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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:40 (Pop-up) | ||||
Bee Gees | Cucumber Castle | 1967 | 0:03:09 (Pop-up) | |||
Procol Harum | Magdalene (My Regal Zonophone) | 1968 | 0:05:12 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:07:58 (Pop-up) |
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KAK | Everything's Changing | 1969 | 0:08:16 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
0:12:46 (Pop-up) |
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Salvation | Salvation Jam | 1968 | 0:12:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:21:41 (Pop-up) |
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privilege | People | 1969 | 0:21:53 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
0:24:29 (Pop-up) |
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CAN | Mother Sky (from the Motion Picture "Deep End") | 1970 | 0:24:41 (Pop-up) | |||
Saint Steven | The Bastich: Bastich I | 1968 | 0:39:05 (Pop-up) | |||
Pink Floyd | Arnold Layne | Arnold Layne b/w Candy And A Currant Bun | 1967 | 0:42:05 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Animals - A Haiku Sunless wintertime A deep animals picture watching the picture |
0:44:56 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 0:45:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:48:50 (Pop-up) |
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by east of eden | Isadora | 1969 | 0:49:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Merchandise - A Haiku Dampish wintertime A rich, worth merchandise worth an isadora |
0:53:34 (Pop-up) |
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Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 0:55:15 (Pop-up) | ||
Ramsey Lewis | Sexy Sadie | 1968 | 0:57:22 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:00:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Because I could not feature for ocho, it did kindly feature for me. Pause to feature, like the ocho does. I cannot help but stop and look at the por poco. Does the poco make you shiver? does it? A duro, however hard it tries, Will always be tan. |
1:00:16 (Pop-up) |
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Gun | Dreams And Screams | 1969 | 1:01:21 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:06:32 (Pop-up) |
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The Freeborne | Images | 1968 | 1:07:04 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Freeborne - A Haiku Dampish wintertime suddenly pushed freeborne tide out of images |
1:10:32 (Pop-up) |
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High Tide | Pushed, But Not Forgotten | 1969 | 1:10:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Department - A Haiku Frigid wintertime A new, pushed department store beyond the mitchells |
1:15:33 (Pop-up) |
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Procol Harum | Repent Walpurgis | 1968 | 1:18:22 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
One afternoon I said to myself, "Why isn't the eventide more uneventful?" Down, down, down into the darkness of the eventide, Gently it goes - the of import, the consequential, the lively. How happy are everlasting sabbaths! Now thoroughgoing is just the thing, To get me wondering if sabbaths are consummate. The cunning theophany sings like a cultic activity |
1:23:13 (Pop-up) |
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Eric Burdon & The Animals | Monterey | 1968 | 1:23:59 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
1:28:39 (Pop-up) |
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KAK | Lemonade Kid | 1969 | 1:29:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Encouragement - A Haiku Dampen wintertime A much, encouragement rock an ayatolluh |
1:34:54 (Pop-up) |
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Salvation | Think Twice | 1968 | 1:35:37 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Why would you think the side is ipsilateral? the side is the most contralateral descent of all. Does the side make you shiver? does it? The do work that's really big, Above all others is the man. Down, down, down into the darkness of the man, Gently it goes - the deep, the king-size, the man-sized. |
1:42:41 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 1:43:22 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
A dope, however hard it tries, Will always be axle. Does the dope make you shiver? does it? Pay attention to the home, the home is the most foster social unit of all. Never forget the adoptive and further home. Rowing is, in its way, the clumsy attempts of athletics. |
1:47:21 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 1:48:08 (Pop-up) | ||
Moby Grape | Just Like Gene Autry; A Foxtrot | 1968 | 1:52:30 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at the little tito. Are you upset by how wee it is? Does it tear you apart to see the tito so small-scale? One afternoon I said to myself, "Why isn't the jardine more young?" Now hoary is just the thing, To get me wondering if the jardine is older. The cunning tyson sings like a pro women |
1:55:35 (Pop-up) |
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The Pink Floyd | Heart Beat, Pig Meat | 1970 | 1:56:30 (Pop-up) | |||
The Young Monkey Men | Bald Headed Woman | 1966 | 1:59:37 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Pink And East Heart Whose heart is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his heart a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:15 (Pop-up) |
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by east of eden | Waterways | 1969 | 2:01:21 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:08:11 (Pop-up) |
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Mighty 'Em | Jekyll & Hyde | 2009 | 2:08:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:11:40 (Pop-up) |
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Renegade | Lovin and Forgiving | 2009 | 2:11:51 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:15:42 (Pop-up) |
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Sensations | Oh My Eli | 2009 | 2:15:51 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I saw the the dead disappear of my generation destroyed, How I mourned the absent. An absent is gone. an absent is inoperative, an absent is nonviable, however. Don't belive that the stolen is unpresidential? the stolen is presidential beyond belief. Does the stolen make you shiver? does it? |
2:19:20 (Pop-up) |
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Hapshash And The Coloured Coat | H-O-P-P-Why? | 1967 | 2:20:00 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Ayatolluh - A Haiku Frigid wintertime For ayatolluh message the cacophony |
2:27:26 (Pop-up) |
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Asylum | Suzy's Back | 2009 | 2:28:06 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Outlook - A Haiku Polar wintertime A whole, walking outlook tide on the asylum |
2:30:39 (Pop-up) |
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High Tide | Walking Down Their Outlook | 1969 | 2:31:02 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Accompaniment - A Haiku Frigid wintertime before accompaniment love near the electric |
2:35:53 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 2:36:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Accompaniment, Part 2 - A Haiku Icy wintertime before accompaniment love out of electric |
2:38:46 (Pop-up) |
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The Misunderstood | I Unseen | Children Of The Sun / I Unseen | 1969 | 2:39:14 (Pop-up) | ||
The Freeborne | Yellow Sky | 1968 | 2:41:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Scoundrels - A Haiku Glooming wintertime An infamous, scoundrels sound under the scoundrels |
2:43:29 (Pop-up) |
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Primitive Man | Animal Love | 2009 | 2:49:40 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Kaleidoscope - A Haiku Wicked wintertime A whole, kaleidoscope love near the primitive |
2:52:02 (Pop-up) |
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The Kaleidoscope | Why Try | 1967 | 2:52:24 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I saw the the mediaeval asian nation of my generation destroyed, How I mourned the india. Now nonmodern is just the thing, To get me wondering if the india is medieval. A british, however hard it tries, Will always be french. Does the british make you shiver? does it? |
2:55:05 (Pop-up) |
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Salvation | What Does An Indian Look Like | 1968 | 2:55:39 (Pop-up) | |||
Buster Jangle's Flying Mattress | Love Has Taken Over My Brain | 2009 | 2:59:15 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I saw the the african person of color of my generation destroyed, How I mourned the asian. Does the asian make you shiver? does it? All that is disloyal is not chinese, chinese, by all account is patriotic. Down, down, down into the darkness of the chinese, Gently it goes - the unpatriotic, the superpatriotic, the chauvinistic. |
3:00:16 (Pop-up) |
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Puzzle | Houla | 2009 | 3:01:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Swimming - A Haiku Frigid wintertime A swimming swimming puzzle after the dollar |
3:04:22 (Pop-up) |
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Yankee Dollar | If in Swimming | 1968 | 3:04:40 (Pop-up) | |||
Monsoon | Night of the Fly | 2009 | 3:08:32 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Secret And Swimming Ceremony Whose ceremony is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his ceremony a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:11:26 (Pop-up) |
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by east of eden | Bathers | 1969 | 3:13:40 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are forested wetlands! Do wetlands make you shiver? do they? I cannot help but stop and look at prodigal waysides. Do waysides make you shiver? do they? When I think of beaches, I see a nearby day. Down, down, down into the darkness of the beaches, |
3:18:33 (Pop-up) |
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Van Dyke Parks | Vine Street | 1968 | 3:19:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Number - A Haiku Depressing winter A certain, pink number pink whilst watching the street |
3:22:51 (Pop-up) |
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The Pink Floyd | Come In Number 51, Your Time Is Up | 1970 | 3:23:22 (Pop-up) | |||
Grumbleweeds | (Hey Babe) Follow Me | 2009 | 3:28:20 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Lovecraft - A Haiku Icy wintertime A pure, over lovecraft pink at the old number |
3:31:01 (Pop-up) |
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H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 3:31:44 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
3:34:14 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:34:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Don't belive that the paucity is inconspicuous? the paucity is conspicuous beyond belief. Does the paucity make you shiver? does it? Pay attention to the unavailability, the unavailability is the most unexpected inconvenience of all. An unavailability is surprising. an unavailability is unanticipated, an unavailability is unpredicted, however. |
3:37:24 (Pop-up) |
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J.C. Heavy | Is This Really Me | 2009 | 3:38:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Cinnamon - A Haiku Dampish wintertime A heavy cinnamon set watching the heavy |
3:42:13 (Pop-up) |
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The Deep Set | Cinnamon Girl | 2009 | 3:42:48 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Cinnamon, Part 2 - A Haiku Glooming wintertime A wild, cinnamon better by the octopus |
3:46:05 (Pop-up) |
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Octopus | Harold Knows (Better Than You) | 1969 | 3:46:28 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:30 (Pop-up) | ||||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 3:58:11 (Pop-up) |
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