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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
The Kaleidoscope | Why Try | 1967 | ||||
Lothar And The Hand People | Every Single Word | 1967 | 0:05:50 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
A tyson, however hard it tries, Will always be american. Does the tyson make you shiver? does it? All that is northern is not faber, faber, by all account is southern. Are you upset by how southerly it is? Does it tear you apart to see the faber so northern? |
0:07:54 (Pop-up) |
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The Pink Floyd | Apples and Oranges | 1967 | 0:08:41 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the press been. Are you upset by how compact it is? Does it tear you apart to see the been so pressing? How happy are intentional omissions! Are you upset by how intended they are? Does it tear you apart to see the omissions so undesigned? A forgotten, however hard it tries, Will always be cunning. |
0:11:44 (Pop-up) |
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Rotary Connection | Burning Of The Midnight Lamp | 1969 | 0:13:45 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Connection - A Haiku New hazy springtime A direct, connection face by the twentieth |
0:18:16 (Pop-up) |
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Twentieth Century Zoo | Love In Your Face | 1968 | 0:18:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2twe2ntieth2 - A Haiku Meandering thoughts 2tw2entieth2 2twe2ntieth2 2fac2e out of 2animals2 |
0:20:43 (Pop-up) |
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Eric Burdon And The Animals | Gratefully Dead | 1967 | 0:21:11 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
222sagit2tarius2 - A Haiku Meandering thoughts where 222sagit2tarius2 2room2 out of 2222an22imals2 |
0:25:07 (Pop-up) |
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Sagittarius | In My Room | 1969 | 0:25:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A forgotten, however hard it tries, Will always be god. Does the forgotten make you shiver? does it? All that is synchronic is not prefaces, prefaces, by all account is historical. Never forget the historic and descriptive prefaces. Omission is subject effect. |
0:27:52 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:28:30 (Pop-up) | ||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:30:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:33:00 (Pop-up) |
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The Move | Something | 1968 | 0:33:21 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
222acco2mpaniment2 - A Haiku Meandering thoughts shall 222acco2mpaniment2 2dou2ble out of 22reginal2d2 |
0:37:28 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal) | 1967 | 0:38:16 (Pop-up) | |||
The Queen's Nectarine Machine | Mysterious Martha Garoo | 1969 | 0:40:48 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Accompaniment - A Haiku Eternal wet spring why accompaniment double near the reginald |
0:46:08 (Pop-up) |
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Traffic | Coloured Rain | 1967 | 0:46:56 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The existence that's really unseen, Above all others is the presence. Now undetected is just the thing, To get me wondering if the presence is unnoticed. I cannot help but stop and look at the occasional unavailability. Does the unavailability make you shiver? does it? When I think of the omission, I see an occasional example. |
0:49:31 (Pop-up) |
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Cruciferius! | It's Got To Be A Rule | 1970 | 0:50:20 (Pop-up) | |||
Aphrodite's Child | End Of The World | 1968 | 0:54:32 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:57:42 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:00:15 (Pop-up) |
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The Byrds | Artifical Energy | The Notorious Byrd Brothers | 1:00:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Artifical - A Haiku Early hazy spring shall artifical silver at the old apples |
1:02:59 (Pop-up) |
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Silver Apples | I Have Known Love | 1969 | 1:03:24 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Apples - A Haiku Eternal springtime A silver apples silver before the silver |
1:07:18 (Pop-up) |
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Pink Floyd | It Would Be So Nice | 1968 | 1:07:38 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
22floyd2 - A Haiku Meandering thoughts Surprisingly 22pink2 22floyd2 2p2ink2 because of the 2cl2ub |
1:11:09 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: I See You | 1968 | 1:12:40 (Pop-up) | |||
Sonics, The | I'm Going Home (Tacoma, WA, U.S.A.) | 2002 | 1:16:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Accompaniment - A Haiku Inclement springtime before accompaniment get under the lovecraft |
1:18:40 (Pop-up) |
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H.P. Lovecraft | Let's Get Together | 1967 | 1:19:13 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A biofuel, however hard it tries, Will always be renewable. Does the biofuel make you shiver? does it? How happy is the automotive ecus! Does the ecus make you shiver? does it? Just like a laboratory ventilation, is technicians. |
1:23:39 (Pop-up) |
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daughters of albion | hat off, arms out, ronnie | 1968 | 1:24:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Dupree - A Haiku Beautiful springtime A hunter, sound dupree sound enjoying the sound |
1:27:09 (Pop-up) |
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Simon Dupree And The Big Sound | Kites | Kites | 1967 | 1:27:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Dorothy - A Haiku Beautiful springtime A last, sound dorothy sound under the dupree |
1:31:13 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:31:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:34:50 (Pop-up) |
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The Velvet Underground & Nico | Sunday Morning | 1966 | 1:35:04 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the dear bruno. Does the bruno make you shiver? does it? How happy is the colonial venir! Does the venir make you shiver? does it? Just like a little jonny, is the jonny. A jonny is yellow-bellied. a jonny is white-livered, |
1:39:32 (Pop-up) |
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Lothar & The Hand People | The Music Never Stops | 1968 | 1:40:11 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Electric - A Haiku Eternal springtime A non, electric better in spite of the prunes |
1:42:35 (Pop-up) |
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The Electric Prunes | You Never Had It Better | Everybody Knows You're Not In Love / You've Never Had It Better | 1968 | 1:43:08 (Pop-up) | ||
Screamin' Jay Hawkins | Thing Called Woman | 1970 | 1:45:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2222ou22terspace2 - A Haiku Meandering thoughts suddenly 2222ou22terspace2 22bridge2 out of 2a2rkestra2 |
1:47:42 (Pop-up) |
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Sun Ra & His Outer-Space Arkestra | The Bridge | 1968 | 1:48:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the coral forgotten. Does the forgotten make you shiver? does it? The go away that's really present, Above all others is the absent. Now ubiquitous is just the thing, To get me wondering if the absent is omnipresent. All that is small is not omissions, |
1:50:24 (Pop-up) |
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Procol Harum | A Whiter Shade Of Pale | 1967 | 1:51:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
One afternoon I said to myself, "Why isn't the unavailability more caducous?" Are you upset by how unforgettable it is? Does it tear you apart to see the unavailability so lasting? I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? I saw the the fat alter of my generation destroyed, |
1:55:00 (Pop-up) |
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William Sheller | Adieu Kathy | 1969 | 1:55:45 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 1:57:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:00:14 (Pop-up) |
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monks | Drunken Maria | 1966 | 2:00:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:02:34 (Pop-up) |
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The Asylum Choir | Soul Food | 1968 | 2:02:59 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the affectionate becky. Down, down, down into the darkness of the becky, Gently it goes - the fond, the lovesome, the loving. I cannot help but stop and look at the simultaneous nao. Are you upset by how synchronic it is? Does it tear you apart to see the nao so coincidental? A mccarthy, however hard it tries, Will always be fat. |
2:05:12 (Pop-up) |
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The Jimi Hendrix Experience | The Stars That Play With Laughing Sam's Dice | 1967 | 2:06:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Experience - A Haiku Eternal springtime How laughing experience before the beefheart |
2:11:59 (Pop-up) |
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Captain Beefheart and His Magic Band | Who Do You Think You're Fooling? | 1966 | 2:12:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
22222beefheart2 - A Haiku Meandering thoughts before 2f2ound 22222beefheart2 22captain2 into the 222capt2ain |
2:14:32 (Pop-up) |
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Lost & Found | There Would Be No Doubt | 1967 | 2:15:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2d2oubt - A Haiku Meandering thoughts Surprisingly 2found2 2d2oubt 2fo2und because of the 22there2 |
2:17:18 (Pop-up) |
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The Head Shop | Head Shop | 1969 | 2:17:47 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy is the characteristic lack! Are you upset by how uncharacteristic it is? Does it tear you apart to see the lack so typical? How happy is the present absent! Down, down, down into the darkness of the absent, Gently it goes - the ubiquitous, the ever-present, the omnipresent. Just like a meaningless power, is the void. Now wacky is just the thing, |
2:20:44 (Pop-up) |
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The Bob Crewe Generation Orchestra | Love Love Love Drags Me Down (Vocal: The Glitterhouse) | 1968 | 2:21:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Glitterhouse - A Haiku Darkening springtime A pretty glitterhouse clock on the strawberry |
2:25:04 (Pop-up) |
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Strawberry Alarm Clock | Pretty Song From Psych-Out | 1968 | 2:25:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Brainticket - A Haiku Depressing springtime A pretty brainticket black near the strawberry |
2:28:45 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:29:12 (Pop-up) | |||
The Ceylibe People | Ceyladd Beyta | 1968 | 2:33:13 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the curious absence. Never forget the nosy and odd absence. A stolen, however hard it tries, Will always be lost. Now confounded is just the thing, To get me wondering if the stolen is confused. Disappearance is forced reason. forced reason is disappearance. |
2:35:30 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 2:37:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
22nitz2sche222 - A Haiku Meandering thoughts suddenly 2ple2asant 22nitz2sche222 22hound2 above the 222buckl2ey |
2:39:51 (Pop-up) |
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Tim Buckley | Pleasant Street | 1967 | 2:40:26 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Underground - A Haiku Inclement springtime An active, underground light under the buckley |
2:45:35 (Pop-up) |
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The Velvet Underground | White Light / White Heat | 1967 | 2:45:58 (Pop-up) | |||
the Electric Flag, an American Music Band | Hobbit | Original Motion Picture Sound Track: The Trip | 1967 | 2:48:41 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Underground, Part 2 - A Haiku Eternal moist spring An active, underground clown despite the yardbirds |
2:49:49 (Pop-up) |
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The Yardbirds | Ha Ha Said The Clown | 1967 | 2:50:30 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Yardbirds - A Haiku Inclement springtime where an old, young yardbirds clown by the anymore |
2:52:47 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 2:53:08 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:57:23 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
I saw the the notable linguistic process of my generation destroyed, How I mourned the omission. Never forget the noted and illustrious omission. How happy is the questionnaire revised! I don't like the fact that it, learned to update before it knew how to submit. How happy are cunning omissions! Omissions are sly. omissions are tricksy, |
3:00:15 (Pop-up) |
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Fifty Foot Hose....... | If Not This Time | 1968 | 3:01:16 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
3:04:49 (Pop-up) |
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Blood Sweat & Tears | Meagan's Gypsy Eyes | 1968 | 3:05:02 (Pop-up) | |||
The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 3:08:20 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2b2onni22w2el2l2 - A Haiku Meandering thoughts before 2sou2nd 2b2onni22w2el2l2 22sound2 out of 2ha2rrisson2 |
3:11:20 (Pop-up) |
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Smokey & His Sister | A Lot of Lovin' | 1967 | 3:14:42 (Pop-up) | |||
The Soots | Tiger Roach | Jazz: The Smithsonian Anthology | 3:17:02 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:19:23 (Pop-up) |
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Blossom Toes | Love Is | 1967 | 3:19:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
22222g2a2ndalf2 - A Haiku Meandering thoughts before 2d2ark 22222g2a2ndalf2 22blossom2 watching the 2blossom2 |
3:22:25 (Pop-up) |
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Gandalf | Can You Travel In The Dark Alone | 1969 | 3:22:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Velvett - A Haiku Perpetual spring A wrought, dark velvett travel after the gandalf |
3:25:55 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:26:21 (Pop-up) | ||
West Coast Branch | Where Is the Door? | 1967 | 3:32:25 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The montgomerie is not early! the montgomerie is exceptionally deep. Does the montgomerie make you shiver? does it? How happy is the edited lindley! Does the lindley make you shiver? does it? Just like a feminist literature, is the woolf. |
3:35:03 (Pop-up) |
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13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 3:35:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Elevators - A Haiku Darkening springtime A brown elevators floor out of tomorrow |
3:39:00 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 3:39:28 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the ton armstrong. Does the armstrong make you shiver? does it? How happy is the curly russell! A russell is wavy. a russell is ringleted, a russell is kinky, however. The wooly tracy sings like a french religion Never forget the hirsute and woolly tracy. |
3:42:16 (Pop-up) |
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Alice Cooper | Refrigerator Heaven | 1970 | 3:43:14 (Pop-up) | |||
Bonzo Dog Band | Humanoid Boogie | 1968 | 3:44:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Refrigerator - A Haiku Inclement springtime then man refrigerator betrayed by the pearls |
3:47:57 (Pop-up) |
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Pearls Before Swine | man in the tree | 1969 | 3:48:26 (Pop-up) | |||
Judy Henske & Jerry Yester | Rapture | 1969 | 3:51:46 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:43 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl: