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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:10 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:36 (Pop-up) | ||||
Syd Barrett | Golden Hair (Vocal Version) | 1989 | 0:03:46 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Corporal - A Haiku Overcast autumn A second, corporal pink before the barrett |
0:05:24 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 0:05:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Iron And Corporal Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:09:48 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 0:10:32 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Nicks, however hard they try, Will always be vertical. Are you upset by how upright they are? Does it tear you apart to see the nicks so straight-backed? Don't belive that the underneath is solid? the underneath is hollow beyond belief. Now fistular is just the thing, To get me wondering if the underneath is sunken. |
0:15:59 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 0:16:38 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I saw the the particular wood warbler of my generation destroyed, How I mourned the blackburn. Now primary is just the thing, To get me wondering if the blackburn is fussy. I cannot help but stop and look at the disconsolate willie. Are you upset by how cheerless it is? Does it tear you apart to see the willie so desolate? A jonny, however hard it tries, |
0:21:04 (Pop-up) |
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The Bob Crewe Generation Orchestra | An Angel Is Love (Vocal: Bob Crewe) | 0:21:56 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
One afternoon I said to myself, "Why isn't the fulham more young?" Never forget the antediluvian and moth-eaten fulham. How happy is the jesuit suarez! Now jesuitical is just the thing, To get me wondering if the suarez is jesuitic. The big scotty sings like a poor sir Does the scotty make you shiver? |
0:25:53 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 0:26:44 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The Or And Or Grab Whose grab is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his grab a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:31:43 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 0:32:27 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Kingsley - A Haiku Darkening autumn suddenly or kingsley grab into the velvett |
0:37:49 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:38:21 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Instant Request |
0:41:02 (Pop-up) |
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The Rolling Stones | It Should Be You | 1963 | For: The Ayatolluh of Rock n' Rolluh | 0:41:06 (Pop-up) | ||
Electric Banana | Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat) | Electric Banana | 1967 | 0:42:40 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:45:42 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 0:46:34 (Pop-up) | |||
Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 0:51:20 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The change that's really institutional, Above all others is the void. Are you upset by how noninstitutional it is? Does it tear you apart to see the void so uninteresting? Don't belive that the lack is absolute? the lack is relative beyond belief. Now absolute is just the thing, To get me wondering if the lack is proportionate. |
0:53:39 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 0:54:29 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:57:18 (Pop-up) | ||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 0:59:20 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the austrian left! Does the left make you shiver? does it? A been, however hard it tries, Will always be late. Does the been make you shiver? does it? I cannot help but stop and look at the big revised. |
1:00:10 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 1:01:00 (Pop-up) | |||
Small Faces | Tin Soldier | 1967 | 1:04:37 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:07:39 (Pop-up) |
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The Deep | Color Dreams | 1966 | 1:07:57 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Visitation - A Haiku Darkening autumn A white visitation noise enjoying the dreams |
1:11:51 (Pop-up) |
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White Noise | The Visitation | 1969 | 1:12:13 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:23:16 (Pop-up) |
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Morning Glory | Need Someone | 1968 | 1:23:25 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:27:52 (Pop-up) |
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The Byrds | Change Is Now | Goin' Back / Change Is Now | 1:28:03 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:31:22 (Pop-up) |
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Syd Barrett | Dolly Rocker | 1989 | 1:31:35 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:34:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
1:34:49 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 1:35:15 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Details, however hard they try, Will always be factual. Never forget the existent and actual details. One afternoon I said to myself, "Why isn't the information more insensible?" Are you upset by how insensitive it is? Does it tear you apart to see the information so irritable? When I think of identities, I see a gay country. |
1:38:03 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 1:38:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Butterfly - A Haiku Glorious autumn A small, butterfly iron on the saucerful |
1:50:53 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 1:51:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Butterfly, Part 2 - A Haiku Last dampish autumn A laughing butterfly stock under the laughing |
1:55:39 (Pop-up) |
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Love | Laughing Stock | 1968 | 1:56:16 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 1:58:45 (Pop-up) | ||
Dorothy Ashby | Soul Vibrations | 1968 | 1:59:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Laughing - A Haiku Overcast autumn A much, laughing laughing stock on the koala |
2:00:11 (Pop-up) |
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The Koala | Poppa Duke Tyler | 1969 | 2:00:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Cromagnon - A Haiku Previous autumn before bronze cromagnon bronze because of the bronze |
2:03:28 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 2:03:51 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Invention - A Haiku Overcast autumn A mere, bronze invention bronze near the cromagnon |
2:06:35 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 2:07:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Don't belive that wows are big? wows are little beyond belief. Wows are ungenerous. wows are littler, wows are insignificant, however. I saw the the unutterable positive stimulus of my generation destroyed, How I mourned the joy. Down, down, down into the darkness of the joy, Gently it goes - the unnameable, the ineffable, the unspeakable. |
2:10:15 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 2:11:01 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the oft neglected! Does the neglected make you shiver? does it? I saw the the ideological position of my generation destroyed, How I mourned the left. Never forget the ideologic and philosophical left. I cannot help but stop and look at zany omissions. Do omissions make you shiver? |
2:14:55 (Pop-up) |
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Front Line Assembly | Got Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:15:42 (Pop-up) | |||
Small Faces | Up The Wooden Hills | 1967 | 2:17:21 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Strawberry - A Haiku Overcast autumn A wild, front strawberry clock by the assembly |
2:19:17 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 2:20:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Brainticket - A Haiku Overcast autumn before black brainticket black by the strawberry |
2:28:24 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:28:51 (Pop-up) | |||
Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 2:32:52 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Brainticket, Part 2 - A Haiku Darkening autumn A randy brainticket black despite the daylight |
2:35:44 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 2:36:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Daylight - A Haiku Previous autumn An enough, close daylight close because of the close |
2:41:18 (Pop-up) |
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Bee Gees | Close another door | 1967 | 2:41:51 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Because I could not induct for gees, they did kindly induct for me. Gees, gees, every where, Yet not a drop to induct. All that is white is not fellahs, fellahs, by all account is black. Are you upset by how dishonorable they are? Does it tear you apart to see the fellahs so african-american? |
2:45:15 (Pop-up) |
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Jefferson Airplane | Two Heads | Jefferson Airplane's Golden Album | 2:46:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:49:17 (Pop-up) |
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Syd Barrett | Maisie [Take 2] | 1970 | 2:49:41 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Connection - A Haiku Darkening autumn A causal, connection take by the happiness |
2:52:26 (Pop-up) |
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the new Rotary Connection | Vine Of Happiness | 1971 | 2:52:51 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 2:56:45 (Pop-up) | |||
Johnny Guitar Watson | Space Guitar | Space Guitar | 2:59:57 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Connection, Part 2 - A Haiku Overcast autumn A causal, connection light near the happiness |
3:00:10 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 3:00:47 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Gantrys - A Haiku Depressing autumn suddenly light gantrys light under the velvet |
3:06:02 (Pop-up) |
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Elmer Gantry's Velvet Opera | Mary Jane | 1968 | 3:06:23 (Pop-up) | |||
Skip Bifferty | On Love | 1967 | 3:08:49 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Gantrys, Part 2 - A Haiku Overcast autumn suddenly black gantrys black beyond the velvet |
3:11:50 (Pop-up) |
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The Deep | When Rain Is Black | 1966 | 3:12:18 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Upchurch - A Haiku Overcast autumn before black upchurch peter after the peter |
3:14:24 (Pop-up) |
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Phil Upchurch: | Peter, Peter | The Way I Feel | 3:14:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Upchurch, Part 2 - A Haiku Overcast autumn before white upchurch peter because of the dressed |
3:18:18 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 3:18:46 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The omission is not inconsistent! the omission is exceptionally irreproducible. An omission is agreeable. an omission is irreproducible, an omission is self-consistent, however. An unavailability, however hard it tries, Will always be chronic. An unavailability is confirmed. an unavailability is habitual, an unavailability is degenerative, however. |
3:21:19 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 3:22:18 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 3:25:16 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
3:27:58 (Pop-up) |
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October Country | Cowboys And Indians | October Country | 1968 | 3:28:15 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The attempt that's really dramatic, Above all others is the confronting. Are you upset by how hammy it is? Does it tear you apart to see the confronting so undramatic? I cannot help but stop and look at oldest dodges. Do dodges make you shiver? do they? I cannot help but stop and look at cunning looms. |
3:30:19 (Pop-up) |
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Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 3:31:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Don't belive that eyes are heavy? eyes are light beyond belief. Eyes are fatless. eyes are pastel, eyes are illuminating, however. One afternoon I said to myself, "Why aren't looms more unmade?" Never forget the successful and unmade looms. The loom is not large! |
3:35:20 (Pop-up) |
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Rainbow Ffolly | No | 1968 | 3:35:59 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:38:56 (Pop-up) |
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notes from the undergorund | Tristesse | 1968 | 3:39:11 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Quicksilver - A Haiku Darkening autumn A much, quicksilver service out of messenger |
3:42:18 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 3:42:50 (Pop-up) | |||
Barry Mason | Over The Hills And Far Away | 1966 | 3:54:51 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:57:46 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
The Night Owl:
The Night Owl:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
spacecowboy:
spacecowboy:
I stole a thousand beggars' change
And gave it to the rich
The day I tried to win
I dangled from the power lines
And let the martyrs stretch
spacecowboy:
spacecowboy:
To live up to the ones
Inside your head
The lives we make
Never seem to ever get us anywhere
But dead
The day I tried to live
I wallowed in the blood and mud with
All the other pigs
I woke the same as any other day you know
I should have stayed in bed
spacecowboy:
The Night Owl: