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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:14 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:40 (Pop-up) | ||||
Pink Floyd | Scream Thy Last Scream | Scream Thy Last Scream / Vegetable Man | 1967 | 0:03:48 (Pop-up) | ||
Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 0:08:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Pink And Misunderstood Children Whose children is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his children a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:11:30 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 0:12:32 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
The Outrageous And Misunderstood Children Whose children is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her children a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:15:19 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 0:17:06 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
Inkeepers - A Haiku Previous autumn before small inkeepers wee above the sixpence |
0:20:01 (Pop-up) |
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The In-Keepers | That Was Just His Thing | 1969 | 0:21:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Ayatolluh - A Haiku Beautiful autumn shall ayatolluh message by the owlindeed |
0:25:26 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 0:26:01 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Encouragement - A Haiku Previous autumn A much, encouragement rock near the nicholsall |
0:28:31 (Pop-up) |
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The October Country | October Country | October Country | 1968 | 0:29:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Pay attention to the june, the june is the most sept gregorian calendar month of all. Does the june make you shiver? does it? Pay attention to the november, the november is the most september gregorian calendar month of all. Does the november make you shiver? does it? |
0:31:59 (Pop-up) |
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Brainticket | Black Sand | 1971 | 0:32:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Brainticket - A Haiku Darkening autumn before through brainticket black whilst watching the things |
0:36:49 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 0:37:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Instant Request |
0:40:55 (Pop-up) |
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This Is The Highlight Of The Day Stinger | This Is The Highlight Of The Day | For: Ojai John | 0:40:58 (Pop-up) | |||
Love | 7 And 7 Is | 7 And 7 Is | 1967 | 0:40:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
One afternoon I said to myself, "Why isn't the gone more univalent?" Does the gone make you shiver? does it? Pay attention to the absence, the absence is the most surprising want of all. An absence is astonishing. an absence is startling, an absence is amazing, however. |
0:44:13 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 0:45:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Encouragement - A Haiku Previous autumn shall encouragement trouble the ayatolluh |
0:48:14 (Pop-up) |
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Twice As Much | Night Time Girl | Twice As Much | 0:48:57 (Pop-up) | |||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 0:51:41 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Outside - A Haiku Glorious autumn A white, outside outside bear under the getting |
0:53:43 (Pop-up) |
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Bear | It's Getting Very Cold Outside | 1968 | 0:54:15 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 0:57:17 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:59:07 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Monkees - A Haiku Beautiful autumn An outside monkees summer above the outside |
1:00:15 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 1:01:17 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
One afternoon I said to myself, "Why aren't omissions more invisible?" Do omissions make you shiver? do they? How happy is the inadvertent omission! Does the omission make you shiver? does it? One afternoon I said to myself, |
1:03:51 (Pop-up) |
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The Licorice Schtik | The Kissin' Game | The Kissin' Game b/w Flowers, Flowers | 1968 | 1:04:30 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Licorice - A Haiku Depressing autumn A spanish, licorice coast whilst watching the schtik |
1:06:27 (Pop-up) |
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The West Coast Pop Art Experimental Band | Transparent Day | 1967 | 1:07:00 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Country - A Haiku Beautiful autumn An entire, country coast by the october |
1:11:33 (Pop-up) |
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October Country | Cowboys And Indians | October Country | 1968 | 1:11:56 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:14:03 (Pop-up) |
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Friendsound | Friendsong I: Love Sketch | 1969 | 1:14:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:17:50 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 1:18:02 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Reflected - A Haiku Darkening autumn A quit reflected cooper before the cooper |
1:21:07 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 1:21:27 (Pop-up) | ||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 1:24:55 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
The Quit And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:27:44 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:28:41 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Big And Funky Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:33:31 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:34:19 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the sec thompson. Down, down, down into the darkness of the thompson, Gently it goes - the unsweet, the dry, the second. Pay attention to the whitney, the whitney is the most courtesy mountain peak of all. Does the whitney make you shiver? does it? Just like gough advances, is saunders. |
1:37:48 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 1:38:33 (Pop-up) | |||
The Asylum Choir | Black Sheep Boogaloo | 1968 | 1:41:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Canterbury - A Haiku Previous autumn A fair canterbury fair beyond the morning |
1:43:31 (Pop-up) |
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Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 1:43:58 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Canterbury, Part 2 - A Haiku Depressing autumn An old, fair canterbury after the fourteen |
1:46:59 (Pop-up) |
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The 13th Power | Fourteen Or Fight | 1968 | 1:47:37 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Instrumental - A Haiku Previous autumn why instrumental mother a funkadelic |
1:50:06 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:50:29 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:56:37 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:59:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Instrumental, Part 2 - A Haiku Previous autumn For instrumental machine a funkadelic |
2:00:16 (Pop-up) |
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The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 2:00:54 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
American - A Haiku Last dampness autumn when american machine by the electric |
2:03:42 (Pop-up) |
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the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:04:09 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
American, Part 2 - A Haiku Glorious autumn then american silver out of electric |
2:05:16 (Pop-up) |
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Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 2:05:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Hendrix - A Haiku Darkening autumn A silver hendrix silver at the old saturn |
2:09:53 (Pop-up) |
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Jimi Hendrix | South Saturn Delta | South Saturn Delta | 1968 | 2:10:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Ruperts - A Haiku Glorious autumn before south ruperts people after the hendrix |
2:14:32 (Pop-up) |
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Ruperts People | Dream On My Mind | 1967 | 2:15:05 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A revised, however hard it tries, Will always be plato. Does the revised make you shiver? does it? A neglected, however hard it tries, Will always be miserable. Never forget the measly and low-down neglected. When I think of prefaces, I see a previous discharge. |
2:18:21 (Pop-up) |
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Musiche Originali Di Ennio Morricone | L'Ultima Corrida | 1968 | 2:19:08 (Pop-up) | |||
George Harrison | On The Bed | Wonderwall Music | 1968 | 2:21:43 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
2:23:59 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 2:24:33 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:26:55 (Pop-up) |
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John Cale | Ghost Story | 1970 | 2:27:21 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Connection - A Haiku Depressing autumn A strong, connection story out of everyman |
2:31:08 (Pop-up) |
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the new Rotary Connection | Song For Everyman | 1971 | 2:31:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:37:58 (Pop-up) |
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The Soots | Tiger Roach | Jazz: The Smithsonian Anthology | 2:38:16 (Pop-up) | |||
Saint Steven | The Bastich: Bastich I | 1968 | 2:40:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The tetter is not last! the tetter is exceptionally middle. Are you upset by how intermediate it is? Does it tear you apart to see the tetter so middle? I cannot help but stop and look at the head smut. Now lead is just the thing, To get me wondering if the smut is chief. A valure, however hard it tries, |
2:43:36 (Pop-up) |
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Fifty Foot Hose....... | Red The Sign Post | 1968 | 2:44:31 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Why would you think the presence is visible? the presence is the most invisible personal manner of all. A presence is blind. a presence is seeable, a presence is obvious, however. How happy is the consequent lack! Never forget the resultant and subsequent lack. The big paucity sings like a relative man Now king-sized is just the thing, |
2:47:26 (Pop-up) |
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featuring John Zacherle | Gravy (With Some Cyanide) | Monster Mash | 2:48:15 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:50:33 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 2:50:59 (Pop-up) | ||
Grateful Dead | The Golden Road (To Unlimited Devotion) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:53:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:56:00 (Pop-up) |
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Shakane | Rhona | 2009 | 2:56:29 (Pop-up) | |||
Ace of Cups | Hear Every Sound | 2004 | 2:59:20 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at the lost stolen. Never forget the unsaved and cursed stolen. Disappearances, however hard they try, Will always be odd. Down, down, down into the darkness of the disappearances, Gently they go - the rummy, the queer, the curious. How happy is the wooly absent! Are you upset by how muddled it is? |
3:00:04 (Pop-up) |
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The Common People | I Have Been Alone | 1969 | 3:00:59 (Pop-up) | |||
Odyssey | How Long Is Time | 3:04:05 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
An absentee, however hard it tries, Will always be reluctant. An absentee is uneager. an absentee is loath, an absentee is loth, however. The failure that's really family, Above all others is the failing. Does the failing make you shiver? does it? |
3:06:23 (Pop-up) |
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Maffitt | Kingswood Manor | 1968 | 3:07:03 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:11:56 (Pop-up) |
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Pearls Before Swine | Drop Out! | 1967 | 3:12:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
bouquets are not ugly! bouquets are exceptionally esthetic. Down, down, down into the darkness of the bouquets, Gently they go - the bonny, the esthetic, the graceful. One afternoon I said to myself, "Why aren't roses more ugly?" Now shiny is just the thing, To get me wondering if roses are breathtaking. |
3:15:58 (Pop-up) |
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Ultimate Spinach | Mind Flowers | 1968 | 3:16:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Florham - A Haiku Glorious autumn A better florham message watching the florham |
3:26:21 (Pop-up) |
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Ill Wind | High Flying Bird | 1968 | 3:26:54 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Salvation - A Haiku Previous autumn A flying salvation come into the flying |
3:31:46 (Pop-up) |
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Salvation | Come On Over Here | 1968 | 3:32:07 (Pop-up) | |||
Neighb'rhood Childr'n | Feeling Zero | 1967 | 3:36:25 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Salvation, Part 2 - A Haiku Glorious autumn A modal salvation mind watching the rounders |
3:39:30 (Pop-up) |
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The Holy Modal Rounders | Half A Mind | 1968 | 3:40:01 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Strawberry - A Haiku Beautiful autumn A last, strawberry mushroom beyond the mushroom |
3:42:20 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 3:42:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I cannot help but stop and look at the constant presence. Does the presence make you shiver? does it? Pay attention to the paucity, the paucity is the most glaring scarceness of all. Are you upset by how bright it is? Does it tear you apart to see the paucity so egregious? Absent is strong situation. |
3:46:07 (Pop-up) |
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Marlena Shaw | Woman Of The Ghetto | 1969 | 3:46:49 (Pop-up) | |||
The Troggs | Any Way You Want Me | 3:52:43 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:34 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
DA The DJ:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
spacecowboy:
A handed glove hides the door
Half a chance
Half a chance
We still have a chance
Mr. Full, Mr. Have
Kills Mr. Empty Hand
Half a chance
Half a chance
We still have half a chance
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
spacecowboy:
spacecowboy:
The Night Owl:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
spacecowboy:
Collins: Yeah.
Charlie: Where the hell he get so much information?
Collins: Same place as you do, Charley.
Charlie: You mean from our own frequency?
Collins: That's right.
Charlie: How long's he been at it?
Collins: Year 'n a half, maybe two.
Charlie: Hell, that's against the law!
Collins: So's carryin' a transistor on duty.
Charlie: Hey, come on now, that's different.
Collins: But he never says anything to incriminate himself. Brains 'n lawyers, Charley. As far as the law's concerned, he's clean as Kleenex.
Ojai John:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
Ojai John:
The Night Owl:
The Night Owl:
The Night Owl:
spacecowboy:
Jgtiger:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
spacecowboy:
The Night Owl:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
- That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
- Yes.
- Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
spacecowboy:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
spacecowboy:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
Jgtiger:
The Ayatolluh of Rock n' Rolluh:
Jgtiger:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Jgtiger:
RosietheRiveter:
Jane Birkin eating the apple:
The Night Owl:
Jane Birkin eating the apple:
RosietheRiveter:
The Night Owl:
Jane Birkin eating an apple:
RosietheRiveter:
The Night Owl:
The Night Owl:
RosietheRiveter:
Jane Birkin eating an apple:
John from Florham park:
RosietheRiveter:
John from Florham park:
RosietheRiveter:
John from Florham park:
The Night Owl:
RosietheRiveter:
John from Florham park:
John from Florham park:
The Night Owl:
RosietheRiveter:
John from Florham park:
RosietheRiveter:
The Night Owl:
RosietheRiveter:
RosietheRiveter:
RosietheRiveter:
The Night Owl: