Circle Time, a time for sensory experiences, socialization and fun. Sometimes we also play Duck-Duck Goose.
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Artist | Track | Album | Label | Year | Format | Comments | New | Approx. start time | ||
---|---|---|---|---|---|---|---|---|---|---|
Gil Evans |
Angkor Wat
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Into the Hot | Impulse! | 1962 | Recorded 9/14/61 | 0:00:00 (Pop-up) | ||||
Pharmakon |
Spit It Out
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Devour | Sacred Bones | * | 0:07:12 (Pop-up) | |||||
Joseph Jarman |
Non-Cognitive Aspects of the City
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Song For | Delmark | 1967 | b. 9/14/37 | 0:09:26 (Pop-up) | ||||
Oh Sees |
The Daily Heavy
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Face Stabber | Castle Face | * | 0:30:32 (Pop-up) | |||||
Pulp |
Party Hard
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This Is Hardcore | Island | 1998 | Mark Webber (guitar) b. 9/14/70 | 0:38:18 (Pop-up) | ||||
Shura |
religion (u can lay your hands on me)
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forevher | Secretly Canadian | * | 0:42:12 (Pop-up) | |||||
Kokoko! |
Likolo
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Fongola | Transgressive | * | 0:48:09 (Pop-up) | |||||
Legendary Pink Dots |
Neon Calculators
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Angel in the Detail | Metropolis | * | 0:50:19 (Pop-up) | |||||
Amy Winehouse |
You Know I'm No Good
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Back to Black | Island | 2006 | 1:01:56 (Pop-up) | |||||
The Bird and the Bee |
Jump
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Interpreting the Masters, Volume 2: (A Tribute to Van Halen) | Release Me/No Expectations | * | 1:06:26 (Pop-up) | |||||
Violent Femmes |
Adam Was a Man
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Hotel Last Resort | PIAS | * | 1:10:18 (Pop-up) | |||||
Slaughter Beach, Dog |
Heart Attack
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Safe and Also No Fear | Lame-O | * | 1:13:16 (Pop-up) | |||||
Flaming Lips (feat. Mick Jones) |
All for the Life of the City
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King's Mouth: Music and Songs | Warner Bros. | * | 1:15:44 (Pop-up) | |||||
Throwaway |
The Revenge Society
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What? | Throwaway | * | 1:20:28 (Pop-up) | |||||
Good Riddance |
Edmund Pettus Bridge
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Thoughts and Prayers | Fat Wreck Chords | 1:24:04 (Pop-up) | ||||||
Avishai Cohen |
Arvoles
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Arvoles | Raz Daz/Sunnyside | * | 1:32:49 (Pop-up) | |||||
Frankie Cosmos |
Cosmic Shop
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Close It Quietly | Sub Pop | * | 1:37:05 (Pop-up) | |||||
Black Belt Eagle Scout |
My Heart Dreams
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At the Party with My Brown Friends | Saddle Creek | * | 1:38:50 (Pop-up) | |||||
k.d. lang |
So It Shall Be
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Ingenue | Sire/Warner Bros. | 1992 | 1:42:22 (Pop-up) | |||||
Boy Scouts |
Get Well Soon
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Free Company | Anti- | * | 1:47:15 (Pop-up) | |||||
Sandro Perri |
Soft Landing
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Soft Landing | Constellation | * | 1:50:34 (Pop-up) | |||||
Ralph Peterson and the Messenger Legacy |
A La Mode
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Legacy Alive: Volume 6 at the Sidedoor | Onyx Productions | * | 2:00:15 (Pop-up) | |||||
Teral' Anosy Group |
Soaliza
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v/a Alefa Madagascar! Salegy, Soukous & Soul from the Red Island 1974-1984 | Strut | * | 2:09:40 (Pop-up) | |||||
Cotito |
Zamacueca
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Hechicero | Buh | * | 2:16:12 (Pop-up) | |||||
Jesse Malin |
Meet Me at the End of the World Again
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Sunset Kids | Wicked Cool | * | 2:22:36 (Pop-up) | |||||
Exbats |
Hercules
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SINGLE | Half a Cow | 7" | * | 2:29:25 (Pop-up) | ||||
Blue Ocean |
Love
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v/a Hot, Sick, Vile and Fun: New Sounds from San Francisco | Rocks in Your Head | * | 2:33:23 (Pop-up) | |||||
Mueran Humanos |
Los Problemas del Futuro
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Hospital Lullabies | Cinema Paradiso | * | 2:37:50 (Pop-up) | |||||
Wilco |
Misunderstood
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Being There | Reprise | 1996 | 2:42:03 (Pop-up) | |||||
Satellites Four |
You Only Live Twice
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Earthless | Wrestler Records | 1987 | 2:47:20 (Pop-up) | |||||
Ana Roxanne |
Nocturne
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~~~ | Leaving | * | 2:56:37 (Pop-up) |
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Listener comments!
chresti:
markreichard:
Scraps:
mmmm, love Gil Evans
markr:
chresti:
markr:
Tom in St. Paul:
markr:
markr:
Franco Twinkie:
markr:
Tom in St. Paul:
markr:
Tom in St. Paul:
Franco Twinkie:
markr:
Dean:
markr:
Scraps:
coelacanth∅:
Dean:
markr:
markr:
markr:
markr:
Dean:
Scraps:
Franco Twinkie:
coelacanth∅:
Dean:
Franco Twinkie:
chresti:
Exception: The The
rw:
rw:
coelacanth∅:
coelacanth∅:
markr:
Keilidh:
markr:
Franco Twinkie:
Bonothedog:
markr:
markr:
Bonothedog:
Scraps:
coelacanth∅:
i've heard pharmakon before though, and seen videos where she gets right in audience members' faces (always male) screaming.
intense shit.
Bonothedog:
ignatatus666:
bo:
Bonothedog:
coelacanth∅:
Bonothedog:
Bonothedog:
rw:
Bonothedog:
coelacanth∅:
Scraps:
Franco Twinkie:
coelacanth∅:
Bonothedog:
Dean:
coelacanth∅:
markr:
Bonothedog:
Keilidh:
coelacanth∅:
Bonothedog:
Keilidh:
coelacanth∅:
...damn.
Dean:
"Hi, I'm Jean Natas. How can I help you?"
Bonothedog:
Scraps:
chresti:
chresti:
Dean:
Yes, I am being critical, but how is that talking down? Yes, you buggers say shit that pisses me off, but how is expressing that fact condescending?
Dean:
Bonothedog:
chresti:
Dean:
Bonothedog:
Franco Twinkie:
Bonothedog:
markr:
chresti:
markr:
Bonothedog:
Bonothedog:
Franco Twinkie:
bibiti bop:
chresti:
Bonothedog:
Bonothedog:
ignatatus666:
Better then some of the bubble gum ass kissing on one of the popular shows I shall not mention
This is quite entertaining and confusing
ignatatus666:
Bonothedog:
markr:
Bonothedog:
Bonothedog:
markr:
Bonothedog:
Ken From Hyde Park:
Scraps:
rw:
Bonothedog:
coelacanth∅:
coelacanth∅:
rw:
markr:
coelacanth∅:
sway on sticky fingers
Scraps:
ignatatus666:
rw:
markr:
Scraps:
Bonothedog:
markr:
markr:
Bonothedog:
ignatatus666:
I always wish when those popular DJs are on a day off they would use a DJ like Markr or Kellen303 . Anyone way off the norm.
I don’t understand how the ones they use have good shows but when they fill in they are horrible.
Bonothedog:
ignatatus666:
But those playlists are so bad
This morning was a perfect example
Bonothedog:
Bonothedog:
Scraps:
Bonothedog:
ignatatus666:
Am
coelacanth∅:
Bonothedog:
ignatatus666:
coelacanth∅:
Scraps:
Bonothedog:
ignatatus666:
Love that up beat Jazz
coelacanth∅:
Bonothedog:
coelacanth∅:
Scraps:
ignatatus666:
Compared to his own show which has a great playlist I just don’t get the change. Every time he fills in I listen, get bored and hit the archives
markr:
Bonothedog:
ignatatus666:
rw:
Bonothedog:
coelacanth∅:
Scraps:
Bonothedog:
coelacanth∅:
Bonothedog:
Scraps:
rw:
Scraps:
markr:
Scraps:
:-)
coelacanth∅:
markr:
Bonothedog:
markr:
markr:
Bonothedog:
coelacanth∅:
Scraps:
ignatatus666:
Yes/no
He does hit some punk and alternative music. Plays a decent variety with some standards. Know to play the jam,Fugazi,Stiff little fingers etc. but won’t touch the heavy NY stuff or anything industrial.
coelacanth∅:
Scraps:
Bonothedog:
coelacanth∅:
Scraps:
Scraps:
Bonothedog:
coelacanth∅:
boycotting the south african government shouldn't have been interpreted as also boycott south african musicians.
Bonothedog:
rw:
markr:
Bonothedog:
ignatatus666:
Many FMU DJs are playing this.
ignatatus666:
Hubig Pie:
Scraps:
ignatatus666:
Bonothedog:
coelacanth∅:
coelacanth∅:
Bonothedog:
Scraps:
Bonothedog:
coelacanth∅:
coelacanth∅:
Scraps:
Bonothedog:
Bonothedog:
Bonothedog:
coelacanth∅:
and other songs that are credited partially to south african musicians. (ie one member of ladymith black mambazo)
Bonothedog:
coelacanth∅:
diciassette:
Scraps:
markr:
coelacanth∅:
Bonothedog:
diciassette:
markr:
Scraps:
coelacanth∅:
diciassette:
coelacanth∅:
Thank markr good to hear you again!
good night all.
Scraps:
coelacanth∅:
Scraps:
markr:
coelacanth∅:
Bonothedog:
Hubig Pie:
Scraps:
Hubig Pie:
Scraps:
rw:
ignatatus666:
I’m working till 6
Hubig Pie:
diciassette:
markreichard: