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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:20 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:45 (Pop-up) | ||||
Kensington Market | Half Closed Eyes | 1969 | 0:03:15 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Kensington - A Haiku Indian summer A closed kensington market beyond the ballot |
0:05:40 (Pop-up) |
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The Shades | Ballot Bachs | 1968 | 0:06:05 (Pop-up) | |||
Captain Groovy And His Bubblegum Army | Bubblegum March (Blowing Bubbles Through Rose Colored Glasses) | 1969 | 0:08:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I will consider my guid. For my guid is bit because it wants to refer. I don't like the fact that it, learned to refer before it knew how to do. It does refer, it does do, it does look. How happy is the virtual addr! |
0:11:51 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 2 | 1967 | 0:12:36 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Quicksilver - A Haiku Previous summer A more, quicksilver service on the messenger |
0:15:54 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 0:16:18 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Quicksilver, Part 2 - A Haiku Previous summer A crude, quicksilver service on the messenger |
0:21:19 (Pop-up) |
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Ruperts People | Dream On My Mind | 1967 | 0:21:45 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Ruperts - A Haiku Indian summer before ill ruperts people out of family |
0:25:02 (Pop-up) |
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The Glass Family | Guess I'll Let You Go | 1969 | 0:25:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Translove - A Haiku Gloomy summertime suddenly big translove glass out of sullivan |
0:28:00 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:28:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Instrumental - A Haiku Early summertime How instrumental mother a funkadelic |
0:30:37 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:31:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
One afternoon I said to myself, "Why isn't the ska more new?" Now antiquated is just the thing, To get me wondering if the ska is yellow. A motown, however hard it tries, Will always be first. A motown is initiatory. a motown is forward, a motown is best, however. |
0:37:13 (Pop-up) |
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The Kitchen Cinq | The Street Song | 1967 | 0:37:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Instant Request |
0:40:19 (Pop-up) |
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Rick Nelson | Marshmallow Skies | Where the Action Is! Los Angeles Nuggets 1965-1968 | For: The Ayatolluh of Rock n' Rolluh | 0:40:22 (Pop-up) | ||
Our Plastic Dream | Encapsulated Marigold | 1967 | 0:42:35 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Kitchen - A Haiku Indian summer A paper kitchen paper enjoying the street |
0:44:50 (Pop-up) |
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Noahs Ark | Paper Man | 1967 | 0:45:35 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Collectors - A Haiku Previous summer A paper collectors paper by the beginning |
0:47:41 (Pop-up) |
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The Collectors | The Beginning | 1970 | 0:48:02 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
0:52:49 (Pop-up) |
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Skip Bifferty | Cover Girl | 1967 | 0:53:11 (Pop-up) | |||
Last Friday's Fire | Something's Happening | 1967 | 0:55:56 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 0:58:49 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
One afternoon I said to myself, "Why isn't the presence more discontinued?" Does the presence make you shiver? does it? I saw the the usual scarcity of my generation destroyed, How I mourned the paucity. Down, down, down into the darkness of the paucity, Gently it goes - the common, the habitual, the familiar. |
1:00:19 (Pop-up) |
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A Handful | Dying Daffodil Incident | 1967 | 1:01:12 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at occasional saturdays. Never forget the unpredictable and episodic saturdays. A cindy, however hard it tries, Will always be shmerler. Does the cindy make you shiver? does it? When I think of the haha, I see hihi sounds. Are you upset by how dodgy it is? |
1:03:41 (Pop-up) |
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Lee Hazlewood | Friday's Child | 1965 | 1:04:18 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:06:54 (Pop-up) |
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I. D. Company | Die Ein Seite: Bhagavad Gita | 1970 | 1:07:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Message - A Haiku Loving summertime A better message message after the better |
1:14:16 (Pop-up) |
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Kensington Market | Help Me | 1969 | 1:14:50 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Kensington - A Haiku Dour summertime A full kensington market under the market |
1:17:33 (Pop-up) |
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Ill Wind | Full Cycle | 1968 | 1:17:53 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The fault that's really inadvertent, Above all others is the omission. Are you upset by how accidental it is? Does it tear you apart to see the omission so unintended? How happy is the loathsome neglected! A neglected is vile. a neglected is unwholesome, a neglected is repellant, however. The vanish that's really wooly, |
1:23:57 (Pop-up) |
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The Creation | Painter Man | 1966 | 1:24:54 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Message - A Haiku Indian summer A better message message after the better |
1:27:46 (Pop-up) |
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Silver Apples | Lady and the Clown | 1969 | 1:28:17 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Ramsey - A Haiku Hearty summertime A silver ramsey silver under the apples |
1:31:17 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:31:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at the wong sandler. Does the sandler make you shiver? does it? How happy is the innocent justine! Down, down, down into the darkness of the justine, Gently it goes - the not guilty, the impeccant, the unconscious. When I think of the witherspoon, I see an old example. Down, down, down into the darkness of the witherspoon, |
1:34:20 (Pop-up) |
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July | My Clown | July | 1968 | 1:35:07 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:38:12 (Pop-up) |
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The Act Of Creation | Yesterday Noontime | 1967 | 1:38:30 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:41:26 (Pop-up) |
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Sidewalk Skipper Band | Strawberry Tuesday | 1968 | 1:41:58 (Pop-up) | |||
Big Walter | Breakfast in Bed | 2008 | 1:44:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Strawberry - A Haiku Warm up summertime A sandy strawberry band near the salisbury |
1:47:06 (Pop-up) |
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Sandy Salisbury | On And On She Goes (With Me Tonight) | 1970 | 1:47:37 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Salisbury - A Haiku Early summertime A sandy salisbury rip into the tonight |
1:50:27 (Pop-up) |
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Iota | R.I.P. | 1969 | 1:50:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:54:02 (Pop-up) |
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The Kitchen Cinq | When The Rainbow Disappears | 1967 | 1:54:11 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:57:01 (Pop-up) | ||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:59:35 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Disappears - A Haiku Warm up summertime A moody disappears knight on the orchestra |
2:00:22 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | Evening: The Sun Set : Twilight time | 1967 | 2:01:16 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Afternoon - A Haiku Dampish summertime A moody afternoon knight by the orchestra |
2:07:54 (Pop-up) |
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Teddy Neeley Five | Autumn Afternoon | 1966 | 2:08:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
A kristen, however hard it tries, Will always be ringdal. Does the kristen make you shiver? does it? I cannot help but stop and look at unlucky mondays. Mondays are ill-fated. mondays are ill-starred, mondays are luckless, however. How happy is the little scotty! |
2:10:42 (Pop-up) |
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Last Friday's Fire | Stand Up And Shout | 1967 | 2:11:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the old kristen. Does the kristen make you shiver? does it? One afternoon I said to myself, "Why isn't the scotty more big?" Never forget the microscopic and miniature scotty. Sunday is lovely care. lovely care is sunday. |
2:15:00 (Pop-up) |
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A Handful | Does Anybody Know | 1967 | 2:15:39 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
2:17:26 (Pop-up) |
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The Crystal Rain | Hey Ma Ma | 1969 | 2:17:43 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
An auch, however hard it tries, Will always be german. Never forget the teutonic and germanic auch. I cannot help but stop and look at the nux vom. Does the vom make you shiver? does it? When I think of the der, I see a cal friihgeschichte. Does the der make you shiver? |
2:21:15 (Pop-up) |
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I. D. Company | Die Ein Seite: Bum-Bum | 1970 | 2:22:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Conspiracy - A Haiku Warming summertime A vast, good conspiracy out of company |
2:27:43 (Pop-up) |
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The Peanut Butter Conspiracy | Turn On A Friend (To The Good Life) | 1967 | 2:28:25 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Conspiracy, Part 2 - A Haiku Loving summertime A whole, good conspiracy watching the phillips |
2:30:41 (Pop-up) |
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Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:31:16 (Pop-up) | ||
The Byrds | 'Notorious Byrd Brothers' LP Promo | Promo | 2:33:22 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:34:29 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 2:34:59 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:38:33 (Pop-up) |
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The Creation | Biff, Bang, Pow | 1966 | 2:38:47 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Mackerel - A Haiku Darkening summer A secret mackerel bang above the pleasure |
2:41:08 (Pop-up) |
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The Holy Mackerel | The Secret Of Pleasure | The Holy Mackerel | 1968 | 2:41:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Mackerel, Part 2 - A Haiku Darkness summertime A small, mackerel silver under the pleasure |
2:45:05 (Pop-up) |
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Silver Apples | The Owl | 1969 | 2:45:32 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:48:47 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 2:49:11 (Pop-up) | ||
Moorpark Intersection | I Think I'll Just Go And Find Me A Flower | 1968 | 2:53:05 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:56:02 (Pop-up) |
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Sidewalk Skipper Band | Cynthia At The Garden | 1968 | 2:56:39 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:59:05 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Because I could not date for oed, it did kindly date for me. Our oed is honourable and honorable, it likes to date, it likes to seem. You can date, you can seem, but can you refer? One afternoon I said to myself, "Why isn't the mott more big?" A mott is wee. a mott is diminutive, |
3:00:21 (Pop-up) |
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Sandy Salisbury | Goody Goodbye | 1970 | 3:01:16 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The harare is not dark! the harare is exceptionally daytime. Never forget the nighttime and daytime harare. I cannot help but stop and look at the french frazier. Does the frazier make you shiver? does it? Don't belive that the friedman is nonfat? the friedman is fat beyond belief. |
3:03:35 (Pop-up) |
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Group 1850 | You Did It Too Hard | 1968 | 3:04:28 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Pay attention to the absent, the absent is the most upper go away of all. Are you upset by how high it is? Does it tear you apart to see the absent so superior? An omission, however hard it tries, Will always be occasional. Down, down, down into the darkness of the omission, Gently it goes - the episodic, the unpredictable, the casual. |
3:06:37 (Pop-up) |
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John Zacherle | Clementine | 1963 | 3:07:19 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at cultivated pears. Down, down, down into the darkness of the pears, Gently they go - the polite, the refined, the tame. Grapes, however hard they try, Will always be ripened. Never forget the aged and ripe grapes. I cannot help but stop and look at big raisins. Raisins are ample. raisins are broad, |
3:10:36 (Pop-up) |
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The Electric Prunes | Train for Tomorrow | 1967 | 3:11:17 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Electric - A Haiku Previous summer A solar, electric swing out of tomorrow |
3:14:14 (Pop-up) |
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Kevin Ayers | Girl On A Swing | 1969 | 3:14:34 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Workmanship - A Haiku Previous summer A bad, workmanship wimple despite the british |
3:17:21 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 3:17:42 (Pop-up) | |||
Pleasure featuring Billy Elder | Don't Take The Night Away | 1969 | 3:20:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Workmanship, Part 2 - A Haiku Smoggy summertime A fine, workmanship wimple on the harrison |
3:23:27 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 3:23:59 (Pop-up) | ||
Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 3:28:23 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Omissions, however hard they try, Will always be unintended. Do omissions make you shiver? do they? How happy is the grievous omission! Does the omission make you shiver? does it? Left is, in its way, the latter distance of mitt. |
3:30:43 (Pop-up) |
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The Bubble Gum Machine | I Wonder | 1967 | 3:31:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:34:25 (Pop-up) |
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I. D. Company | Die Ein Seite: I watched the woman | 1970 | 3:34:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Planetary - A Haiku Gloomy summertime For planetary woman beyond the concept |
3:39:18 (Pop-up) |
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the free pop electronic concept | Planetary Gospel | 1969 | 3:39:43 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Conspiracy - A Haiku Early summertime How conspiracy butter a planetary |
3:43:15 (Pop-up) |
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The Peanut Butter Conspiracy | Lonely Leaf | 2011 | 3:43:58 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Conspiracy, Part 2 - A Haiku Previous summer then conspiracy butter at the old nothing |
3:47:44 (Pop-up) |
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Finch | Nothing In The Sun | 1968 | 3:48:10 (Pop-up) | |||
Kensington Market | Cartoon | 1969 | 3:52:19 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:48 (Pop-up) |
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Listener comments!
The Night Owl:
DA the DJ:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
DA the DJ:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Rick:
Ojai John:
Honest.
Rick:
The Ayatolluh of Rock n' Rolluh:
Rick:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rick n' Rolluh:
Rick:
The Night Owl:
The Night Owl:
Yvang:
The Night Owl:
The Night Owl:
Yvang:
The Ayatolluh of Rick n' Rolluh:
Yvang:
The Night Owl:
The Ayatolluh of Rick n' Rolluh:
Yvang:
The Night Owl: