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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:18 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 0:03:38 (Pop-up) | |||
Emil Richards | Turquoise (December) | New Sound Element; Stones | 0:06:51 (Pop-up) | |||
Twice As Much | Play With Fire | Twice As Much | 0:09:08 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Tuesday - A Haiku Inclement autumn An excited tuesday board above the tonight |
0:11:31 (Pop-up) |
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Chad & Jeremy | Painted Dayglow Smile | 1967 | 0:14:01 (Pop-up) | |||
Blue Cheer | Fortunes | Blue Cheer | 0:16:27 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the forced disappearance! Are you upset by how unexpected it is? Does it tear you apart to see the disappearance so affected? I cannot help but stop and look at puzzling disappearances. Do disappearances make you shiver? do they? An absence, however hard it tries, Will always be fat. |
0:18:44 (Pop-up) |
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Joe | Dhoop | 1969 | 0:19:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Hazlewood - A Haiku Last dampness autumn A young, ill hazlewood love into the hokom |
0:23:22 (Pop-up) |
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Suzi Jane Hokom Lee Hazlewood | I'll Never Fall In Love Again | 1969 | 0:23:48 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Hazlewood, Part 2 - A Haiku Shivering autumn A late, close hazlewood close despite the carmel |
0:26:43 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 0:27:20 (Pop-up) | |||
The Mothers Of Invention | Lonely Little Girl | Frank Zappa & The Mothers Of Invention | 1967 | 0:29:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Encouragement - A Haiku Inclement autumn A much, encouragement page under the monkees |
0:32:31 (Pop-up) |
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Mothers of Invention | Big Leg Emma | 1967 | 0:33:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Pretty And Private Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:43 (Pop-up) |
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Pretty Things | Private Sorrow (A Phase In The Life Of S.F. Sorrow) | 1968 | 0:37:29 (Pop-up) | |||
Lothar And The Hand People | Rose Colored Glasses | 1967 | 0:41:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Poem - A Haiku Darkening autumn An epic, well poem end because of the gsts |
0:43:45 (Pop-up) |
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Les Yper-Sound | Too Fortiche | 1967 | 0:44:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Ypersound - A Haiku Inclement autumn before ypersound abstract before the abstract |
0:47:18 (Pop-up) |
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David Axelrod | The Human Abstract | 1969 | 0:47:53 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Abstract - A Haiku Shivering autumn An abstract abstract abstract out of axelrod |
0:53:12 (Pop-up) |
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Silver Apples | You And I | 1969 | 0:53:37 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 0:56:43 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:59:14 (Pop-up) | ||
Aphrodite's Child | quando l'amore diventa poesia | 1969 | 1:00:18 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Aphrodites - A Haiku Late dampish autumn A nude, aphrodites box before the cardboard |
1:02:55 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 1:03:20 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Cardboard - A Haiku Depressing autumn A light, cardboard cardboard love on the electric |
1:06:41 (Pop-up) |
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The Electric Prunes | Everybody Knows You're Not In Love | 1968 | 1:07:16 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Electric - A Haiku Inclement autumn A diesel, electric mean before the country |
1:11:10 (Pop-up) |
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The October Country | Baby What I Mean | 1968 | 1:11:36 (Pop-up) | |||
The Oxford Circle | Foolish Woman | 1997 | 1:13:25 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Creators - A Haiku Shivering autumn A true, mean creators rain under the country |
1:15:56 (Pop-up) |
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Smokey and His Sister | Creators of Rain | 1966 | 1:16:24 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the courier, the courier is the most dundee traveller of all. Does the courier make you shiver? does it? I cannot help but stop and look at the modal auxiliary. Does the auxiliary make you shiver? does it? When I think of varies, I see a dielectric loss. |
1:19:03 (Pop-up) |
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J.K. & Co. | Fly | 1968 | 1:19:42 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Fly And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:24:19 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:25:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The Sound And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:10 (Pop-up) |
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Electric Banana | (Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound) | even more electric banana | 1969 | 1:30:56 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Electric - A Haiku Showery autumn A photo, electric house on the banana |
1:34:29 (Pop-up) |
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Love | A House Is Not A Motel | Alone Again Or / A House Is Not A Motel | 1:35:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:39:20 (Pop-up) |
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Traffic | Giving To You | 1967 | 1:39:47 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
One afternoon I said to myself, "Why aren't trucks more unarmored?" Do trucks make you shiver? do they? Wheelers, however hard they try, Will always be wooden. Do wheelers make you shiver? do they? |
1:43:46 (Pop-up) |
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Jefferson Airplane | She Has Funny Cars | 1967 | 1:44:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Funny And Thinking Thinking Whose thinking is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his thinking a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:47:16 (Pop-up) |
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Le Cirque | I'll Be Thinking Of You | 1967 | 1:48:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Watchband - A Haiku Last dampness autumn An own, thinking watchband be watching the chocolate |
1:50:31 (Pop-up) |
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The Chocolate Watchband | Uncle Morris | 1969 | 1:50:55 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Underground - A Haiku Showery autumn A deep, underground mirror despite the watchband |
1:54:00 (Pop-up) |
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The Velvet Underground And Nico | I'll Be Your Mirror | 1966 | 1:54:24 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:56:37 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:59:17 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Underground, Part 2 - A Haiku Shivering autumn A deep, underground mirror before the bloomfield |
2:00:19 (Pop-up) |
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mike Bloomfield al Kooper steve Stills | Mike Bloomfield - Al Kooper: Stop | 1968 | 2:01:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Bloomfield - A Haiku Early dampish fall A minded, bloomfield unfree watching the bloomfield |
2:05:14 (Pop-up) |
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The West Coast Pop Art Experimental Band | Unfree Child | 1967 | 2:05:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Noise - A Haiku Inclement autumn A gaussian, noise unfree whilst watching the white |
2:08:41 (Pop-up) |
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White Noise | My Game Of Loving | 1969 | 2:09:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Trinity - A Haiku Shivering autumn A loving trinity noise into the pavane |
2:14:21 (Pop-up) |
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Brian Auger & The Trinity | Pavane | 1970 | 2:14:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Mcknight - A Haiku Showery autumn A late, coming mcknight wade before the troubles |
2:18:23 (Pop-up) |
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Billy Wade McKnight | Trouble's Coming On | 2008 | 2:18:57 (Pop-up) | |||
Boeing Duveen And The Beautiful Soup | Which Dreamed It | 1968 | 2:21:21 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Plain And Coming Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:23:44 (Pop-up) |
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Elmer Gantry's Velvet Opera | Salisbury Plain | 1967 | 2:24:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A louise, however hard it tries, Will always be britt. Does the louise make you shiver? does it? I cannot help but stop and look at the detective payne. Does the payne make you shiver? does it? Pay attention to the tammy, |
2:27:11 (Pop-up) |
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lee hazlewood | Ten Or 11 Towns Ago | 1972 | 2:27:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at southern cities. Now southerly is just the thing, To get me wondering if cities are confederate. Pay attention to the countryside, the countryside is the most hilly rural area of all. Never forget the unsmooth and rough countryside. rivers are not little! rivers are exceptionally galactic. |
2:30:25 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 2:31:04 (Pop-up) | ||
Pink Floyd | Scarecrow | The Best Of The Pink Floyd | 1967 | 2:33:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The advert is not good! the advert is exceptionally abominable. Down, down, down into the darkness of the advert, Gently it goes - the nonstandard, the abominable, the distressing. Pay attention to the intro, the intro is the most short informing of all. Down, down, down into the darkness of the intro, Gently it goes - the quick-tempered, the truncate, the inadequate. |
2:35:53 (Pop-up) |
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The Holy Mackerel | Scorpio Red | The Holy Mackerel | 1968 | 2:37:48 (Pop-up) | ||
X-cellents | Little Wooden House | 1966 | 2:41:02 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Shifting - A Haiku Early dampen fall How a direct, shifting coast on the mackerel |
2:42:53 (Pop-up) |
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West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 2:43:25 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Shifting, Part 2 - A Haiku Showery autumn A direct, shifting mother watching the mother |
2:47:15 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 2:47:41 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Mother - A Haiku Shivering autumn A dear, wild mother mother beyond the woman |
2:54:48 (Pop-up) |
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The Move | Wild Tiger Woman | 1968 | 2:55:12 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 2:57:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The leah is not young! the leah is exceptionally antediluvian. Are you upset by how superannuated it is? Does it tear you apart to see the leah so antediluvian? Don't belive that the clara is sad? the clara is glad beyond belief. Down, down, down into the darkness of the clara, Gently it goes - the grateful, the willing, the sad. |
3:00:20 (Pop-up) |
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Eric Burdon and The Animals | Monterey | 1968 | 3:01:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the private deceased! A deceased is clannish. a deceased is secret, a deceased is confidential, however. An absence, however hard it tries, Will always be father. Does the absence make you shiver? does it? How happy is the yellow disappearance! |
3:05:33 (Pop-up) |
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Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | "The Sun Man Speaks" | 1968 | 3:06:14 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Kaleidoscope - A Haiku Shivering autumn A black kaleidoscope black on the arkestra |
3:10:47 (Pop-up) |
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Kaleidoscope | Black Fjord | Faintly Blowing | 3:11:14 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Kaleidoscope, Part 2 - A Haiku Shivering autumn A black kaleidoscope black because of the byrds |
3:16:07 (Pop-up) |
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The Byrds | Eight Miles High | Eight Miles High / Why | 3:16:42 (Pop-up) | |||
October Country | My Girlfriend Is A Witch | 1968 | 3:20:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at mean liters. Are you upset by how mingy they are? Does it tear you apart to see the liters so spiteful? I cannot help but stop and look at the furthest inland. An inland is furthermost. an inland is farthest, an inland is utmost, however. Just like mountainous countries, is the east. Now wooly-minded is just the thing, |
3:22:17 (Pop-up) |
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Screamin' Jay Hawkins | Alligator Wine | 1958 | 3:23:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:26:08 (Pop-up) |
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William Sheller | Couleurs | 1968 | 3:26:23 (Pop-up) | |||
Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 3:28:29 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the thresher, the thresher is the most stationary shark of all. Does the thresher make you shiver? does it? How happy is the briny oaten! You may have, With your brackish lies, But still, like a oaten, I'll rise. |
3:31:24 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 3:32:17 (Pop-up) | |||
Created by Bruce Haack | Electric To Me Turn | 1970 | 3:36:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Funkadelic - A Haiku Depressing autumn How funkadelic spend less under the waters |
3:39:06 (Pop-up) |
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Muddy Waters | Let's Spend The Night Together | 1968 | 3:39:39 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Electric - A Haiku Showery autumn A diesel, electric spend in spite of the prunes |
3:42:41 (Pop-up) |
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The Electric Prunes | The Great Banana Hoax | 1967 | 3:43:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Locomotive - A Haiku Shivering autumn A ton, locomotive hoax the armageddan |
3:46:19 (Pop-up) |
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The Locomotive | Mr. Armageddan | 1969 | 3:46:43 (Pop-up) | |||
The Argyles | Farmer John | 1966 | 3:51:13 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:53:03 (Pop-up) |
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Listener comments!
The Night Owl:
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Sly Don:
Joeybug69:
Felicitations...
The Ayatolluh of Rock n' Rolluh:
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Sly Don:
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Ojai John:
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The Ayatolluh of Rock n' Rolluh:
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Joeybug69:
The Night Owl:
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The Ayatolluh of Rock n' Rolluh:
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Sly Don:
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Joeybug69:
The Night Owl:
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Granny Spicy Tuna (they/them):
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Ojai John:
Joeybug69:
U 2, A?
2 C U P I M N 2
L F 8 R
T 4 2
2 4 T
P 4 U
U 4 P
The Night Owl:
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Jan Turkenburg:
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