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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | |||
Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 0:06:03 (Pop-up) | ||
H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 0:08:29 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Colours - A Haiku Showery springtime A many, black colours black enjoying the black |
0:10:59 (Pop-up) |
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Procol Harum | Homburg | The Best Of Procol Harum | 1967 | 0:12:54 (Pop-up) | ||
Bee Gees | One minute woman | 1967 | 0:16:45 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the private deceased! Never forget the tete-a-tete and clannish deceased. Whereabouts, however hard they try, Will always be last. Never forget the terminal and inalterable whereabouts. I cannot help but stop and look at the wooly disappearance. Never forget the woolly-headed and flocculent disappearance. Refresh until you're happy with your poem. |
0:18:59 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 0:19:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy is the blond cowgirl! A cowgirl is sandy. a cowgirl is redheaded, a cowgirl is platinum-blonde, however. The associate that's really whitest, Above all others is the pardner. Does the pardner make you shiver? does it? How happy are cunning hillbillies! |
0:22:21 (Pop-up) |
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October Country | Cowboys And Indians | October Country | 1968 | 0:23:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:25:08 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 0:25:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Instant Request |
0:28:45 (Pop-up) |
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Blue Cheer | All Night Long | All Night Long | For: The Ayatolluh of Rock n' Rolluh | 0:28:49 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:30:48 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
A presence, however hard it tries, Will always be strong. A presence is forceful. a presence is impregnable, a presence is fervent, however. The dearth is not inconspicuous! the dearth is exceptionally spectacular. Never forget the eye-catching and spectacular dearth. I saw the the zany need of my generation destroyed, |
0:33:12 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 0:34:20 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
One afternoon I said to myself, "Why isn't the forgotten more shallow?" Never forget the thick and cryptic forgotten. Pay attention to the omission, the omission is the most odd disuse of all. Never forget the leftover and unexhausted omission. Absent is total girl. total girl is absent. |
0:37:32 (Pop-up) |
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Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Instant Request |
0:39:11 (Pop-up) |
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Kim Fowley | Search For A Teenage Woman | 1969 | For: Mr. R.L. Horrorshow | 0:39:14 (Pop-up) | ||
Eric Burdon & The Animals | We Love You Lil | 1968 | 0:41:28 (Pop-up) | |||
the Electric Flag, an American Music Band | A Little Head | Original Motion Picture Sound Track: The Trip | 1967 | 0:48:09 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Lullabye - A Haiku New hazy springtime before lullabye machine into the machine |
0:49:48 (Pop-up) |
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The Soft Machine | Lullabye Letter | 1968 | 0:50:42 (Pop-up) | |||
Bohemian Vendetta | I Wanna Touch Your Heart | 1967 | 0:55:23 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:57:49 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Underground - A Haiku Eternal wet spring A french, underground machine on the lullabye |
1:00:20 (Pop-up) |
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The Velvet Underground & Nico | Venus In Furs | 1967 | 1:01:12 (Pop-up) | |||
The Mothers Of Invention | Electric Aunt Jemima | 1969 | 1:08:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Neighbourhood - A Haiku Depressing springtime A whole, neighbourhood service out of quicksilver |
1:12:02 (Pop-up) |
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Tiny Tim | Neighbourhood Children | 1969 | 1:12:50 (Pop-up) | |||
Childe Harold | Anne, With Love | 1968 | 1:16:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the chicago gary! Does the gary make you shiver? does it? One afternoon I said to myself, "Why isn't the mitchell more large?" Does the mitchell make you shiver? does it? I cannot help but stop and look at the cunning larry. |
1:19:44 (Pop-up) |
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The Crazy World Of Arthur Brown | Spontaneous Apple Creation | 1968 | 1:20:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Moody And Spontaneous Creation Whose creation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his creation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:23:16 (Pop-up) |
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The Moody Blues | Legend Of A Mind | 1968 | 1:24:00 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Big And Moody Legend Whose legend is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his legend a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:36 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:31:18 (Pop-up) | ||
The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 1:33:20 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:35:16 (Pop-up) |
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The Alan Lorber Orchestra | Djellaba (The Hooded One) | 1967 | 1:35:44 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Experience - A Haiku Eternal wet spring For hooded experience out of orchestra |
1:39:23 (Pop-up) |
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The Jimi Hendrix Experience | Third Stone From The Sun | 1967 | 1:39:49 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Pink And Third Experience Whose experience is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his experience a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:46:29 (Pop-up) |
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The Pink Floyd | Crumbling Land | 1970 | 1:47:27 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
California - A Haiku Darkening springtime before california love by the metephore |
1:51:36 (Pop-up) |
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The United States Of America | The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All | 1968 | 1:52:02 (Pop-up) | |||
Brian Auger | The In Crowd | 1:58:37 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
California, Part 2 - A Haiku Perpetual spring before california love out of metephore |
2:00:19 (Pop-up) |
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Pearls Before Swine | these things too | 1969 | 2:00:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Flying - A Haiku Perpetual spring A high, flying flying wind betrayed by the pearls |
2:04:20 (Pop-up) |
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Ill Wind | High Flying Bird | 1968 | 2:04:53 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Morning - A Haiku Overcast springtime A cold, flying morning need despite the flying |
2:09:46 (Pop-up) |
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Morning Glory | Need Someone | 1968 | 2:10:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the incomparable pele! A pele is unmatched. a pele is unique, a pele is unparalleled, however. I cannot help but stop and look at the confederate howell. Never forget the southern and united howell. An ortiz, however hard it tries, Will always be big. Does the ortiz make you shiver? |
2:15:30 (Pop-up) |
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The Velvet Underground & Nico | Run, Run, Run | 1967 | 2:16:09 (Pop-up) | |||
Syd Barrett | Clowns & Jugglers | 1969 | 2:20:28 (Pop-up) | |||
Quicksilver Messenger Service | Pride Of Man | 1968 | 2:24:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Underground - A Haiku Depressing springtime A dark, underground service by the quicksilver |
2:28:25 (Pop-up) |
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The Velvet Underground | I Heard Her Call My Name | 1968 | 2:28:47 (Pop-up) | |||
The Household Sponge | Scars | Scars b/w Second Best | 1967 | 2:33:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Underground, Part 2 - A Haiku Eternal wet spring An active, underground name beyond the daughters |
2:35:50 (Pop-up) |
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Daughters Of Albion | Well Wired | Well Wired b/w Story Of Sad | 1968 | 2:36:26 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Daughters - A Haiku Early dampness spring An own, moody daughters house near the albion |
2:39:22 (Pop-up) |
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The Moody Blues | House Of Four Doors | 1968 | 2:39:49 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The deadbolt is not single! the deadbolt is exceptionally single. Never forget the multivalent and single deadbolt. A roof, however hard it tries, Will always be retractable. Does the roof make you shiver? does it? I cannot help but stop and look at big houses. |
2:43:58 (Pop-up) |
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The Crazy World Of Arthur Brown | Child Of My Kingdom | 1968 | 2:45:25 (Pop-up) | |||
The London Studio Group | Viva la Tamla Motown | 2:52:23 (Pop-up) | ||||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 2:56:07 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 2:58:36 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Quicksilver - A Haiku Darkening springtime A liquid, quicksilver pink near the studio |
3:00:19 (Pop-up) |
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played and composed by the pink floyd | Quicksilver | 1969 | 3:01:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Quicksilver, Part 2 - A Haiku Depressing springtime A native, quicksilver free by the invention |
3:08:07 (Pop-up) |
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The Mothers Of Invention | Absolutely Free | 1968 | 3:08:31 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Invention - A Haiku Overcast springtime A mere, free invention free at the old mothers |
3:11:55 (Pop-up) |
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The Asylum Choir | Thieves In The Choir | 1968 | 3:12:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
People - A Haiku Darkening springtime A most, ill people people near the asylum |
3:17:12 (Pop-up) |
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Ill Wind | People Of The Night | 1968 | 3:17:35 (Pop-up) | |||
Smokey and His Sister | In a Dream of Silent Seas (You Can Find Me) | 1966 | 3:25:14 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
One afternoon I said to myself, "Why isn't the alex more unregretting?" Down, down, down into the darkness of the alex, Gently it goes - the bad, the no-good, the sad. I cannot help but stop and look at the smith gordon. Does the gordon make you shiver? does it? Just like a noble family, is the johnson. |
3:27:32 (Pop-up) |
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Ron Geesin Roger Waters | Give Birth to a Smile | 1970 | 3:28:23 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:30:57 (Pop-up) |
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Procol Harum | Skip Softly (My Moonbeams) | 1968 | 3:31:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy is the utter void! Does the void make you shiver? does it? A presence, however hard it tries, Will always be permanent. Are you upset by how temporary it is? Does it tear you apart to see the presence so impermanent? I saw the the cunning deficiency of my generation destroyed, |
3:34:58 (Pop-up) |
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Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 3:35:49 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
I saw the the total go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? The been is not achromatic! the been is exceptionally black. Down, down, down into the darkness of the been, Gently it goes - the clothed, the black, the blank. |
3:38:53 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 3:39:44 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Comment - A Haiku New dampen springtime A happy comment comment at the old message |
3:43:38 (Pop-up) |
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The Velvet Underground & Nico | All Tomorrow's Parties | 1967 | 3:44:12 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:51:06 (Pop-up) | ||||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 3:58:47 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Yvang:
Sly Don:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
The Night Owl:
Red Dawn:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Red Dawn:
Night Owl Sun... PLAY Trumpeter Landfrey by Pearls Before Swine off the Balaclava album for Mr. Horrorshow. He needs a bugle revelry I think tonight !
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The war was one of the first to be documented extensively in written reports and photographs. As the legend of the "Charge of the Light Brigade" demonstrates, the war quickly became an iconic symbol of logistical, medical and tactical failures and mismanagement. The reaction in the UK was a demand for professionalisation, most famously achieved by Florence Nightingale.
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Ojai John:
Thank you . No more war.
The Night Owl:
Red Dawn:
Red Dawn:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Red Dawn:
The Night Owl:
Mr. R.L. Horrorshow:
The Night Owl:
The Night Owl:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Yvang:
The Night Owl:
The Night Owl: