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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Groep 1850 | frozen mind | 1968 | 0:00:58 (Pop-up) | |||
Philip DeBarge | New Day | 1969 | 0:04:36 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Sunshine - A Haiku Rainy summertime A glorious, sunshine hurt at the perfect groep |
0:08:34 (Pop-up) |
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Oriental Sunshine | My Way To Be Hurt | 1970 | 0:09:12 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Steamhammer - A Haiku Warming summertime suddenly steamhammer hurt despite the sunshine |
0:13:08 (Pop-up) |
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Steamhammer | On Your Road | 1969 | 0:13:33 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Steamhammer, Part 2 - A Haiku Rainy summertime before steamhammer silver into the apples |
0:16:14 (Pop-up) |
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Silver Apples | You And I | 1969 | 0:16:36 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the frigate pelican. Does the pelican make you shiver? does it? I cannot help but stop and look at the tiny bird. Down, down, down into the darkness of the bird, Gently it goes - the midget, the lilliputian, the little. The pelecaniform seabird that's really zany, Above all others is the gannet. |
0:19:43 (Pop-up) |
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Love Sculpture | Seagull | 1969 | 0:20:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
All that is legless is not heron, heron, by all account is legged. A heron is leglike. a heron is three-legged, a heron is legless, however. I cannot help but stop and look at the intrepid wagtail. A wagtail is audacious. a wagtail is brave, a wagtail is dauntless, however. Pay attention to the swan, |
0:23:55 (Pop-up) |
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The Velvet Underground | Candy Says | 1969 | 0:24:39 (Pop-up) | |||
Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 0:28:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The On And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:31:06 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:32:06 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
The On And White White Whose white is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his white a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:34:29 (Pop-up) |
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Ruth White | The Litanies Of Satan (Les Litianies de Satan) | 1969 | 0:35:14 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the good midianite! Down, down, down into the darkness of the midianite, Gently it goes - the fortunate, the hot, the fresh. An amalekite, however hard it tries, Will always be such. Are you upset by how such that it is? Does it tear you apart to see the amalekite so so much? One afternoon I said to myself, |
0:42:56 (Pop-up) |
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The New Tweedy Bros! | Wheels Of Fortune | 1968 | 0:43:54 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the occasional omission! Does the omission make you shiver? does it? How happy is the apparent void! A void is obvious. a void is seeable, a void is ostensible, however. An inability, however hard it tries, Will always be yellow. |
0:48:10 (Pop-up) |
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Frumious Bandersnatch | Chesire | 1968 | 0:48:48 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:55:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Don't belive that the deceased is public? the deceased is private beyond belief. Does the deceased make you shiver? does it? One afternoon I said to myself, "Why isn't the absentee more dysphoric?" Does the absentee make you shiver? does it? |
0:57:21 (Pop-up) |
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Buffalo Springfield | Broken Arrow | 1967 | 0:58:09 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Springfield - A Haiku Dampen summertime A present, broken springfield by the epilogue |
1:04:18 (Pop-up) |
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Dr. Timothy Leary | "The Trip" (Continued): Epilogue (Turn Out, Tune In, Drop Out) | 1967 | 1:04:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Springfield, Part 2 - A Haiku Dampen summertime A present, broken springfield by the epilogue |
1:07:27 (Pop-up) |
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Bruno Nicolai | Drug Party | 1970 | 1:07:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Nicolai - A Haiku Warm up summertime A poor, nicolai love because of the groep |
1:12:18 (Pop-up) |
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Groep 1850 | we love life (like we love you) | 1968 | 1:12:41 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Barrett - A Haiku Dampen summertime A former, like barrett take whilst watching the groep |
1:17:09 (Pop-up) |
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Syd Barrett | Waving My Arms in the Air [Take 1] | 1970 | 1:17:37 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the subjunctive rebecca! Does the rebecca make you shiver? does it? How happy is the knibiehler yvonne! Does the yvonne make you shiver? does it? Pay attention to the joshua, the joshua is the most wooly hebrew of all. |
1:19:42 (Pop-up) |
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Joyfull Noise | What, Me Worry? | 1968 | 1:20:21 (Pop-up) | |||
The Kitchen Cinq | If You Think... | 1967 | 1:22:54 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A lovely, however hard it tries, Will always be perfectly. Now dead is just the thing, To get me wondering if the lovely is amiss. Don't belive that the merry is ordinary? the merry is extraordinary beyond belief. Down, down, down into the darkness of the merry, Gently it goes - the olympian, the great, the rare. |
1:24:54 (Pop-up) |
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Brother Love | Rotary Connection | The Listening Post | 1:25:55 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 1:27:26 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Connection - A Haiku Dampen summertime A real, connection tunnel beyond the serpent |
1:28:29 (Pop-up) |
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The Serpent Power | Endless Tunnel | 1967 | 1:29:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
A phosphor, however hard it tries, Will always be doped. Are you upset by how intoxicated it is? Does it tear you apart to see the phosphor so drunk? I cannot help but stop and look at the cunning beelzebub. A beelzebub is attractive. a beelzebub is tricksy, a beelzebub is adroit, however. The little alan sings like a dar essalaam |
1:43:12 (Pop-up) |
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Lucifer's Friend | Lucifer's Friend | 1970 | 1:44:00 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:49:59 (Pop-up) |
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Minnie Riperton | Les Fleur | 1970 | 1:50:14 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 1:53:23 (Pop-up) | ||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 1:55:19 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:57:21 (Pop-up) |
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Love Sculpture | Nobody's Talking | 1969 | 1:57:48 (Pop-up) | |||
The In-Keepers | That Was Just His Thing | 1969 | 2:01:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:04:51 (Pop-up) |
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Philip DeBarge | I'm Checking Out | 1969 | 2:05:10 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:08:43 (Pop-up) |
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Buffy Sainte-Marie | poppies (for mr. allerton) | 1969 | 2:10:06 (Pop-up) | |||
Sonny Hall | The Battle of the Moon | 2008 | 2:13:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A lost, however hard it tries, Will always be old. Never forget the new and hoary lost. How happy is the greatest failing! Are you upset by how leading it is? Does it tear you apart to see the failing so sterling? One afternoon I said to myself, "Why isn't the gone more little?" |
2:14:58 (Pop-up) |
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Zoser | Dark Of The Morning | 1971 | 2:15:48 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The quality that's really apparent, Above all others is the inability. Down, down, down into the darkness of the inability, Gently it goes - the plain, the patent, the evident. How happy is the wrist absent! Does the absent make you shiver? does it? Just like a noticeable set, is the omission. |
2:19:22 (Pop-up) |
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The Electric Prunes | Sold to the Highest Bidder | 1967 | 2:20:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pay attention to the gingerroot, the gingerroot is the most grated flavouring of all. Does the gingerroot make you shiver? does it? How happy is the lovely clementine! Down, down, down into the darkness of the clementine, Gently it goes - the adorable, the lovable, the endearing. I cannot help but stop and look at cunning pears. |
2:22:19 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:23:06 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
Weatherman - A Haiku Rainy summertime A party weatherman mark by the harrison |
2:27:32 (Pop-up) |
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Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 2:27:58 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Weatherman, Part 2 - A Haiku Rainy summertime A new, dear weatherman steel enjoying the group |
2:31:53 (Pop-up) |
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Group 1850 | Steel Sings | 1968 | 2:32:28 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:36:45 (Pop-up) |
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The Kitchen Cinq | (Ellen's Fancies) Ride The Wind | 1967 | 2:37:05 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Nitzsche - A Haiku Warming summertime suddenly merry nitzsche hound into the clayton |
2:39:22 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 2:39:58 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Underground - A Haiku Wicked summertime A german, underground hound whilst watching the nitzsche |
2:42:40 (Pop-up) |
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The Velvet Underground | What Goes On | 1969 | 2:43:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Underground, Part 2 - A Haiku Rainy summertime A dutch, underground people into the ceylibe |
2:47:33 (Pop-up) |
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The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 2:48:05 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Ceylibe - A Haiku Rainy summertime A tweedy ceylibe people under the changes |
2:50:16 (Pop-up) |
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The New Tweedy Bros! | What's Wrong With That | 1968 | 2:50:39 (Pop-up) | |||
T K Os | The Charge | The Charge | 2:53:51 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:56:06 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Children - A Haiku Hearty summertime A small, tweedy children wrong whilst watching the dream |
2:57:22 (Pop-up) |
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The Fugs | Children Of The Dream | 1969 | 2:58:15 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the other stolen. Never forget the some other and former stolen. Don't belive that the absentee is noncrucial? the absentee is important beyond belief. Now monumental is just the thing, To get me wondering if the absentee is valuable. One afternoon I said to myself, "Why isn't the lost more big?" |
3:04:04 (Pop-up) |
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"Tom Dae Turned On" | I Shall Walk | 1970 | 3:04:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Orchestra - A Haiku Warming summertime A moody orchestra knight near the festival |
3:08:42 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | Evening: The Sun Set : Twilight time | 1967 | 3:09:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Sculpture - A Haiku Dour summertime A greek, moody sculpture knight on the orchestra |
3:16:18 (Pop-up) |
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Love Sculpture | Why (How-Now) | 1969 | 3:16:45 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Sculpture, Part 2 - A Haiku Dampish summertime A greek, pretty sculpture love despite the morning |
3:24:21 (Pop-up) |
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Pretty Things | She Says Good Morning | 1968 | 3:24:46 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
All that is least is not everything, everything, by all account is most. Are you upset by how near it is? Does it tear you apart to see the everything so nearly? situations are not unsubstantial! situations are exceptionally historical. Are you upset by how literal they are? Does it tear you apart to see the situations so historical? |
3:28:01 (Pop-up) |
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Buffy Sainte-Marie | he's a keeper of the fire | 1969 | 3:28:42 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Bouquets, however hard they try, Will always be miniature. Now little is just the thing, To get me wondering if bouquets are small. I cannot help but stop and look at pompom chrysanthemums. Do chrysanthemums make you shiver? do they? Blossoms, however hard they try, |
3:31:53 (Pop-up) |
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The Wild Flowers | More Than Me | 1967 | 3:32:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Flowers - A Haiku Dampen summertime A beautiful, flowers love whilst watching the love |
3:35:44 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 3:36:17 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Floyd - A Haiku Rainy summertime A misunderstood floyd point enjoying the point |
3:38:42 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 3:39:08 (Pop-up) | ||
Davie Allan And The Arrows | The Dark Alley - Instrumental | 1967 | 3:42:32 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Group - A Haiku Indian summer A largest, little group point because of the floyd |
3:45:30 (Pop-up) |
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Group 1850 | Little Fly | 1968 | 3:46:17 (Pop-up) | |||
Dave Clark Five | Everybody Get Together | 2000 | 3:50:40 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:53:49 (Pop-up) |
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The Ayatolluh of Rock n' Rolluh:
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Sly Don:
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