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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:41 (Pop-up) | ||||
The Beatles | A Day In The Life | 1967 | 0:03:54 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Beatles - A Haiku Glorious autumn An other, pink beatles pink enjoying the floyd |
0:09:23 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 0:09:58 (Pop-up) | ||
Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 0:12:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
A maynard, however hard it tries, Will always be beautiful. Never forget the well-favoured and glamorous maynard. I cannot help but stop and look at the mexican selena. Does the selena make you shiver? does it? Just like an american thing, is the tyson. Never forget the half-size and littler tyson. |
0:15:12 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 0:17:44 (Pop-up) | ||
Frank Zappa | Little Umbrellas | 1969 | 0:20:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Encouragement - A Haiku Early dampness fall A strong, encouragement rock the ayatolluh |
0:23:10 (Pop-up) |
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The Licorice Schtik | Flowers, Flowers | The Kissin' Game b/w Flowers, Flowers | 1968 | 0:23:57 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Message - A Haiku Previous autumn An urgent, message message before the update |
0:25:52 (Pop-up) |
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The October Country | October Country | October Country | 1968 | 0:26:34 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Instant Request |
0:29:05 (Pop-up) |
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John Zacherle | A-B-C | 1963 | For: The Collective Cult of Woolly Lydia | 0:29:09 (Pop-up) | ||
Love | 7 And 7 Is | 7 And 7 Is | 1967 | 0:31:26 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. A musta, however hard it tries, Will always be bad. Are you upset by how stinky it is? Does it tear you apart to see the musta so stinking? |
0:33:42 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:34:44 (Pop-up) | ||
The Monkees | Porpoise Song | 1968 | 0:39:18 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Ayatolluh - A Haiku Beautiful autumn why ayatolluh better after the rolluh |
0:44:20 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 0:44:55 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Sixpence - A Haiku Glorious autumn A crooked, small sixpence want at the perfect troggs |
0:47:50 (Pop-up) |
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The Troggs | Any Way You Want Me | 0:48:30 (Pop-up) | ||||
The West Coast Pop Art Experimental Band | Smell Of Incense | The West Coast Pop Art Experimental Band | 1967 | 0:51:22 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Encouragement - A Haiku Beautiful autumn when little encouragement the ayatolluhs |
0:53:44 (Pop-up) |
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Graham Bond With Magick | Twelve Gates To The City | 1970 | 0:54:27 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 0:58:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Ayatolluh - A Haiku Late dampish autumn shall ayatolluh better under the rolluh |
1:00:15 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 1:01:02 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Crazy And Brown Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:03:29 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 1:04:30 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:07:27 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 1:08:26 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Contest - A Haiku Early dampen fall A fierce, quit contest contest after the guitar |
1:12:03 (Pop-up) |
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October Country | I Wish I Was A Fire | October Country | 1968 | 1:13:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
A feb, however hard it tries, Will always be mar. Does the feb make you shiver? does it? A july, however hard it tries, Will always be quarterly. Does the july make you shiver? does it? |
1:15:11 (Pop-up) |
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Inner Scene | Communication Breakdown | 2008 | 1:15:50 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Communication - A Haiku Depressing autumn lonely communication after the breakdown |
1:18:30 (Pop-up) |
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The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 1:18:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the unknown void! Are you upset by how unknowable it is? Does it tear you apart to see the void so undiagnosed? I cannot help but stop and look at the obvious omission. Never forget the egregious and invisible omission. The knowledge that's really fat, Above all others is the inability. Never forget the podgy and abdominous inability. |
1:21:50 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 1:22:35 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Encouragement - A Haiku Previous autumn shall encouragement story whilst watching the cheer |
1:25:48 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 1:26:27 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:28:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Translove - A Haiku Depressing autumn A big translove bedazzled out of sullivan |
1:30:38 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:31:06 (Pop-up) | ||
The Elastik Band | Spazz | 1967 | 1:34:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:36:50 (Pop-up) |
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The Who | Rael (1 and 2) | mono | 1:37:09 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:42:57 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:43:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
A seraphim, however hard it tries, Will always be blest. Are you upset by how curst it is? Does it tear you apart to see the seraphim so fortunate? How happy are divine apparitions! Down, down, down into the darkness of the apparitions, Gently they go - the providential, the elysian, the sacred. How happy are little devils! |
1:45:31 (Pop-up) |
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Joe | Crash | 1969 | 1:46:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:50:09 (Pop-up) |
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Canterbury Fair | Days I Love | 0 | 1967 | 1:50:31 (Pop-up) | ||
West Coast Branch | Where Is the Door? | 1967 | 1:52:25 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the bright minny! Now vivid is just the thing, To get me wondering if the minny is clear. How happy is the gel dern! Does the dern make you shiver? does it? Don't belive that the bess is big? the bess is little beyond belief. |
1:55:03 (Pop-up) |
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Yankee Dollar | Catch the Wind | 1968 | 1:55:47 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:58:34 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at crazy brits. Never forget the moronic and funny brits. How happy are drunken russians! Never forget the drunk and sottish russians. Just like a socialist grass, is the ethiopia. Down, down, down into the darkness of the ethiopia, Gently it goes - the fearful, the old, the irrational. Refresh until you're happy with your poem. |
2:00:17 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 2:01:14 (Pop-up) | ||
The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 2:04:11 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The Rough And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:07:15 (Pop-up) |
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Hat & Tie | Finding It Rough | Hat (2) | 1967 | 2:08:08 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
I saw the the only neglect of my generation destroyed, How I mourned the omission. Now lonesome is just the thing, To get me wondering if the omission is lone. Pay attention to the presence, the presence is the most occasional impression of all. Are you upset by how episodic it is? Does it tear you apart to see the presence so unpredictable? |
2:10:50 (Pop-up) |
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Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 2:14:00 (Pop-up) | ||
The Moving Sidewalks | Need Me | Need Me | 2:15:46 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Sidewalks, Part 2 - A Haiku Beautiful autumn A broad, moving sidewalks need whilst watching the towns |
2:17:57 (Pop-up) |
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lee hazlewood | Ten Or 11 Towns Ago | 1972 | 2:18:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:21:00 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 2:21:14 (Pop-up) | ||
The Fun and Games | Close To Carmel | 1968 | 2:24:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Experience - A Haiku Beautiful autumn why burning experience despite the midnight |
2:27:02 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 2:27:32 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Brotherhood - A Haiku Beautiful autumn A whole, burning brotherhood the experience |
2:31:06 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 2:31:48 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:35:06 (Pop-up) |
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Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 2:35:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:38:31 (Pop-up) |
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Blossom Toes | What's If For | 1967 | 2:38:50 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:41:42 (Pop-up) |
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Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 2:41:52 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the family, the family is the most human clan of all. Now weak is just the thing, To get me wondering if the family is earthborn. I saw the the eternal ending of my generation destroyed, How I mourned the death. Never forget the lasting and everlasting death. Just like a blest love, is the eternity. |
2:44:44 (Pop-up) |
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The Moody Blues | Candle of life. | 1969 | 2:45:25 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
American - A Haiku Previous autumn How american candle on the electric |
2:49:41 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:50:16 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The animal disease that's really morrow, Above all others are the creeps. Do creeps make you shiver? do they? I cannot help but stop and look at momentary sags. Never forget the fugitive and short sags. Sputters, however hard they try, Will always be fat. |
2:52:48 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 2:53:31 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 2:56:43 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 2:58:36 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
3:00:16 (Pop-up) |
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Kaleidoscope | Holiday Maker | Tangerine Dream | 1967 | 3:01:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
One afternoon I said to myself, "Why isn't the dancy more big?" Now littler is just the thing, To get me wondering if the dancy is ungenerous. One afternoon I said to myself, "Why isn't the groovy more distributive?" A groovy is agglomerate. a groovy is socialist, a groovy is clustered, however. |
3:03:22 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 3:04:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I saw the the mere alter of my generation destroyed, How I mourned the void. Are you upset by how simple it is? Does it tear you apart to see the void so bare? An omission, however hard it tries, Will always be purposeful. Never forget the purposive and earnest omission. Just like obvious results, is the dearth. |
3:10:12 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 3:10:56 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:14:31 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 3:14:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Potion - A Haiku Late dampness autumn A mixed, through potion magic betrayed by the things |
3:18:17 (Pop-up) |
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The Open Mind | Magic Potion | 1969 | 3:18:54 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Machine - A Haiku Darkening autumn A ray, sweet machine machine despite the potion |
3:22:13 (Pop-up) |
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The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 3:22:37 (Pop-up) | ||
The End | Shades Of Orange | Shades Of Orange | 1969 | 3:25:02 (Pop-up) | ||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:27:34 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Household - A Haiku Darkening autumn An own, sweet household machine at the old machine |
3:27:51 (Pop-up) |
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The Household Sponge | Scars | Scars b/w Second Best | 1967 | 3:28:41 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Connection - A Haiku Depressing autumn A causal, connection sponge beyond the household |
3:31:11 (Pop-up) |
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Rotary Connection | Trip II: Teach Me How To Fly | Aladdin | 1968 | 3:31:36 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Connection, Part 2 - A Haiku Late dampness autumn A strong, connection silver despite the apples |
3:35:42 (Pop-up) |
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Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 3:36:11 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The proximity that's really unexpected, Above all others is the presence. Are you upset by how unsuspected it is? Does it tear you apart to see the presence so unlooked-for? Don't belive that the inability is absolute? the inability is relative beyond belief. Now proportional is just the thing, To get me wondering if the inability is absolute. |
3:39:14 (Pop-up) |
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The Scot Richard Case | Who Is That Girl? | 1967 | 3:40:01 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
A com, however hard it tries, Will always be inter. Does the com make you shiver? does it? I cannot help but stop and look at the nahr leben. Does the leben make you shiver? does it? I cannot help but stop and look at the fat prob. |
3:42:47 (Pop-up) |
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Bonzo Dog Band | I'm The Urban Spaceman | I'm The Urban Spaceman | 1968 | 3:43:24 (Pop-up) | ||
The Rainbow Family | Travellin' Lady | 2009 | 3:45:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Spaceman - A Haiku Previous autumn A first, purple spaceman hush above the purple |
3:48:28 (Pop-up) |
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Deep Purple | Hush | 1968 | 3:48:58 (Pop-up) | |||
The Electric Prunes | You Never Had It Better | Everybody Knows You're Not In Love / You've Never Had It Better | 1968 | 3:53:19 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:23 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia:
The Collective Cult of Woolly Lydia:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia:
Rocky Horror:
The Night Owl:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh’s Drink:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh’s Empty Drink:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh’s Empty Drink:
Mr Skin.
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Potted Palm Growing Jane Birkin an Apple:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia:
The Night Owl: