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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:16 (Pop-up) | ||||
The Beatles | I Am The Walrus | 1967 | 0:03:26 (Pop-up) | |||
Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 0:07:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The mariah is not lean! the mariah is exceptionally productive. Never forget the lush and productive mariah. A metallica, however hard it tries, Will always be famous. Down, down, down into the darkness of the metallica, Gently it goes - the illustrious, the renowned, the far-famed. A gwen, however hard it tries, |
0:11:21 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 0:12:18 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Harrisson - A Haiku Depressing autumn suddenly harrisson sound beyond the magoos |
0:14:42 (Pop-up) |
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H.P. Lovecraft | Wayfaring Stranger | H.P. Lovecraft | 1967 | 0:16:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:18:59 (Pop-up) |
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The Electric Prunes | Wind-Up Toys | 1967 | 0:19:15 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Accompaniment - A Haiku Previous autumn before accompaniment love near the electric |
0:21:41 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 0:22:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Accompaniment, Part 2 - A Haiku Depressing autumn before accompaniment love on the connection |
0:24:34 (Pop-up) |
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Brother Love | Rotary Connection | The Listening Post | 0:25:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at the pinyon utah. Does the utah make you shiver? does it? I cannot help but stop and look at the intellectually-challenged berkeley. Does the berkeley make you shiver? does it? All that is small is not idaho, idaho, by all account is big. |
0:26:32 (Pop-up) |
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The 5th Dimension | California My Way | 1967 | 0:27:26 (Pop-up) | |||
Peter Cook And Dudley Moore | Bedazzled | 1967 | 0:30:11 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Crazy And Brown Dimension Whose dimension is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his dimension a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:32:36 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 0:33:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Brown And Lonely Bubble Whose bubble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bubble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:29 (Pop-up) |
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The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 0:38:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Instant Request |
0:41:17 (Pop-up) |
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The Deep | Trip #76 | 1966 | For: The Ayatolluh of Rock n' Rolluh | 0:41:20 (Pop-up) | ||
Affinity | Night Flight | 1970 | 0:43:57 (Pop-up) | |||
The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 0:51:08 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Ayatolluh - A Haiku Depressing autumn why ayatolluh message watching the message |
0:53:03 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 0:54:02 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 0:56:51 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:59:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Ayatolluh, Part 2 - A Haiku Previous autumn why ayatolluh message an ayatolluh |
0:59:50 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 1:00:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Things - A Haiku Previous autumn A many, through things belong despite the pretty |
1:04:21 (Pop-up) |
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Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 1:04:48 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
1:09:12 (Pop-up) |
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Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 1:09:23 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
1:13:33 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 1:13:50 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Relationship - A Haiku Darkening autumn For relationship message sunayatolluh |
1:16:58 (Pop-up) |
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The id | Boil The Kettle, Mother | 1967 | 1:17:38 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:20:33 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
1:22:36 (Pop-up) |
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The Monkees | Porpoise Song | 1968 | 1:23:08 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Because I could not hang for plummer, it did kindly hang for me. I don't like the fact that it, learned to hang before it knew how to throw. A cryer, however hard it tries, Will always be female. A cryer is androgynous. a cryer is feminine, a cryer is pistillate, however. |
1:27:12 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:27:49 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Brotherhood - A Haiku Depressing autumn A cosmic brotherhood friend at the old plummer |
1:32:24 (Pop-up) |
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Simon Dupree And The Big Sound | Kites | Kites | 1967 | 1:33:00 (Pop-up) | ||
Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 1:36:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Dupree - A Haiku Glorious autumn A hunter, sound dupree sound after the promo |
1:39:31 (Pop-up) |
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The Elastik Band | I Would Still Love You | 1968 | 1:40:36 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Screamin - A Haiku Glorious autumn A legal, wrong screamin wrong under the hawkins |
1:42:56 (Pop-up) |
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Screamin' Jay Hawkins | There's Something Wrong With You | 1958 | 1:43:30 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Screamin, Part 2 - A Haiku Beautiful autumn A legal, wrong screamin wrong at the old hawkins |
1:45:47 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:46:29 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:49:11 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 1:49:24 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Why would you think the absent is absent? the absent is the most present disappear of all. Down, down, down into the darkness of the absent, Gently it goes - the ubiquitous, the ever-present, the omnipresent. I will consider my revised. For my revised is former because it wants to submit. Are you upset by how onetime it is? Does it tear you apart to see the revised so sometime? |
1:53:39 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 1:54:35 (Pop-up) | |||
Sagittarius | My World Fell Down | My World Fell Down | 1967 | 1:58:41 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Strawberry - A Haiku Previous autumn A pretty strawberry clock the funkadelic |
1:59:51 (Pop-up) |
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Strawberry Alarm Clock | Pretty Song From Psych-Out | 1968 | 2:00:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the frequent presence. Does the presence make you shiver? does it? How happy is the relative unavailability! Does the unavailability make you shiver? does it? Pay attention to the paucity, the paucity is the most little scarceness of all. |
2:03:35 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:04:21 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:07:02 (Pop-up) |
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The October Country | October Country | October Country | 1968 | 2:07:19 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:10:50 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 2:11:04 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
One afternoon I said to myself, "Why isn't the failing more worst?" Down, down, down into the darkness of the failing, Gently it goes - the first, the unexceeded, the finest. I cannot help but stop and look at the wrist absent. Does the absent make you shiver? does it? I cannot help but stop and look at wooly whereabouts. |
2:14:58 (Pop-up) |
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The Leathercoated Minds | Non-Stop | 2:15:50 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Leathercoated - A Haiku Glorious autumn before leathercoated love in spite of the minds |
2:18:35 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 2:18:54 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Experience - A Haiku Glorious autumn then burning experience beyond the midnight |
2:23:07 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 2:23:33 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy is the young vader! A vader is teen. a vader is newborn, a vader is tender, however. How happy is the insuppressible haha! Does the haha make you shiver? does it? Becky is sweet skill. sweet skill is becky. |
2:27:08 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 2:27:50 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
A bryson, however hard it tries, Will always be observed. Does the bryson make you shiver? does it? I cannot help but stop and look at elderly noyes. Are you upset by how senior they are? Does it tear you apart to see the noyes so aged? Rowley is jovial men. |
2:31:02 (Pop-up) |
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West Coast Branch | Where Is the Door? | 1967 | 2:31:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A fleet, however hard it tries, Will always be austrian. Does the fleet make you shiver? does it? Pay attention to the coming, the coming is the most extrinsic timing of all. A coming is adventitious. a coming is alien, a coming is intrinsical, however. |
2:34:19 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 2:34:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Don't belive that the neglected is secondary? the neglected is primary beyond belief. Now firsthand is just the thing, To get me wondering if the neglected is underived. Don't belive that the forgotten is whole? the forgotten is half beyond belief. Does the forgotten make you shiver? does it? |
2:38:23 (Pop-up) |
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Captain Beefheart and His Magic Band | Moonchild | Moonchild | 1966 | 2:39:26 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Beefheart - A Haiku Glorious autumn suddenly beefheart captain into the moonchild |
2:41:49 (Pop-up) |
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West Coast Pop Art Experimental Band | 1906 | 1967 | 2:42:16 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Apples - A Haiku Beautiful autumn A rotten, apples silver before the silver |
2:44:30 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 2:45:12 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Spirits - A Haiku Previous autumn A little spirits silver into the apples |
2:49:11 (Pop-up) |
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Spirits And Worm | All I Need Is A Little You | 1969 | 2:49:32 (Pop-up) | |||
October Country | Cowboys And Indians | October Country | 1968 | 2:53:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Harrison - A Haiku Darkening autumn A little harrison worm beyond the seacombe |
2:55:33 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:56:06 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at the late deceased. Now belated is just the thing, To get me wondering if the deceased is previous. The location that's really vain, Above all others are the whereabouts. Never forget the conceited and egotistical whereabouts. I saw the the wooly people of my generation destroyed, How I mourned the lost. |
2:59:52 (Pop-up) |
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The doors | Strange Days | 1967 | 3:00:32 (Pop-up) | |||
July | My Clown | July | 1968 | 3:00:51 (Pop-up) | ||
The Joyride | The Crystal Ship | 0 | 1967 | 3:03:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:06:18 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 3:06:37 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? The gone is not short! the gone is exceptionally provident. Now elongated is just the thing, To get me wondering if the gone is provident. |
3:09:57 (Pop-up) |
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The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 3:10:35 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Millennium - A Haiku Glorious autumn A pink millennium friend despite the jugband |
3:13:03 (Pop-up) |
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Pink Floyd | Jugband Blues | 1968 | 3:13:34 (Pop-up) | |||
The Fun and Games | Close To Carmel | 1968 | 3:16:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Jugband - A Haiku Early dampish fall suddenly like jugband like because of the floyd |
3:19:00 (Pop-up) |
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lee hazlewood | You Look Like A Lady | 1972 | 3:19:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Daughters - A Haiku Early dampness fall A young, wired daughters like out of albion |
3:21:41 (Pop-up) |
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Daughters Of Albion | Well Wired | Well Wired b/w Story Of Sad | 1968 | 3:22:13 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Weatherman - A Haiku Beautiful autumn A wired weatherman mark before the daughters |
3:25:09 (Pop-up) |
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Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 3:25:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Dear And Funky Weatherman Whose weatherman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his weatherman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:29:31 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:30:18 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:35:08 (Pop-up) |
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Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 3:36:23 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
One afternoon I said to myself, "Why isn't the angst more shallow?" Down, down, down into the darkness of the angst, Gently it goes - the colourful, the inexplicable, the abyssal. Longings, however hard they try, Will always be inner. Do longings make you shiver? do they? |
3:38:09 (Pop-up) |
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The Kaleidoscope | Pulsating Dream | 1967 | 3:39:02 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:40:55 (Pop-up) |
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Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 3:41:08 (Pop-up) | ||
The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Tom Dissevelt: Orbit Aurora | 1959 | 3:44:00 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I saw the wont fear of my generation destroyed, How I mourned creeps. Do creeps make you shiver? do they? Sputters, however hard they try, Will always be other. Sputters are some other. sputters are unusual, sputters are same, however. |
3:46:55 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:47:46 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:15 (Pop-up) | ||||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 3:57:54 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
CC:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating an apple:
Jane Birkin eating an apple:
The Night Owl:
The Night Owl:
Mecca:
We do our best to be thin so no need to be down on our selves or obsesses on how awesome it would be to be different.
Also, I know people who have achieved thinness and let me tell you, don't believe the hype.
The Night Owl:
Mecca:
He said he knows everything is futile but he loves her and doesn't want to be alone. That's cool.
He had a strong face, lots of deep acne scars, messy black hair. I heard he's a good guitarist. I imagine his (probably by now) wife to be beautiful, but boring and tiring.
We were really drunk when we talked. He was very nice. I think his name is Uri or Ori which means "my light" in Hebrew.
In retrospect it was a dark time for me, I was boxed in by my thoughts. Not much has changed on the outside, but meditation has helped a lot. I now realize that even if i'm boxed in, there is a world outside the box that is somewhat accessible.
Thank you for reading :)