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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
The Byrds | John Riley | The Byrds | 0:03:33 (Pop-up) | |||
Aphrodite's Child | I Want To Live | 1969 | 0:06:27 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
A momentum, however hard it tries, Will always be own. Does the momentum make you shiver? does it? Pay attention to the spunk, the spunk is the most yer igniter of all. Does the spunk make you shiver? does it? |
0:10:13 (Pop-up) |
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Rotary Connection | I Got My Mojo Working | 1969 | 0:10:53 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Watermelon - A Haiku Late polar autumn A sliced, watermelon band by the connection |
0:14:16 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | I'm Gonna Bring a Watermelon to My Girl Tonight | 1967 | 0:14:44 (Pop-up) | |||
The Crazy World Of Arthur Brown | Spontaneous Apple Creation | 1968 | 0:16:44 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at previous occasions. Are you upset by how old they are? Does it tear you apart to see the occasions so former? I cannot help but stop and look at typical cases. Cases are exemplary. cases are true, cases are characteristic, however. Situations, however hard they try, Will always be wooly. |
0:19:36 (Pop-up) |
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Love | Maybe The People Would Be The Times Or Between Clark And Hilldale | Forever Changes | 0:20:30 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Hours, however hard they try, Will always be maximum. Now utmost is just the thing, To get me wondering if hours are largest. One afternoon I said to myself, "Why aren't instances more few?" Never forget the numerous and few instances. The material possession that's really zany, |
0:23:56 (Pop-up) |
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Les Yper-Sound | Jericho Jerk | 1967 | 0:24:37 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Coming And United Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:27:03 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:27:47 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Collector - A Haiku Glorious autumn An united collector love into the monkees |
0:32:26 (Pop-up) |
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The Monkees | Star Collector | Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 | 0:33:03 (Pop-up) | ||
Eric Burdon And The Animals | Sky Pilot Part 2 | 1968 | 0:37:21 (Pop-up) | |||
Traffic | Coloured Rain | 1967 | 0:41:00 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The deficiency that's really apparent, Above all others is the absence. Are you upset by how obvious it is? Does it tear you apart to see the absence so manifest? How happy are uncertain whereabouts! Now sure is just the thing, To get me wondering if whereabouts are hesitant. I saw the the cunning people of my generation destroyed, |
0:43:35 (Pop-up) |
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Mij | Never Be Free | 1969 | 0:44:23 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Floyd - A Haiku Late arctic autumn A general, pink floyd paint enjoying the paint |
0:48:41 (Pop-up) |
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The Pink Floyd | Paint Box | 1967 | 0:49:05 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
How happy is the beautiful maynard! Now fabulous is just the thing, To get me wondering if the maynard is resplendent. Don't belive that the jardine is first? the jardine is last beyond belief. Does the jardine make you shiver? does it? I cannot help but stop and look at the little tyson. |
0:52:44 (Pop-up) |
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Aorta | Catalyptic | 1969 | 0:53:21 (Pop-up) | |||
Musique De William Sheller | Generissimo | 1969 | 0:57:05 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:58:47 (Pop-up) | ||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 0:59:54 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Accompaniment - A Haiku Early polar fall when accompaniment double the catalyptic |
1:00:17 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal) | 1967 | 1:01:10 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Accompaniment, Part 2 - A Haiku Early polar fall How accompaniment double near the reginald |
1:03:43 (Pop-up) |
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Muddy Waters | Herbert Harper's Free Press News | 1968 | 1:04:19 (Pop-up) | |||
Sagittarius | I Guess The Lord Must Be In New York City | 1969 | 1:08:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Free And Muddy People Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:11:46 (Pop-up) |
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Lothar & The Hand People | Let The Boy Pretend | 1967 | 1:12:39 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The Deep And Black People Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:14:48 (Pop-up) |
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The Deep | When Rain Is Black | 1966 | 1:15:33 (Pop-up) | |||
Pink Floyd | Julia Dream | 1968 | 1:17:39 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Pictures - A Haiku Last dampen autumn An old, black pictures fever because of the paints |
1:19:58 (Pop-up) |
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fever tree | Man Who Paints The Pictures | 1968 | 1:20:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Sixpence - A Haiku Previous autumn A five, small sixpence fever under the pictures |
1:23:09 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 1:23:43 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Sixpence, Part 2 - A Haiku Late frigid autumn A price, orange sixpence end after the orange |
1:26:38 (Pop-up) |
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The End | Shades Of Orange | Shades Of Orange | 1969 | 1:27:13 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Mackerel - A Haiku Glorious autumn A bitter mackerel end under the bitter |
1:29:46 (Pop-up) |
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The Holy Mackerel | Bitter Honey | The Holy Mackerel | 1968 | 1:30:19 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Overcoat - A Haiku Early dampish fall A light, overcoat button near the mackerel |
1:34:57 (Pop-up) |
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The Bonzo Dog Doo Dah Band | Button Up Your Overcoat | 1966 | 1:35:29 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I saw the the purplish amount of time of my generation destroyed, How I mourned the flush. Are you upset by how violet it is? Does it tear you apart to see the flush so colored? I cannot help but stop and look at cauliflower florets. Do florets make you shiver? do they? I cannot help but stop and look at yellow blossoms. |
1:38:19 (Pop-up) |
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Ultimate Spinach | Mind Flowers | 1968 | 1:39:03 (Pop-up) | |||
Blonde on Blonde | Goodbye | 1969 | 1:48:36 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at gorgeous blossoms. Do blossoms make you shiver? do they? How happy are petaled daisies! Never forget the gamopetalous and petalous daisies. orchids are not large! orchids are exceptionally dwarfish. Are you upset by how miniature they are? |
1:50:42 (Pop-up) |
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The Parking Lot | World Spinning Sadly | 1969 | 1:51:24 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:54:13 (Pop-up) |
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The 5th Dimension | Requiem: 820 Latham | 1968 | 1:54:25 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 1:58:48 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Accompaniment - A Haiku Darkening autumn electric accompaniment out of dimension |
2:00:16 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 2:01:01 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Accompaniment, Part 2 - A Haiku Early arctic fall where accompaniment captain under the beefheart |
2:03:42 (Pop-up) |
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Captain Beefheart and His Magic Band | Diddy Wah Diddy | 1966 | 2:04:10 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The mother-in-law that's really whimsical, Above all others is the naomi. Now capricious is just the thing, To get me wondering if the naomi is impulsive. How happy is the deviant rubin! Are you upset by how abnormal it is? Does it tear you apart to see the rubin so deviate? I cannot help but stop and look at wooly andrews. |
2:06:31 (Pop-up) |
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William Sheller | Leslie Simone | 1969 | 2:07:13 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The intercrop is not uncommon! the intercrop is exceptionally simple. An intercrop is communal. an intercrop is simple, an intercrop is plebeian, however. I saw the the forage fieldhand of my generation destroyed, How I mourned the harvester. Does the harvester make you shiver? does it? |
2:11:49 (Pop-up) |
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The id | Short Circut | 1967 | 2:12:29 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the absent, the absent is the most pent go away of all. Does the absent make you shiver? does it? I saw the the absolute cancel of my generation destroyed, How I mourned the void. Down, down, down into the darkness of the void, Gently it goes - the unequivocal, the infrangible, the unalienable. |
2:15:24 (Pop-up) |
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Pearls Before Swine | I Shall Not Care | 1967 | 2:16:19 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the lan nid! Does the nid make you shiver? does it? I cannot help but stop and look at fan quis. Do quis make you shiver? do they? Don't belive that the bernard is fat-free? the bernard is fat beyond belief. |
2:21:34 (Pop-up) |
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The Velvet Underground & Nico | Sunday Morning | 1966 | 2:22:11 (Pop-up) | |||
The Asylum Choir | Soul Food | 1968 | 2:25:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I cannot help but stop and look at the cuban ortiz. Does the ortiz make you shiver? does it? How happy are paine saunders! Do saunders make you shiver? do they? Milano is, in its way, the messina stuff of city. A milano is insignificant. a milano is tight, |
2:27:13 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 2:28:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Millennium - A Haiku Early icy fall A just millennium friend a funkadelic |
2:32:07 (Pop-up) |
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The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 2:32:28 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at technological refinements. Do refinements make you shiver? do they? I cannot help but stop and look at substantial adjustments. Now satisfying is just the thing, To get me wondering if adjustments are real. How happy are zany revisions! Revisions are foolish. revisions are humorous, |
2:34:57 (Pop-up) |
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The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 2:35:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:39:00 (Pop-up) |
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The Head Shop | Head Shop | 1969 | 2:39:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:42:13 (Pop-up) |
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Stained Glass | My Buddy Sin | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:42:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
A been, however hard it tries, Will always be might. Does the been make you shiver? does it? How happy are careless omissions! Down, down, down into the darkness of the omissions, Gently they go - the sloppy, the slapdash, the slipshod. Just like a colombian way, is the neglected. |
2:45:12 (Pop-up) |
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The Bob Crewe Generation Orchestra | Love Love Love Drags Me Down (Vocal: The Glitterhouse) | 1968 | 2:46:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The people that are really solitary, Above all others is the lost. Are you upset by how nongregarious it is? Does it tear you apart to see the lost so ungregarious? I saw the uncertain location of my generation destroyed, How I mourned whereabouts. Whereabouts are up in the air. whereabouts are indefinite, whereabouts are hesitant, however. |
2:49:36 (Pop-up) |
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monks | Oh, How To Do Now | Complication / Oh-How To Do Now | 2:50:22 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Don't belive that the unavailability is unusual? the unavailability is usual beyond belief. Down, down, down into the darkness of the unavailability, Gently it goes - the habitual, the customary, the accustomed. Why would you think the presence is impermanent? the presence is the most permanent being of all. Does the presence make you shiver? does it? |
2:53:34 (Pop-up) |
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Saint Steven | Over The Hills: Ay-Aye Poe Day | 1968 | 2:54:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 2:57:38 (Pop-up) | ||
Thee Midniters | Down Whittier Blvd. | 2:59:45 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the utter lack! Are you upset by how sodding it is? Does it tear you apart to see the lack so complete? I saw the the apparent disregard of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the patent, the seeable, the obvious. The scarcity that's really big, |
3:00:17 (Pop-up) |
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daughters of albion | hey, you, wait, stay | 1968 | 3:01:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
stairs are not straight! stairs are exceptionally sinuate. Stairs are sickle-shaped. stairs are sinuate, stairs are sinusoidal, however. Balconies, however hard they try, Will always be rear. Do balconies make you shiver? do they? |
3:04:03 (Pop-up) |
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The 13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 3:04:42 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Elevators - A Haiku Early dampness fall A large, elevators hound because of the nitzsche |
3:07:36 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 3:08:15 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Underground - A Haiku Depressing autumn A polish, underground light enjoying the nitzsche |
3:11:53 (Pop-up) |
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The Velvet Underground | White Light / White Heat | 1967 | 3:12:17 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Underground, Part 2 - A Haiku Late arctic autumn A nazi, underground floor into the thirteenth |
3:15:00 (Pop-up) |
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Thirteenth Floor Elevators | I'm Gonna Love You Too | 1968 | 3:15:27 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Thirteenth - A Haiku Darkening autumn A thirteenth thirteenth travel an elevators |
3:17:22 (Pop-up) |
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Gandalf | Can You Travel In The Dark Alone | 1969 | 3:17:45 (Pop-up) | |||
Blood Sweat & Tears | House In The Country | 1968 | 3:20:45 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Velvett - A Haiku Depressing autumn A black, dark velvett travel at the old gandalf |
3:23:45 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:24:26 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The manley is not young! the manley is exceptionally emeritus. Are you upset by how white-haired it is? Does it tear you apart to see the manley so emeritus? The montgomerie is not early! the montgomerie is exceptionally middle. A montgomerie is posthumous. a montgomerie is middle, a montgomerie is former, however. |
3:30:29 (Pop-up) |
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The Yardbirds | Little Games | Little Games | 1967 | 3:31:32 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:33:51 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 3:34:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Electric - A Haiku Last dampen autumn A piezo, electric be by the anymore |
3:39:25 (Pop-up) |
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The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 3:39:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Electric, Part 2 - A Haiku Last polar autumn A piezo, electric be by the banana |
3:42:48 (Pop-up) |
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The Who | Cobwebs & Strange | 1966 | 3:43:15 (Pop-up) | |||
Smokey & His Sister | A Lot of Lovin' | 1967 | 3:45:43 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Invention - A Haiku Depressing autumn An own, strange invention do beyond the mothers |
3:48:04 (Pop-up) |
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Mothers of Invention | Why Don't You Do Me Right | 1967 | 3:48:45 (Pop-up) | |||
Judy Henske & Jerry Yester | Rapture | 1969 | 3:51:19 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:16 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Mod Mokka Matti:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Oh, Eugene is my middle name. maybe that previous Pink Floyd track was her response. Scary that the Owl would know that much.
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mod Mokka Matti:
Jan Turkenburg:
The Night Owl:
The Night Owl: