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Ayatolluh - A Haiku Showery springtime why ayatolluh message the ayatolluh |
2:37:11 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 2:37:53 (Pop-up) | |||
The doors | Unhappy Girl | 1967 | 2:41:04 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
A nanna, however hard it tries, Will always be sinhtgunt. Does the nanna make you shiver? does it? I cannot help but stop and look at the annie momma. Does the momma make you shiver? does it? A mam, however hard it tries, |
2:43:40 (Pop-up) |
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Pink Floyd | Pow R. Toc H. | 1967 | 2:44:30 (Pop-up) | |||
Burt Ward | Orange Colored Sky | 1966 | 2:48:51 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Listener - A Haiku Inclement springtime A good, listener station near the manager |
2:51:33 (Pop-up) |
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Jimi Hendrix | Star Spangled Banner | 1971 | 2:52:26 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 2:56:28 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 2:58:51 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at explanatory prefaces. Now instructive is just the thing, To get me wondering if prefaces are informative. How happy is the phonological revised! I don't like the fact that it, learned to update before it knew how to submit. Forgotten is god hair. god hair is forgotten. |
3:00:18 (Pop-up) |
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Pearls Before Swine | sail away | 1969 | 3:01:29 (Pop-up) | |||
Kaleidoscope | Love Games | 1967 | 3:04:30 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Singer - A Haiku Inclement springtime A famous, light singer light betrayed by the street |
3:06:55 (Pop-up) |
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Clear Light | Street Singer | 1967 | 3:07:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the regular absentee! Are you upset by how routine it is? Does it tear you apart to see the absentee so usual? whereabouts are not unsure! whereabouts are exceptionally uncertain. Are you upset by how destined they are? Does it tear you apart to see the whereabouts so uncertain? A failing, however hard it tries, |
3:10:59 (Pop-up) |
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The Nice | Bonnie K | 1967 | 3:11:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Horrorshow - A Haiku Eternal springtime suddenly horrorshow board by the horrorshow |
3:15:15 (Pop-up) |
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Aorta | Strange | 1969 | 3:15:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Expanding - A Haiku Showery springtime A char, strange expanding band despite the tontos |
3:20:19 (Pop-up) |
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Tonto's Expanding Head Band | Inside: Tama | 1970 | 3:20:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Expanding, Part 2 - A Haiku Showery springtime A mind, ground expanding ground enjoying the ground |
3:26:06 (Pop-up) |
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Pussy | The Open Ground | 1969 | 3:26:27 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Sagittarius - A Haiku Depressing springtime then sagittarius ground above the pisces |
3:29:57 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:30:14 (Pop-up) | ||
lee hazlewood | Ten Or 11 Towns Ago | 1972 | 3:33:02 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the aquarius, the aquarius is the most quirky house of all. An aquarius is offbeat. an aquarius is way-out, an aquarius is kinky, however. An isadora, however hard it tries, Will always be great. Does the isadora make you shiver? does it? |
3:35:30 (Pop-up) |
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Gun | The Sad Saga Of The Boy And The Bee | 1968 | 3:36:16 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the pascual gomez! Does the gomez make you shiver? does it? I cannot help but stop and look at the jealous lydia. Down, down, down into the darkness of the lydia, Gently it goes - the envious, the covetous, the desirous. The little samantha sings like a sweet country Does the samantha make you shiver? |
3:41:57 (Pop-up) |
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The Zodiac | Virgo - The Perpetual Perfectionist | 1967 | 3:42:39 (Pop-up) | |||
J.C. Heavy | Is This Really Me | 2009 | 3:45:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Perfectionist - A Haiku Overcast springtime A such, perfectionist change the perpetual |
3:48:48 (Pop-up) |
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Eric Burdon & The Animals | Winds Of Change | 1967 | 3:49:23 (Pop-up) | |||
Bob Seger and the Last Heard | Chain Smokin' | 1967 | 3:53:13 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:55 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
NakedReporta:
The Night Owl:
DA The DJ:
Hams:
NakedReporta:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
Hams:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
alberto:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
Grainy Specific Hula:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Grainy Specific Hula:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Grainy Specific Hula:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
Grainy Specific Hula:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
alberto:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
alberto:
Mr. R.L. Horrorshow:
WHAN that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages)
Than longen folk to goon on pilgrimages
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Grainy Specific Hula:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Grainy Specific Hula:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Grainy Specific Hula:
Grainy Specific Hula:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Grainy Specific Hula:
Mr. R.L. Horrorshow:
alberto:
The Ayatolluh of Rock n' Rolluh:
Grainy Specific Hula:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Grainy Specific Hula:
The Night Owl:
The Night Owl:
The Night Owl:
alberto:
Mr. R.L. Horrorshow:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
alberto:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Granny Spicy Tuna:
alberto:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
alberto:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Granny Spicy Tuna:
The Night Owl:
Granny Spicy Tuna:
The Night Owl:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Mr. R.L. Horrorshow:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
alberto:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
Granny Spicy Tuna:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Only on Tuesday
Tuned to
Granny Spicy Owl
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Only it's Wednesday
am I
Yesterday or here?
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
alberto:
Granny Spicy Tuna:
The Night Owl:
Mr. R.L. Horrorshow:
Haunts the walls of Mind
just there
Yesterday morrow.
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mildly entertained
and would
Laugh if they knew how.
The Ayatolluh of Rock n' Rolluh:
alberto:
Mr. R.L. Horrorshow:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
alberto:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
alberto:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
alberto:
Granny Spicy Tuna:
alberto:
Granny Spicy Tuna:
alberto:
Jane Birkin eating an apple:
alberto:
spacecowboy:
spacecowboy:
spacecowboy:
alberto:
spacecowboy:
Billy : Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson : They're not scared of you. They're scared of what you represent to 'em.
Billy : Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson : Oh, no. What you represent to them is freedom.
Billy : What the hell is wrong with freedom? That's what it's all about.
George Hanson : Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different thangs. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.
alberto:
Jane Birkin eating an apple:
The Night Owl: