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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 0:03:38 (Pop-up) | ||
The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 0:06:25 (Pop-up) | ||
The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 0:09:22 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the little maynard. Never forget the big and trivial maynard. How happy is the old selena! Now past is just the thing, To get me wondering if the selena is retired. Just like a crushed alarcon, is the marquez. Never forget the younger and undersize marquez. Refresh until you're happy with your poem. |
0:11:47 (Pop-up) |
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The Electric Prunes | You Never Had It Better | Everybody Knows You're Not In Love / You've Never Had It Better | 1968 | 0:13:52 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Electric - A Haiku Early summertime A steam, electric better after the barrett |
0:15:56 (Pop-up) |
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Syd Barrett | Wined and Dined | 1989 | 0:16:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
One afternoon I said to myself, "Why isn't the bennett more ugly?" A bennett is delicious. a bennett is dishy, a bennett is exquisite, however. I saw the the sec spaceman of my generation destroyed, How I mourned the armstrong. Down, down, down into the darkness of the armstrong, Gently it goes - the unsweet, the second, the dry. |
0:19:25 (Pop-up) |
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H.P. Lovecraft | Wayfaring Stranger | H.P. Lovecraft | 1967 | 0:20:19 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the superb draftsmen. Never forget the brilliant and good draftsmen. All that is induced is not pneu, pneu, by all account is spontaneous. Down, down, down into the darkness of the pneu, Gently it goes - the wild, the unprompted, the self-generated. Pengo is, in its way, the modern state of south-central dravidian. Down, down, down into the darkness of the pengo, |
0:22:50 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 0:23:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at christian saints. Do saints make you shiver? do they? Pentagrams, however hard they try, Will always be appropriate. Pentagrams are suitable. pentagrams are apropos, pentagrams are congruent, however. little tabernacles sings like a divine danger |
0:27:05 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:27:59 (Pop-up) | ||
The West Coast Pop Art Experimental Band | Smell Of Incense | The West Coast Pop Art Experimental Band | 1967 | 0:30:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:32:43 (Pop-up) |
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The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 0:33:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:36:21 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 0:36:36 (Pop-up) | ||
The Moody Blues | What Am I Doing Here? | 1968 | 0:39:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the biggest dope. Does the dope make you shiver? does it? The money is not intercontinental! the money is exceptionally transcontinental. A money is intercontinental. a money is transcontinental, a money is continent-wide, however. Pay attention to the side, |
0:43:17 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 0:44:09 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Snowblind - A Haiku Previous summer A yester snowblind silver beyond the henske |
0:48:09 (Pop-up) |
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Judy Henske & Jerry Yester | Snowblind | 1969 | 0:48:32 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Snowblind, Part 2 - A Haiku Previous summer before yester snowblind blood above the henske |
0:51:24 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 0:51:49 (Pop-up) | ||
Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 0:55:18 (Pop-up) | ||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 0:58:29 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Porpoise - A Haiku Previous summer A common, quit porpoise blood at the old monkees |
1:00:17 (Pop-up) |
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The Monkees | Porpoise Song | 1968 | 1:01:09 (Pop-up) | |||
The Elastik Band | I Would Still Love You | 1968 | 1:05:18 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Pay attention to the band, the band is the most elastic jewellery of all. Down, down, down into the darkness of the band, Gently it goes - the stretchable, the stretchy, the inelastic. Folkies, however hard they try, Will always be british. Do folkies make you shiver? do they? |
1:07:34 (Pop-up) |
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The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 1:08:39 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Merchandise - A Haiku Early summertime A such, worth merchandise friend the millennium |
1:11:05 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 1:12:26 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Sixpence - A Haiku Darkening summer An and, leary sixpence tune out of timothy |
1:15:21 (Pop-up) |
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Dr. Timothy Leary | Turn On, Tune In, Drop Out | 1967 | 1:15:49 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Timothy - A Haiku Early summertime A leary timothy part enjoying the moles |
1:18:10 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 1:18:46 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
All that is true is not webworm, webworm, by all account is false. Now off-key is just the thing, To get me wondering if the webworm is inharmonious. How happy are communist informers! Never forget the communistic and commie informers. Pay attention to the freckle, the freckle is the most little spot of all. |
1:23:08 (Pop-up) |
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The Joyride | The Crystal Ship | 0 | 1967 | 1:23:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at the genuine inability. Down, down, down into the darkness of the inability, Gently it goes - the imitative, the veritable, the honest-to-goodness. Why would you think the lack is inconspicuous? the lack is the most obvious need of all. Does the lack make you shiver? does it? All that is small is not omission, |
1:26:11 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:27:12 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:29:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Don't belive that the lack is permanent? the lack is temporary beyond belief. Now jury-rigged is just the thing, To get me wondering if the lack is interim. How happy is the beloved absent! Does the absent make you shiver? does it? How happy is the fat paucity! |
1:31:41 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 1:32:49 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Black And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:35:46 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 1:37:46 (Pop-up) | |||
Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | "Message To Earthman" | 1968 | 1:40:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Accompaniment - A Haiku Indian summer before accompaniment close near the electric |
1:42:37 (Pop-up) |
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Electric Banana | Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat) | Electric Banana | 1967 | 1:43:14 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Perfectionist - A Haiku Indian summer A real, perfectionist beat the accompaniment |
1:46:15 (Pop-up) |
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The Zodiac | Virgo - The Perpetual Perfectionist | 1967 | 1:47:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Perfectionist, Part 2 - A Haiku Indian summer A more, perfectionist branch the perpetual |
1:50:03 (Pop-up) |
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West Coast Branch | Where Is the Door? | 1967 | 1:50:28 (Pop-up) | |||
October Country | Cowboys And Indians | October Country | 1968 | 1:53:05 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Conspiracy - A Haiku Early summertime A great, dark conspiracy before the butter |
1:55:10 (Pop-up) |
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The Peanut Butter Conspiracy | Dark On You Now | 1967 | 1:55:45 (Pop-up) | |||
Brian Auger | The In Crowd | 1:57:58 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Conspiracy, Part 2 - A Haiku Indian summer shall conspiracy butter by the invention |
2:00:17 (Pop-up) |
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The Mothers Of Invention | Lonely Little Girl | Frank Zappa & The Mothers Of Invention | 1967 | 2:00:48 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Connection - A Haiku Previous summer A direct, connection love by the invention |
2:03:29 (Pop-up) |
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Brother Love | Rotary Connection | The Listening Post | 2:03:55 (Pop-up) | |||
Canterbury Fair | Days I Love | 0 | 1967 | 2:05:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Connection, Part 2 - A Haiku Dampish summertime A direct, connection band the american |
2:07:37 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:08:10 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Sobers, however hard they try, Will always be direct. Down, down, down into the darkness of the sobers, Gently they go - the collateral, the point-blank, the nonstop. Creeps, however hard they try, Will always be wave. Do creeps make you shiver? do they? |
2:10:39 (Pop-up) |
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Yankee Dollar | Follow Your Dream's Way | 1968 | 2:11:38 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the peninsular maryland. Does the maryland make you shiver? does it? How happy are dead moses! Down, down, down into the darkness of the moses, Gently they go - the stillborn, the unanimated, the bushed. When I think of the ronnie, I see a right sir. Are you upset by how stocky it is? |
2:18:13 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 2:19:04 (Pop-up) | ||
Burt Ward | Boy Wonder I Love You | Boy Wonder I Love You b/w Orange Colored Sky | 1966 | 2:21:45 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Brotherhood - A Haiku Early summertime A whole, burning brotherhood the experience |
2:23:48 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 2:24:25 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Experience - A Haiku Indian summer why burning experience despite the spaceman |
2:28:00 (Pop-up) |
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Bonzo Dog Band | I'm The Urban Spaceman | I'm The Urban Spaceman | 1968 | 2:28:31 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Spaceman - A Haiku Previous summer A first, urban spaceman band under the ramsey |
2:30:50 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 2:31:27 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:35:06 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 2:35:25 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The president of the united states that are really page, Above all others are the adams. Do adams make you shiver? do they? The harvey is not fearful! the harvey is exceptionally audacious. Does the harvey make you shiver? does it? |
2:37:56 (Pop-up) |
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The Fox | Butterfly | 1970 | 2:38:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the coral forgotten. Now colored is just the thing, To get me wondering if the forgotten is chromatic. The been is not first! the been is exceptionally newest. Are you upset by how penultimate it is? Does it tear you apart to see the been so newest? The wooly neglected sings like a long school |
2:41:52 (Pop-up) |
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The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 2:42:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Sasafrass - A Haiku Dour summertime A full sasafrass bubble into the bubble |
2:45:06 (Pop-up) |
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Ill Wind | Full Cycle | 1968 | 2:45:35 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Beatles - A Haiku Early summertime An old, full beatles cycle under the cycle |
2:51:40 (Pop-up) |
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The Beatles | Piggies | 1968 | 2:52:11 (Pop-up) | |||
Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 2:54:12 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:55:58 (Pop-up) |
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Gun | Rupert's Travels | 1968 | 2:56:23 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:58:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
How happy is the hurried trip! Down, down, down into the darkness of the trip, Gently it goes - the fast, the headlong, the rushed. I cannot help but stop and look at long zips. You may draft, With your short lies, But still, like zips, I'll rise. How happy is the little journeying! |
3:00:17 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:01:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Brainticket - A Haiku Dampen summertime before black brainticket black the funkadelic |
3:05:17 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 3:05:41 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? How happy is the worth lost! Does the lost make you shiver? does it? Don't belive that disappearances are fat-free? |
3:09:47 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 3:10:24 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
Squeelin - A Haiku Previous summer A soft squeelin machine beyond the machine |
3:15:10 (Pop-up) |
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The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 3:15:44 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Squeelin, Part 2 - A Haiku Dismal summertime before squeelin machine under the machine |
3:18:30 (Pop-up) |
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dorothy ashby | The Moving Finger | 1970 | 3:18:56 (Pop-up) | |||
Kaleidoscope | Holiday Maker | Tangerine Dream | 1967 | 3:24:32 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Pay attention to the elizabeth, the elizabeth is the most dearest queen of all. Are you upset by how beloved it is? Does it tear you apart to see the elizabeth so dear? A nancy, however hard it tries, Will always be sorry. Now unhappy is just the thing, To get me wondering if the nancy is sad. |
3:26:53 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:27:37 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pay attention to the elizabeth, the elizabeth is the most dearest queen of all. Are you upset by how beloved it is? Does it tear you apart to see the elizabeth so dear? A nancy, however hard it tries, Will always be sorry. Now unhappy is just the thing, To get me wondering if the nancy is sad. |
3:30:49 (Pop-up) |
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Daughters Of Albion | Well Wired | Well Wired b/w Story Of Sad | 1968 | 3:31:27 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
Daughters - A Haiku Gloomy summertime An united daughters love the america |
3:34:23 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:34:52 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Household - A Haiku Dismal summertime An united household sponge the america |
3:39:30 (Pop-up) |
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The Household Sponge | Scars | Scars b/w Second Best | 1967 | 3:40:10 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
A deity, however hard it tries, Will always be benevolent. Down, down, down into the darkness of the deity, Gently it goes - the openhearted, the malicious, the charitable. Pay attention to the cupid, the cupid is the most cruel roman deity of all. Down, down, down into the darkness of the cupid, Gently it goes - the heartless, the brutal, the unkind. |
3:43:33 (Pop-up) |
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Aphrodite's Child | Magic Mirror | I Want To Live b/w Magic Mirror | 1969 | 3:44:20 (Pop-up) | ||
CLOVER | Remember | 3:47:09 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
Aphrodites - A Haiku Early summertime why aphrodites captain beyond the beefheart |
3:48:54 (Pop-up) |
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Captain Beefheart and His Magic Band | Moonchild | Moonchild | 1966 | 3:49:32 (Pop-up) | ||
Tiny Tim | Ever Since You Told Me That You Loved Me (I'm A Nut) | 1968 | 3:51:55 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:36 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Sly Don:
The Night Owl:
CC:
The Night Owl:
CC:
The Night Owl:
Ojai John:
The Night Owl:
spacecowboy:
spacecowboy:
spacecowboy:
We fall down the stairs in order to eat the moist earth
or we climb to the knife edge of the snow with the voices of the dead
dahlias.
But forgetfulness does not exist, dreams do not exist;
flesh exists. Kisses tie our mouths
in a thicket of new veins,
and whoever his pain pains will feel that pain forever
and whoever is afraid of death will carry it on his shoulders.
One day
the horses will live in the saloons
spacecowboy:
George Hanson: They’re not scared of you. They’re scared of what you represent to ’em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That’s what it’s all about.
George Hanson: Oh, yeah, that’s right. That’s what’s it’s all about, all right. But talkin’ about it and bein’ it, that’s two different things. I mean, it’s real hard to be free when you are bought and sold in the marketplace. Of course, don’t ever tell anybody that they’re not free, ’cause then they’re gonna get real busy killin’ and maimin’ to prove to you that they are. Oh, yeah, they’re gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it’s gonna scare ’em.
Billy: Well, it don’t make ’em runnin’ scared.
George Hanson: No, it makes ’em dangerous.
Joeybug69:
spacecowboy:
spacecowboy:
spacecowboy:
My Beloved Brothers and Sisters:
I am overwhelmed with joy to see the entire youth of America gathered here in the name of the fine art of music. In fact, through the music, we can work wonders. Music is a celestial sound and it is the sound that controls the whole universe, not atomic vibrations. Sound energy, sound power, is much, much greater than any other power in this world. And, one thing I would very much wish you all to remember is that with sound, we can make—and at the same time, break. Even in the war-field, to make the tender heart an animal, sound is used. Without that war band, that terrific sound, man will not become animal to kill his own brethren. So, that proves that you can break with sound, and if we care, we can make also.
So I am very happy to see that we are all here gathered to create some sounds—to find that peace and joy through the celestial music. And I am really very much honored
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n’ Rolluh in transit:
The Ayatolluh of Rock n’ Rolluh in transit:
The Night Owl:
The Night Owl:
Jane Birkin eating an apple:
Jane Birkin eating an apple:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n’ Rolluh in transit:
The Ayatolluh of Rock n’ Rolluh in transit:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl: