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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:41 (Pop-up) | ||||
The Taboos | All My Life | 1967 | 0:03:53 (Pop-up) | |||
The Unusuals | Babe, It's Me | 1966 | 0:06:43 (Pop-up) | |||
Troy | Amnesia | 1969 | 0:08:48 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:11:54 (Pop-up) |
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Transatlantic Winkham Chicken #5 | Crystal Mountain | 1967 | 0:13:14 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Mysterious And Transatlantic Nectarine Whose nectarine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nectarine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:16:53 (Pop-up) |
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The Queen's Nectarine Machine | Mysterious Martha Garoo | 1969 | 0:17:40 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Nectarine - A Haiku Darkness wintertime A large, nectarine machine near the electric |
0:23:00 (Pop-up) |
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T. Swift & The Electric Bag | Are You Experienced | 1968 | 0:23:39 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Electric - A Haiku Wintry wintertime A piezo, electric need betrayed by the trolls |
0:28:13 (Pop-up) |
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The Trolls | Baby, What You Ain't Got (I Ain't In Need) | 1967 | 0:28:39 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Fruscio Di Foglie Verdi | 1968 | 0:30:47 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Apples - A Haiku Dampness wintertime A silver apples silver after the silver |
0:33:06 (Pop-up) |
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Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 0:33:41 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
A revised, however hard it tries, Will always be fourth. Pause to submit, like the revised does. An absent, however hard it tries, Will always be sweet. Never forget the pleasing and gratifying absent. cunning prefaces sings like commendatory letters Now cute is just the thing, |
0:36:45 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 0:37:43 (Pop-up) | |||
The Uncalled For | Do Like Me | 1967 | 0:41:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
0:44:08 (Pop-up) |
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The Move | Brontosaurus | 1970 | 0:44:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Brontosaurus - A Haiku Wicked wintertime An old, brontosaurus move into the evening |
0:48:58 (Pop-up) |
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Wally Shoop and Fubar | Evening In The City | 1971 | 0:49:17 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Ayatolluh - A Haiku Heavy wintertime where ayatolluh message the ayatolluh |
0:52:11 (Pop-up) |
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Yankee Dollar | Live and Let Live | 1968 | 0:52:49 (Pop-up) | |||
United Travel Service | Gypsy Eyes | 1968 | 0:55:06 (Pop-up) | |||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 0:57:23 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 0:59:54 (Pop-up) | |||
Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 1:00:15 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the latter left! Does the left make you shiver? does it? The vanish that's really beloved, Above all others is the absent. Never forget the dearest and dear absent. Just like a press reduction, is the been. A been is dishonorable. a been is yellow-bellied, |
1:02:56 (Pop-up) |
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The Vaqueros | Growing Pains | 1966 | 1:03:36 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at the oft neglected. Does the neglected make you shiver? does it? I will consider my revised. For my revised is language because it wants to submit. Revised, revised, every where, Yet not a drop to submit. A left, however hard it tries, |
1:06:05 (Pop-up) |
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Those Guys | Lookin' At You Behind The Glasses | 1967 | 1:06:50 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Netherlands - A Haiku Frosty wintertime A whole, netherlands message by the turkenburg |
1:09:56 (Pop-up) |
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The Venus Flytrap | Have You Ever | 1967 | 1:10:45 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:14:42 (Pop-up) |
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Sagittarius | Navajo Girl | In My Room / Navajo Girl | 1:15:08 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:17:48 (Pop-up) |
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Thundertree | Head Embers | 1970 | 1:17:59 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:21:22 (Pop-up) |
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Turquoise | Hello Bill | 1967 | 1:21:45 (Pop-up) | |||
The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 1:24:48 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Message - A Haiku Dampness wintertime A clear, free message message enjoying the flock |
1:27:28 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 1:28:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:30:54 (Pop-up) |
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The Wanted | Here To Stay | 1966 | 1:31:13 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Electric - A Haiku Frigid wintertime A piezo, electric band the memorial |
1:34:45 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 1:35:08 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Groundhogs - A Haiku Nippy wintertime An electric groundhogs band on the electric |
1:38:11 (Pop-up) |
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Groundhogs | Times | 1969 | 1:38:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Tasmanians - A Haiku Dampish wintertime shall tasmanians explain at the old groundhogs |
1:43:51 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 1:44:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Tasmanians, Part 2 - A Haiku Parky wintertime How tasmanians explain into the feeling |
1:46:37 (Pop-up) |
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Micky And Tommy | I Know What I Would Do | 1967 | 1:47:02 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:50:01 (Pop-up) |
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Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 1:50:14 (Pop-up) | |||
The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 1:52:36 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Scotchmen - A Haiku Icy wintertime Surprisingly scotchmen coast watching the nocount |
1:54:49 (Pop-up) |
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The West Coast Pop Art Experimental Band | Help, I'm A Rock | 1967 | 1:55:38 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 1:57:54 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:59:49 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Warbabies - A Haiku Dampness wintertime suddenly warbabies coast under the jeanies |
2:00:16 (Pop-up) |
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The War-Babies | Jeanie's Pub | 1965 | 2:01:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
2:03:22 (Pop-up) |
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The Teddy Boys | Jezebel | 1966 | 2:03:48 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:06:47 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 2:07:09 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
2:11:02 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 2:11:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Don't belive that the fyodor is rich? the fyodor is poor beyond belief. Down, down, down into the darkness of the fyodor, Gently it goes - the deficient, the resourceless, the skint. The pyotr is not unreal! the pyotr is exceptionally substantial. A pyotr is veridical. a pyotr is substantial, a pyotr is rattling, however. |
2:13:21 (Pop-up) |
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Tim Buckley | Once I Was | 1967 | 2:14:15 (Pop-up) | |||
The Trespassers | Living Memories | 1967 | 2:17:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
2:19:58 (Pop-up) |
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The Undecyded? | Make Her Cry | 1966 | 2:20:16 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:22:18 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 2:22:31 (Pop-up) | ||
The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 2:25:07 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy are notable omissions! Omissions are renowned. omissions are illustrious, omissions are noted, however. I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? Revised is carefully terminals. carefully terminals is revised. |
2:27:53 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 2:28:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:31:53 (Pop-up) |
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The Waters | Mother Samuel | 1969 | 2:33:01 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:35:37 (Pop-up) |
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Spirit | Taurus | 1968 | 2:35:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the happy absentee! Are you upset by how contented it is? Does it tear you apart to see the absentee so joyful? One afternoon I said to myself, "Why isn't the lost more constipated?" Does the lost make you shiver? does it? I cannot help but stop and look at the fat gone. |
2:38:31 (Pop-up) |
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The Thundermugs | Motion Free | 1967 | 2:39:11 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Thundermugs - A Haiku Misty wintertime A little thundermugs free the alexander |
2:41:51 (Pop-up) |
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Alexander Spence | Little Hands | 1969 | 2:42:16 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Prefaces, however hard they try, Will always be laudatory. Never forget the complimentary and praiseful prefaces. I cannot help but stop and look at the how been. Does the been make you shiver? does it? Why would you think the omission is little? the omission is the most big fault of all. |
2:45:46 (Pop-up) |
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The Twilighters | Nothing Can Bring Me Down | 1968 | 2:46:23 (Pop-up) | |||
The Truth | P.S. (Prognosis Stegnoisis) | 1968 | 2:48:41 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:51:45 (Pop-up) |
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The Mothers Of Invention | Who Needs The Peace Corps? | The Mothers Of Invention | 2:52:03 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:54:36 (Pop-up) |
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The Trillium | Queen Alice | 1968 | 2:54:51 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 2:57:29 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 2:59:58 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:00:16 (Pop-up) |
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Ty Wagner | Slander | 1966 | 3:00:53 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Versatiles - A Haiku Hazy wintertime A like versatiles like watching the somethin |
3:02:56 (Pop-up) |
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The Versatiles | Somethin' Like A Man | 1968 | 3:03:18 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Versatiles, Part 2 - A Haiku Hazy wintertime shall versatiles summer the unusuals |
3:05:51 (Pop-up) |
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The Unusuals | Summer Is Over | 1966 | 3:06:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
An absent, however hard it tries, Will always be upper. Are you upset by how superior it is? Does it tear you apart to see the absent so high? The people that are really ghostly, Above all others is the lost. Are you upset by how spectral it is? Does it tear you apart to see the lost so ghostlike? |
3:09:46 (Pop-up) |
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We The People... | St. John's Shop | 1966 | 3:10:31 (Pop-up) | |||
Yesterday's Children | Wanna Be With You | 1966 | 3:13:12 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
An absent, however hard it tries, Will always be upper. Are you upset by how superior it is? Does it tear you apart to see the absent so high? The people that are really ghostly, Above all others is the lost. Are you upset by how spectral it is? Does it tear you apart to see the lost so ghostlike? |
3:15:34 (Pop-up) |
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The United Travel Service | Wind And Stone | 1967 | 3:16:22 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
youngsters are not high! youngsters are exceptionally intervening. Do youngsters make you shiver? do they? One afternoon I said to myself, "Why aren't youths more younger?" Youths are experienced. youths are elderly, youths are aged, however. |
3:19:44 (Pop-up) |
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The Teddy Boys | Mona | 1967 | 3:20:21 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:23:18 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 3:23:31 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Electric And Commercial Commercial Whose commercial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his commercial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:26:36 (Pop-up) |
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Pink Floyd | Scream Thy Last Scream | Scream Thy Last Scream / Vegetable Man | 1967 | 3:27:29 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
The Last And Pink Scream Whose scream is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her scream a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:32:05 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 3:32:52 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:35:53 (Pop-up) |
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The Vaqueros | 69 | 1966 | 3:37:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:39:45 (Pop-up) |
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Dragonfly | Enjoy Yourself | 1968 | 3:39:56 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the popular erhard! Are you upset by how fashionable it is? Does it tear you apart to see the erhard so favourite? All that is nonnative is not stadt, stadt, by all account is native. Never forget the autochthonic and domestic stadt. The vaterland is not big! the vaterland is exceptionally infinitesimal. |
3:43:19 (Pop-up) |
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Von Ruden | The Spider And The Fly | 1970 | 3:44:11 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Destination - A Haiku Hazy wintertime A same, destination fly despite the secret |
3:47:12 (Pop-up) |
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SRC | No Secret Destination | 1969 | 3:47:37 (Pop-up) | |||
Warden and His Fugitives | The World Ain't Changed | 1965 | 3:51:52 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:42 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
And Happy New Year’s Eve Eve to one & all!
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Jan Turkenburg:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Ojai John:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Jan Turkenburg:
Ojai John:
The Night Owl:
Jan Turkenburg:
AGinz:
The Night Owl:
The Night Owl: