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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
13th Floor Elevators | Dr. Doom | 1969 | 0:04:35 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the important absentee. Never forget the big and world-shattering absentee. How happy is the bye gone! Does the gone make you shiver? does it? The wooly absent sings like an inappropriate situation Never forget the flocculent and muzzy absent. Refresh until you're happy with your poem. |
0:07:44 (Pop-up) |
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Captain Beefheart & His Magic Band | Veteran's Day Poppy | 1970 | 0:08:41 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Beefheart - A Haiku Beautiful springtime suddenly beefheart captain near the electric |
0:13:06 (Pop-up) |
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White Noise | Black Mass: An Electric Storm In Hell | 1969 | 0:13:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Kaleidoscope - A Haiku Perpetual spring A vast, kaleidoscope noise out of electric |
0:21:57 (Pop-up) |
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Kaleidoscope | Love Games | 1967 | 0:22:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:24:50 (Pop-up) |
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The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 0:25:03 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Earrings, however hard they try, Will always be exquisite. Do earrings make you shiver? do they? Seashells, however hard they try, Will always be coral. Are you upset by how colored they are? Does it tear you apart to see the seashells so chromatic? |
0:27:12 (Pop-up) |
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Pearls Before Swine | sail away | 1969 | 0:27:49 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Ultimate - A Haiku Beautiful springtime A timeless, ultimate head into the spinach |
0:30:51 (Pop-up) |
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Ultimate Spinach | Your Head Is Reeling | 1968 | 0:31:15 (Pop-up) | |||
The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 0:34:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Licorice - A Haiku Eternal springtime A powdered, licorice game out of ultimate |
0:37:22 (Pop-up) |
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The Licorice Schtik | The Kissin' Game | The Kissin' Game b/w Flowers, Flowers | 1968 | 0:37:57 (Pop-up) | ||
The Nice | Bonnie K | 1967 | 0:39:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Stethoscope - A Haiku Beautiful springtime A cold, pink stethoscope pink on the licorice |
0:44:17 (Pop-up) |
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Pink Floyd | Take Up Thy Stethoscope And Walk | 1967 | 0:44:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
A herman, however hard it tries, Will always be dear. A herman is beloved. a herman is earnest, a herman is high-priced, however. Don't belive that spinks are new? spinks are old beyond belief. Down, down, down into the darkness of the spinks, Gently they go - the ageing, the age-old, the moth-eaten. |
0:47:52 (Pop-up) |
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Dream | Ain't No Use | 1967 | 0:48:52 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 0:57:07 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:59:36 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Perfectionist - A Haiku Beautiful springtime A real, perfectionist use a perpetual |
1:00:14 (Pop-up) |
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The Zodiac | Virgo - The Perpetual Perfectionist | 1967 | 1:01:00 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Perfectionist, Part 2 - A Haiku Eternal springtime A such, perfectionist band by the expanding |
1:04:02 (Pop-up) |
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Tonto's Expanding Head Band | Inside: Tama | 1970 | 1:04:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Expanding - A Haiku Darkening springtime An inside expanding band an eternity |
1:09:34 (Pop-up) |
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Morgen | Eternity in Between | 1969 | 1:09:58 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:15:04 (Pop-up) |
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The doors | The Crystal Ship | 1967 | 1:15:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I cannot help but stop and look at unexplained disappearances. Down, down, down into the darkness of the disappearances, Gently they go - the inexplicable, the undetermined, the incomprehensible. How happy is the bye gone! Does the gone make you shiver? does it? Pay attention to the deceased, the deceased is the most zany human of all. |
1:17:44 (Pop-up) |
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G.F. Fitz-Gerald | May Four | 1970 | 1:18:28 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A been, however hard it tries, Will always be divine. Are you upset by how inspired it is? Does it tear you apart to see the been so godlike? I cannot help but stop and look at the beloved absent. Does the absent make you shiver? does it? The position that's really little, |
1:21:21 (Pop-up) |
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Gun | The Sad Saga Of The Boy And The Bee | 1968 | 1:22:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
A been, however hard it tries, Will always be divine. Are you upset by how inspired it is? Does it tear you apart to see the been so godlike? I cannot help but stop and look at the beloved absent. Does the absent make you shiver? does it? The position that's really little, |
1:26:57 (Pop-up) |
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Eric Burdon & The Animals | Winds Of Change | 1967 | 1:27:36 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:31:26 (Pop-up) |
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The 5th Dimension | California My Way | 1967 | 1:31:52 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Commercial - A Haiku Depressing springtime why commercial dimension a california |
1:34:37 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 1:35:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Commercial, Part 2 - A Haiku Beautiful springtime A non, commercial message the alexander |
1:38:07 (Pop-up) |
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Bee Gees | I've Got to Get a Message to You | 1968 | 1:38:38 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Aggregation - A Haiku Perpetual spring why aggregation message watching the message |
1:42:15 (Pop-up) |
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The Aggregation | Flying Free | 1969 | 1:42:39 (Pop-up) | |||
The Millennium | Prelude | 1968 | 1:45:45 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Aggregation, Part 2 - A Haiku Perpetual spring A red, aggregation tide near the futilists |
1:46:59 (Pop-up) |
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High Tide | Futilist's Lament | 1969 | 1:47:22 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the how been! Does the been make you shiver? does it? An absent, however hard it tries, Will always be dead. Down, down, down into the darkness of the absent, Gently it goes - the defunct, the extinct, the inanimate. The little left sings like an upstage end |
1:52:36 (Pop-up) |
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Brian Auger & The Trinity | Pavane | 1970 | 1:53:17 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 1:56:58 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 1:59:23 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The presence is not weak! the presence is exceptionally enthusiastic. A presence is fresh. a presence is enthusiastic, a presence is resolute, however. An unavailability, however hard it tries, Will always be presumed. Does the unavailability make you shiver? does it? |
2:00:14 (Pop-up) |
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St. John Green | Goddes Of Death | 1968 | 2:01:28 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Happiness - A Haiku Darkening springtime A green happiness machine watching the machine |
2:03:49 (Pop-up) |
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The Soft Machine | Hope For Happiness | 1968 | 2:04:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I saw the the populous asia of my generation destroyed, How I mourned the east. Does the east make you shiver? does it? How happy is the farthest north! Now furthest is just the thing, To get me wondering if the north is uttermost. Meters, however hard they try, |
2:08:32 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 2:09:10 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Overdrive - A Haiku Darkening springtime shall overdrive overdrive enjoying the floyd |
2:14:06 (Pop-up) |
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Pink Floyd | Interstellar Overdrive | 1967 | 2:14:40 (Pop-up) | |||
Traffic | Hole in My Shoe | 1967 | 2:24:22 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Kaleidoscope - A Haiku Darkening springtime kaleidoscope pulsating on the overdrive |
2:27:08 (Pop-up) |
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The Kaleidoscope | Pulsating Dream | 1967 | 2:27:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Kaleidoscope, Part 2 - A Haiku Eternal springtime then feeling kaleidoscope watching the feeling |
2:29:37 (Pop-up) |
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The Sound Of Feeling | Spleen | 1968 | 2:30:03 (Pop-up) | |||
Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 2:32:50 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Dorothy - A Haiku Beautiful springtime A feeling dorothy sound into the feeling |
2:35:48 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 2:36:17 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:39:28 (Pop-up) |
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The Smoke | The Hobbit Symphony | 1968 | 2:39:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
2:43:54 (Pop-up) |
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Eric Burdon & The Animals | Monterey | 1968 | 2:44:21 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The american state that's really west, Above all others is the louisiana. A louisiana is westernmost. a louisiana is westward, a louisiana is westmost, however. The city that's really cincinnati, Above all others are the memphis. Do memphis make you shiver? do they? |
2:49:00 (Pop-up) |
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The doors | Alabama Song (Whisky Bar) | 1967 | 2:49:38 (Pop-up) | |||
The Alan Lorber Orchestra | Up Up And Away | 1967 | 2:52:54 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Telephone - A Haiku Depressing springtime A first, red telephone love an alabama |
2:55:35 (Pop-up) |
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Love | The Red Telephone | 1967 | 2:56:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Kaleidoscope - A Haiku Eternal springtime A found kaleidoscope found near the telephone |
3:00:15 (Pop-up) |
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The FUGS | Wide Wide River | 1968 | 3:00:52 (Pop-up) | |||
Kaleidoscope | "I Found Out" | 1968 | 3:01:03 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Pay attention to the absence, the absence is the most near epilepsy of all. Down, down, down into the darkness of the absence, Gently it goes - the nearly, the good, the hot. Pay attention to the lost, the lost is the most ghostly people of all. Now ghostlike is just the thing, To get me wondering if the lost is apparitional. |
3:03:06 (Pop-up) |
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pearls before swine | i saw the world | 1968 | 3:03:47 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Pay attention to the absence, the absence is the most near epilepsy of all. Down, down, down into the darkness of the absence, Gently it goes - the nearly, the good, the hot. Pay attention to the lost, the lost is the most ghostly people of all. Now ghostlike is just the thing, To get me wondering if the lost is apparitional. |
3:07:05 (Pop-up) |
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Van Der Graaf Generator | Aquarian | 1968 | 3:07:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A mabuse, however hard it tries, Will always be own. Does the mabuse make you shiver? does it? How happy is the eastern gelderland! Does the gelderland make you shiver? does it? An arnoldi, however hard it tries, |
3:15:54 (Pop-up) |
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The Aggregation | White Light | 1969 | 3:17:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Aggregation - A Haiku Perpetual spring How aggregation seesaw above the seesaw |
3:19:18 (Pop-up) |
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The Moody Blues | Ride My See-Saw | 1968 | 3:19:41 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Citadel - A Haiku Eternal springtime A last, citadel seesaw under the seesaw |
3:23:19 (Pop-up) |
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The Rolling Stones | Citadel | 1967 | 3:23:44 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Invention - A Haiku Beautiful springtime A rolling invention plague at the old mothers |
3:26:27 (Pop-up) |
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The Mothers Of Invention | Dog Breath, In The Year Of The Plague | 1969 | 3:27:00 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Invention, Part 2 - A Haiku New dampish springtime A recent, invention plague an america |
3:30:57 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:31:24 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
America - A Haiku Darkening springtime A white, america love watching the ramsey |
3:36:02 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:36:40 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Dissevelt - A Haiku Eternal springtime before dissevelt second before the baltan |
3:39:21 (Pop-up) |
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The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Kid Baltan: Song Of The Second Moon | 1959 | 3:40:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Dissevelt, Part 2 - A Haiku Eternal springtime before dissevelt second on the caroline |
3:43:47 (Pop-up) |
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Velvett Fogg | Lady Caroline | 1969 | 3:44:17 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:46:37 (Pop-up) |
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Rubayyat, The | Never Ever Land | 2008 | 3:46:48 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:25 (Pop-up) | ||||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:58:02 (Pop-up) | ||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 4:00:10 (Pop-up) |
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The Ayatolluh of Rock n' Rolluh:
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Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
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The Ayatolluh of Rock n' Rolluh:
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The Night Owl:
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Sly Don:
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The Ayatolluh of Rock n' Rolluh:
The Night Owl:
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The Night Owl:
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The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
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The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna:
The Ayatolluh of Rock n' Rolluh:
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Granny Spicy Tuna:
The Night Owl: