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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:18 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
Last Friday's Fire | I Can't Help The Way I Feel | 1967 | 0:03:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Lile All that is indecent is not lives, lives, by all account is decent. Lives are right. lives are comme il faut, |
0:05:39 (Pop-up) |
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Nancy Sinatra & Lee Hazlewood | Sand | 1968 | 0:06:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:09:47 (Pop-up) |
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The Peanut Butter Conspiracy | Twice Is Life | 1967 | 0:10:01 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
0:13:32 (Pop-up) |
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guy skornik | Magdalena | 1971 | 0:13:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:17:22 (Pop-up) |
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The Freeborne | Peak Impressions & Thoughts | 1968 | 0:17:33 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
All that is indecent is not lives, lives, by all account is decent. Lives are right. lives are comme il faut, lives are becoming, however. How happy is the eternal lifo! Now lasting is just the thing, To get me wondering if the lifo is perpetual. When I think of the life, I see busy experiments. |
0:24:07 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Penguin's Umbrella | 1966 | 0:24:50 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
0:27:49 (Pop-up) |
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SunRa and his Astro Infinity Arkestra | Somebody Else's World | 1971 | 0:28:04 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
All that is uncharacteristic is not inability, inability, by all account is characteristic. Never forget the symptomatic and uncharacteristic inability. A lack, however hard it tries, Will always be resultant. Are you upset by how consequent it is? Does it tear you apart to see the lack so subsequent? Pay attention to the presence, |
0:32:04 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 0:32:52 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
The Brown And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:35:49 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 0:36:36 (Pop-up) | ||
The Apostles | Tired Of Waiting For You | 1968 | 0:39:32 (Pop-up) | |||
Graf Zepplin | You're In My Mind | 1968 | 0:43:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:45:37 (Pop-up) |
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"Tom Dae Turned On" | I Shall Walk | 1970 | 0:46:35 (Pop-up) | |||
The Shadows Time | Search Your Soul | 1969 | 0:50:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Lovecraft - A Haiku Foggy summertime A wayfaring lovecraft walk on the wayfaring |
0:53:27 (Pop-up) |
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H.P. Lovecraft | Wayfaring Stranger | H.P. Lovecraft | 1967 | 0:53:55 (Pop-up) | ||
Half-Life | Get Down | 1968 | 0:56:26 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:58:52 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Lovecraft, Part 2 - A Haiku Early summertime A later, lovecraft shoulder out of wayfaring |
1:00:18 (Pop-up) |
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Group 1850 | I Put My Hand On Your Shoulder | 1968 | 1:01:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:14:34 (Pop-up) |
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Kiriae Crucible | The Salem Witch Trial | 1968 | 1:14:48 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
1:17:37 (Pop-up) |
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The Scot Richard Case | Who Is That Girl? | 1967 | 1:17:56 (Pop-up) | |||
The Peanut Butter Conspiracy | Dark On You Now | 1967 | 1:21:31 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Don't belive that shutters are daytime? shutters are dark beyond belief. Are you upset by how black they are? Does it tear you apart to see the shutters so acheronian? Don't belive that houses are dangerous? houses are safe beyond belief. Now good is just the thing, To get me wondering if houses are fail-safe. |
1:23:45 (Pop-up) |
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The Moody Blues | House Of Four Doors | 1968 | 1:24:43 (Pop-up) | |||
Boston Tea Party | My Daze | 1967 | 1:28:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Movers - A Haiku Dour summertime A recent, prime movers prime at the perfect prime |
1:31:11 (Pop-up) |
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The Prime Movers | I'm A Man | 1966 | 1:31:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Movers, Part 2 - A Haiku Early summertime A prime, rolling movers prime whilst watching the prime |
1:35:31 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 1:35:55 (Pop-up) | ||
Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 1:40:07 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Guitars - A Haiku Previous summer A classical, guitars swing despite the batman |
1:43:01 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Batman And Robin Swing | 1966 | 1:43:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are musical riffs! Do riffs make you shiver? do they? I cannot help but stop and look at baroque guitarists. Guitarists are fancy. guitarists are churrigueresque, guitarists are churrigueresco, however. Just like musical rites, is chords. Now tricky is just the thing, |
1:47:12 (Pop-up) |
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I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 1:48:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy are musical riffs! Do riffs make you shiver? do they? I cannot help but stop and look at baroque guitarists. Guitarists are fancy. guitarists are churrigueresque, guitarists are churrigueresco, however. Just like musical rites, is chords. Now tricky is just the thing, |
1:50:58 (Pop-up) |
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Silver Apples | Ruby | 1969 | 1:51:41 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:54:05 (Pop-up) |
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The Thyme | Love To Love | 1967 | 1:54:15 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 1:56:25 (Pop-up) | ||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:58:17 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:00:05 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:00:19 (Pop-up) |
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Glass Sun | Silence Of The Morning | 1971 | 2:00:55 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Plastic - A Haiku Previous summer A plastic plastic silence above the shangri |
2:06:01 (Pop-up) |
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Our Plastic Dream | A Little Bit Of Shangri La | 1967 | 2:06:23 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Thunderclap - A Haiku Previous summer A first, thunderclap reason beyond the plastic |
2:09:57 (Pop-up) |
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Thunderclap Newman | The Reason | 1970 | 2:10:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
2:15:07 (Pop-up) |
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The Firebirds | Reflections | 1969 | 2:15:28 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 2:20:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy are biblical prefaces! Do prefaces make you shiver? do they? A revised, however hard it tries, Will always be fourth. Revised, revised, every where, Yet not a drop to update. The yellow neglected sings like an expectant state |
2:23:06 (Pop-up) |
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Curiousity Shoppe | Baby I Need You | 1968 | 2:23:50 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Curiousity - A Haiku Hazy summertime before curiousity come betrayed by the things |
2:27:12 (Pop-up) |
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Things To Come | Come Alive | 1968 | 2:27:45 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Things - A Haiku Foggy summertime An other, alive things pink at the perfect floyd |
2:30:40 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 2:31:09 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Connection - A Haiku Indian summer A direct, connection teach near the rotary |
2:33:59 (Pop-up) |
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Rotary Connection | Trip II: Teach Me How To Fly | Aladdin | 1968 | 2:34:21 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Conspiracy - A Haiku Cloudy summertime shall conspiracy butter on the connection |
2:37:35 (Pop-up) |
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The Peanut Butter Conspiracy | The Most Up Till Now | 1967 | 2:38:02 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Conspiracy, Part 2 - A Haiku Early summertime A whole, conspiracy knight near the orchestra |
2:41:12 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Night: Nights In White Satin | 1967 | 2:41:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Orchestra - A Haiku Brumous summertime A piece, orchestra people out of festival |
2:48:52 (Pop-up) |
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The Common People | Those Who Love | 1969 | 2:49:21 (Pop-up) | |||
Gary Walker & The Rain | Francis | 1968 | 2:52:26 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
People - A Haiku Foggy summertime A common people people under the common |
2:55:22 (Pop-up) |
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Jason Crest | (Here We Go Round) The Lemon Tree | 1968 | 2:56:02 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 2:58:57 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Round And Sensational Crest Whose crest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his crest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:00:17 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | The Bat Cave | 1966 | 3:01:13 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Don't belive that harmonicas are chromatic? harmonicas are diatonic beyond belief. Do harmonicas make you shiver? do they? I cannot help but stop and look at stringed banjos. Do banjos make you shiver? do they? How happy are wooly violins! |
3:03:59 (Pop-up) |
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Ruperts People | I Can Show You | 1968 | 3:04:41 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
A void, however hard it tries, Will always be final. Down, down, down into the darkness of the void, Gently it goes - the net, the unalterable, the inalterable. Pay attention to the unavailability, the unavailability is the most prolonged inconvenience of all. Does the unavailability make you shiver? does it? |
3:07:37 (Pop-up) |
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Ace Kefford Stand | Gravy Booby Jamm | 1969 | 3:08:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A deceased, however hard it tries, Will always be private. Are you upset by how insular it is? Does it tear you apart to see the deceased so secluded? The ending that's really tragic, Above all others is the disappearance. Are you upset by how sad it is? Does it tear you apart to see the disappearance so tragical? |
3:11:47 (Pop-up) |
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The Thyme | Very Last Day | 1967 | 3:13:26 (Pop-up) | |||
Tiny Tim | Ever Since You Told Me That You Loved Me (I'm A Nut) | 1968 | 3:16:32 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Strawberry - A Haiku Indian summer A coming strawberry love above the children |
3:19:13 (Pop-up) |
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Strawberry Children | Love Years Coming | 1967 | 3:19:41 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Eons, however hard they try, Will always be unimaginable. Are you upset by how unthinkable they are? Does it tear you apart to see the eons so impossible? Don't belive that seasons are off-peak? seasons are peak beyond belief. Never forget the prime and climactic seasons. Generations, however hard they try, |
3:22:23 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 3:23:05 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A failing, however hard it tries, Will always be horses. Does the failing make you shiver? does it? How happy is the twice stolen! Does the stolen make you shiver? does it? Just like long bonds, is the gone. |
3:27:50 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 3:28:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:32:09 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 3:32:28 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the und xvi. Does the xvi make you shiver? does it? A xxviii, however hard it tries, Will always be july. Does the xxviii make you shiver? does it? One afternoon I said to myself, |
3:35:14 (Pop-up) |
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Eyes Of Blue | Q III | 1969 | 3:35:53 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
3:39:09 (Pop-up) |
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American Zoo | Mr. Brotherhood | 1969 | 3:39:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Brotherhood - A Haiku Cloudy summertime A holy, brotherhood noise out of electric |
3:41:07 (Pop-up) |
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White Noise | Black Mass: An Electric Storm In Hell | 1969 | 3:41:29 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Electric - A Haiku Cloudy summertime A non, electric return under the return |
3:48:45 (Pop-up) |
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The Happy Return | To Give Your Lovin' | 1969 | 3:49:15 (Pop-up) | |||
Brincos | Emancipación | 1970 | 3:52:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:58:11 (Pop-up) |
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