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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Captain Beefheart & His Magic Band | Frownland | 1970 | ||||
Spirit | Taurus | 1968 | 0:05:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Beefheart - A Haiku Early summertime A magic beefheart captain after the frownland |
0:08:05 (Pop-up) |
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Pink Floyd | Matilda Mother | 1967 | 0:08:47 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Butterfly - A Haiku Indian summer A blue, butterfly mother out of matilda |
0:11:41 (Pop-up) |
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The FUGS | The Garden Is Open | 1968 | 0:13:15 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Flower - A Haiku Previous summer A gentle flower flower watching the people |
0:19:16 (Pop-up) |
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The Flower Pot | Gentle People | 1967 | 0:19:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Ultimate - A Haiku Indian summer A same, ultimate flower under the spinach |
0:22:19 (Pop-up) |
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Ultimate Spinach | (Ballad Of The) Hip Death Goddess | 1968 | 0:22:40 (Pop-up) | |||
The doors | Break On Through (To The Other Side) | 1967 | 0:30:47 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Ultimate, Part 2 - A Haiku Warm up summertime An unknown, ultimate coast before the spinach |
0:33:11 (Pop-up) |
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West Coast Pop Art Experimental Band | 1906 | 1967 | 0:33:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Burning - A Haiku Warming summertime A public, burning balloon under the balloon |
0:35:58 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 0:36:19 (Pop-up) | ||
The Zodiac | Cancer - The Moon Child | 1967 | 0:40:03 (Pop-up) | |||
The Appletree Theatre | Hightower Square (the start of it all) | 1967 | 0:43:43 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Burning, Part 2 - A Haiku Previous summer A burning burning balloon at the old balloon |
0:46:01 (Pop-up) |
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The Other Half | Oz Lee Eaves Drops | 1968 | 0:46:57 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:49:20 (Pop-up) |
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Kaleidoscope | Lie To Me | 1969 | 0:49:34 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
0:52:16 (Pop-up) |
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Sagittarius | Virgo | 1967 | 0:52:29 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:54:49 (Pop-up) | ||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:55:05 (Pop-up) | ||
John Barry | Hit & Miss | Beat Girl | 0:58:03 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:59:58 (Pop-up) | ||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:00:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:00:16 (Pop-up) |
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Grahame Bond | Love Is The Law | 1968 | 1:01:37 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at the correct woodhouse. Does the woodhouse make you shiver? does it? All that is uncertain is not clegg, clegg, by all account is certain. Down, down, down into the darkness of the clegg, Gently it goes - the careful, the sure, the uncertain. How happy is the yellow lesley! |
1:06:03 (Pop-up) |
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pearls before swine | translucent carriages | 1968 | 1:06:42 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:10:38 (Pop-up) |
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Morgen | Of Dreams | 1969 | 1:10:59 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Singer - A Haiku Glooming summertime A female, light singer light enjoying the street |
1:17:33 (Pop-up) |
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Clear Light | Street Singer | 1967 | 1:17:54 (Pop-up) | |||
Morning Glory | Hey Little Girl | 1968 | 1:21:06 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Singer, Part 2 - A Haiku Hearty summertime A famous, light singer light at the perfect street |
1:23:24 (Pop-up) |
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Pink Floyd | Pow R. Toc H. | 1967 | 1:24:09 (Pop-up) | |||
The FUGS | Crystal Liaison | 1968 | 1:28:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
American - A Haiku Previous summer A young, american band by the electric |
1:31:35 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 1:32:15 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
American, Part 2 - A Haiku Loving summertime A young, american band near the electric |
1:34:45 (Pop-up) |
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Gene Clark | Only Colombe | 1967 | 1:35:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Ultimate - A Haiku Previous summer An unknown, ultimate head at the old spinach |
1:38:08 (Pop-up) |
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Ultimate Spinach | Your Head Is Reeling | 1968 | 1:38:49 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Ultimate, Part 2 - A Haiku Loving summertime An unknown, ultimate head under the spinach |
1:42:45 (Pop-up) |
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The Who | Cobwebs & Strange | 1966 | 1:43:08 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:45:36 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 1:45:45 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the deaf been! Never forget the deaf as a post and stone-deaf been. The go away that's really more, Above all others is the absent. An absent is further. an absent is more than, an absent is additional, however. Just like precautions forces, is the neglected. Never forget the small-scale and miserly neglected. |
1:51:04 (Pop-up) |
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Tonto's Expanding Head Band | Inside: Tama | 1970 | 1:51:59 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 1:57:10 (Pop-up) | |||
Brian Auger | The In Crowd | 1:59:37 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the deaf been! Never forget the deaf as a post and stone-deaf been. The go away that's really more, Above all others is the absent. An absent is further. an absent is more than, an absent is additional, however. Just like precautions forces, is the neglected. Never forget the small-scale and miserly neglected. |
2:00:18 (Pop-up) |
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Kaleidoscope | Love Games | 1967 | 2:01:15 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Drills, however hard they try, Will always be hole. Do drills make you shiver? do they? How happy are interscholastic contests! Now extramural is just the thing, To get me wondering if contests are interschool. cunning exercises sings like a mere task |
2:03:40 (Pop-up) |
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The doors | The Crystal Ship | 1967 | 2:04:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Crystal - A Haiku Dampen summertime A small, crystal crystal ground because of the ground |
2:06:46 (Pop-up) |
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Pussy | The Open Ground | 1969 | 2:07:07 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Ground - A Haiku Dampness summertime A firm, decided ground ground near the pussycat |
2:11:08 (Pop-up) |
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Bee Gees | I Have Decided To Join The Air | 1968 | 2:11:31 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Because I could not hit for gees, they did kindly hit for me. I don't like the fact that they, learned to hit before they knew how to stay. Pay attention to the cannae, the cannae is the most southern pitched battle of all. Never forget the gray and southerly cannae. I cannot help but stop and look at the grande baie. |
2:13:36 (Pop-up) |
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The Deviants | Somewhere To Go | 1968 | 2:14:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Don't belive that the void is known? the void is unknown beyond belief. Down, down, down into the darkness of the void, Gently it goes - the alien, the strange, the unexplored. How happy is the usual inability! Down, down, down into the darkness of the inability, Gently it goes - the common, the regular, the accustomed. Just like a thrombocytopenia distress, is the absent. |
2:21:29 (Pop-up) |
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Velvett Fogg | Yellow Cave Woman | 1969 | 2:22:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Eternity - A Haiku Warm up summertime where eternity woman above the velvett |
2:29:06 (Pop-up) |
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Morgen | Eternity in Between | 1969 | 2:29:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
2:34:37 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 2:34:51 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Brotherhood - A Haiku Warming summertime A human, brotherhood friend on the commercial |
2:37:56 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 2:38:37 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Because I could not hang for plummer, it did kindly hang for me. I don't like the fact that it, learned to hang before it knew how to throw. How happy is the famous carlson! Are you upset by how illustrious it is? Does it tear you apart to see the carlson so far-famed? The jared is not large! |
2:43:11 (Pop-up) |
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13th Floor Elevators | Street Song | 1969 | 2:43:56 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Don't belive that the tito is nonpartizan? the tito is partisan beyond belief. Down, down, down into the darkness of the tito, Gently it goes - the underground, the partizan, the biased. I cannot help but stop and look at the washington crawford. Does the crawford make you shiver? does it? Just like a weak age, is the fedor. |
2:50:06 (Pop-up) |
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Pink Floyd | Take Up Thy Stethoscope And Walk | 1967 | 2:50:52 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the nehru tito. Does the tito make you shiver? does it? I cannot help but stop and look at the german faber. Now germanic is just the thing, To get me wondering if the faber is teutonic. The wooly fedor sings like a holy child Are you upset by how confused it is? |
2:53:55 (Pop-up) |
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Eric Burdon & The Animals | Hotel Hell | 1967 | 2:54:34 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 2:58:43 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy are milch bovines! Do bovines make you shiver? do they? species are not invertebrate! species are exceptionally invertebrate. Are you upset by how craniate they are? Does it tear you apart to see the species so invertebrate? How happy are cunning cows! |
3:00:18 (Pop-up) |
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Gun | The Sad Saga Of The Boy And The Bee | 1968 | 3:01:06 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Electric - A Haiku Dampen summertime A photo, electric noise whilst watching the noise |
3:05:52 (Pop-up) |
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White Noise | Black Mass: An Electric Storm In Hell | 1969 | 3:06:24 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Aggregation - A Haiku Loving summertime A red, aggregation noise near the electric |
3:13:38 (Pop-up) |
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The Aggregation | Flying Free | 1969 | 3:14:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Kaleidoscope - A Haiku Warm up summertime where kaleidoscope open the aggregation |
3:18:01 (Pop-up) |
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The Kaleidoscope | Keep Your Mind Open | 1967 | 3:18:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at rich farmlands. Now opulent is just the thing, To get me wondering if farmlands are fat. I saw the the hilly country of my generation destroyed, How I mourned the farmland. Down, down, down into the darkness of the farmland, Gently it goes - the craggy, the mountainous, the unsmooth. Meadows, however hard they try, |
3:20:33 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 3:21:20 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the inappropriate absent. Are you upset by how unbefitting it is? Does it tear you apart to see the absent so incongruous? How happy are silent disappearances! Disappearances are implicit. disappearances are inarticulate, disappearances are soundless, however. I cannot help but stop and look at the yellow failing. Down, down, down into the darkness of the failing, |
3:27:00 (Pop-up) |
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St. John Green | Goddes Of Death | 1968 | 3:27:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Pay attention to the omission, the omission is the most inadvertent linguistic process of all. Now unintended is just the thing, To get me wondering if the omission is accidental. One afternoon I said to myself, "Why isn't the been more middle?" Down, down, down into the darkness of the been, Gently it goes - the tardy, the belated, the early. |
3:30:16 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 3:31:16 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:35:13 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:35:24 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the blind man. Are you upset by how smashed it is? Does it tear you apart to see the man so colour-blind? The job that's really extra, Above all others is the berth. A berth is unneeded. a berth is supererogatory, a berth is unscheduled, however. A home, however hard it tries, |
3:37:13 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 3:38:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Alabama - A Haiku Dampness summertime where alabama silver at the old whisky |
3:42:16 (Pop-up) |
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The doors | Alabama Song (Whisky Bar) | 1967 | 3:42:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Citadel - A Haiku Warm up summertime A rolling citadel bar an alabama |
3:47:07 (Pop-up) |
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The Rolling Stones | Citadel | 1967 | 3:47:40 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:24 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 3:58:04 (Pop-up) |
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