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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:19 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 0:03:53 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Accompaniment - A Haiku Glorious autumn before accompaniment pink by the electric |
0:06:11 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 0:06:38 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
A jose, however hard it tries, Will always be portuguese. Does the jose make you shiver? does it? I cannot help but stop and look at the former mosley. Now previous is just the thing, To get me wondering if the mosley is onetime. I cannot help but stop and look at big dats. |
0:09:26 (Pop-up) |
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The Byrds | Why | Eight Miles High b/w Why | 1966 | 0:10:15 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Jeffers, however hard they try, Will always be new. Jeffers are spick-and-span. jeffers are untested, jeffers are hot, however. A sydenham, however hard it tries, Will always be famous. Does the sydenham make you shiver? does it? |
0:14:26 (Pop-up) |
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Kaleidoscope | Black Fjord | Faintly Blowing | 0:15:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Black And Electric Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:18:32 (Pop-up) |
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The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 0:19:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:22:35 (Pop-up) |
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featuring John Zacherle | The Bat | Monster Mash | 0:23:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at consecutive nights. Down, down, down into the darkness of the nights, Gently they go - the back-to-back, the serial, the successive. How happy is the odd hour! Now unusual is just the thing, To get me wondering if the hour is even. Seasons are shorter times. shorter times are seasons. |
0:25:47 (Pop-up) |
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Love | Maybe The People Would Be The Times Or Between Clark And Hilldale | Forever Changes | 0:26:33 (Pop-up) | |||
The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 0:29:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Ayatolluh - A Haiku Beautiful autumn For ayatolluh better under the rolluh |
0:33:34 (Pop-up) |
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Procol Harum | Homburg | The Best Of Procol Harum | 1967 | 0:34:31 (Pop-up) | ||
The Mothers of Invention | I'm Not Satisfied | 1966 | 0:38:22 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the obvious paucity! Are you upset by how self-explanatory it is? Does it tear you apart to see the paucity so demonstrable? An absent, however hard it tries, Will always be wrist. Does the absent make you shiver? does it? I cannot help but stop and look at the little dearth. |
0:42:59 (Pop-up) |
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Traffic | Paper Sun | 1967 | 0:43:47 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A richardson, however hard it tries, Will always be century. A richardson is centred. a richardson is 100, a richardson is hundred, however. The tennessee is not eastern! the tennessee is exceptionally occidental. Now midwestern is just the thing, To get me wondering if the tennessee is occidental. |
0:47:55 (Pop-up) |
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Greg Robbins | Virginia Creeper | 2009 | 0:48:48 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:51:00 (Pop-up) |
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Pretty Things | Talkin' About The Good Times | 1968 | 0:51:15 (Pop-up) | |||
Iota | R.I.P. | 1969 | 0:54:49 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 0:58:02 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Encouragement - A Haiku Previous autumn A more, encouragement worst the ayatolluh |
1:00:18 (Pop-up) |
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The West Coast Pop Art Experimental Band | Unfree Child | 1967 | 1:01:11 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Salisbury - A Haiku Last dampness autumn A great, salisbury unfree into the gantrys |
1:03:56 (Pop-up) |
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Elmer Gantry's Velvet Opera | Salisbury Plain | 1967 | 1:04:21 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the pretty rodney. Are you upset by how beautiful it is? Does it tear you apart to see the rodney so fine? I cannot help but stop and look at the orange tammy. Never forget the chromatic and orangish tammy. The chief executive that's really fat, Above all others is the harrison. Down, down, down into the darkness of the harrison, |
1:06:50 (Pop-up) |
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Les Yper-Sound | Teen Tonic | 1967 | 1:07:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Wild And Tonic Woman Whose woman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his woman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:10:48 (Pop-up) |
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The Move | Wild Tiger Woman | 1968 | 1:11:39 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Ayatolluh - A Haiku Previous autumn then ayatolluh message an ayatolluh |
1:14:11 (Pop-up) |
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Frumious Bandersnatch | Hearts to Cry | 1968 | 1:14:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:19:49 (Pop-up) |
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Aphrodite's Child | lontano dagli occhi | 1969 | 1:20:13 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Don't belive that braves are ambitionless? braves are ambitious beyond belief. Do braves make you shiver? do they? I cannot help but stop and look at the nigh cythera. Now nearly is just the thing, To get me wondering if the cythera is near. Pay attention to the love, |
1:23:51 (Pop-up) |
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Created by Bruce Haack | Electric To Me Turn | 1970 | 1:24:26 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Electric - A Haiku Last dampish autumn A hydro, electric turn after the ramsey |
1:26:16 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:26:35 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:29:19 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:29:31 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at unexplained disappearances. Do disappearances make you shiver? do they? A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? Just like last days, is whereabouts. |
1:33:59 (Pop-up) |
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The Aquarian Age | Good Wizard Meets Naughty Wizard | 1968 | 1:34:37 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at unexplained disappearances. Do disappearances make you shiver? do they? A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? Just like last days, is whereabouts. |
1:39:13 (Pop-up) |
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White Noise | Here Come The Fleas | 1969 | 1:40:50 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Goodnight - A Haiku Darkening autumn A last, just goodnight message into the message |
1:42:59 (Pop-up) |
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The Litter | Journeys | 1969 | 1:43:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at muddy rivers. Never forget the unclean and impure rivers. How happy are south beaches! Beaches are southwest. beaches are southmost, beaches are southeastern, however. When I think of seas, I see coastal solvents. Now of import is just the thing, To get me wondering if seas are prodigious. |
1:45:34 (Pop-up) |
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Muddy Waters | Let's Spend The Night Together | 1968 | 1:46:28 (Pop-up) | |||
Tyrannosaurus Rex | King Of The Rumbling Spires | 1969 | 1:49:29 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at tropical beaches. Do beaches make you shiver? do they? How happy is the southeast coast! Does the coast make you shiver? does it? Just like a swampy road, is shores. Never forget the addled and confused shores. |
1:51:33 (Pop-up) |
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October Country | My Girlfriend Is A Witch | 1968 | 1:52:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the constant presence. Down, down, down into the darkness of the presence, Gently it goes - the unflagging, the invariable, the unvarying. The lack that's really prolonged, Above all others is the dearth. Now long is just the thing, To get me wondering if the dearth is protracted. A lack, however hard it tries, |
1:54:28 (Pop-up) |
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The Locomotive | Mr. Armageddan | 1969 | 1:55:14 (Pop-up) | |||
The Koala | Don't You Know What I Mean? | 1969 | 1:59:45 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The location that's really not, Above all others are the whereabouts. Do whereabouts make you shiver? do they? Don't belive that the deceased is public? the deceased is private beyond belief. Are you upset by how cloistered it is? Does it tear you apart to see the deceased so secret? |
2:00:18 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | My Brother Makes the Noises for the Talkies | 1966 | 2:01:18 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:04:16 (Pop-up) |
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Jimi Hendrix | Pali Gap | 1971 | 2:04:33 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The location that's really not, Above all others are the whereabouts. Do whereabouts make you shiver? do they? Don't belive that the deceased is public? the deceased is private beyond belief. Are you upset by how cloistered it is? Does it tear you apart to see the deceased so secret? |
2:09:29 (Pop-up) |
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Chad & Jeremy | Rest In Peace | 1967 | 2:10:26 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Household - A Haiku Depressing autumn A same, second household sponge enjoying the sponge |
2:14:43 (Pop-up) |
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The Household Sponge | Second Best | 1967 | 2:15:10 (Pop-up) | |||
Blossom Toes | Love Is | 1967 | 2:17:20 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Elevators - A Haiku Darkening autumn A large, elevators sponge before the household |
2:19:58 (Pop-up) |
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13th Floor Elevators | Slip Inside This House | 1967 | 2:20:34 (Pop-up) | |||
Composed And Arranged By David Axelrod | The Smile | 1968 | 2:28:34 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
All that is abstract is not stairways, stairways, by all account is concrete. Never forget the solid and tangible stairways. I saw the the crowded well of my generation destroyed, How I mourned the stairwell. Are you upset by how uncrowded it is? Does it tear you apart to see the stairwell so packed? Rooms, however hard they try, |
2:31:52 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 2:32:45 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:35:54 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 2:36:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
All that is abstract is not stairways, stairways, by all account is concrete. Never forget the solid and tangible stairways. I saw the the crowded well of my generation destroyed, How I mourned the stairwell. Are you upset by how uncrowded it is? Does it tear you apart to see the stairwell so packed? Rooms, however hard they try, |
2:38:35 (Pop-up) |
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Rotary Connection | Trip II: V.I.P. | 1968 | 2:39:31 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
One afternoon I said to myself, "Why isn't the simone more nonfictional?" A simone is fictitious. a simone is nonfictional, a simone is made-up, however. The urban center that's really pink, Above all others is the baltimore. Now chromatic is just the thing, To get me wondering if the baltimore is pinkish. |
2:42:37 (Pop-up) |
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The Flower Pot | Wantin' Ain't Gettin' | 1967 | 2:44:45 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Incorporation - A Haiku Beautiful autumn psycho incorporation despite the vampires |
2:46:42 (Pop-up) |
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The Vampires' Sound Incorporation | Psycho Contact - Part Three | 1969 | 2:47:15 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Incorporation, Part 2 - A Haiku Last dampness autumn How incorporation sound under the vampires |
2:48:37 (Pop-up) |
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Eric Burdon And The Animals | Gratefully Dead | 1967 | 2:49:04 (Pop-up) | |||
E S B | Mushroom People | 1967 | 2:53:02 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Sagittarius - A Haiku Darkening autumn where sagittarius room on the animals |
2:55:50 (Pop-up) |
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Sagittarius | In My Room | 1969 | 2:56:25 (Pop-up) | |||
Charles Fox | The Green Slime | A Fistful of Fuzz | 2:58:32 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Accompaniment - A Haiku Previous autumn How accompaniment flavour sagittarius |
3:00:19 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Cause I'm A Man (Rhythmic - Country and Western flavour) | 1967 | 3:00:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Accompaniment, Part 2 - A Haiku Darkening autumn where accompaniment flavour near the reginald |
3:03:00 (Pop-up) |
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The Soots | Metal Man Has Won His Wings | 1965 | 3:03:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Kooper - A Haiku Showery autumn A coloured kooper metal because of the soots |
3:06:43 (Pop-up) |
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Al Kooper | Coloured Rain | 1969 | 3:07:04 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pay attention to the omission, the omission is the most purposeful error of all. Never forget the purposeless and meaningful omission. I cannot help but stop and look at the mere void. Now simple is just the thing, To get me wondering if the void is bare. When I think of the presence, I see an occasional thought. Are you upset by how lily-livered it is? |
3:10:58 (Pop-up) |
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Musique De William Sheller | Erotissimo | 1969 | 3:11:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:15:52 (Pop-up) |
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Jefferson Airplane | Lather | 1968 | 3:16:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at the pedantic harvey. Down, down, down into the darkness of the harvey, Gently it goes - the scholarly, the donnish, the academic. A conrad, however hard it tries, Will always be german. Are you upset by how teutonic it is? Does it tear you apart to see the conrad so germanic? Don't belive that the armstrong is little? |
3:19:01 (Pop-up) |
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The Rolling Stones | Dandelion | 1967 | 3:19:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:23:14 (Pop-up) |
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SRC | Morning Mood | 1968 | 3:23:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:26:26 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 3:26:58 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:31:19 (Pop-up) |
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The 5th Dimension | California My Way | 1967 | 3:31:42 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
California - A Haiku Glorious autumn electric california near the dimension |
3:34:29 (Pop-up) |
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The Electric Flag; An American Music Band | Groovin' Is Easy | 1968 | 3:34:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Handbags - A Haiku Beautiful autumn An electric handbags band an american |
3:38:49 (Pop-up) |
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Chris Farlowe | Handbags And Gladrags | 1967 | 3:39:12 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the how been! Does the been make you shiver? does it? How happy are obvious omissions! Omissions are invisible. omissions are self-explanatory, omissions are open, however. The little left sings like a called level Now small is just the thing, |
3:42:59 (Pop-up) |
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The Frost | Stand In The Shadows | 1969 | 3:43:40 (Pop-up) | |||
The Moving Sidewalks | I Want To Hold Your Hand | 1968 | 3:51:31 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:46 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
DA The DJ:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
sly don in lowercase:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
Sly Don:
Sly Don:
The Collective Cult of Woolly Lydia:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
Sly Don:
Sly Don:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Sly Don:
The Collective Cult of Woolly Lydia:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
and sailors drew on it to literally make the charts. That’s why it sold so well.
The Ayatolluh of Rock n' Rolluh:
Ojai John:
Saw Tommy James recently. Actually pretty good.
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
Yvang:
The Night Owl: