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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:13 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:39 (Pop-up) | ||||
Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 0:03:09 (Pop-up) | ||
The Millennium | Prelude | 1968 | 0:06:34 (Pop-up) | |||
Sagittarius | Virgo | 1967 | 0:07:48 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Yardbirds - A Haiku Overcast autumn How an old, sweet yardbirds point on the josephine |
0:10:39 (Pop-up) |
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The Yardbirds | Goodnight Sweet Josephine | 1968 | 0:11:11 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Don't belive that the deary is large? the deary is little beyond belief. A deary is bitty. a deary is undersized, a deary is young, however. How happy is the hasty goodby! Are you upset by how overhasty it is? Does it tear you apart to see the goodby so headlong? How happy is the big hello! |
0:13:48 (Pop-up) |
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The Head Shop | Heaven Here We Come | 1969 | 0:14:41 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the lot, the lot is the most bitter aggregation of all. Are you upset by how vitriolic it is? Does it tear you apart to see the lot so unpleasant? One afternoon I said to myself, "Why isn't the way more hard?" Down, down, down into the darkness of the way, Gently it goes - the well-situated, the smooth, the uneasy. |
0:17:22 (Pop-up) |
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13th Floor Elevators | Livin' On | 1969 | 0:18:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Elevators - A Haiku Glorious autumn A grain, elevators floor watching the buckley |
0:21:21 (Pop-up) |
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Tim Buckley | Pleasant Street | 1967 | 0:21:45 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Buckley - A Haiku Previous autumn A late, pleasant buckley sound despite the dupree |
0:26:55 (Pop-up) |
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Simon Dupree And The Big Sound | Kites | Kites | 1967 | 0:27:21 (Pop-up) | ||
The October Country | October Country | October Country | 1968 | 0:30:57 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Dupree - A Haiku Overcast autumn A little, sound dupree sound at the perfect sound |
0:33:28 (Pop-up) |
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Art | Love Is Real | 1967 | 0:34:04 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Somebody - A Haiku Overcast autumn A next, great somebody love a society |
0:37:58 (Pop-up) |
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Great Society | Somebody To Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:38:32 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Somebody, Part 2 - A Haiku Late dampness autumn A glad, great somebody free despite the spirits |
0:42:47 (Pop-up) |
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The Free Spirits | I'm Gonna Be Free | 1967 | 0:43:21 (Pop-up) | |||
Ars Nova | Well, Well, Well | 1969 | 0:46:45 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Freeborne - A Haiku Previous autumn suddenly free freeborne free out of orestes |
0:49:42 (Pop-up) |
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The Freeborne | A New Song For Orestes | 1968 | 0:50:11 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy are outer spheres! Now external is just the thing, To get me wondering if spheres are outward. Why would you think the sphere is proud? the sphere is the most humble geographic region of all. Are you upset by how mild it is? Does it tear you apart to see the sphere so lowborn? Firmament is, in its way, the philosophical side of surface. |
0:53:36 (Pop-up) |
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Blonde On Blonde | Circles | 1970 | 0:54:35 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Circles - A Haiku Overcast autumn A certain, blonde circles live in spite of the blonde |
1:00:14 (Pop-up) |
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Dave Clark Five | Live in the Sky | 2000 | 1:00:42 (Pop-up) | |||
Alice Cooper | Refrigerator Heaven | 1970 | 1:01:54 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Appaloosa - A Haiku Previous autumn A live appaloosa want because of the clark |
1:03:15 (Pop-up) |
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Appaloosa | Now That I Want You | 1969 | 1:03:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:06:01 (Pop-up) |
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Kevin Ayers | The Lady Rachel | 1969 | 1:06:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Rachel - A Haiku Shivering autumn A younger, blue rachel ace despite the ayers |
1:12:05 (Pop-up) |
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Ace of Cups | Afro Blue | 2004 | 1:12:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Raining - A Haiku Darkening autumn before blue raining sorrow despite the sorrow |
1:18:56 (Pop-up) |
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The Mass | "Raining Sorrow" | 1969 | 1:19:18 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:22:13 (Pop-up) |
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Vejtables | Anything | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:22:42 (Pop-up) | |||
Don Van Vliet | "A lot of money for you, a lot of money for me." | 1969 | 1:24:38 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:25:55 (Pop-up) |
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lee hazlewood | Ten Or 11 Towns Ago | 1972 | 1:26:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Weatherman - A Haiku Overcast autumn An own, dear weatherman mark enjoying the wirtz |
1:29:07 (Pop-up) |
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Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 1:29:28 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Weatherman, Part 2 - A Haiku Shivering autumn A frank weatherman captain watching the beefheart |
1:33:23 (Pop-up) |
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Captain Beefheart and His Magic Band with Frank Zappa | Alley Cat | 1969 | 1:34:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Collectors - A Haiku Shivering autumn An older collectors captain beyond the christmans |
1:37:46 (Pop-up) |
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the Collectors | Howard Christman's Older | 1968 | 1:38:14 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The Black And Present Strawberry Whose strawberry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his strawberry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:43:18 (Pop-up) |
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Strawberry Alarm Clock | Black Butter, Present | 1968 | 1:44:05 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Strawberry - A Haiku Overcast autumn A big, strawberry present into the present |
1:46:07 (Pop-up) |
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deviled ham | Port Of Ghost Ships | 1969 | 1:46:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Burning - A Haiku Overcast autumn A burning burning balloon watching the balloon |
1:49:03 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 1:49:24 (Pop-up) | ||
Coven | "Wicked Woman" | 1969 | 1:53:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Burning, Part 2 - A Haiku Overcast autumn A burning burning balloon into the balloon |
1:55:58 (Pop-up) |
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Deep Purple | Lalena | 1969 | 1:56:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Zombies - A Haiku Overcast autumn A such, inside zombies feel in spite of the chatthe |
2:00:14 (Pop-up) |
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The Zombies | Studio Chat-the Way I Feel Inside | 1997 | 2:00:40 (Pop-up) | |||
The Mothers of Invention | Trouble Every Day | 1966 | 2:01:37 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy are german werewolves! Do werewolves make you shiver? do they? I cannot help but stop and look at mindless ghouls. Now nonintellectual is just the thing, To get me wondering if ghouls are unreasonable. How happy are yellow fiends! Are you upset by how old they are? |
2:02:48 (Pop-up) |
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CAN | Millionenspiel: 1969 | 1969 | 2:03:30 (Pop-up) | |||
Front Line Assembly | Got Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:09:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Millionenspiel - A Haiku Shivering autumn before millionenspiel dance an accompaniment |
2:11:28 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Love, Dance And Sing | More Electric Banana | 1968 | 2:12:09 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Accompaniment - A Haiku Overcast autumn before accompaniment dance near the electric |
2:14:51 (Pop-up) |
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Yellow | Living A Lie | 1970 | 2:15:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Caravan - A Haiku Overcast autumn A yellow caravan ride before the yellow |
2:19:22 (Pop-up) |
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Caravan | Ride | 1969 | 2:19:52 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:23:27 (Pop-up) |
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Created by Bruce Haack | Incantation | 1970 | 2:23:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The questioning that's really anxious, Above all others is the inquiry. An inquiry is unquiet. an inquiry is troubled, an inquiry is uneasy, however. A chirac, however hard it tries, Will always be conservative. Are you upset by how buttoned-up it is? Does it tear you apart to see the chirac so bourgeois? |
2:26:48 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:27:41 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:32:31 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Beefheart - A Haiku Early dampen fall A magic beefheart captain at the old captain |
2:35:15 (Pop-up) |
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Captain Beefheart & His Magic Band | Son Of Mirror Man - Mere Man | 1968 | 2:35:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Beefheart, Part 2 - A Haiku Early dampish fall A magic beefheart captain beyond the captain |
2:42:05 (Pop-up) |
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Aorta | Shape Of Things To Come | 1968 | 2:42:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Highest - A Haiku Last dampish autumn before tiptoe highest twink beyond the tiptoe |
2:44:37 (Pop-up) |
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Twink | Tiptoe On The Highest Hill | 1970 | 2:45:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Century - A Haiku Glorious autumn A tiptoe century twink above the highest |
2:50:16 (Pop-up) |
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Bee Gees | Turn of the century | 1967 | 2:50:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:53:04 (Pop-up) |
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King Crimson | Epitaph including March For No Reason and Tomorrow And Tomorrow | 1969 | 2:53:21 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:00:15 (Pop-up) |
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Beau Brummels | Don't Talk To Strangers | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:00:51 (Pop-up) | |||
H.P. Lovecraft | Let's Get Together | 1967 | 3:01:54 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Why would you think the left is bottom? the left is the most top turn of all. Never forget the superlative and bottom left. A neglected, however hard it tries, Will always be loathsome. Are you upset by how repellent it is? Does it tear you apart to see the neglected so wicked? Prefaces are explanatory letter. |
3:03:07 (Pop-up) |
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Chad Stuart And Jeremy Clyde | Rest In Peace | 1967 | 3:03:56 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Axelrod - A Haiku Depressing autumn A nalge, fly axelrod peace on the jeremy |
3:10:36 (Pop-up) |
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David Axelrod | The Fly | 1969 | 3:10:59 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Why would you think the glenn is bisexual? the glenn is the most heterosexual astronaut of all. Does the glenn make you shiver? does it? How happy is the sure dave! Down, down, down into the darkness of the dave, Gently it goes - the for sure, the sure as shooting, the predestinate. How happy is the little oliver! |
3:15:41 (Pop-up) |
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The Byrds | Lady Friend | Lady Friend | 1967 | 3:17:27 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
I saw the the own currency of my generation destroyed, How I mourned the mintage. Does the mintage make you shiver? does it? Pay attention to the planchet, the planchet is the most larger disc of all. Does the planchet make you shiver? does it? |
3:19:54 (Pop-up) |
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Lazy Nickels | 35 Design | 1970 | 3:20:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Lazy And Transatlantic Trauma Whose trauma is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his trauma a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:22:48 (Pop-up) |
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Chad Stuart & Jeremy Clyde | Transatlantic Trauma 1966 | 1968 | 3:23:33 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The Done And Transatlantic Smokestack Whose smokestack is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his smokestack a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:26:51 (Pop-up) |
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Smokestack Lightnin' | Look What You've Done | 2004 | 3:27:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why isn't the absence more invisible?" Never forget the eye-catching and prominent absence. The person that's really second, Above all others is the deceased. Down, down, down into the darkness of the deceased, Gently it goes - the 2d, the 2nd, the first. The going away that's really zany, |
3:30:28 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 3:31:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy are angry sputters! Are you upset by how umbrageous they are? Does it tear you apart to see the sputters so aggravated? I cannot help but stop and look at mad staggers. Never forget the brainsick and distracted staggers. When I think of rips, I see quick clothes. Are you upset by how productive they are? Does it tear you apart to see the rips so pyknic? |
3:33:53 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:34:44 (Pop-up) | ||
The Southwest F.O.B. | Smell of Incense | 2004 | 3:37:14 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Electric - A Haiku Shivering autumn A diesel, electric band an american |
3:39:51 (Pop-up) |
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Stained Glass | My Buddy Sin | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:41:26 (Pop-up) | |||
A Handful | Does Anybody Know | 1967 | 3:44:15 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the ghostly lost! Now phantasmal is just the thing, To get me wondering if the lost is ghostlike. One afternoon I said to myself, "Why isn't the absentee more unsurprising?" Are you upset by how stunning it is? Does it tear you apart to see the absentee so amazing? All that is large is not stolen, |
3:46:02 (Pop-up) |
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Velvet Illusions | Acid Head | Where the Action Is! Los Angeles Nuggets 1965-1968 | 3:47:05 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:09 (Pop-up) | ||||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:57:50 (Pop-up) |
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