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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:19 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
Pink Floyd | Scream Thy Last Scream | Scream Thy Last Scream / Vegetable Man | 1967 | 0:03:12 (Pop-up) | ||
The Byrds | Lady Friend | Lady Friend | 1967 | 0:07:49 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Last And Pink Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:10:16 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 0:11:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:14:37 (Pop-up) |
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Procol Harum | il tuo diamante | Il Tuo Diamante / Fortuna | 1968 | 0:14:56 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Shivers - A Haiku Glorious autumn An excited shivers board before the tonight |
0:18:17 (Pop-up) |
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Twice As Much | SImplified | Twice As Much | 0:18:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Encouragement - A Haiku Beautiful autumn A great, encouragement rock the ayatolluh |
0:22:13 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 0:22:51 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
The dissent that's really onward, Above all others is the march. Are you upset by how forward it is? Does it tear you apart to see the march so forrader? The gregorian calendar month that's really january, Above all others is the september. Does the september make you shiver? does it? |
0:25:39 (Pop-up) |
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The October Country | October Country | October Country | 1968 | 0:26:17 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Instant Request |
0:28:48 (Pop-up) |
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Yankee Dollar | Catch the Wind | 1968 | For: The Ayatolluh of Rock n' Rolluh | 0:28:52 (Pop-up) | ||
The Kaleidoscope | Little Orphan Nannie | 1967 | 0:31:38 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
In vision beatific: by him first Men also, and by his suggestion taught, Ransack'd the Center, and with impious hands Rifl'd the bowels of thir mother Earth For Treasures better hid. Soon had his crew Op'nd into the Hill a spacious wound And dig'd out ribs of Gold. Let none admire That riches grow in Hell; that soyle may best Deserve the pretious bane. And here let those |
0:33:28 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:34:41 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Encouragement, Part 2 - A Haiku Darkening autumn then encouragement request an ayatolluh |
0:37:21 (Pop-up) |
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the Electric Flag, an American Music Band | Joint Passing | Original Motion Picture Sound Track: The Trip | 1967 | 0:38:01 (Pop-up) | ||
Move | Cherry Blossom Clinic Revisited | 1970 | 0:39:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
November - A Haiku Late dampen autumn A late, november peter the american |
0:47:15 (Pop-up) |
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Peter Fonda | November Night | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:48:02 (Pop-up) | |||
The West Coast Pop Art Experimental Band Vol.3 | A Child's Guide To Good And Evil | 1968 | 0:50:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
November, Part 2 - A Haiku Darkening autumn A late, light november light at the perfect light |
0:53:10 (Pop-up) |
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Clear Light | She's Ready To Be Free | 1967 | 0:53:52 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 0:55:46 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:58:16 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Encouragement - A Haiku Darkening autumn A much, encouragement page before the unknown |
1:00:18 (Pop-up) |
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Jefferson Airplane | It's No Secret | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:01:28 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:03:53 (Pop-up) |
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the new Rotary Connection | Vine Of Happiness | 1971 | 1:04:28 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Ran purple to the Sea, suppos'd with blood Of THAMMUZ yearly wounded: the Love-tale Infected SIONS daughters with like heat, Whose wanton passions in the sacred Porch EZEKIEL saw, when by the Vision led His eye survay'd the dark Idolatries Of alienated JUDAH. Next came one Who mourn'd in earnest, when the Captive Ark Maim'd his brute Image, head and hands lopt off |
1:08:17 (Pop-up) |
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Deep Purple | Anthem | 1968 | 1:09:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Ran purple to the Sea, suppos'd with blood Of THAMMUZ yearly wounded: the Love-tale Infected SIONS daughters with like heat, Whose wanton passions in the sacred Porch EZEKIEL saw, when by the Vision led His eye survay'd the dark Idolatries Of alienated JUDAH. Next came one Who mourn'd in earnest, when the Captive Ark Maim'd his brute Image, head and hands lopt off |
1:15:35 (Pop-up) |
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the free pop electronic concept | Pish! Pshaw! | 1969 | 1:17:19 (Pop-up) | |||
The United States Of America | The Garden Of Earthly Delights | 1968 | 1:20:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Both where the morning Sun first warmly smote The open field, and where the unpierc't shade Imbround the noontide Bowrs: Thus was this place, A happy rural seat of various view; Groves whose rich Trees wept odorous Gumms and Balme, Others whose fruit burnisht with Golden Rinde Hung amiable, HESPERIAN Fables true, If true, here onely, and of delicious taste: Betwixt them Lawns, or level Downs, and Flocks |
1:22:49 (Pop-up) |
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the FUGS | Morning Morning | 1966 | 1:23:38 (Pop-up) | |||
Amon Düül II | Henriette Krötenschwanz | 1969 | 1:25:44 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Morning - A Haiku Beautiful autumn A very, sound morning sound into the morning |
1:27:39 (Pop-up) |
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Simon Dupree And The Big Sound | Like The Sun Like The Fire | Kites | 1968 | 1:28:10 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Carmel - A Haiku Glorious autumn A nearby, close carmel close into the dupree |
1:30:28 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 1:31:10 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
From Wing to Wing, and half enclose him round With all his Peers: attention held them mute. Thrice he assayd, and thrice in spite of scorn, Tears such as Angels weep, burst forth: at last Words interwove with sighs found out their way. O Myriads of immortal Spirits, O Powers Matchless, but with th' Almighty, and that strife Was not inglorious, though th' event was dire, As this place testifies, and this dire change |
1:33:40 (Pop-up) |
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Mr. Flood's Party | the mind circus | 1970 | 1:34:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Pay attention to the deluge, the deluge is the most violent saddle of all. Are you upset by how knockdown-dragout it is? Does it tear you apart to see the deluge so crimson? Rains, however hard they try, Will always be unseasonal. Do rains make you shiver? do they? |
1:43:34 (Pop-up) |
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Sopwith Camel | Hello Hello | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:44:20 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:46:41 (Pop-up) |
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Eric Burdon & The Animals | Hotel Hell | 1967 | 1:47:02 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Accompaniment - A Haiku Showery autumn before accompaniment beat near the electric |
1:51:11 (Pop-up) |
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Electric Banana | Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom) | Electric Banana | 1967 | 1:51:41 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Accompaniment, Part 2 - A Haiku Inclement autumn before accompaniment beat near the poursuite |
1:54:28 (Pop-up) |
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Popera Cosmic | Poursuite | 1969 | 1:54:57 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 1:57:50 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:59:39 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the phonological revised. Pause to update, like the revised does. Pay attention to the left, the left is the most upstage turning of all. Does the left make you shiver? does it? How happy is the zany neglected! A neglected is cockamamy. a neglected is clownish, |
2:00:20 (Pop-up) |
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Grateful Dead | What's Become Of The Baby | 1969 | 2:01:13 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
And understood not that a grateful mind By owing owes not, but still pays, at once Indebted and dischargd; what burden then? O had his powerful Destiny ordaind Me some inferiour Angel, I had stood Then happie; no unbounded hope had rais'd Ambition. Yet why not? som other Power As great might have aspir'd, and me though mean Drawn to his part; but other Powers as great |
2:09:37 (Pop-up) |
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The Chocolate Watchband | And She's Lonely | 1969 | 2:10:24 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Th' invention all admir'd, and each, how hee To be th' inventer miss'd, so easie it seemd Once found, which yet unfound most would have thought Impossible: yet haply of thy Race In future dayes, if Malice should abound, Some one intent on mischief, or inspir'd With dev'lish machination might devise Like instrument to plague the Sons of men For sin, on warr and mutual slaughter bent. |
2:14:37 (Pop-up) |
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The Mothers of Invention | Trouble Every Day | 1966 | 2:15:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A lack, however hard it tries, Will always be characteristic. A lack is distinguishing. a lack is uncharacteristic, a lack is uncharacteristic of, however. Why would you think the void is meaningful? the void is the most meaningless release of all. Now unmeaning is just the thing, To get me wondering if the void is insignificant. |
2:22:10 (Pop-up) |
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Tonto's Expanding Head Band | Outside: Cybernaut | 1970 | 2:23:08 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The people that are really little, Above all others is the lost. Now petite is just the thing, To get me wondering if the lost is minor. One afternoon I said to myself, "Why isn't the absent more dry?" Does the absent make you shiver? does it? |
2:27:30 (Pop-up) |
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Thunderclap Newman | Wilhemina | 1969 | 2:28:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Cornice or Freeze, with bossy Sculptures grav'n, The Roof was fretted Gold. Not BABILON, Nor great ALCAIRO such magnificence Equal'd in all thir glories, to inshrine BELUS or SERAPIS thir Gods, or seat Thir Kings, when AEGYPT with ASSYRIA strove In wealth and luxurie. Th' ascending pile Stood fixt her stately highth, and strait the dores Op'ning thir brazen foulds discover wide |
2:30:59 (Pop-up) |
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The Nice | The Thoughts Of Emerlist Davjack | 1967 | 2:31:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
2:34:28 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 2:34:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A numerous Brigad hasten'd. As when bands Of Pioners with Spade and Pickaxe arm'd Forerun the Royal Camp, to trench a Field, Or cast a Rampart. MAMMON led them on, MAMMON, the least erected Spirit that fell From heav'n, for ev'n in heav'n his looks & thoughts Were always downward bent, admiring more The riches of Heav'ns pavement, trod'n Gold, Then aught divine or holy else enjoy'd |
2:37:44 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 2:38:41 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:41:23 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? I saw the the suggestive go away of my generation destroyed, How I mourned the absent. Now significative is just the thing, To get me wondering if the absent is meaningful. |
2:43:26 (Pop-up) |
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The Yardbirds | Think About It | 1968 | 2:44:23 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? I saw the the suggestive go away of my generation destroyed, How I mourned the absent. Now significative is just the thing, To get me wondering if the absent is meaningful. |
2:47:59 (Pop-up) |
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the FUGS | Doin' All Right | 1966 | 2:49:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Before all Temples th' upright heart and pure, Instruct me, for Thou know'st; Thou from the first Wast present, and with mighty wings outspread Dove-like satst brooding on the vast Abyss And mad'st it pregnant: What in me is dark Illumine, what is low raise and support; That to the highth of this great Argument I may assert th' Eternal Providence, And justifie the wayes of God to men. |
2:52:04 (Pop-up) |
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Yankee Dollar | Sanctuary | 1968 | 2:52:42 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
And works of love or enmity fulfill. For those the Race of ISRAEL oft forsook Their living strength, and unfrequented left His righteous Altar, bowing lowly down To bestial Gods; for which their heads as low Bow'd down in Battel, sunk before the Spear Of despicable foes. With these in troop Came ASTORETH, whom the PHOENICIANS call'd ASTARTE, Queen of Heav'n, with crescent Horns; |
2:54:53 (Pop-up) |
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Kaleidoscope | Love Games | 1967 | 2:55:38 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 2:58:03 (Pop-up) | ||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 2:59:56 (Pop-up) | |||
The Appletree Theatre | Act I: Saturday Morning (about a Saturday morning) | 1967 | 3:00:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Don't belive that players are malicious? players are good beyond belief. Now suitable is just the thing, To get me wondering if players are healthful. I cannot help but stop and look at invitational tournaments. Do tournaments make you shiver? do they? One afternoon I said to myself, |
3:01:10 (Pop-up) |
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The doors | The Crystal Ship | 1967 | 3:02:17 (Pop-up) | |||
Pearls Before Swine | frog in the window | 1969 | 3:04:46 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the stately antonia. Now noble is just the thing, To get me wondering if the antonia is formal. Why would you think the mcintosh is young? the mcintosh is the most old dessert apple of all. Does the mcintosh make you shiver? does it? When I think of the willem, I see a dirk part. |
3:06:51 (Pop-up) |
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Grahame Bond | Crossroads Of Time | 1968 | 3:07:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Walk'd firm; the crested Cock whose clarion sounds The silent hours, and th' other whose gay Traine Adorns him, colour'd with the Florid hue Of Rainbows and Starrie Eyes. The Waters thus With Fish replenisht, and the Aire with Fowle, Ev'ning and Morn solemniz'd the Fift day. The Sixt, and of Creation last arose With Eevning Harps and Mattin, when God said, Let th' Earth bring forth Fowle living in her kinde, |
3:10:07 (Pop-up) |
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Jason Crest | (Here We Go Round) The Lemon Tree | 1968 | 3:10:52 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The On And Round Mother Whose mother is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mother a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:13:52 (Pop-up) |
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CAN | On The Way To Mother Sky: 1970 | 1970 | 3:14:37 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Dissevelt - A Haiku Depressing autumn before dissevelt mother near the dissevelt |
3:19:04 (Pop-up) |
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The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Tom Dissevelt: Sonik Re-Entry | 1959 | 3:19:32 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Sonic And Funky Reentry Whose reentry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his reentry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:22:03 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:23:03 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:27:52 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:28:18 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Sagittarius - A Haiku Beautiful autumn when sagittarius twink watching the highest |
3:31:07 (Pop-up) |
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Twink | Tiptoe On The Highest Hill | 1970 | 3:31:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The Tiptoe And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:37:46 (Pop-up) |
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The Velvet Underground & Nico | The Black Angel's Death Song | 1967 | 3:38:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The Black And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:41:40 (Pop-up) |
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Montreal | Infinity | 1970 | 3:42:28 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:22 (Pop-up) | ||||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 3:58:02 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
The Night Owl:
Jane Birkin eating the apple:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Jane Birkin eating the apple:
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Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
The Night Owl:
Jane Birkin eating the apple:
Toronados Toronados Toronados Toronados Toronados,
Toronados
The Collective Cult of Woolly Lydia:
Jane Birkin eating the apple:
The Night Owl:
The Night Owl:
Jane Birkin eating the apple:
Ojai John:
Jane Birkin eating the apple:
The Night Owl: