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All the spectacle and clamor you crave...without those pesky crowds.
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October 1, 2019: A440, Op. 5, No 3: Etude, Prelude, Fugue, Interlude, Postlude: Debussy's CANOPE - "visceral" reaction guaranteed!
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Artist | Track | Album | Label | Comments | Approx. start time | |||||
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Hector Villa-Lobos | Bachianas Brasileiras No. 9: Fugue: Poco appresado (1945) | Alma Brasileira | BMG | New World Symphony, conducted by Michael Tilson Thomas | 0:00:00 (Pop-up) | |||||
Claude Debussy | Préludes, Book II: 10. Canope (1913) | Debussy Préludes Book I & II | PIerre-Laurent Aimard, piano | 0:21:49 (Pop-up) | ||||||
Claude Debussy, arr. Colin Matthews | Préludes, Book II: 10. Canope, arr. for full orchestra | 0:23:17 (Pop-up) | ||||||||
Benjamin Britten | Four Sea Interludes from Peter Grimes, Op. 33a: II. Sunday Morning | Peter Grimes | Covent Garden/Royal Opera House | 0:26:18 (Pop-up) | ||||||
Leoš Janácek | Sinfonietta, I. Fanfares (1926) | 0:29:35 (Pop-up) | ||||||||
Moritz Moszkowski | Huit Morceaux Caractéristiques: Etincelles, Op. 35, No. 6 (1886) | Razor Blades, Little Pills, Big Pianos | Signum Records | James Rhodes, piano | 0:39:12 (Pop-up) | |||||
Karl Aage Rasmussen (b. 1947) | Etudes and Postludes: III. Shimmer / II. Clocks (1990) | Karl Aage Rasmussen: Music for Piano | Rolf Hind - piano | 0:41:51 (Pop-up) | ||||||
Paul Hindemith | Ludus Tonalis: Interludium - Valse / Interludium - Vivace / Postludium(1942) | Edward Aldwell, piano | 0:47:01 (Pop-up) | |||||||
Gabriel Iryani | 3 Postludes for Piano: I. Andante | Yoriko Ikeya, piano | 0:54:17 (Pop-up) |
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Listener comments!
Zetti:
Michael 98145:
acid rich:
ranjit:
p.s. hi Bethany!
ranjit:
Michael 98145:
Michael 98145:
TDK60:
P-90:
ranjit:
P-90:
Had to catch the first two shows on the archive, but I’m listening live tonight and I just wanted to say I’m perfectly chuffed to see/hear you return.
TDK60:
Dean:
Dean:
johnzo:
khd:
P-90:
Ivan:
Dean:
From the Fanfare review of the Rhodes Moszkowski recording, which never mentions Moszkowski (because most of the program was Bach, Beethoven, and Chopin): "Rhodes is presented as a sort of cool, yet despairing James Dean kind of artist. My kids would call him emo. There are so many photos of him in sunglasses that I thought he might be blind."
TDK60:
Dean:
ranjit:
listener 126464:
Dean:
greatb:
Ken From Hyde Park:
Bethany Ryker:
Ivan:
Dean:
johnzo:
Dean:
khd:
mrmikestandsir:
Dean:
khd:
Dean:
TDK60:
Dean:
TDK60:
Dean:
ranjit:
Dean:
P-90:
johnzo: