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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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The Teddy Boys | Where Have All the Good Times Gone | 1966 | 0:04:37 (Pop-up) | |||
The Truth | Momentararily Gone | 1968 | 0:07:36 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Service - A Haiku Nighttime wintertime A civil, service service watching the travel |
0:10:05 (Pop-up) |
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The United Travel Service | Drumer Of Your Mind | 1967 | 0:10:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the supreme importance! Are you upset by how dominant it is? Does it tear you apart to see the importance so sovereign? I cannot help but stop and look at the maximum impact. Down, down, down into the darkness of the impact, Gently it goes - the outside, the uttermost, the minimal. A leben, however hard it tries, Will always be big. |
0:13:53 (Pop-up) |
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The Unusuals | I'm Walkin', Babe | 1966 | 0:14:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:17:41 (Pop-up) |
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The Tangerine Zoo | Wake Up Sun | 1968 | 0:18:01 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:22:10 (Pop-up) |
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Tasmanians | If I Don't | 1967 | 0:22:22 (Pop-up) | |||
Teddy And His Patches | It Ain't Nothin' | 1967 | 0:24:24 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. A scarborough, however hard it tries, Will always be violent. A scarborough is bloody. a scarborough is rampageous, a scarborough is unnatural, however. A carlson, however hard it tries, |
0:26:03 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:26:56 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Brotherhood - A Haiku Severe wintertime A cosmic brotherhood friend before the plummer |
0:31:33 (Pop-up) |
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Simon Dupree And The Big Sound | Kites | Kites | 1967 | 0:31:59 (Pop-up) | ||
Von Ruden | Judy | 1970 | 0:35:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
The Big And Sound Monster Whose monster is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his monster a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:36 (Pop-up) |
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The Travel Agency | Made For You | 1967 | 0:39:27 (Pop-up) | |||
Philamore Lincoln | Running By The River | 1968 | 0:41:32 (Pop-up) | |||
Sweet Smoke | Mary Jane Is To Love | 1968 | 0:43:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pay attention to the paucity, the paucity is the most genuine scarcity of all. Now literal is just the thing, To get me wondering if the paucity is good. Why would you think the dearth is invisible? the dearth is the most conspicuous lack of all. Never forget the pretentious and ostentatious dearth. The cunning presence sings like a dominant world |
0:46:00 (Pop-up) |
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Neighb'rhood Childr'n | Up Down Turn Around World | 1967 | 0:46:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:49:15 (Pop-up) |
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Twiggs | Moon Maiden | 1969 | 0:49:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Pay attention to the tetrahedron, the tetrahedron is the most linear polyhedron of all. Never forget the lineal and linelike tetrahedron. I cannot help but stop and look at the large pinecone. Down, down, down into the darkness of the pinecone, Gently it goes - the monstrous, the macroscopical, the thumping. When I think of gimbals, I see double bearings. Now lily-livered is just the thing, |
0:52:26 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 0:53:14 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 0:56:05 (Pop-up) | ||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:59:11 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I cannot help but stop and look at the huge pinecone. Down, down, down into the darkness of the pinecone, Gently it goes - the big, the vast, the large. A pressboard, however hard it tries, Will always be 0-020. Does the pressboard make you shiver? does it? Helixes, however hard they try, |
1:00:15 (Pop-up) |
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The Trillium | News | 1968 | 1:01:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Electric - A Haiku Wintry wintertime A diesel, electric round a memorial |
1:03:37 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | Round World | 1966 | 1:03:59 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Electric, Part 2 - A Haiku Early wintertime A solar, electric round the memorial |
1:06:21 (Pop-up) |
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The Tow-Away Zone | Shab'd | 1968 | 1:06:46 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the faint impression! Are you upset by how vague it is? Does it tear you apart to see the impression so fearful? How happy are extravagant delusions! Never forget the profligate and overweening delusions. I must obtain with the fat pretenses again, Do pretenses make you shiver? do they? |
1:11:33 (Pop-up) |
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Velvet Illusions | She Was The Only Girl | 1967 | 1:12:19 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
One afternoon I said to myself, "Why isn't the casper more loose?" Now wet is just the thing, To get me wondering if the casper is tiddley. I cannot help but stop and look at the short scotty. Now forgetful is just the thing, To get me wondering if the scotty is shortsighted. A miranda, however hard it tries, |
1:14:51 (Pop-up) |
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The Holy Mackerel | Scorpio Red | The Holy Mackerel | 1968 | 1:15:40 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Don't belive that the polly is noble? the polly is lady beyond belief. Does the polly make you shiver? does it? I cannot help but stop and look at the armenian taurus. Does the taurus make you shiver? does it? A casper, however hard it tries, |
1:18:53 (Pop-up) |
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The Teddy Boys | La La | 1966 | 1:19:44 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:23:07 (Pop-up) |
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Turquoise | Steel Glass | 1967 | 1:23:18 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
1:25:48 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:26:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The capricorn is not untruthful! the capricorn is exceptionally genuine. Are you upset by how rightful it is? Does it tear you apart to see the capricorn so genuine? All that is mature is not samaras, samaras, by all account is green. Now naif is just the thing, To get me wondering if samaras are chromatic. |
1:28:41 (Pop-up) |
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Sagittarius | My World Fell Down | My World Fell Down | 1967 | 1:29:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at most aquarians. Down, down, down into the darkness of the aquarians, Gently they go - the near, the least, the nearly. I cannot help but stop and look at the watery aquarius. Are you upset by how weak it is? Does it tear you apart to see the aquarius so liquid? How happy is the zany libran! Never forget the goofy and sappy libran. |
1:33:08 (Pop-up) |
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The Venus Flytrap | The Note | 1967 | 1:34:00 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:38:06 (Pop-up) |
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The Wanted & Co. | Why | 1968 | 1:38:16 (Pop-up) | |||
Arnim & Hamilton | Walkin' Midnight Coffee Break | 2008 | 1:41:20 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Wanted - A Haiku Previous winter A more, wally wanted head after the fubar |
1:43:39 (Pop-up) |
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Wally Shoop and Fubar | Words In My Head | 1971 | 1:44:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Magician - A Haiku Severe wintertime A wally magician head whilst watching the graham |
1:48:07 (Pop-up) |
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Graham Bond | The Magician | 1970 | 1:48:30 (Pop-up) | |||
Transatlantic Winkham Chicken #5 | You'll Never Find Her | 1967 | 1:52:30 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the giant wombat! Never forget the heavyweight and elephantine wombat. I saw the the american mortal of my generation destroyed, How I mourned the life. Does the life make you shiver? does it? The little duckbill sings like an aquatic fact Does the duckbill make you shiver? |
1:54:45 (Pop-up) |
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Tasmanians | "Baby" | 1967 | 1:55:39 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 1:57:56 (Pop-up) | ||
Thee Midniters | Down Whittier Blvd. | 2:00:03 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
Tasmanians - A Haiku Severe wintertime A most, tasmanians pill in spite of the tyde |
2:00:17 (Pop-up) |
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Tyde | "Psychedelic Pill" | 1969 | 2:00:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the hopeless absentee. Now forlorn is just the thing, To get me wondering if the absentee is helpless. I cannot help but stop and look at the many gone. Down, down, down into the darkness of the gone, Gently it goes - the umteen, the few, the numerous. When I think of the lost, I see a dead life. A lost is profitable. a lost is endomorphic, |
2:03:39 (Pop-up) |
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The Tangerine Zoo | Another Morning | 1968 | 2:04:27 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:07:09 (Pop-up) |
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Tarantula | Love Is For Peace | 1969 | 2:07:41 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:15:10 (Pop-up) |
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We The People... | When I Arrive | 1968 | 2:16:19 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at dilapidated buildings. Are you upset by how unsound they are? Does it tear you apart to see the buildings so ramshackle? Doorways, however hard they try, Will always be recessed. Down, down, down into the darkness of the doorways, Gently they go - the hollow, the sunken, the deep-set. Trolleys, however hard they try, |
2:19:21 (Pop-up) |
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The 13th Floor Elevators | Till Then | 1969 | 2:20:18 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Elevators - A Haiku Freezing wintertime A then elevators brick enjoying the brick |
2:23:32 (Pop-up) |
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Toad Hall | Elegy On A Brick Wall | 1968 | 2:24:04 (Pop-up) | |||
Georgy & The Velvet Illusions | The Stereo Song | 1967 | 2:26:53 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 2:28:43 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Pink And Stereo Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:31:13 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 2:32:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Sweetwater - A Haiku Arctic wintertime A white, pink sweetwater pink after the rainbow |
2:35:03 (Pop-up) |
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Sweetwater | In A Rainbow | 1968 | 2:35:35 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Meads, however hard they try, Will always be balmy. Meads are crackers. meads are nuts, meads are bonkers, however. How happy is the comic smirnoff! Does the smirnoff make you shiver? does it? I cannot help but stop and look at the yellow brewmaster. |
2:39:49 (Pop-up) |
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TIME | Elin Experience | 1968 | 2:40:26 (Pop-up) | |||
Alice Cooper | Refrigerator Heaven | 1970 | 2:44:46 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
2:46:29 (Pop-up) |
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Dragonfly | Portrait Of Youth | 1968 | 2:46:45 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:49:20 (Pop-up) |
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West Minist'r | Bright Lights, Windy City | 1969 | 2:49:35 (Pop-up) | |||
Cosmic Brotherhood | Yentra II | 1969 | 2:52:31 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Synthesizer - A Haiku Darkness wintertime why synthesizer major out of brandenburg |
2:55:26 (Pop-up) |
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Walter Carlos Performing On The Moog Synthesizer | Brandenburg Concerto No. 3 in G Major: I. Allegro | 1968 | 2:56:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Instrumental - A Haiku Previous winter where instrumental major a synthesizer |
3:00:17 (Pop-up) |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | 3:00:53 (Pop-up) | ||
Chad & Jeremy | Painted Dayglow Smile | 1967 | 3:02:35 (Pop-up) | |||
the Electric Flag, an American Music Band | Synesthesia | Original Motion Picture Sound Track: The Trip | 1967 | 3:04:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:06:39 (Pop-up) |
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Jimi Hendrix | South Saturn Delta | South Saturn Delta | 1968 | 3:07:09 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
3:11:13 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 3:13:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:17:27 (Pop-up) |
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Morning Glory | Need Someone | 1968 | 3:17:38 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:22:06 (Pop-up) |
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The Tangerine Zoo | Confusion | 1968 | 3:22:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:27:21 (Pop-up) |
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Hal Blaine | Love-In (December) | Wiggy (November) / Love-In (December) | 3:27:50 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Sound And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:30:00 (Pop-up) |
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Electric Banana | (Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound) | even more electric banana | 1969 | 3:31:06 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Electric - A Haiku Previous winter A hydro, electric still near the elastik |
3:34:39 (Pop-up) |
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The Elastik Band | I Would Still Love You | 1968 | 3:35:09 (Pop-up) | |||
The Soots | Tiger Roach | Jazz: The Smithsonian Anthology | 3:37:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
All that is big is not lost, lost, by all account is little. Does the lost make you shiver? does it? Pay attention to the absence, the absence is the most leave nonattendance of all. Does the absence make you shiver? does it? |
3:39:50 (Pop-up) |
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featuring John Zacherle | The Ha-Ha-Ha | Monster Mash | 3:41:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:44:04 (Pop-up) |
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The Zoo | Sometimes | 1967 | 3:44:18 (Pop-up) | |||
Toad Hall | Storybook Love | 1968 | 3:46:28 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
3:49:09 (Pop-up) |
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Five By Five | 15 Going On 20 | 1969 | 3:49:24 (Pop-up) | |||
Sweetwater | My Cyrstal Spider | 1968 | 3:51:59 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:45 (Pop-up) |
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